Fans pick 100 books like The Alphabet Man

First published in 1959, Naked Lunch was shocking then, and it still retains its power today. Both in content and structure, Naked Lunch is powerful and wholly original.  In effect, it becomes more than a work of fiction, it becomes an experience. Burroughs invented a technique called the “cut-up method,” where he cut up his coherent storyline into paragraphs, scenes, and even sentences, then reordered them both randomly and editorially. The disorder thematically represents the chaos of existence and the universe, and it also disrupts the reader. Like the book or not, it shakes you into realizing that there are possibilities beyond the conventional.

Burrough’s language is honed to a razor’s edge, and I find that many of the sentences in Naked Lunch burn like fire. The meaning of the title as Burroughs explains it is to bare the naked truth of reality on the end of a fork. From… show more.

In the summer of 1968, I was 20 and spent the summer pretty much banally in Israel and Europe. Around me, the world was on fire, but I was inside my own head.

Eventually, I washed up in Dublin, where I walked in a cold rain to Dorset Street, there to recreate Leopold Bloom’s pork kidney purchase from Dlugacz, the butcher. There was no Dlugacz on Dorset, but there was another butcher who stuffed into stiff pink butcher paper something that glistened and oozed. My plan was to fry it up, as Leopold had, on the hotplate in my rented room. It did not go well. I was felled intestinally in dramatic fashion; pity there was no one to observe. 

Somehow, in my travels, I had obtained a copy of At Swim Two-Birds, and now, my insides recreating The Troubles, I wanly reached for it and read the first paragraph:… show more.

I Hate the Internet is an uncompromising punch in the face that blends comedy with a didactic, experimental style. It names names and kicks ass. It’s vibrant and energizing. The majority of traditional literary fiction at its core finds its value in teaching empathy through believable characters. And while there’s nothing wrong with that, we still stand today with a world collapsing around us environmentally and politically. We need more books that just say fuck it, conservative forms have not saved us from global warming, political fascism, or dehumanizing capitalism so let’s try something different. At least here’s a unique attempt to rage against the machine. I call it a must-read.

Locos is charming and cruel, tragic and hilarious, ambiguous yet direct, and written with clear, poetic prose. The experimental style on display never overwhelms the narrative. Despite the fact that Alfau directly declares the fictive nature of his characters, he made me care about them. The book contains a series of interconnected short stories with characters reappearing throughout and even when they are not featured, a brief mention may act as a dramatic revelation that changes significantly what you read before. And further, some of the characters seem to metamorphosize and serve different roles in subsequent stories.

The entirety manages to hold together as more of a novel than a collection partly thanks to the overlapping characters, partly through the consistent tone and style, and partly because Alfau is always in the background or making appearances as "the author." Some of the stories are quite hilarious, while some are devastating.… show more.

A hugely ambitious mix of text and graphic design, in which typography is used in bold and disarming ways. It is also a genuinely compelling sci-fi novel about very, very, big ideas. Filled with meta-narratives, in-jokes, artistic references, and mixed media, it’s an interesting alternative to that other oft-cited cult classic House of Leaves. As someone who has worked as both designer and editor, I was blown away by Hughes’s ability to combine a good story with such avant-garde design. The themes communicated will give you much to contemplate – or ramble on about to any friends you successfully corner. A staggering achievement destined to be a future cult classic.

I love the sheer simplicity of this novel's theme and the chaos a simple act can wreck. The novel begins with the main character deciding to shave off the mustache he has had for more than a decade while his wife is out. When she returns, she says nothing about the missing mustache. When he brings it up, she denies he has ever had a mustache. Likewise, friends and colleagues say the main character never had a moustache. 

Things get worse from there. The novel raises questions about identity, trust, and memory.

This is a short book in which Newman explores the changes in what the term ‘video’ means.

The term is closely intertwined with the history of television, describing first television broadcasts and then how taping was used to bridge the time differences between the American east and west coasts. The term then described the ways home video revolutionized how video was used in the private sphere. Today, we receive videos as the digital snippets we see on YouTube or the short clips we post on social media. 

I like Newman’s work in general. But this book tells us so much about TV history in the US; I find it an incredibly fascinating work.

LeGrice was a founder of the London Filmmakers’ Co-op in 1968 and has worked ever since as a film and video maker, teacher, and writer. His book collects a large number of theoretical and critical essays on a range of topics, from film as material to the way films variously position the spectator as a consumer and/or self-conscious critic, to comparisons between film and digital media, in aesthetic, technological, and ecological terms. The essays are always approachable, even when he is discussing more abstract theoretical problems. Many examples are discussed.

While written from a Yugoslav perspective, this book is a fascinating study of films made using unconventional methods, materials, and equipment, including ‘written films’: films that exist as texts and that would be impossible to make as films. Levi draws on the historical and the post-war avant-garde; Dada, Surrealism, Lettrisme, Structural-Materialist film, and other movements that constitute a material and ideological rejection of conventional cinema and the way it treats the medium as a mere means to an end. In these works, produced in Japan, Europe, and the USA, the technology is turned on itself, interrogated, and repurposed to anti-illusionistic ends.

It is Bakker’s controversial rethinking of the lives and science behind earth’s prehistory. In his avant-garde ideas, Bakker proposes and answers questions of things like what these monsters are and how they defended themselves or hunted. He even spoke on how they might have reproduced.

It’s a book to create dreamers who can take the torch to shed new light on those questions we all share in common as members of humanity.