100 books like The Quiet at the End of the World

Having read this book when I was 22, it helped shape my fear of the danger of complacent societies. Simply but powerfully written, its first-person narrative creates a sense of claustrophobia, a glimpse into the isolating and dehumanizing life of a handmaid. 

Through Offred, the traumas she experiences, and the people she interacts with the whole world of Gilead springs to scary life. While reading the book, it struck me that nothing was totally made up. Every incident in the book was derived from history. These things had already happened, and they could happen again. It showed me that victory is not always heroic and impressive. Sometimes, victory can be just surviving oppression.

I love the contrast of bleak desperation with gross opulence and excess that Collins creates in The Hunger Games.

The parallels between Panem and Rome turn what could otherwise be seen as a somewhat far-fetched or unlikely story into a reasonably plausible post-apocalyptic future possibility. I enjoyed the building of tension in the lead-up to the beginning of the games, as well as the explosive release and action when Katniss finally enters the arena.

I liked the way Collins creates an enemy in the very terrain of the arena itself so that, when coupled with the threat of the other contestants, the tension is heightened even further. 

I love a good dystopian novel, and this hit all the right notes for me. At first, everything seems perfect in Jonas’s tightly-ordered world—only everyone is hiding something. Jonas is different, but he doesn’t know how.

I loved how thought-provoking The Giver was. It got me asking questions about what it means to be a part of a community, a friend, and a member of a family. What risks are we willing to take for the ultimate good, and what crosses the line?

I found Jonas’s story fascinating and felt genuinely concerned for him throughout the book.

Legend is one of those books that feels nostalgic when you read it. It perfectly mixes all of the elements from the 2010 dystopian classics, with a wonderful dual narration. In Legend we read the story through Day and June’s eyes. Both are from completely opposite parts of society, which makes the story twice as interesting. It even has elements of enemies to lovers! What this book does so well with its dual narration, is it lets you see more of the world that the author has created, which we wouldn’t normally get had she chosen to tell the book from one of these characters. Personally, I preferred Day’s POV, and the arc his story took. 

This is the book which most inspired Frances’ voice in The Island. 15-year old Anais is troubled, loving, brilliant, and creative. She is also at a young offenders’ institution named the Panopticon after being found covered in blood at a crime scene. A birthday present from my brother, this book is so powerful, moving, and evocative. It’s written in spiky Midlothian. It’s raw. It’s warm. It’s brutal.

No matter what life throws at her (and there is a lot) Anais finds a way to survive with humour and defiance. I just loved it.

I just love this book. Again, it’s set against such an evocative landscape – this time in Western Australia. It tells the story of a tentative love affair between a reckless poacher and the wife of a wealthy landowner – and the inevitable fall-out. There’s even a soundtrack to go with it – Winton’s a musician too.

The writing’s so pitch-perfect that I had to keep stopping to scribble phrases down. It’s that good. Why is it about survival? As well as Luther Fox, the poacher, struggling to get over the tragedy of his past, the last third of the book focuses on his walkabout up north to Coronation Island, where he deliberately shipwrecks himself. Cue the wilderness: scavenging, hunting, sheltering. True, haunting, survival in its rawest sense as he battles to redemption.

This is one of the first young adult books I remember reading as an adult. I read it in college when I was preparing to become a teacher, and then I read it to my students once I was in the classroom.

I love the survival aspect of the story and Brian’s perseverance to push through after his plane crashes in the wilderness of snowy northern Canada. I also love that this book features a younger teen, which we don’t often see in YA books.

The story kept me fully engaged and I was rooting for Brian the whole time.

A survival book list should definitely contain at least one treasure from your childhood. This one never left me and it’s a book I return to for its haunting, beautiful, disturbing depiction of Marianne, the little girl who dreams what she draws. Battling against a mysterious, unnamed illness, she escapes from the daily monotony by drawing a house, and a boy, and some sentinel stones. Slowly, this dreamworld becomes her reality. As the children struggle to break out of their house, surrounded by them, the stony watchers, the reader is dimly aware that it mirrors their fight to recover from their sickness. Lyrical, very scary, and a cliffhanger ending like no other, it is deservedly a classic.

I first read it when I was 10, the exact same age as Marianne (the story begins on her birthday), and I have reread it for the umpteenth time forty years later.… show more.

Kerry Drewery is an author that came in for a Masterclass when I was studying my undergrad in Creative Writing at Sheffield Hallam University. As this book series was right up my alley, I decided to buy every book on kindle (and most recently in paperback). This series reminded me a lot of 1984 with the dark setting and horrific outcomes. Set in a future London, the reality show format of the book gives an insight into human nature. How far will we go for entertainment? 

I came across Salt Lick when hunting for novels on the topic of climate breakdown.

I was looking for writers who go beyond the doom and gloom, to find either rays of hope or at the very least a story where life and love might survive. For me, hope was an essential element in Jessie Lamb’s story. And in Salt Lick, Allison does deliver a dogged kind of hope for her strange trio of wandering central characters.

Beyond that, she delivers bewitchingly beautiful prose; her first page is a masterclass in description.