Love The Girl with the Louding Voice? Readers share 100 books like The Girl with the Louding Voice...

Ocean Vuong writes in a poetic prose that transforms memories into fragments that linger in your mind. His choice to write this book as fictionalized letters to his mother was deeply beautiful and heart-wrenching. This is a book that took me on a journey through the Vietnam War, my first queer experiences, and the journey of finding out what it means to become American.

This book takes place in Maycomb, Alabama during 1933–1935. This time period was important in American history for two reasons: the Great Depression and the Jim Crow era.

The Great Depression is illustrated in the poverty that affects all of the residents of the fictional town. Even the Finches, who are the main characters, are better off than many others,  but are ultimately poor. The years depicted in the novel also fall within the much longer period of time that modern historians often refer to as the Jim Crow era. This term describes the time in the United States when Black people could no longer be held in slavery, but where laws limited their social, political, and economic possibilities. When the author Harper Lee wrote this novel in the late 1950s, the Great Depression was over, but Jim Crow laws were still present in parts of the American South. 

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I’ve never read a book as quickly as I read this one. Our eponymous lead character is quirky and odd, but the story is written with so much empathy, depth, and humor that I was rooting for her from the start.

I loved how the relationship between Eleanor and Raymond plays out and avoids the predictable ‘boy meets girl’ ending. It doesn’t surprise me that the book is ‘in development’ as a movie, as the story plays out like a film when you read it. Definitely read this one first before you see the film! (It probably won’t take long as I couldn’t put this book down.)

First published in 1948, this book will forever occupy a special place in my heart.

Not only is the book partially set in the very countryside where I was raised in South Africa, but it was also responsible for awakening my young conscience to the harsh realities of what many South Africans endured leading up to and during the apartheid years.

I was forever moved by the story and characters, and discovered the power of fiction by reading it.

Shuggie Bain invades the senses: You smell the sour breath of Shuggie’s mum as she snores, open-mouthed, in a drunken stupor; you feel the stiffness of the rug where endless spilled drinks were left to dry. Just as important, you feel the push-and-pull of love and despair, hope and anger, as Shuggie grows up, the youngest child of an alcoholic who is ultimately abandoned by the rest of their family. The final chapters, as Shuggie moves into adolescence and struggles to break from the burden of becoming caretaker to the woman who should have been taking care of him, are exceptional.

I love books where I’m captivated by both the language and the characters, as I am in this startling novel told through the eyes of Violette Toussaint, the caretaker at a cemetery in a small town in Bourgogne. Violette says there are two confessionals in the town, one in the church, the other in her cottage, and I am totally entranced by the stories she hears and what she divulges about her own surprising past. Perrin’s story is magical. 

The author presents a setting so stark, so isolated, so deprived of diverse demographic and cultural experiences that the reader experiences the characters as not so much shaped by the setting but as emerging from it. Communications among the residents of the tiny fishing village off the Newfoundland coast, Witless Bay, are spare and quirky and often misunderstood. An aggressive young female character, Margaret, elbows her way through it, and a passive male artist, Fabian, drifts into actions he regrets, yet the two fulfill one another. In paragraph one, Fabian confesses to murder, but this story is about psychological survival not murder. It asks the question, how do eccentric characters, pushed together and doomed to struggle for existence in a remote, weather-beaten setting, near a turbulent ocean, survive? The role of coffee in their survival rings true as Howard Norman’s protagonist states, “I had drunk coffee since I was five… show more.

This is a haunting and sad book that gripped me right from the beginning.

The father-daughter relationship is frustrating, sympathetic, and heartwarming. This book made me feel so many things that are hard to put into words. There is a naivete in the pre-teen protagonist that is sweet yet so deeply broken by her circumstances, which was something I really related to, and the decisions that she makes are inevitable, real, and tragic. 

Though I felt too raw after George Floyd’s death in the summer of 2020 to read about the shattered dreams of an enslaved woman, there was something about Pheby Brown’s story that I found intriguing.

I had spent the last few weeks reading various novels about wives. Enslaved at birth, Pheby is promised her freedom on her 18th birthday but instead is forced to become the mistress to the jailer at a place where slaves are broken, tortured, and sold every day.

I loved how Phebe’s ability to create these beautiful designs with her sewing enabled her to protect her heart and those she loved. I was inspired by her strength and perseverance in the face of the brutality of slavery.

The atmosphere and voice created by Robinson in this timeless and widely beloved novel, which is potent in a way that’s difficult to quantify, has endured in my memory since I first read it as a teenager. In prose rich with imagery and allusion, narrator Ruth tells the story of how she and her sister, Lucille—orphaned after their mother’s suicide—came to be cared for by their aunt, Sylvie, an eccentric drifter, who moves into their rural Idaho home and alters the tenor of their lives.

This is written with the precision of poetry, containing such sentences as, “When she had been married a little while, she concluded that love was half a longing of a kind that possession did nothing to mitigate.” A novel to re-read and savor.