Here are 99 books that History of Wolves fans have personally recommended if you like
History of Wolves.
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I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
As a troubled teen who wasn’t raised in a traditional family environment, I had always gravitated toward books with transformative characters—underdogs who were lost or lost their way by accident and on purpose.
The genre never mattered to me as much as my ability to relate to struggling protagonists who needed to escape their situation or environment, regardless of what they had to do, right or wrong. Love them or loathe them, I learned something from each of them. I hope you enjoy their journeys as much as I have.
As a bad boy protagonist, I’ve always loathed Gene Forrester and love to loathe him. He starts as a quiet, intellectual student whose best friend and roommate is charming, self-confident, athletic, and a daredevil without being arrogant. Gene even seems to admire his roommate for having all those qualities until we learn the truth. He resents him.
Like Gene, there were times in my life when playing wingman to a vastly more popular friend could be frustrating, doubly so when they made terrible decisions. Yet, Gene’s journey to the heart of darkness helps put things in perspective. There is no better warning against envy and jealousy than the one immortalized by John Knowles.
'A novel that made such a deep impression on me at sixteen that I can still conjure the atmosphere in my fifties: of yearning, infatuation mingled indistinguishably with envy, and remorse' Lionel Shriver
An American coming-of-age tale during a period when the entire country was losing its innocence to the second world war.
Set at a boys' boarding school in New England during the early years of World War II, A Separate Peace is a harrowing and luminous parable of the dark side of adolescence. Gene is a lonely, introverted intellectual.…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
When it comes to “selling the voice” in the first-person narrative, so much depends on the language and the style by which the chosen character tells the story. How convinced is the reader of this voice that promises us everything?
Let us only pay attention to Jabari Asim and his slave narrative Yonder, to know how to do it well. From the first chapter we are thrown into William’s world, the harsh truth of living on a plantation in the American South.
Once he starts narrating in his believable and lyrical voice, we feel the danger, and the hopelessness: ”I had known death could come at any time. You could keel over in the fields. You could be crushed under a wagon wheel, kicked by a horse, or have your skull split open because a slice of ham…had gone missing.” The first-person magic takes over and we have no choice…
The Water Dancer meets The Prophets in this spare, gripping, and beautifully rendered novel exploring love and friendship among a group of enslaved Black strivers in the mid-19th century.
They call themselves the Stolen. Their owners call them captives. They are taught their captors’ tongues and their beliefs but they have a language and rituals all their own.
In a world that would be allegorical if it weren’t saturated in harsh truths, Cato and William meet at Placid Hall, a plantation in an unspecified part of the American South. Subject to the whims of their tyrannical and eccentric captor, Cannonball…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Since my own book is marketed for young readers (and adults BTW) I thought I’d give a nod to one of the voices in that genre that got set in my brain years ago.
Philbrick’s voice in Max the Mighty might be my favorite young reader first-person voice. Told in retrospect, Maxwell’s voice is both wise and self-effacing, and believable from the jump. “...even though I’m a big dude with a face like a moon and ears that stick out like radar scoops…I’m a real weenie. A yellow-bellied sapsucker. A gigantic wuss. A coward.”
The voice carries the banner of strength in the vulnerability of the human condition. A lesson we should hold dear to our heart. Different is cool. Different is good. This book and its voice are timeless.
A companion to Newbery Honor winning author Rodman Philbrick's Freak the Mighty. This is the dramatic, heart-wrenching tale of Max and Worm, two outsiders who turn to each other for survival.
Meet Max Kane, the brooding giant-of-a-boy who escaped from his basement hiding place and faced the real world in Freak the Mighty. Still grieving over the loss of his best friend, Kevin, Max finds himself defending a young, solitary girl cruelly nicknamed "Worm" because she loves to read. And when Max gets blamed for a horrific crime, he and Worm flee across America--hunted by the police and pursued by…
I’ve long been intrigued by what makes a woman a hero in her own life. My three novels feature characters who are not obvious heroes—they are trying to shed a difficult past, they may run towards risky second chances, and they eventually stand up to their history and heal it and themselves. A lot of my inspiration for my stories comes from my mother, who was a pilot in World War II. I grew up with the legacy of women as heroic; it fostered an intense curiosity about female ambition and morality, women who would risk personal freedom and safety to find something greater than they expected.
What makes a woman a hero? Irish writer John Boyne’s narrator was a last choice for me—the daughter of a top-ranking Nazi war criminal who carries the burden of her past at 90. But I came to love the voice of this narrator, her brutal honesty with herself and her circumstances, and her growing awareness of her culpability, even as a child, for what happened.
Boyne elegantly explores the question of whether terrible acts by fathers make their children responsible or if children are inherently innocent. The story’s ending was a complete surprise, bringing this character to hero status in my eyes, as she chooses honor above safety.
'Beautifully told and gripping from first page to last' Sunday Express 'An incredible feat of storytelling... and an old-fashioned page-turner' Donal Ryan 'Gripping and well-honed...consummately constructed, humming with tension' Guardian 'You can't prepare yourself for the magnitude and emotional impact of this powerful novel' John Irving ________________________________
From the author of the globally bestselling, multi-million-copy classic, The Boy in the Striped Pyjamas, comes its astonishing and powerful sequel.
Gretel Fernsby is a quiet woman leading a quiet life. She doesn't talk about her escape from Germany seventy years ago or the dark post-war years in France with her mother. Most…
I write romantic comedies for readers who want adventure in the great wide somewhere and can’t wait until the next time they hear the words bon voyage! Even as a young, midwestern farm girl, I always had a passion for languages and a strong desire to travel. As soon I flew the coop and went to college, I made friends with students from all over the world. Eventually, I followed my travel plans, learned to speak three languages, and now can’t decide whether to adopt London or Paris as my European hometown.
This charming parallel universe story is like two contemporary realistic novels in one. Fifteen-year-old Summer Everette makes a choice at the beginning of the book (no spoilers, here!) that will either take her to France or keep her in upstate New York for the summer. So why not see what would happen in both worlds?
This book has all the elements I love. A relatable protagonist, two adorable love interests, and tons of heart. Add the French countryside element and voila! Parfait!
This summer, Summer's saying goodbye to her best friend, her secret crush and her single mom and is off on a trip of a lifetime to visit her estranged artist father in France.
But right before she's about to board, her phone rings. Should she answer it?
Either way, it's going to be a summer Summer will never forget.
I'm a mom of two daughters who is fascinated with reading nonfiction parenting books and listening to parenting-related podcasts. My absolute favorite, though, is when fiction authors take a dense parenting topic and turn it into a relatable and engaging story so that readers can explore the same important issues and challenges in a more enjoyable way.
Somebody’s Daughter is a thought-provoking read for parents on how you might handle an inappropriate video of your child being shared over social media. One of the most intriguing parenting aspects of this book is how the mom and dad dealt with their daughter’s dilemma so differently. Especially since the mom almost viewed the dad’s way of handling it as detrimental. It offered an invaluable gut-check on what I would do if I were put in the same situation.
From USA Today bestselling author Rochelle B. Weinstein comes an emotional novel for mothers, daughters, and anyone who has ever felt imperfect.
Emma and Bobby Ross enjoy a charmed life on the shores of Miami Beach. They are a model family with a successful business, an uncomplicated marriage, and two blessedly typical twin daughters, Zoe and Lily. They are established members of a tight-knit community.
Then, on the night of the girls' fifteenth birthday party, they learn of Zoe's heartbreaking mistake-a private and humiliating indiscretion that goes viral and thrusts her and her family into the center of a shocking…
I am a Canadian author/editor who both fears and loves being a stranger in a strange land. I fear the challenges, the feelings of dislocation and vulnerability. But I love the connections, the overcoming of the strangeness and the ultimate feeling of kinship. As a mom, I travelled with my kids to far away places, favouring adventure tours and staying well away from high priced hotels that separate tourists from locals. My novel, The World on Either Side, was inspired by a trek I took with my then fourteen-year-old daughter in Chiang Mai, Thailand.
The stranger in a strange land theme is unveiled slowly in The Darkhouse. The story follows Gemma, a teen abandoned by a “crazy” mother. She lives on an island and her only friends are either old or imaginary. Her very protective father is dutiful, though consumed with rodent experiments in his shed out back. Yes. It is creepy! Also poignant: both a goosebumpy thriller and and a heart-breaking coming of age story. And I must mention the lyrical writing, like this line: “The ache of wanting what I can’t have throbs like blood.”
Disclosure: I read this in manuscript form at The Rights Factory, a literary agency where I work. I devoured it in one sitting in a Toronto café, after which I had to go outside to ugly-cry.
Fifteen-year-old Gemma’s life on a small New Brunswick island with her father, Jonah, is not an exciting one. Her mother ran off when she was an infant, and Jonah, an amateur scientist, spends most of his time conducting experiments he thinks will one day bring him fame. But when a woman arrives on the island, Gemma tries to play matchmaker – only to discover Jonah’s secret journals, which hold terrifying secrets about both their lives.
Mystery, science, and dreams of a better life collide in this page-turning young adult novel from Barbara Radecki.
I love writing stories for young people in that “in-between” age: age 12, 13, and 14, when kids are figuring out who they are and who they want to become. For many young people, crushes are a huge part of this coming-of-age process—I know they were for me! When I was this age, there weren’t many books that explored crushes and the first romance for LGBTQ+ kids. I’m thrilled to be part of a wave of authors writing these stories now. And I’m so excited for a future where we have a wealth of books about the joy, heartbreak, and humor of all kinds of young love.
This book perfectly captures the atmosphere of a summer trip that both feels like it lasts forever and is also over way too fast. I loved the Oregon beach setting and the slow-building connection between Jeremy and Evan, first as friendship and then maybe something more.
This is such a tender, beautiful, and vivid story—when I finished it, I really felt like I had just come back from a wistful seaside vacation myself! And as a runner, I enjoyed the way Jeremy and Evan connected while jogging together. Evan was a very kind and empathetic “coach.”
A sweet, tender middle-grade story of two boys finding first love with each other over a seaside summer.
Jeremy is not excited about the prospect of spending the summer with his dad and his uncle in a seaside cabin in Oregon. It's the first summer after his parents' divorce, and he hasn't exactly been seeking alone time with his dad. He doesn't have a choice, though, so he goes ... and on his first day takes a walk on the beach and finds himself intrigued by a boy his age running by. Eventually, he and Runner Boy (Evan) meet --…
While I appreciate a variety of genres, my love of psychological suspense and thriller novels has only intensified over time. I often devour these books in one sitting—eyes darting across each page as my mind tries to guess the next pivotal twist! As an author, I aspire to create the same electrifying rush for my readers that my favorite stories give me. My debut novel, Swearing Off Stars, was inspired by my travels and received an Independent Press Award, a Benjamin Franklin Award, and an International Book Award. My writing has appeared in Harper’s Bazaar, HuffPost, PopSugar, and Writer’s Digest. I hope you enjoy the recommendations on this list!
This book is eerie and unnerving, from its first few pages to the alarming revelations that ensue. I started reading this late one night and couldn’t resist the urge to stay up and finish it! Claire Fuller’s detailed prose will entice, grip, and haunt you well beyond the final scene.
"Unsettling and eerie, Bitter Orange is an ideal chiller." —Time Magazine
From the author of Our Endless Numbered Days and Swimming Lessons, Bitter Orange is a seductive psychological portrait, a keyhole into the dangers of longing and how far a woman might go to escape her past.
From the attic of Lyntons, a dilapidated English country mansion, Frances Jellico sees them—Cara first: dark and beautiful, then Peter: striking and serious. The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens.…
