100 books like Two Summers

Ever since I penned my first romantic tale Will You Walk A Mile?, I've been enamored with the complexities of young love. For me, writing isn't just a profession; it's akin to breathing. I live to write and write for a living, with a special fondness for narratives that explore the highs and lows of teen romance and human emotion. I have been that ‘teen guy’ next door. That same teenage wonder for love stories that first sparked my passion for writing has stayed with me, maturing into a deeper understanding.  to curate a list of teen novels that will tug at your heartstrings.

I write romantic comedies for readers who want adventure in the great wide somewhere and can’t wait until the next time they hear the words bon voyage! Even as a young, midwestern farm girl, I always had a passion for languages and a strong desire to travel. As soon I flew the coop and went to college, I made friends with students from all over the world. Eventually, I followed my travel plans, learned to speak three languages, and now can’t decide whether to adopt London or Paris as my European hometown. 

I love novels that bring people together who would otherwise never meet each other. I will never forget the connection between Ponyboy and Cherry in The Outsiders or between Bryon and Cathy in That Was Then, This Is Now. Sometimes it’s undeniably romantic, and sometimes it isn’t as clear. The first time I ever missed a character was when I got to the end of those books. I remember thinking, I want to create a world that people will miss when the story is over. I also remember thinking, I will never stop reading books like this. Here are a few that I’ve found along the way.

Growing up, I always loved reading young adult romances where first love and growing up seemed like the perfect kind of summer story. As an adult, and especially as an educator, I have too often seen the likes and interests of my female students dismissed as silly or frivolous, romance being at the top of this list. I love cultivating a diverse classroom library, one that includes books for everyone’s interest and background. Writing stories for young readers and about what interests them has been the great privilege of my life.

By the late nineties, I had lost faith in the industry where I had made a living for twenty years. Deregulation on Wall St and in the City had left investment banking with a business model riddled with conflict of interest. The rewards spiralled out of control and the businesses became too complicated for the regulators to supervise. I have a doctorate in history and had been a top-ranked investment analyst in several sectors. I took an idea to Penguin and my first book, The Death of Gentlemanly Capitalism, was published in 2001. I've since written six more, and contributed regularly to the Financial Times and BBC.      

Ever since I was a child, I would hide in my special place and dream away. Reality was rarely the best place to be, even as an adult I fantasize, I step away from reality without ever truly stepping away. Mafia Romance, paranormal, and fantasy excite me, but add in a little touch of real to the story and now even reality makes you wonder. This was the basis for The Devil’s Eyes. I took a new world and mixed in a little bit of what we know is true and a little bit of what-if and a lot of dark and sexy. 

A large part of my career has been devoted to foreign affairs. Edgar Snow, Negley Farson, and others whom I read as a young man kindled my interest. I have reported from overseas and at one point developed a specialty in reporting connections between American communities and events overseas. I have published a number of foreign correspondents’ memoirs that were buried in achieves or have been out-of-print and ignored. Most recently I wrote a history of foreign reporting. So, one can say that I have made a career of enjoying books like these. 

I am fascinated by all that was happening in the world before WWII. Amidst a silent, looming economic collapse, many social norms were turned on their head, women broke out of their molds, and art, literature, technology, and music all flourished. And a heady mix of cultures blended not altogether seamlessly to influence the Roaring Twenties like no other decade before it. The juxtaposition of this exciting yet challenging tumult lures me into reading books and writing immigrant-forward stories about this period—and as an author with deep roots in the boot—I particularly enjoy doing so through an Italian lens.

As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.

I started to experiment at a very early age with alcohol. During my teen years, like so many of my peers, I had low self-esteem. I wanted to fit in so I understand firsthand the effects that peer pressure can have on a teenager. When I think back to those years, I sometimes wonder: what if? There were so many terrible outcomes that could have occurred in my life. These novels show their readers a “what if.” I hope that teens who read these books think twice before following a crowd and stand firmly with what they know is right in their heart as well as hope for healing.