Here are 81 books that Mothered fans have personally recommended if you like
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I’ve been fascinated by epidemiology since I was a little kid first reading about the Black Death, and that interest only grew as I learned more about it over the years. Diving into the study of environmental history was especially fascinating for me, as I learned how under-emphasized the role of epidemics and pandemics has been in history, as if humans were trying to pretend that history was actually under our own control. This eventually culminated in me writing The Wrack, my own plague novel which, for better or worse, ended up coming out at the beginning of the Covid-19 pandemic. (Slightly awkward timing, there.)
A slice-of-life epidemiological fantasy novel set in the small town of Balam, as it deals with a mysterious illness accompanied by strange insectoid monsters intent on stealing the corpses of the victims. One of the weirder books on the list, with a setting heavily inspired by the Final Fantasy game series and lower stakes than most of the others – but still well worth a read.
Balam is a sleepy town on the eastern coast of Atlua, surrounded by forest and sea. It’s a village where nothing happens and everybody knows each other. But now, people are dying.
School is out for the spring, and schoolteacher Theodore Saen is ready to spend the next few months relaxing with his family. But when the town’s resident white mage falls ill and several townspeople begin to show similar symptoms, they must call on a new mage. Aava has freshly graduated from the nearby mage academy when she is swiftly hired to deduce the cause of the unknown illness…
My research and writing in the field of emergency or disaster management has been focused on the concept of hazard mitigation. This means reducing the impact of disasters, the creation of hazard resilient and sustainable communities, and the application of scientific and technical expertise to the task. We all live in a world where it has become more important than ever to make intelligent decisions driven by a comprehension of the properties of the physical universe. It is also a world in which economic self-interest and political interests may impede that idealistic goal. I have a sense of urgency about reducing the efficacy of such impediments.
Barry’s dramatic historical account of the 1918 influenza pandemic has been called “fascinating,” “brilliant,” “sobering,” and “terrifying” by numerous reviewers.
It is a piece of history, the worst public health disaster in the century before COVID-19, that should have helped succeeding generations to take pandemic preparedness more seriously. It should have enhanced our understanding that during such a crisis, science must lead the way. Despite all that we did learn from the great influenza of 1918, we were unable to avoid many of the mistakes made when our leaders too often shunned the advice of science and made the COVID-19 pandemic political.
This book informed and influenced me greatly. It inspired me to see the need for and the importance of recording and learning from our experiences a century later.
At the height of WWI, history's most lethal influenza virus erupted in an army camp in Kansas, moved east with American troops, then exploded, killing as many as 100 million people worldwide. It killed more people in twenty-four months than AIDS killed in twenty-four years, more in a year than the Black Death killed in a century. But this was not the Middle Ages, and 1918 marked the first collision of science and epidemic disease. Magisterial in its breadth of perspective and depth of research and now revised to reflect the growing danger of the avian flu, "The Great Influenza"…
As a researcher at Wake Forest University School of Medicine and a college professor who has taught biology and anatomy & physiology, I have a unique insight into the mysteries of the human body and how existing and emerging viruses can wreak havoc on the world’s populations. In light of the COVID pandemic that killed millions and
the threat of older and increasingly virulent pathogens, I find it terrifying that viruses could be unleashed that leave us defenseless. Despite all our advances and knowledge, medical mysteries continue to intrigue us and spark our imaginations. We are drawn to them, now more than ever, hoping that the fiction we read about will not become reality.
From the first chapter, I could not put this book down.
When a lethal and highly transmittable virus turns its victims blue, and the Russians blame America for unleashing a deadly virus, I knew I was about to dive into a true medical thriller. I also thought the timing of this novel was disturbing, reminding me all too well of recent disease outbreaks and then taking me on a journey into a world where plagues and pandemics can easily become commonplace.
To his credit, Lawrence Wright managed to weave science and fiction into a plot that frightened as well as entertained.
NEW YORK TIMES BESTSELLER • From the Pulitzer Prize-winning author of The Looming Tower—a riveting thriller and “all-too-convincing chronicle of science, espionage, action and speculation” (The Wall Street Journal).
At an internment camp in Indonesia, forty-seven people are pronounced dead with acute hemorrhagic fever. When epidemiologist Henry Parsons travels there on behalf of the World Health Organization to investigate, what he finds will have staggering repercussions. Halfway across the globe, the deputy director of U.S. Homeland Security scrambles to mount a response to the rapidly spreading pandemic leapfrogging around the world, which she believes may be the result of an…
On Draakensky Windmill Estate, magick and mystery rule. Sketch artist Charlotte Knight is hired to live on the estate while illustrating poetry under the direction of the reclusive spinster, and wind witch, Jaa Morland—who believes in ghosts. Charlotte quickly encounters the voice…
Amidst COVID-19, HIV/AIDS is a touchpoint for journalists, scholars, writers, and a public who seek a usable past in understanding the present and making an uncertain future less so. The challenge of how to love, live, and survive amidst pandemics isn't new, I play here on the title of one of the first safer sex books,How to Have Sex in an Epidemic. As someone who studies how activists document their work and how they bring those materials to life today, I'm both fascinated and troubled by pandemic comparisons. These books offer crucial stories and productive tools to think with as we navigate questions of how to survive, and maybe even thrive amidst intersecting pandemics.
One of the best academic books written at convergence of the HIV/AIDS and COVID-19 pandemics isThe Virus Touch.
Here, Bishnupriya Ghosh showcases how “epidemic media” inform how epidemics are understood and experienced—making this text so relevant right now. She looks at how media—images, numbers, and digital models—whether generated by scientists, artists, or activists enable us to see and understand viruses and bear witness to their effects in new ways.
What is unique about Ghosh’s scholarship is how looks to the environment to study health which illustrates the complex and tangled relationships between epidemics, humans, animals, and media. Ghosh’s rich examples, ranging from modelling viruses to reading test results to tracking infection rates and mortality numbers, ensure that Virus Touch speaks to diverse readers.
In The Virus Touch Bishnupriya Ghosh argues that media are central to understanding emergent relations between viruses, humans, and nonhuman life. Writing in the shadow of the HIV/AIDS and COVID-19 global pandemics, Ghosh theorizes "epidemic media" to show how epidemics are mediated in images, numbers, and movements through the processes of reading test results and tracking infection and mortality rates. Scientific, artistic, and activist epidemic media that make multispecies relations sensible and manageable eschew anthropocentric survival strategies and instead recast global public health crises as biological, social, and ecological catastrophes, pushing us toward a multispecies politics of health. Ghosh trains…
I'm the author of short stories and novels including my young adult debut, Pandemic, which continues to be a timely read about surviving a widespread deadly virus. After the H1N1 pandemic of 2009 (commonly called Swine Flu), I was fascinated with the idea of a global illness that could be much, much worse. I researched historical diseases, interviewed public health officials, and the idea for my novel was born. Written and published before COVID-19, some of the details are eerily predictive of coronavirus. Pandemic won SCBWI’s Crystal Kite Award the year after its publication, and a June 2022 reissue of the original novel includes updated resources and backmatter.
This collection of short stories by
twenty different authors explores how a fictional deadly disease affects a
range of people, from scientists to government officials to everyday teens. (My
contribution is chapter 13, “Escape to Orange Blossom.”) What I especially
enjoyed about this anthology is the way that the characters from one story
might appear in another. Using a single incident to drive the plot, the
collaborative nature sets this collection apart.
From the imaginations of twenty authors of dystopian and post-apocalyptic fiction comes PREP FOR DOOM - an integrated collection of short stories that tell the tale of a single catastrophe as experienced by many characters, some of whom will cross paths.
What begins with a seemingly innocuous traffic accident soon spirals into a global pandemic. The release of Airborne Viral Hemorrhagic Fever upon New York City’s unsuspecting populace brings bloody suffering within hours, death within a day, and spreads worldwide within a month.
An online community called Prep For Doom has risen to the top of a recent doomsday preparation…
I am an author who also penned a novel during the pandemic, with a timeline that stretched into the first six months of the pandemic–against the advice of my agent and the publishing industry at large. I know many authors choose not to write about intense political and social happenings, but that “life will never be the same again” feeling was something I couldn’t avoid. The pandemic threw people together and kept us apart at the same time. I was intensely interested in its incubator effect as well as the silo aspect quarantining had on all of our lives.
Elizabeth Strout is perfecting a practice I’m sold on–the literary recasting of characters from one novel to the next.
In this book, I got to return to Lucy Barton and her ex-husband, William, who were thrown together in a cabin in Maine due to the pandemic. Writing the novel from the first-person perspective of the protagonist, Strout includes this pragmatic character’s interior musings, specifically the things we increasingly noticed as time slowed down during COVID.
I could so relate to Lucy’s quirky character: give me ornery, critical, and desperate any day! Weren’t we all?
NEW YORK TIMES BESTSELLER • From Pulitzer Prize–winning author Elizabeth Strout comes a poignant, pitch-perfect novel about a divorced couple stuck together during lockdown—and the love, loss, despair, and hope that animate us even as the world seems to be falling apart.
“No novelist working today has Strout’s extraordinary capacity for radical empathy. . . . May droves of readers come to feel enlarged, comforted, and genuinely uplifted by Lucy’s story.”—The Boston Globe
ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The New Yorker, Oprah Daily, Entertainment Weekly, San Francisco Chronicle, NPR, Time, The…
Willem and Jurriaan have a miserable childhood thanks to their cruel, controlling mother—Louisa Veldkamp, a world-renowned pianist. Dad turns a blind eye. One day, Louisa vanishes without a trace during a family vacation.
Adoptee Anneliese Bakker survives a toxic childhood and leaves home, vowing never to return. While searching for…
As a researcher at Wake Forest University School of Medicine and a college professor who has taught biology and anatomy & physiology, I have a unique insight into the mysteries of the human body and how existing and emerging viruses can wreak havoc on the world’s populations. In light of the COVID pandemic that killed millions and
the threat of older and increasingly virulent pathogens, I find it terrifying that viruses could be unleashed that leave us defenseless. Despite all our advances and knowledge, medical mysteries continue to intrigue us and spark our imaginations. We are drawn to them, now more than ever, hoping that the fiction we read about will not become reality.
I find it scary that pandemics and viral mutations are becoming more likely than ever.
In this book, a Doomsday Germ has mutated to the point that it is resistant to all known antibiotics, and as a former biomedical researcher, nothing is more frightening to me than knowing that deadly microbes unleashed on mankind are not only possible but probable.
I really like that the author, a physician who knows a thing or two about epidemics and the danger of antibiotic resistance, was adept at bringing me along for the ride, explaining what’s possible with today’s medical advances and the real dangers of crossing the line.
They are the most ruthless enemy we have ever faced. And they are one millionth our size. Deep in an Atlanta research laboratory, the world's deadliest germs lie in wait. Dr Lou Welcome knows only too well the destruction they could unleash in the wrong hands and when a research scientist working on a top-secret case is kidnapped, Lou's fears become reality. Soon Lou is locked in a deadly race, from hospital wards to the top corridors of power, to stop a lethal epidemic breaking out. With his best friend's life in the balance, Lou must confront his own demons…
In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
Written during COVID, but not about the pandemic, BFF is for those of us who are less-than-perfect friends.
Her lifelong struggles to define and live up to her impossible ideals of friendship are instantly relatable. She’ll annoy you and maybe make you mad, but you’ll cheer her on for her desire to do the right thing. Her challenges are ours, too.
In fact, reading how she coped with the loss of her best friend was a comfort to me. Because I read it at a time when I was devastated by a similar loss.
From the author of Group, a New York Times bestseller and Reese's Book Club Pick, comes a moving, heartwarming, and powerful memoir about Christie Tate's lifelong struggle to sustain female friendship, and the friend who helps her find the human connection she seeks.
After more than a decade of dead-end dates and dysfunctional relationships, Christie Tate has reclaimed her voice and settled down. Her days of agonizing in group therapy over guys who won't commit are over, the grueling emotional work required to attach to another person tucked neatly into the past.
I’ve been pulled to rich, deep, complex fiction all my life. And I started building my own world when I was nine, adding to The Kota Series over two decades. Even while getting an English Literature degree, I was bored by simple worlds, characters, and stories and always found myself more interested in unique books and fresh reads. Really, the weirder the world, the better! That’s what I’ve continued to look for as a reader, and I’ve been lucky to encounter new authors that a lot of people might not have heard about yet. I’ve found some real world-building gems, like these I’ve discussed. I hope to find many more!
I love everything this author does because his world-building is simple but perfect. The post-apocalyptic world-building in this story involves not only a description of mass desolation but also how that desolation has changed humanity. Of course, people are going to be affected by their environment – especially under post-apocalyptic circumstances – and too often I feel like characters in post-apocalyptic fiction are just the same as people today.
Zombie worlds all have the same familiar feel, but I really liked the idea of how “tribes” of survivors had formed in cities and how these people had reverted to more primitive ways – if the world hadn’t functioned in decades, yeah, teens wouldn’t know about electricity. The world-building in this book covers everything from setting to characters to a strange new social structure that was really intriguing.
Our world decayed and a new world arose from the ashes of the old. The remains of the human race cling to life decades after a decimating global plague. The infected hunt the living as the dead roam abandoned streets craving the taste of flesh. Mia and Rowan hoped to carve out a life for themselves in an apocalyptic wasteland, but fate had other plans. They're forced to leave behind the relative safety of their home after a chance encounter challenges everything they've ever known. Evolution always finds a way...
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing…
In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
One of the many wistful and beautiful photos in this book caught my eye in an exhibit at the New York Historical Society in 2021.
Her photography, and the attendant essays, evoke not only the isolation of quarantine, but the ways we rediscovered the desire for human connection. What could be easier than meeting a friend, careful to stay 6’ apart? Or sadder?
In April 2020, when New York was in lockdown and the epicentre of the pandemic, Renate Aller created the project side walk. She hosted friends and neighbors on her sidewalk or visited them in their street, her camera in self timer mode, recording these masked encounters at a safe 6 feet distance. With voices muted by masks we learn to communicate with our eyes and body language, finding our bearings in a new emotional landscape. These sidewalk visits created a deep sense of community where community had been forced apart. This project is in the spirit of Rainer Maria Rilke:…
