100 books like Hatchet

As a child, all I wanted to read were books about adventure. I also had an adventurous childhood, growing up in the Louisiana swamps with a father who actually hunted alligators and took me with him. As I came of age, I longed to tell stories, and, as they say, it’s best to write about what you know. To date, I’ve penned six novels, all set in the exotic wetlands of Cajun, Louisiana. I feel missionary about this—that my writing gifts allow me to decode my homeplace in a way that makes it easier for outsiders to see the singular niche it occupies on the American landscape. 

Ever since I was a kid, I’ve been more drawn to nonfiction than fiction. I remember spending hour after hour with my mother’s World Book Encyclopedias, memorizing breeds of dogs, US state capitals, and how to sign the alphabet. I loved reading books to learn about all kinds of things, and still do. But when it comes to fiction, unless the words are arranged like musical notes on the page, I struggle to read past chapter three. I need the narrator’s voice to make my brain happy and interested. While reading, I need to feel something deeply—to laugh, cry, or have my thoughts dance so rhythmically I find myself fast-blinking.  

I’m a Canadian writer living in southern British Columbia. When I was young, most people thought I was too small and frail to do awesome things. It wasn’t until I got older that I began to understand that my love for wild places and adventures was at the heart of who I was, and I began to see that I was much stronger than I thought. These days, I hike, climb, kayak, cross-country ski, and snowshoe – anything that gets me outside in nature. And I've done some awesome things out there! I want to change the way people see nature, not as something to be conquered, but to be treated with affection and respect.

As a child, all I wanted to read were books about adventure. I also had an adventurous childhood, growing up in the Louisiana swamps with a father who actually hunted alligators and took me with him. As I came of age, I longed to tell stories, and, as they say, it’s best to write about what you know. To date, I’ve penned six novels, all set in the exotic wetlands of Cajun, Louisiana. I feel missionary about this—that my writing gifts allow me to decode my homeplace in a way that makes it easier for outsiders to see the singular niche it occupies on the American landscape. 

I have a passion for novels with complex characters and a memorable sense of place. The setting is key to the overall ambiance of a novel: its colors, smells, architecture, terrain, weather, flora, and fauna. My novel, Weaving Dreams In Oaxaca, takes place in Oaxaca, Mexico. The story is unique to the location because it includes the zocalo, cathedrals, outlying pueblos, food, etc. My family and I moved there for six months in 2006, and I fell in love. I sent my mother audio tapes every two weeks describing our adventures as she had become blind. I later transcribed them into twenty-two pages of detailed description of this magical city which I used in my novel.

I have no wilderness survival skills and certainly no wish to be thrown into any of the scenarios in the books I’ve recommended. What I do have is great empathy for those who struggle to survive loss—in whatever form it might come—be it loss of home, or security, or family. I know what it is to struggle through darkness and survive what I would have previously thought “unsurvivable.” That’s why two of my middle grade books, but especially MacKenzie’s Last Run, are about speaking up when you’re hurting or frightened. Lost in the dark woods or lost in grief–it’s all ultimately about survival. 

As a child, all I wanted to read were books about adventure. I also had an adventurous childhood, growing up in the Louisiana swamps with a father who actually hunted alligators and took me with him. As I came of age, I longed to tell stories, and, as they say, it’s best to write about what you know. To date, I’ve penned six novels, all set in the exotic wetlands of Cajun, Louisiana. I feel missionary about this—that my writing gifts allow me to decode my homeplace in a way that makes it easier for outsiders to see the singular niche it occupies on the American landscape. 

Both my books have a survival theme. Whether it’s foraging for mushrooms, wild camping, or trying to survive lockdown, I’ve always been interested in the relationship between endurance and creativity; what happens when humans are pushed to their limits. After teaching English in a secondary school for 25 years, I decided that I wanted to write a book of my own. I hid away in my caravan in West Wales, living off tomato soup and marshmallows, to write The Island. The books on this list represent the full gamut of survival: stripping yourself raw, learning nature’s lore, healing, falling, getting back up again. Ultimately, to read is to escape into story. To read is to survive.

I’ve always been a reader. I love nothing more than to leap between the pages of a book and forget the rest of the world. The books I love take the world today and imagine it evolving into something slightly twisted and terrifying. Years of devouring this type of book led to me imagining my own dystopian worlds, and eventually, writing about them. As a woman who believes in equality, I’m naturally drawn to books which feature strong female characters or are written by women. The books on this list are among my favourites from the last four decades. I hope you enjoy them as much as I did!

Both my books have a survival theme. Whether it’s foraging for mushrooms, wild camping, or trying to survive lockdown, I’ve always been interested in the relationship between endurance and creativity; what happens when humans are pushed to their limits. After teaching English in a secondary school for 25 years, I decided that I wanted to write a book of my own. I hid away in my caravan in West Wales, living off tomato soup and marshmallows, to write The Island. The books on this list represent the full gamut of survival: stripping yourself raw, learning nature’s lore, healing, falling, getting back up again. Ultimately, to read is to escape into story. To read is to survive.