Here are 100 books that Yonder fans have personally recommended if you like
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I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
As a troubled teen who wasn’t raised in a traditional family environment, I had always gravitated toward books with transformative characters—underdogs who were lost or lost their way by accident and on purpose.
The genre never mattered to me as much as my ability to relate to struggling protagonists who needed to escape their situation or environment, regardless of what they had to do, right or wrong. Love them or loathe them, I learned something from each of them. I hope you enjoy their journeys as much as I have.
As a bad boy protagonist, I’ve always loathed Gene Forrester and love to loathe him. He starts as a quiet, intellectual student whose best friend and roommate is charming, self-confident, athletic, and a daredevil without being arrogant. Gene even seems to admire his roommate for having all those qualities until we learn the truth. He resents him.
Like Gene, there were times in my life when playing wingman to a vastly more popular friend could be frustrating, doubly so when they made terrible decisions. Yet, Gene’s journey to the heart of darkness helps put things in perspective. There is no better warning against envy and jealousy than the one immortalized by John Knowles.
'A novel that made such a deep impression on me at sixteen that I can still conjure the atmosphere in my fifties: of yearning, infatuation mingled indistinguishably with envy, and remorse' Lionel Shriver
An American coming-of-age tale during a period when the entire country was losing its innocence to the second world war.
Set at a boys' boarding school in New England during the early years of World War II, A Separate Peace is a harrowing and luminous parable of the dark side of adolescence. Gene is a lonely, introverted intellectual.…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
There such an intimate sense of discovery in this novel, narrated by Linda, a teenage girl taken under the wing of a strange family.
Linda guides us through this natural world, the cold woods of Minnesota, both mysterious and beautiful. Her simple descriptions of place always build on a subtle sense of dread in her voice, “The sky between the branches looked like sunburn. It was twenty minutes through the snow and sumac before the dogs heard me and started braying against their chains.”
Linda’s is a vulnerable first-person voice, not in command of her world, but constantly open to its possibilities, for better or worse. As authentic as it gets.
"So delicately calibrated and precisely beautiful that one might not immediately sense the sledgehammer of pain building inside this book. And I mean that in the best way. What powerful tension and depth this provides!" Aimee Bender
Fourteen-year-old Linda lives with her parents in the beautiful, austere woods of northern Minnesota, where their nearly abandoned commune stands as a last vestige of a lost counter-culture world. Isolated at home and an outlander at school, Linda is drawn to the enigmatic, attractive Lily and new history teacher Mr. Grierson. When Mr. Grierson is charged with possessing child pornography, the implications of…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Since my own book is marketed for young readers (and adults BTW) I thought I’d give a nod to one of the voices in that genre that got set in my brain years ago.
Philbrick’s voice in Max the Mighty might be my favorite young reader first-person voice. Told in retrospect, Maxwell’s voice is both wise and self-effacing, and believable from the jump. “...even though I’m a big dude with a face like a moon and ears that stick out like radar scoops…I’m a real weenie. A yellow-bellied sapsucker. A gigantic wuss. A coward.”
The voice carries the banner of strength in the vulnerability of the human condition. A lesson we should hold dear to our heart. Different is cool. Different is good. This book and its voice are timeless.
A companion to Newbery Honor winning author Rodman Philbrick's Freak the Mighty. This is the dramatic, heart-wrenching tale of Max and Worm, two outsiders who turn to each other for survival.
Meet Max Kane, the brooding giant-of-a-boy who escaped from his basement hiding place and faced the real world in Freak the Mighty. Still grieving over the loss of his best friend, Kevin, Max finds himself defending a young, solitary girl cruelly nicknamed "Worm" because she loves to read. And when Max gets blamed for a horrific crime, he and Worm flee across America--hunted by the police and pursued by…
As a hardcore introvert, I often find it difficult to open up to others, especially new people. But somehow, it’s easier to do so when traveling or at least out of my normal routine. So it’s no surprise that I gravitate to stories that feature characters traveling and forming bonds of friendship and romance while on the road. Add some magic to the mix, and I’m almost definitely hooked!
Although this book does feature some heavy themes (CW for mentions of rape), it’s a powerful story about dealing with trauma – and moving on from it, to the life one wants to live. Draven’s characters simply breathe. They feel fleshed-out and real, with all the contradictions of real people. Although the book is part of a series, the story feels complete on its own; the worldbuilding is lush and interesting. I love books that feature travel because being on the road is a great way for characters to connect with each other, as they must rely on one another for safety and survival. Phoenix Unbound features two very different characters who come together in a way that feels real – and beautiful.
In this USA Today bestselling novel, a woman with power over fire and illusion and the enslaved son of a chieftain battle a corrupt empire in this powerful and deeply emotional romantic fantasy.
Every year, each village is required to send a young woman to the Empire's capital--her fate to be burned alive for the entertainment of the masses. For the last five years, one small village's tithe has been the same woman. Gilene's sacrifice protects all the other young women of her village, and her secret to staying alive lies with the magic only she possesses.
I’ve been a lover and reader of the romance genre ever since I graduated high school and borrowed one of my mother’s paperback novels during our annual beach vacation (which may have been twenty years ago... Yikes!). While I read everything from contemporary to historical, paranormal to fantasy, I’ve always had a particular fondness for stories with a touch of magic—specifically the cursed kind. There’s something extra angsty and tragic about cursed love that makes overcoming obstacles that much sweeter. I hope you fall in love with the books on this list as much as I have.
The author describes this book as Pretty in Pink meets Stranger Things—and I must agree! The story takes place in the 80s, and as a child of the 80s myself, that makes me love it even more. Lyrics & Curses is the perfect balance of romance and mystery (and epic 80’s music) that will keep you guessing until the very end. If you’re looking for something quirky and dark, this book may be the perfect fit for you. L&C is the first in a YA duology suitable for younger readers.
Lark Espinoza could get lost in her music—and she's not so sure anyone in her family would even care to find her. Her trendy, party-loving twin sister and her mother-come-lately Beth, who's suddenly sworn off men and onto homemaking, don't understand her love of cassette tapes, her loathing of the pop scene, or her standoffish personality. For outcast Lark, nothing feels as much like a real home as working at Bubble's Oddities store and trying to attract the attention of the cute guy who works at the Vinyl shop next door—the same one…
I’ve always wanted to write fiction but it wasn’t until I became a mother that I finally took the plunge. I think motherhood, with all the joy, fear, and complexity that comes with it, is such a rich topic which I was inspired to explore in my writing and most of my books are centred around parenting and family life. And I also think that, like many of the characters in the books I’ve recommended, my journey to rediscover my sense of identity in the world as I approached my 40th birthday pushed me to finally pursue my dream of being an author.
I’ve been a huge fan of Marian Keyes for years and I’ve read all her books.
She has a wonderful talent for character development and describing the intricacies of family life and relationships and she seamlessly combines chick-lit humour with meatier, serious themes. In The Break, a story about midlife crisis, Amy’s husband Hugh decides to take a break from their marriage and family, and go travelling to find himself, leaving her at home, a single mum, wondering what the heck has just happened. But will he return, and if he does, will Amy still be the same woman?
I was actually reading this book when I got the idea for my debut novel!
I’ve been an avid reader since childhood. I read almost all genres, but my favorite type of book has always been the kind that you associate with a beach bag and a lazy day of reading in the sun (and maybe even a beverage nearby with a tiny umbrella). I love books that provide a realistic escape, where I can lose myself in the descriptions of picturesque scenery and flawed but lovable characters. Not surprisingly, these are also the types of books I’ve chosen to write. I want to give readers the same joy of sitting back on a chaise lounge with a piña colada (perhaps metaphorically) and disappearing into the fictional world I’ve created.
The two main characters in Who Do You Love stayed with me long after I read this book, and I’ve found them popping into my thoughts again and again over the years – a sure sign of well-written characters. It’s the story of two people who come in and out of each other’s lives and how their love changes and evolves over time. Full of joy, heartbreak, hope, and loss, this love story will draw you in and stick with you.
#1 New York Times bestselling author Jennifer Weiner delivers "a tale of love against the odds" (People).
Rachel Blum and Andy Landis are just eight years old when they meet one night in an ER waiting room. Born with a congenial heart defect, Rachel is a veteran of hospitals, and she's intrigued by the boy who shows up alone with a broken arm. He tells her his name. She tells him a story. After Andy's taken back to a doctor and Rachel's sent back to her bed, they think they'll never see each other again.
As a romance author, I pull a lot of inspiration from my travels. My husband always says that shared experiences strengthen bonds and I believe that wholeheartedly—which is why I think travel romances just work. Romance as a genre isn’t necessarily known for lush setting descriptions, but travel romances are sort of the exception to the rule, and I eat it up every time. If I close the book feeling like I’ve just got back from a vacation, it’s a five-star read for me.
Serengeti National Park is one of those places I’m not sure I’ll get to visit in my lifetime, and in my opinion, that’s exactly what makes books like this one so special.
I love when I finish a book feeling like I’ve been there. Farah Heron’s descriptions of Tanzania are absolutely stunning. I also love the idea of second-chance romance on vacation, sort of forcing the characters to find common ground and work through their problems. Definitely worth the read.
The highly acclaimed author of Accidentally Engaged delivers a delightful rom-com of one woman trying to shed her perfect image at a destination wedding with hilarious—and moving—results, perfect for fans of Abby Jimenez and Jasmine Guillory.
Jana Suleiman has never really fit in—everyone always sees her as too aloof, too cool, too perfect. The one time she stepped out of her comfort zone she ended up with a broken heart and a baby on the way. Aaaand lesson learned. Now she’s a bridesmaid for a destination wedding in Serengeti National Park, and almost everyone she knows will be there. Her…
“Horse Crazy” isn’t a description; it’s a way of life for me. I’ve loved horses since I could remember, selling Girl Scout cookies to finance my way through three years of horse camp, working weekends cleaning stalls, even pursing a degree in Equine Science. Discovering fantasy books with magical, sentient horses not only introduced me to fantasy fiction, but also just made my own experience with horses seem real. Currently, I write equestrian fantasy as well as equestrian literature (horse books for those who chose not to grow out of being horse crazy” and live on my homestead with my herd of rescue horses, who inspire me every day.
It may not be fantasy, but Anne McCaffrey is well known for her Dragonriders of Pern series, among other books (like The Ship who Sang with Mercedes Lackey). Take one English countryside farm, mix in a headstrong girl who wants to ride champion hunters and jumpers, a bit of romance, and fine horses, and you have a tale that demands to be on the screen.
Amidst the grandeur of the emerald countryside, a magnificent story unfolds. . . .
They are the Carradynes, who for more than 200 years have bred and trained horses of the finest caliber on Cornanagh—a land so beautiful it inspires the soul.
But all is not idyllic at hearth and home. At the center of the conflict is Catriona, the youngest child, a girl who dreams of riding her family’s big jumpers and show horses. Her father, Michael, is keenly aware of her immense talent, and he urges her on—only to lock wills with his insufferably pious and overbearing wife,…
