Here are 99 books that History of Wolves fans have personally recommended if you like
History of Wolves.
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I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
The reason I chose this book is simple. It was the first one to show me the first-person way.
I read this book in high school around 1973 and it stayed with me all these years. This dark side of adolescence skillfully narrated by the introverted Gene is as real today for me as it was when I was a prep school kid reading it.
Gene remembers some fifteen years earlier as he comes back to visit, and tells this story under the guise of a quintessential American story, though as he says “a very untypical one, I guess, and unfamiliar transitional blur in the memories of most people, which is the real America for me.” Every first-person story I’ve tried to write since has had a little bit of Gene in it.
'A novel that made such a deep impression on me at sixteen that I can still conjure the atmosphere in my fifties: of yearning, infatuation mingled indistinguishably with envy, and remorse' Lionel Shriver
An American coming-of-age tale during a period when the entire country was losing its innocence to the second world war.
Set at a boys' boarding school in New England during the early years of World War II, A Separate Peace is a harrowing and luminous parable of the dark side of adolescence. Gene is a lonely, introverted intellectual.…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
When it comes to “selling the voice” in the first-person narrative, so much depends on the language and the style by which the chosen character tells the story. How convinced is the reader of this voice that promises us everything?
Let us only pay attention to Jabari Asim and his slave narrative Yonder, to know how to do it well. From the first chapter we are thrown into William’s world, the harsh truth of living on a plantation in the American South.
Once he starts narrating in his believable and lyrical voice, we feel the danger, and the hopelessness: ”I had known death could come at any time. You could keel over in the fields. You could be crushed under a wagon wheel, kicked by a horse, or have your skull split open because a slice of ham…had gone missing.” The first-person magic takes over and we have no choice…
The Water Dancer meets The Prophets in this spare, gripping, and beautifully rendered novel exploring love and friendship among a group of enslaved Black strivers in the mid-19th century.
They call themselves the Stolen. Their owners call them captives. They are taught their captors’ tongues and their beliefs but they have a language and rituals all their own.
In a world that would be allegorical if it weren’t saturated in harsh truths, Cato and William meet at Placid Hall, a plantation in an unspecified part of the American South. Subject to the whims of their tyrannical and eccentric captor, Cannonball…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Since my own book is marketed for young readers (and adults BTW) I thought I’d give a nod to one of the voices in that genre that got set in my brain years ago.
Philbrick’s voice in Max the Mighty might be my favorite young reader first-person voice. Told in retrospect, Maxwell’s voice is both wise and self-effacing, and believable from the jump. “...even though I’m a big dude with a face like a moon and ears that stick out like radar scoops…I’m a real weenie. A yellow-bellied sapsucker. A gigantic wuss. A coward.”
The voice carries the banner of strength in the vulnerability of the human condition. A lesson we should hold dear to our heart. Different is cool. Different is good. This book and its voice are timeless.
A companion to Newbery Honor winning author Rodman Philbrick's Freak the Mighty. This is the dramatic, heart-wrenching tale of Max and Worm, two outsiders who turn to each other for survival.
Meet Max Kane, the brooding giant-of-a-boy who escaped from his basement hiding place and faced the real world in Freak the Mighty. Still grieving over the loss of his best friend, Kevin, Max finds himself defending a young, solitary girl cruelly nicknamed "Worm" because she loves to read. And when Max gets blamed for a horrific crime, he and Worm flee across America--hunted by the police and pursued by…
I’ve long been intrigued by what makes a woman a hero in her own life. My three novels feature characters who are not obvious heroes—they are trying to shed a difficult past, they may run towards risky second chances, and they eventually stand up to their history and heal it and themselves. A lot of my inspiration for my stories comes from my mother, who was a pilot in World War II. I grew up with the legacy of women as heroic; it fostered an intense curiosity about female ambition and morality, women who would risk personal freedom and safety to find something greater than they expected.
What makes a woman a hero? Irish writer John Boyne’s narrator was a last choice for me—the daughter of a top-ranking Nazi war criminal who carries the burden of her past at 90. But I came to love the voice of this narrator, her brutal honesty with herself and her circumstances, and her growing awareness of her culpability, even as a child, for what happened.
Boyne elegantly explores the question of whether terrible acts by fathers make their children responsible or if children are inherently innocent. The story’s ending was a complete surprise, bringing this character to hero status in my eyes, as she chooses honor above safety.
'Beautifully told and gripping from first page to last' Sunday Express 'An incredible feat of storytelling... and an old-fashioned page-turner' Donal Ryan 'Gripping and well-honed...consummately constructed, humming with tension' Guardian 'You can't prepare yourself for the magnitude and emotional impact of this powerful novel' John Irving ________________________________
From the author of the globally bestselling, multi-million-copy classic, The Boy in the Striped Pyjamas, comes its astonishing and powerful sequel.
Gretel Fernsby is a quiet woman leading a quiet life. She doesn't talk about her escape from Germany seventy years ago or the dark post-war years in France with her mother. Most…
I write romantic comedies for readers who want adventure in the great wide somewhere and can’t wait until the next time they hear the words bon voyage! Even as a young, midwestern farm girl, I always had a passion for languages and a strong desire to travel. As soon I flew the coop and went to college, I made friends with students from all over the world. Eventually, I followed my travel plans, learned to speak three languages, and now can’t decide whether to adopt London or Paris as my European hometown.
This charming parallel universe story is like two contemporary realistic novels in one. Fifteen-year-old Summer Everette makes a choice at the beginning of the book (no spoilers, here!) that will either take her to France or keep her in upstate New York for the summer. So why not see what would happen in both worlds?
This book has all the elements I love. A relatable protagonist, two adorable love interests, and tons of heart. Add the French countryside element and voila! Parfait!
This summer, Summer's saying goodbye to her best friend, her secret crush and her single mom and is off on a trip of a lifetime to visit her estranged artist father in France.
But right before she's about to board, her phone rings. Should she answer it?
Either way, it's going to be a summer Summer will never forget.
I'm a mom of two daughters who is fascinated with reading nonfiction parenting books and listening to parenting-related podcasts. My absolute favorite, though, is when fiction authors take a dense parenting topic and turn it into a relatable and engaging story so that readers can explore the same important issues and challenges in a more enjoyable way.
Somebody’s Daughter is a thought-provoking read for parents on how you might handle an inappropriate video of your child being shared over social media. One of the most intriguing parenting aspects of this book is how the mom and dad dealt with their daughter’s dilemma so differently. Especially since the mom almost viewed the dad’s way of handling it as detrimental. It offered an invaluable gut-check on what I would do if I were put in the same situation.
From USA Today bestselling author Rochelle B. Weinstein comes an emotional novel for mothers, daughters, and anyone who has ever felt imperfect.
Emma and Bobby Ross enjoy a charmed life on the shores of Miami Beach. They are a model family with a successful business, an uncomplicated marriage, and two blessedly typical twin daughters, Zoe and Lily. They are established members of a tight-knit community.
Then, on the night of the girls' fifteenth birthday party, they learn of Zoe's heartbreaking mistake-a private and humiliating indiscretion that goes viral and thrusts her and her family into the center of a shocking…
I am a Canadian author/editor who both fears and loves being a stranger in a strange land. I fear the challenges, the feelings of dislocation and vulnerability. But I love the connections, the overcoming of the strangeness and the ultimate feeling of kinship. As a mom, I travelled with my kids to far away places, favouring adventure tours and staying well away from high priced hotels that separate tourists from locals. My novel, The World on Either Side, was inspired by a trek I took with my then fourteen-year-old daughter in Chiang Mai, Thailand.
The stranger in a strange land theme is unveiled slowly in The Darkhouse. The story follows Gemma, a teen abandoned by a “crazy” mother. She lives on an island and her only friends are either old or imaginary. Her very protective father is dutiful, though consumed with rodent experiments in his shed out back. Yes. It is creepy! Also poignant: both a goosebumpy thriller and and a heart-breaking coming of age story. And I must mention the lyrical writing, like this line: “The ache of wanting what I can’t have throbs like blood.”
Disclosure: I read this in manuscript form at The Rights Factory, a literary agency where I work. I devoured it in one sitting in a Toronto café, after which I had to go outside to ugly-cry.
Fifteen-year-old Gemma’s life on a small New Brunswick island with her father, Jonah, is not an exciting one. Her mother ran off when she was an infant, and Jonah, an amateur scientist, spends most of his time conducting experiments he thinks will one day bring him fame. But when a woman arrives on the island, Gemma tries to play matchmaker – only to discover Jonah’s secret journals, which hold terrifying secrets about both their lives.
Mystery, science, and dreams of a better life collide in this page-turning young adult novel from Barbara Radecki.
Since I was a child, stories steeped in secrets have fascinated me. I spent many hours devouring books about detectives and spies, shadows and deceit. As an adult, it is a rare treat to discover one that is so engaging I must know how it unfolds as soon as possible, and is told in a way that leaves me surprised by how it ends. Each of these books is deliciously tricky, inspiring me to read quickly, before the ghosts between the pages could escape to haunt me.
An allegedly haunted house, an evil step-sister, an abandoned and rotting town, and distrustful neighbors crowd together in this sharply told story about a girl running from her past. With each page, my paranoia grew until there was no easy way to tell what was real, and what was a red herring. This book was freaky. I was afraid to read it late at night because if I did, my over-active imagination would absolutely torture me with sinister nightmares.
The Haunting of Hill House meets Get Out in this chilling YA psychological thriller and modern take on the classic haunted house story from New York Times bestselling author Tiffany D. Jackson!
Marigold is running from ghosts. The phantoms of her old life keep haunting her, but a move with her newly blended family from their small California beach town to the embattled Midwestern city of Cedarville might be the fresh start she needs. Her mom has accepted a new job with the Sterling Foundation that comes with a free house, one that Mari now has to share with her…
Kim Long loves to write stories with a sense of adventure, a dash of magic, and a hint of science. Her debut, Lexi Magill and the Teleportation Tournament, was a 2021-2022 Texas Bluebonnet Master List Selection. She loves board games, scavenger hunts, and puzzles, so books with aspects of those elements have always appealed to her. Every book recommended below has at least one of those elements, and the great news is that it's also the first in its series, so if you fall in love with the first book, there’s a good chance you’ll love the others, too!
Told in alternating points of view by several characters as they compete in a national competition to find the tastiest confection in the country, this book lets the reader into the minds of all the main competitors. The enemy isn’t really the enemy once we get to know their feelings and thoughts. Being in a candy factory is an added bonus, as it’s such a unique location.
Four children have been chosen to compete in a national competition to find the tastiest confection in the country. Who will invent a candy more delicious than the Oozing Crunchorama or the Neon Lightning Chew?
Logan, the Candymaker's son, who can detect the color of chocolate by touch alone?
Miles, the boy who is allergic to merry-go-rounds and the color pink?
Daisy, the cheerful girl who can lift a fifty-pound lump of taffy like it's a feather?
Or Philip, the suit-and-tie wearing boy who's always scribbling in a secret notebook?
This sweet, charming, and cleverly crafted story, told from each…
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