100 books like Lullabies for Little Criminals

I have always believed that everyone has a story to tell. I have connected to people throughout my life because I chose to sit, listen, and share stories. I do this in my own neighborhood and on my travels worldwide. I do it with people I don’t have anything in common with and people I think I might not like. Every time, without exception, I learn something. Often, I am inspired. These experiences have tested and grown my compassion, empathy, kindness, and understanding capacity. I suppose this is why I love reading. It’s like meeting strangers and sharing stories. 

My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard. 

Storytelling wields the power to transcend time and place, connecting us through shared experiences and emotions. It shapes our understanding of the world and ignites the imagination, making it an essential part of the human journey. As a psychologist, I understand how the stories we tell about ourselves are crucial in defining who we are and that books and good people can help shape our character. The books I've chosen celebrate the human spirit and our ability to face adversity, adapt, and ultimately choose our destiny. As Stephen Covey wisely stated, “Our ultimate freedom is the right and power to decide how anybody or anything outside ourselves will affect us.”

I was born in Birmingham, Alabama, and raised in Virginia, so I am very familiar with America’s southern lands and culture. The South—also known as the Deep South—is a unique part of America’s tapestry of identities, and I love books set in this locale. Southern literature tends to focus on themes such as racial politics, one’s personal identity, and rebellion. When I wrote my book, I knew the story would have to take place in the southern states. 

I’ve long had an ambivalent relationship with airports. They have been the starting point for my adventures, but I have also known well the discomfort, boredom, stress, surveillance, bad food, and other unpleasantries that often define airport experiences. Despite my ambivalence, I’ve found airports to be fascinating places where differently situated people (travelers and workers) encounter one another. I’ve learned that those encounters, as well as airport operations and design, tell us something about the places where they are located and the broader societies in which we live. I’ve since become aware that reading (and writing) about airports are also great ways to gain such insights. 

Having known families affected by substance abuse, I’ve long been fascinated by the resiliency of addicts’ relatives and close friends. Equally compelling to me, as a one-time wannabe psychologist, was how living with substance abusers shaped people’s characters and lives. But while the search for a recovering addict drives Beyond Billicombe’s plot, the book is also an ode of sorts to North Devon, the area of England where I spent three of the happiest years of my life. Though I now live outside New York City, I haven’t given up hope on being able to move back there someday. 

I am fascinated by first-person points of view. In writing plays and screenplays, I couldn’t write the inner thoughts of my characters. Now, in novels and short stories, I do that almost exclusively, even if the stories contain multiple narrators. I love the Unreliable Narrator—whether it is someone too young to understand what they are witnessing, someone who is in denial, or mentally ill, or a non-human experiencing the world in an odd way—the discrepancy between their view and mine delights me. I love discovering all those inner thoughts, fears, anxieties, and desires. These first-person stories let me into another’s experience and allow me to empathize with a whole new perspective.  

My journey from a teen struggling with self-harm, drug use, and overwhelming emotions to a DBT-Linehan Board of Certification Clinician™ and director of Creative Healing, Teen Support Centers, uniquely positions me to understand the deep emotional challenges teens face. Having navigated my own tumultuous youth and now parenting a "Fire Feeler" teen, I use my personal and professional insights to guide thousands of teens and their parents. I am passionately committed to creating environments where teens are supported while the entire family learns skills to improve and work together.

I believe that books have saved my life. When I was a child, I was often depressed and anxious, and I instinctively found refuge in reading. I sought books acknowledging that the world can be a painful and difficult place but showed that it was also filled with happiness, love, and joy as long as you knew where to look. My passion for reading has stayed with me, I host the You’re Booked podcast where I talk to iconic authors about the books that have brought them comfort and joy. And whenever I feel anxious, I still reach for a book–because reading heals my heart. 

Stories and the myriad ways they’re told fascinate me. Growing up in Atlanta with Mexican and American heritage, I first learned about Mexican códices—centuries-old books that tell stories through images—on a trip to visit family in Mexico. Later, I studied the history and literature of Latin America at Harvard and got a Ph.D. in Latin American and Iberian Cultures and Comparative Literature at Columbia University. I’ve studied storytelling in many forms, from Mesoamerican maps to early Spanish chronicles of exploration and invasion, to modern Latin American novels. The books listed here celebrate oral storytelling, written traditions, and artistic expression, and they take seriously the perspectives of young people.