Here are 100 books that Lesser Known Monsters of the 21st Century fans have personally recommended if you like
Lesser Known Monsters of the 21st Century.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I am a science journalist and broadcaster with a degree in Psychology and a deep passion and fascination for people, their behavior, and the workings of the human mind. For nine years, I produced and presented the popular Australian ABC radio program and podcast, All in the Mind, in which I explored a range of topics, including neuroscience, psychiatry, psychology, cognitive science, mental health, and human behavior. I’ve received numerous media awards and contributed to media award judging panels. All in the Mind - fascinating, inspiring, and transformative stories from the forefront of brain science is my first book. I continue to write and communicate about the topics I am inspired by.
I love this book because it explores a new way of understanding human emotions. When you laugh, cry, or scowl with anger, you often assume that the emotions you're feeling are the same as everyone else’s. Lisa Feldman Barrett explains that this is not necessarily the case, according to the new science of emotion.
She clearly describes the research, including her own, that shows that emotions are not hard-wired at birth but are constructed by our brains and our bodies as we go through life. It means that we can be the architects of our emotional lives, and the implications for society are profound. Reading this book has excited me and given me a great deal of hope and optimism about how we can have more agency over our emotional lives.
Preeminent psychologist Lisa Barrett lays out how the brain constructs emotions in a way that could revolutionize psychology, health care, the legal system, and our understanding of the human mind. “Fascinating . . . A thought-provoking journey into emotion science.”—The Wall Street Journal “A singular book, remarkable for the freshness of its ideas and the boldness and clarity with which they are presented.”—Scientific American “A brilliant and original book on the science of emotion, by the deepest thinker about this topic since Darwin.”—Daniel Gilbert, best-selling author of Stumbling on Happiness The science of emotion is in the midst of a…
I’ve always looked to books for support, even as a child when in need of comfort from my parents’ constant fighting. As I became older, I looked for ways to build stress resilience and optimism, so it was only natural that I would turn to books again. I would spend hours in libraries and bookstores reading the self-help books. I eventually went on to get a master’s degree in counseling and a doctoral degree in clinical psychology, each providing plenty of opportunity to expand my collection. I now write my own self-help books and cherish the idea of giving someone else the support I once so desperately needed.
I thought I had a fairly strong understanding of how the mind works until I read this book!
I was blown away to learn how our thoughts, feelings, and actions are impacted by our environments, movements, and others.
Not only was it informative, I learned how to change things up immediately so that I’m more in tune with my body and know what I need to do to think more clearly and focused.
A New York Times Editors' Choice A Washington Post Best Nonfiction Book of 2021 A New York Times Notable Book
A bold new book reveals how we can tap the intelligence that exists beyond our brains—in our bodies, our surroundings, and our relationships
Use your head.
That’s what we tell ourselves when facing a tricky problem or a difficult project. But a growing body of research indicates that we’ve got it exactly backwards. What we need to do, says acclaimed science writer Annie Murphy Paul, is think outside the brain. A host of “extra-neural” resources—the feelings and movements of our…
Three biographical facts that well equip me to write about both monsters and mental health: I am a psychologist who researches, writes, and teaches about emotions, learning, and quality of life. I am also someone who suffers from panic disorder. I am also someone who enjoys interacting with the world of the dark and spooky, in part to tame my internal fears. I think that many of us use fiction in general and horror in particular as a sandbox of sorts—a safe place where we can expose ourselves to our fears, to test out scenarios, and to explore hidden parts of our psyche.
Much of my book focuses on educational approaches to supporting youth mental health, and Hammond’s is one of my favorite books on how to construct a classroom that honors and celebrates all the diverse voices in the room, and how to do so through what she (and others) call being a “warm demander.”
The book is inspirational, important, and wise. I revisit it often.
A bold, brain-based teaching approach to culturally responsive instruction
The achievement gap remains a stubborn problem for educators of culturally and linguistically diverse students. With the introduction of the rigorous Common Core State Standards, diverse classrooms need a proven framework for optimizing student engagement and facilitating deeper learning
Culturally responsive pedagogy has shown great promise in meeting this need, but many educators still struggle with its implementation. In this book, Zaretta Hammond draws on cutting-edge neuroscience research to offer an innovative approach for designing and implementing brain-compatible culturally responsive instruction.
Three biographical facts that well equip me to write about both monsters and mental health: I am a psychologist who researches, writes, and teaches about emotions, learning, and quality of life. I am also someone who suffers from panic disorder. I am also someone who enjoys interacting with the world of the dark and spooky, in part to tame my internal fears. I think that many of us use fiction in general and horror in particular as a sandbox of sorts—a safe place where we can expose ourselves to our fears, to test out scenarios, and to explore hidden parts of our psyche.
Lisa Damour is one of the most well-respected names in public-facing psychology right now, and that is for a good reason.
She brings to this book (and her earlier ones, which are equally excellent) a level-headed pragmatism, an empathetic listening stance to the adolescents who are her clients and subjects, and decades of clinical expertise. You will find no click-bait pronouncements about matters that are far too complex for such treatment in her writing, and no generational sneering.
Her work is also deeply valuable for parents—she digs into actionable advice for anyone working with adolescents today to navigate the challenges in their lives. I draw on her work heavily in my own writing, but more importantly in my parenting.
An urgently needed guide to help parents understand their teenagers' intense and often fraught emotional lives - and how to support them through this critical developmental stage - from the New York Times bestselling author of Untangled and Under Pressure
In teenagers, powerful emotions come with the territory. And with so many of today's teens contending with academic pressure, social media stress, worries about the future, and concerns about their own mental health, it's easy for them - and their parents - to feel anxious and overwhelmed. But it doesn't have to be that way.…
As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
It’s rare to find a book that combines my two favorite horror subgenres–queer horror and parenting horror–but this book does that and more. With four different protagonists who are all, in one way or another, queer, this bizarre family saga delves into the surreality of grief and the questionable choices people make to protect themselves and the ones they love.
The true queerness of this novel goes beyond its characters’ various same-sex attractions and relationships; at its heart, it’s a queer story because it shows how we build families out of the rubble that’s left when the lives we expected to lead fall apart.
A "genuinely scary" horror debut written in "prose so beautiful you won't want to rush" about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes (Ana Reyes)
Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago's lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family's decaying Mexico City estate. Eventually, Monstrilio…
The world is an amazing, diverse place that needs stories that represent everyone. I identify as gender fluid and am part of my city’s LGBTQIA+ community. For kids, there aren’t enough stories that feature non-straight cis protagonists where that identity isn’t the focus. LGBTQIA+ kids exist. They are normal. Let a gay kid go into space. Let a teenage lesbian solve a mystery. Let a trans girl defeat a dragon. Let an ace teen be a witch. Everybody deserves their adventure.
The City of Lucille has gotten rid of all its monsters.
That’s what Jam, a teenage trans girl, believed until the demonic-looking Pet emerged from one of her mother’s paintings. But despite their monstrous appearance, Pet isn’t the monster, but came forth to hunt a monster already living among the people of Lucille undetected.
Pet contains vivid imagery, powerful themes, and a sensitive and brave protagonist. Be bold. Be vigilant. Monsters never entirely go away because we are the monsters.
4
authors picked
Pet
as one of their favorite books, and they share
why you should read it.
This book is for kids age
12,
13,
14, and
15.
What is this book about?
How do you save the world from monsters if no one will admit they exist?
She stumbled backwards, her eyes wide, as the figure started coming out of the canvas ... She tried to be brave. Well, she said, her hands only a little shaky, at least tell me what I should call you. ... Well, little girl, it replied, I suppose you can call me Pet.
There are no more monsters anymore, or so the children in the city of Lucille are taught. With doting parents and a best friend named Redemption, Jam has grown up with this lesson…
I'm Lyra R. Saenz. I'm an off-the-clock goth, a steampunk romantic, and a loyal adopter of lonely books. I'm a writer of genre-breakers and witchy makeovers. I've spent my life with either my nose in a book or my heart on the stage, and my passion for art is my drive every day. I grew up watching Star Wars, which is probably the apex of all magic merged with science settings, and I've always wondered why people don't make more of that: a super advanced society where witches and wizards are respected parts of the world.
I listened to the audiobook of this anthology and man! I could not tell you how beautiful and horrifying this one is.
For those of us who love some horror alongside our fantasy, this one takes the kickers. I love the throughline of each story. There is something to be said for when the line between the technolyzed body and the real body comes into conflict.
I love that there was magical realism in some of the stories, but it was crouched within the human psyche, for where does magic live if not in our heart and soul.
When we were children, we dreamed of being heroes. We wanted to slay dragons and defeat the monsters that scared us.
As we grew older, we were forced to try and find our monsters. We had been told they would be easy to spot. Monsters had too much teeth, too much fur, too much size.
These were lies. We stopped wanting to be heroes. We started to want to be more, to be too much. We wanted, needed, more than the world could give us. We wanted more than what we were told we should be. We wanted…
In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable.
I still think about the setting of The Ash House all the time.
It is so vivid and so real. The eeriness and spookiness of this place starts from the first page, even the first sentence. We know something is off here in the ash house, and we watch as the main character starts being subsumed by the other kids here.
We worry as he starts losing his identity. But this is a powerful and haunting story about listening to yourself and remembering yourself no matter what else is going on around you, and no matter what anyone else believes.
Miss Peregrine's Home for Peculiar Children meets Lord of the Flies in the exciting debut from Angharad Walker. 'A mesmerising other-worldly story that got deep under my skin - I couldn't put it down.' JASBINDER BILAN, author of Asha & the Spirit Bird
'Dark, tense and intoxicating ... Seriously exciting.' LUCY STRANGE, author of The Ghost of Gosswater
A new boy arrives at the Ash House. He can't remember his name - or why he's been sent there.
Given the name Sol, and troubled by a mystery pain that no medicine can cure, he joins the gang of children living…
Aside from my brief stint as a bossy know-it-all when I was little, I have always been that quiet girl no one notices. In high school, it took me at least ten minutes and five tries to get myself to wish my desk partner a happy birthday. I spent a lot of my adolescence trying to find myself, so I understand what it’s like to feel lost. My greatest wish is for my book to help at least one person feel how these books helped me.
Before Bo Burnham made us all Google derealization in 2021, Helena Fox helped me understand the concept of dissociation and how it ties to grief and its aftereffects. I had never seen struggles with mental health portrayed in such a raw, haunting way.
Though the book is unquestionably dark, and interested readers should check for content warnings before starting, I appreciated the honest portrayal of mental illness and loss. I read this book years ago, but it resurfaces in my mind every so often and lingers there.
A Kirkus Reviews Best Book of the Year A Chicago Public Library Best of the Best of the Year
"Profoundly moving . . . Will take your breath away." -Kathleen Glasgow, author of Girl in Pieces
A stunningly gorgeous and deeply hopeful portrayal of living with mental illness and grief, from an exceptional new voice.
Biz knows how to float. She has her people, her posse, her mom and the twins. She has Grace. And she has her dad, who tells her about the little kid she was, and who shouldn't be here but is. So Biz doesn't tell anyone…
Writers often get labeled as either nonfiction or fiction writers. In grad school, it was very difficult to study across genres, which I found very frustrating: To me, the most important thing about a book has always been the voice. A novel? A memoir? Essays? Stories? Don’t pin me down, just give me something with a voice that propels me forward, that is unique and sparkling and unputdownable. When I find books with voices so singular and propulsive, I return to them over and over.
There is nothing like this groundbreaking memoir—it is as good as it gets—and it has probably influenced every memoir since (including my own).
Kingston is a poet, and I find it impossible not to sink into the striking, gorgeous language and imagery as she describes growing up between multiple worlds: the China her parents emigrated from, the California of a first-generation daughter of immigrants, the ghost-filled China of her mother’s “talk stories,” and her inner life and growing awareness. She weaves family stories, famous myths, and her own girlhood experiences into a beautiful and unforgettable narrative.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NATIONAL BESTSELLER • With this book, the acclaimed author created an entirely new form—an exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities—immigrant, female, Chinese, American.
“A classic, for a reason” – Celeste Ng via Twitter
As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother’s “talk stories.” The fierce and wily women warriors of…
