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This book was introduced on the first day of art school. Then, it was reintroduced and repeated by each professor for the duration of my education. As such, it's fair to say that it's an enduring force within academic circles. 

The book touches on major points essential for any informed artist and the need for modern artists to subvert our viewers' hidden biases. It eloquently teaches artists to dive beneath the surface of a work to understand the unseen, the context, and the subtext. Ways of Seeing skillfully inspires a new lens through which to view the world and urges its readers to peel back the layers of meaning from even the most minimal artworks.

For me and so many other artists, this book was an awakening and is one that I turn back to often and am doomed to cite for eternity. It's a transformative journey that challenges and… show more.

Reading this book encouraged me to use my attention and even personhood as a form of resistance against our fitter, happier, more productive society. A ‘why’ book more than a ‘how’ book, Odell shaped and squeezed my brain the whole time I was reading it and showed me how to find happiness that wasn't tied to doing ever more things.

In today’s media environment of 24-hour news, clickbait, and social media, there is tremendous competition to grab our attention. Our attention and our data have become commodities that can be monetized and sold to the highest bidder.

I love this book because Wu places this struggle for our attention in a broader historical context, tracing its roots to a 19th-century newspaper owner who discovered that advertising revenue could bring in more profits than the price he charged for newspapers. This business model has been applied to radio, television, and now the internet, but the goals remain the same.

Wu is a consummate storyteller and provides numerous examples of how we are being manipulated for profit. 

I read this 1933 mystery novel as a teen, and it might have begun my love affair with the hero in disguise. In this book, we meet Death Bredon, a newly hired copywriter at Pym’s Publicity. We know, of course, that he is Lord Peter Wimsey in disguise, but we don’t know why the aristocratic amateur detective is pretending to be a working Joe.

The mystery is flawless; the ad agency setting is delightful; the banter is witty; and the climactic cricket match, in which our disguised hero lets his mask slip, is delicious.

The most “please don’t do it” I have felt in response to a story is as Gray’s protagonist Thaw empties his pockets and throws his life documents and identifying possessions from a moving train on his way to his moment of madness. This will transpose or transform or, I suppose we must, translate Thaw into Lanark.

Critics have noted the many madcap imaginative moments in Gray’s large (in every sense) debut novel. The sequencing of the parts alone (Part 3, Part 1, Part 2, and Part 4) is enough to signal we are in no realist story of a boy and man’s life in Glasgow – more, think surrealist – and yet the book is also just that, and Glasgow is a hell called Unthank in the imagination of an artist who lived all his life in Glasgow.

This is the first volume of a trilogy on psychoactive plants and synthetic drugs. While this is a well-worn path, I’ve never seen it traversed quite like this. Pendell weaves together science, alchemy, illustrations, poetry, and quotations to reveal the spirit behind each molecule he discusses. The sections on stimulants are the longest and most enthusiastic, while the hallucinogens are given the most whimsical prose. It’s a fascinating treatment of a fascinating subject. Some will hate it, but the right person will love it.

Carrington’s surrealist masterpiece is a bit lighter than her other well-known novel, Down Below.

She tells the tale of someone not often seen, much less celebrated, in literature - the crone. At age 92, Marion Leatherby is given the gift of a hearing trumpet by her dear friend Carmella. It is only then she can hear that her family is planning on sending her to an institution.

Carrington’s fondness for the tarot (she even painted her own deck) can be found in the archetypal characters Leatherby encounters at the institution including the Abbess, the Snow Queen, and the Queen Bee among others.     

How can you have a list of cult books without William Burroughs? I nearly put some Burroughs on this list, but as this is for hard-to-impress fans of cult books, you’ve probably already read him. I was also tempted to include Hakim Bey’s Temporary Autonomous Zone, but again, you’ve probably already read him (or object to him on reputation alone). Michael Muhammad Knight takes on both these figures while attempting to write the Great American Queer Islamo-Futurist Novel. Contains hip-hop history, gay fiction, and sacrilege – what’s not to like? A blasphemous blend of autobiography and literary experimentation.

I have no idea why this book was made. Star Trek was a cult show that was nearly canceled after its second season until the first fan campaign helped it earn one more run. So whose genius idea was it—in the midst of production—to create this book detailing how the show was made from soup to nuts? My thanks to the writers, editors, and publishers who made it happen. Because the result is an extraordinary contemporaneous look at a television show from the 1960s that changed the world. And my life, too. I found Star Trek as a child and this book as an early teen. Its insights made me determined that I, too, would somehow become a part of Star Trek production. Even if the show had finished filming before I was even born. Bless my Trekkie English teacher who had this book on her “borrowing” shelf. 

A brilliant collection of horror stories, my favourite being Sometimes They Come Back.

I recommend this ghostly tale for its depiction of the fine line between the spirit realm and the world we live in. The narrative of earth-bound ghosts and their determination to exact revenge on the living bringing forth a fierce battle between good and evil. The latter played on my mind as I empathised with the main character’s psychological struggle with recapitulated past events, leaving those around him to question his sanity.