Here are 100 books that Hopeland fans have personally recommended if you like
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I want to write about the magic of the everyday and often this is seen in the slippages between worlds like the worlds of the living and the dead. Ghosts and spirits feature heavily in my work and fascinate me as a reader too. This is not in the realm of fantasy to me, ghosts are real and actual.
This story is about Benny a teenager who can hear objects speaking and his mother, who is a compulsive hoarder.
Benny finds a group of people in a hidden wing of the local library which introduces him to a new world where he is accepted. He meets Aleph a drug user who leaves lines of poetry on paper in the books of the library and Slavoj a homeless drunk man who spouts much philosophy from his wheelchair. Ozeki makes the reality fantastic, the work is grounded in ordinary details.
The book is a beautiful portrait of a mix of characters you ordinarily would ignore and makes magic of the everyday. It's this everyday magic that I also wish to capture in my own fiction.
"No one writes like Ruth Ozeki-a triumph." -Matt Haig, New York Times bestselling author of The Midnight Library
"Inventive, vivid, and propelled by a sense of wonder." -TIME
"If you've lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home." -David Mitchell, Booker Prize-finalist author of Cloud Atlas
Longlisted for the Women's Prize for Fiction
A boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both-the brilliantly inventive new novel…
As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
It’s rare to find a book that combines my two favorite horror subgenres–queer horror and parenting horror–but this book does that and more. With four different protagonists who are all, in one way or another, queer, this bizarre family saga delves into the surreality of grief and the questionable choices people make to protect themselves and the ones they love.
The true queerness of this novel goes beyond its characters’ various same-sex attractions and relationships; at its heart, it’s a queer story because it shows how we build families out of the rubble that’s left when the lives we expected to lead fall apart.
A "genuinely scary" horror debut written in "prose so beautiful you won't want to rush" about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes (Ana Reyes)
Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago's lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family's decaying Mexico City estate. Eventually, Monstrilio…
As a free man of flesh-and-blood I trust in time-tested verities and traditions; as a spiritual entity I am a man of faith; and as a thinking being I explore in my writing the malleability of consciousness and reality. Through a broad range of experiences I offer images for the minds of readers in novels of a twisted magical realism. I seek the mysteries of God, the beauty of poetry, and the freedom to explore all and everything. I am an American State National who critiques modern society, culture, and politics as an independent scholar who will not be silenced. Awaken, oh human beans, from normative conditioning and screen-gazing complacency!
Besides having one of the best book titles ever, this novel immediately draws readers in and is hard to put down; the action is matched by its intelligence. In it, freedom-seekers create a fast-growing, virtual society on the Internet that grows so fast it terrifies governments and their “security.” With no possibility of oversight and control, the System fights to co-opt this cyber-society before it undermines and overwhelms the dominance of corruptocrat governing elites. The free souls in this novel lead us through a clever plot wherein principles of economic freedom, individuality, and justice lead to a free market uncontrolled by tax-hungry government lackeys. Profiled here are a group of individuals determined to transcend paradigmsthat the human psyche often forms for us, almost autonomically, as a reaction to fear.
Instantly named Freedom Book of The Month and a major influence in the Cyber-underground, A Lodging of Wayfaring Men is the story of freedom-seekers who create an alternative society on the Internet - a virtual society, with no possibility of oversight or control. It grows so fast that governments and “leaders” are terrified, and fight to co-opt this cyber-society before it undermines the power of the governing elite.
The main body of the book is followed by a set of essays and a supplemental narrative that were composed as the book was being written.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan. The US government has agreed to provide Taiwan with a weapons system so advanced, it can disrupt the balance of power in the region. But what pilot would be crazy enough to run the…
When I was starting out as an illustrator, I stumbled into two art director jobs, first at the innovative New York Herald Tribuneand then at The New York Times. Working with great journalists gave me the startling idea that a comic strip could have no better subject matter than real life. This led me to create my popular comic strip “Stan Mack’s Real Life Funnies,” which ran in The Village Voice and reported on the rowdy New York city of the '70s and ‘80s. Back then, I was alone in combining real-life stories with comics; today many artist-writers use the comic strip format to tell complex and multilayered true stories of the human experience.
I met Kevin Sacco when he was an advertising storyboard artist. Kevin knew how to sell the story of an ad simply and dramatically in a series of graphic panels with an economy of words. In Sevenoaks, I see the same brain at work. His book is based on his life: a ‘60s-era New York City high school kid sent to an elite private school outside London. Sacco’s distinctive elongated and restrained figures, beautifully drawn geometric and airy cityscapes, and genial pace can lull one into a sense of calm, so that his moments of high and even magical drama slice more deeply into the emotions. One might be surprised to discover an unexpected tear.
In the summer of 1966, aspiring artist Kevin Sacco learns that his family is moving from New York City to London-and that he will be attending
Sevenoaks, a traditional boarding school in the English countryside.
At first considered a "Yank" outsider with limited academic or sports acumen, Sacco gradually comes to experience and understand this life of rugby, cold showers, new friendships and discipline. Letters between Sacco and his best friend in New York serve to compare his cloistered life at Sevenoaks to the life that he would be living back home: a life touched by drugs, anti-war sentiments and…
There is nothing more gratifying when you are reading your own books to a group of children to see that they are eager to know what is going to happen next. My top priority is to create a story that is a page-turner. My second wish is to include social topics that provoke ideas and questions. After I read to a group of schoolchildren, I like to encourage them to discuss the themes in the story; the children are always keen to give their views. Nonetheless, adding social topics to my children’s books needs to evolve naturally; ultimately, for me, the story is king!
I really admire Raymond Briggs’ work; he’s a wonderful storyteller and a fantastic artist with a great eye for colour. Ethel & Ernest is a beautiful book. The strip-cartoon format works well and makes for an intense reading experience. Whilst this book has lots of humour and light, it also features some dark topics such as the Second World War, mental illness, and bereavement. It is generally considered unsuitable for children under the age of twelve. It’s a charming love story and a vivid social record. I find it heartbreaking at times. It becomes even more touching when you remember that it is based on Briggs’ own family.
A marvellous, life-enhancing book for all ages, now a major animated film starring Jim Broadbent, Brenda Blethyn and Luke Treadaway
Utterly original, deeply moving and very funny, Ethel & Ernest tells the story of Raymond Briggs' parents' marriage, lady's maid Ethel and milkman Ernest, from their first chance encounter in 1928, through the birth of their son Raymond in 1934, to their deaths, within months of each other, in 1971.
Told in Brigg`s unique strip-cartoon format, Ethel and Ernest live through the defining moments of the twentieth century: the darkness of the Great Depression, the build up to World War…
I consider myself above all to be an American Adventurer; I have been traveling in unorthodox methods for the last eight years beginning as a vagabond living in my car, a wilderness survival instructor in the Mojave, a privately contracted sailor in the Caribbean, funding an exciting independent film in remote Northern Pakistan, teaching English in Central Europe, and planting trees as part of a forestry project in remote Australia. I have committed myself to developing an organic method of traveling purposefully towards a vague destination and have turned it into a way of life.
Some people will argue that of all the movies adapted from books, the book will always win, but in The Curious Case of Benjamin Button, I believe the film adaptation is more alluring than the original short story, but it would not be fair to discredit that this film was influenced by Fitzgerald’s original satire of a child born aging in reverse.
While the movie veers away from the short story in time period, setting and character development, the short story draws more into the philosophical questions I believe we ourselves as a society are subconsciously thinking—even today, nearly a century after it’s writing as to how we contradict the specific wisdom that comes with age while also relinquishing it due to natural mental decline and end up treating our elderly like children.
Unlike the film, the story takes place just after the American Civil War and draws a…
As long ago as 1860 it was the proper thing to be born at home. At present, so I am told, the high gods of medicine have decreed that the first cries of the young shall be uttered upon the anesthetic air of a hospital, preferably a fashionable one. So young Mr. and Mrs. Roger Button were fifty years ahead of style when they decided, one day in the summer of 1860, that their first baby should be born in a hospital. Whether this anachronism had any bearing upon the astonishing history I am about to set down will never…
To hide a corporation’s failure to properly service a space ship, Captain Jonas Stryker is prosecuted but saved from imprisonment by a dying man, who hires Stryker to collect asteroids for their mineral content. Stryker soon finds he must stop a shadowy corporate group called The Board, who employ space…
Three biographical facts that well equip me to write about both monsters and mental health: I am a psychologist who researches, writes, and teaches about emotions, learning, and quality of life. I am also someone who suffers from panic disorder. I am also someone who enjoys interacting with the world of the dark and spooky, in part to tame my internal fears. I think that many of us use fiction in general and horror in particular as a sandbox of sorts—a safe place where we can expose ourselves to our fears, to test out scenarios, and to explore hidden parts of our psyche.
In my book I frequently draw upon monsters in fiction to understand our complicated relationship with both our own messy, unpredictable embodied minds and the uncertain, often-terrifying world that we operate these embodied minds within.
This haunting book of short stories is a great example of grappling with the complexities of our lives through a monstrous lens in order to better understand the human condition.
An NPR, Book Riot, Chicago Public Library, Tor.com, South China Morning Post,Ms. Magazine, and Shelf Awareness Best Book of 2022
2023 Pacific Northwest Book Prize Winner & Longlisted for the 2023 Joyce Carol Oates Prize
A BuzzFeed, WIRED, LitHub, ALTA, and PureWow Best Book of Winter
"The strange and wonderful define Kim Fu’s story collection, where the line between fantasy and reality fades in and out, elusive and beckoning." ―The New York Times Book Review
In the twelve unforgettable tales of Lesser Known Monsters of the 21st Century, the strange is made…
I’m a British author who has always had a fascination with magical realism and novels that blend the serious with the strange. For that reason, though I write literary fiction for adults, I take so much of my inspiration from children’s literature. There’s something so simple about how kids’ books stitch the extraordinary into the every day without having to overexplain things. I now live not far from the forest that inspired A. A. Milne’s Hundred Acre Wood, and my latest novel is set in and inspired by this part of rural England–with all the mystery and magic that a trip into the woods entails.
Natsuki is an outsider to polite Japanese society. She is content with an asexual-by-design marriage and comfortable questioning the norms and expectations of marriage and babies. She also has an alien called Piyyut living in her backpack, which happens to be a talking plush hedgehog.
Wherever you think this bizarre, bonkers novel is going, it goes even further–I read the final pages with my jaw basically detached.
Natsuki isn't like the other girls. As youths, she and her cousin Yuu spent the summers in the wild Nagano mountains, hoping for a spaceship to transport her home. When a terrible sequence of events threatens to part the cousins for ever, they make a promise: survive, no matter what.
Now, Natsuki is grown. She lives quietly in an asexual marriage, pretending to be normal, and hiding the horrors of her childhood from her family and friends. But dark shadows from Natsuki's past are pursuing her. Fleeing the suburbs for the mountains, Natsuki prepares for a reunion with Yuu. Will…
From an early age, I have been fascinated with anything supernatural and occult. My Aunt would read my palm, and then, as a teenager, I would visit clairvoyants to see what the future held for me. As I grew older, I found I had an ability, a gift of seership, and after reading many books, embarked on my pagan journey, from which I have never looked back, and am now studying Druidry,which is very much nature-based. I hope you love the books on this list as much as I do!
I was genuinely devastated when I finished the book, which took only two days to finish. It filled my thoughts constantly and was my saving grace through the beginning of the COVID lockdown. I found that absorbing myself into the story and characters was an amazing source of escapism for me.
I loved the way the author introduced the magical realism and locations of the story. It kept me on the edge of my seat, and I laughed a lot along the way!
Did you know that the gods can use mobile phones? They can, and Odin has a message for Conrad
Conrad Clarke, former RAF pilot and alleged gangster gets a text – and a visit – from The Allfather. Odin has a challenge for Conrad: sign up to protect England from wild magick and get a commission in the King’s Watch. All he has to do is find a missing witch. Simple. Conrad never could resist a challenge. Before you can say “Ragnarok”, he’s plunged into a world of gods, mages, witches, dwarves and one very aggressive giant mole. But the…
Five days before the end of humanity, five unlikely heroes find themselves on an impossible quest to outlive the apocalypse.
5 Stars is the survival story of a mother and her baby facing impossible odds amidst a global apocalypse. Set in a dying world overseen by “The Neon God,” the…
I’m a novelist who has primarily written in the dark fantasy and horror genre, which often embraces all things autumn. My first novelBlack & Orange, its sequel,Nomads, and supplemental short story collection, Reaping October, all take place in autumn and focus on an encroaching dimension of darkness that would change life as we know it. Halloween isn’t just a holiday, it’s a different existence altogether. Having a love for the season and being its steadfast student, I’ve explored these atmospheric themes for decades. I have a solid opinion on what stories take you there.
Thomas Ligotti writes dark magical realism short stories. The Shadow at the Bottom of the World is an unforgettable collection written by a modern master of atmosphere. His stories rarely have complicated plots, but the feeling they leave you with is the whole point. In the thousands of books I’ve read, I can safely say he writes like no other-- he enshrouds your spirit with dread. The title story showcases a small town that encounters the arrival of a threatening breed of darkness. Written with the stunning imagery of Bradbury, the mysticism of Lovecraft, and the disquieting tone of William S. Burroughs, this collection will have you brightening the blaze in the fireplace, just to make the shadows retreat.
A longtime Lovecraft devotee, who has extended the weird tale to the next level via the likes of Borges and Burroughs, Thomas Ligotti is usually published as part of a general anthology of horror writers. But now Ligotti has pulled together a collection of his favorite fiction, both old and new, representing his best and most characteristic works.
Thomas Ligotti's stories are perhaps best described as dark magical realism. Many of his stories center on the distorted perspective of a frequently doomed narrator. The title story, "The Shadow at the Bottom of the World," reimagines a kind of Bradbury-like small…
