Here are 100 books that Ham on Rye fans have personally recommended if you like
Ham on Rye.
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I have no expertise on anything, but I do feel like I have had a lot of experience being around families and observing complex family dynamics. It’s funny because I would say I have never actually had the “family” experience myself. I grew up with just a mother and a younger sister. That’s it. I barely knew my father, barely knew my grandfather, sort of knew my grandmother. Barely knew my uncles. I found myself looking at other families with awe. Not with envy, but more with curiosity. And as someone who has had his own issues with my sole sibling, I am forever intrigued by that dynamic as well.
I mean, hello! The opening sentence “All happy families are alike…” is probably my favorite opening sentence of all time. This book is what I place in the “epic story telling” category for its breadth and scope of time. In many ways it is the story of two separate families and it hits on several themes I have come to crave and demand from art. Tolstoy looks at class, cultural and societal norms, and the emotional toll of familial expectations. It is a book so dense with interesting, flawed characters and it is one of the rare works I come back again to read every few years.
In 1872 the mistress of a neighbouring landowner threw herself under a train at a station near Tolstoy's home. This gave Tolstoy the starting point he needed for composing what many believe to be the greatest novel ever written.
In writing Anna Karenina he moved away from the vast historical sweep of War and Peace to tell, with extraordinary understanding, the story of an aristocratic woman who brings ruin on herself. Anna's tragedy is interwoven with not only the courtship and marriage of Kitty and Levin but also the lives of many other characters. Rich in incident, powerful in characterization,…
It’s Saturday, 5 p.m. If you could peer back in time to the late ’60s, you’d find me plunked in front of our new colour RCA Victor, a Swanson TV dinner steaming before me, and the theme…da-da-DAAA-da-da-da-da-DAAAA, announcing my favourite show: Star Trek. I absorbed the logic of Mr. Spock, the passion of Dr. McCoy, and the fantastical world of Klingons, wormholes, and warp drives. Add to that a degree in history and English, and it set the stage for my passion to read and write in genres of science fiction and magical realism. I hope you find these books as stimulating and thought-provoking as I did.
In The Bell Jar, Sylvia Plath unscrews the top of her skull and invites us to peek inside. This is one of my favourite first-person narratives.
Considering Plath’s struggle with depression and her ultimate suicide, the book portrays the tribulations of a tortured artist in New York’s beatnik fifties. Plath’s lyrical language infuses the prose which appeals to my love of poetry.
When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.
The Bell Jar, Sylvia Plath's only novel, was originally published in 1963 under the pseudonym Victoria…
When I was a child, my mother offered daycare at our house. The kids, the regulars, had moms who worked outside their homes. I’ve been listening to the personal, social, and economic worries of adult women since I was in kindergarten. I hope my stories portray their vulnerability, resilience, kindness, and capacity for violence. I set women centerstage as a sign of respect and to make the full range of women as people—our personhood—visible and undeniable. I’m drawn to stories of women who lash out and commit terrible acts. To be counted, I think we must be perceived as human and therefore fallible, potentially dangerous, capable of anything.
Janet Fitch achieved a miracle with this novel about a girl rambling through a flawed foster care system after her mother is convicted of a heinous crime.
In a predictable set-up, the mother would be supportive despite her incarceration. She would be a wise person offering the girl advice. But the author had the confidence and skill to make the mother a beautiful monster, a brilliant, malignant poet whose attempts at controlling the girl are frustrated by the physical distance between them.
The girl’s growing awareness of her mother’s destructive potential is set against a series of foster families. I highly recommend White Oleander for the honesty of the mother-daughter conflict. The novel expertly depicts the epic struggle to create an identity in relation to a charismatic, narcissistic parent.
White Oleander is a painfully beautiful first novel about a young girl growing up the hard way. It is a powerful story of mothers and daughters, their ambiguous alliances, their selfish love and cruel behaviour, and the search for love and identity.Astrid has been raised by her mother, a beautiful, headstrong poet. Astrid forgives her everything as her world revolves around this beautiful creature until Ingrid murders a former lover and is imprisoned for life. Astrid's fierce determination to survive and be loved makes her an unforgettable figure. 'Liquid poetry' - Oprah Winfrey 'Tangled, complex and extraordinarily moving' - Observer
I am a physician assistant and paramedic with ten brothers and sisters, an all-consuming love of the outdoors and adventure, and a fascination with history, particularly early US history. I love reading and writing the kind of books that I would like to read. My debut novel, Firefax, was written in large part as an escape from the horrors of serving in the hospital as a physician assistant during the delta wave of the COVID-19 pandemic. I hope it provides my readers with an escape from their own struggles as well.
I can hardly recommend the first book without recommending the entire series.
The historical accuracy of these books will blow you away, as will the depths and complexities of every character involved, from Dr. Maturin with his fascination with languages, music, and the natural world, to the stalwart, steady Captain Aubrey, who lets his drive to serve king and country push him to the very heights of his profession.
Their wild, dangerous adventures will hook you and each time you finish a novel you’ll hardly be able to wait for the next adventure, until at last the final book ends the tales. The heights and depths of this story of true, lifelong friendship will ring true to any soul reading these tales of high adventure in a world at war upon the seas.
This, the first in the splendid series of Jack Aubrey novels, establishes the friendship between Captain Aubrey, R.N., and Stephen Maturin, ship's surgeon and intelligence agent, against a thrilling backdrop of the Napoleonic wars. Details of a life aboard a man-of-war in Nelson's navy are faultlessly rendered: the conversational idiom of the officers in the ward room and the men on the lower deck, the food, the floggings, the mysteries of the wind and the rigging, and the roar of broadsides as the great ships close in battle.
I worked for ten years as a guard at the Metropolitan Museum of Art, as narrated in my memoir, All the Beauty in the World. I’ve found that readers are fascinated by the art in the Met but also by the “living museum,” which includes five hundred security guards keeping watch over millions of visitors each year. I’ve read a variety of workplace memoirs to study how authors depict the rhythms of work and the feel of particular workplaces. I’m especially passionate when there are larger themes at play and thus clear reasons why we should care.
This is a workplace memoir in part because of the engaging, disgusting scenes where he labors as a plongeur (dishwasher) in a grimy French restaurant. But in a broader sense, it’s a book about the hard work of being poor.
Every sentence is intelligent and the overall thrust is deeply moral—Orwell’s calling card.
From the author of 1984, the classic semi-autobiographical story about the adventures of a penniless British writer in two cities.
Down and Out in Paris and London follows the journey of a writer among the down-and-out in two great cities. Without self-pity and often with humor, this novel is Orwell at his finest-a sobering, truthful protrayal of poverty and society.
I’ve been fascinated by absurdist comedy and ideas for as long as I can remember. At sixteen, I wrote my first book, Mr A, which followed a man who would turn into a superhero after taking LSD and his talking dog. As an adult, I continue to revel in these types of stories. I brought this passion to my chart-topping debut non-fiction book, where I interviewed several people who believe McDonald’s has interdimensional properties. Now, I hold no bars in fiction writing, having authored a ‘genius of a book’ that follows a talking pencil.
I found this book mentioned in one of Charles Bukowski’s. If Bukowski liked it, I surely would, too, I thought. This is, without a doubt, a severely strange book. Hunger followers the narrator as he desperately tries to become a successful writer while battling the hardships of starvation and homelessness. He becomes delusional with grandiose ideas and attempts to humiliate a love interest of his. This book will leave you questioning your literary choices.
One of the most important and controversial writers of the 20th century, Knut Hamsun made literary history with the publication in 1890 of this powerful, autobiographical novel recounting the abject poverty, hunger and despair of a young writer struggling to achieve self-discovery and its ultimate artistic expression. The book brilliantly probes the psychodynamics of alienation and obsession, painting an unforgettable portrait of a man driven by forces beyond his control to the edge of self-destruction. Hamsun influenced many of the major 20th-century writers who followed him, including Kafka, Joyce and Henry Miller. Required reading in world literature courses, the highly…
While The Woman in the Sun Hat is my debut novel, as a seasoned playwright, I have often gravitated to character studies in a variety of genres, usually blending comedy with pathos. What was exciting for me in writing a novel was that I could really explore an even more nuanced arc of the central character. I am a Brooklyn, NY-based Playwright, Novelist, Screenwriter, Actor, and Poet. Recent publications include my play Day of the Dog (Broadway Play Publishing) and my debut poetry collection 104 Days of the Pandemic (fandango 4 Art House). My latest novel is Graphic Nature, due out later in 2022.
While, yes, this is not a novel, there is a true character journey in reading the complete works of Ms. Sexton in sequence; a sort of poetic analysis the likes of which I have not read to such a soul-baring degree, as she depicts her thoughts and struggles with marriage, relationships, motherhood, her own parents and various other facets of her life. To me, Ms. Sexton is very much the symbol of what became the confessional poetry movement. The eloquence and depth of her writing, especially in poems like " The Double Image", "Flee on Your Donkey" and " For My Lover Returning to His Wife", are remarkable.
The Complete Poems: Anne Sexton comprises the poet's ten volumes of verse, including the Pulitzer Prize-winner Live or Die, as well as seven poems from her last years.
From the joy and anguish of her own experience, Sexton fashioned poems that told truths about the inner lives of men and women.
"Women poets in particular owe a debt to Anne Sexton, who broke new ground, shattered taboos, and endured a barrage of attacks along the way because of the flamboyance of her subject matter...Sexton has earned her place in the canon."—from the Foreword by Pulitzer Prize-winning poet Maxine Kumin
I’ve been fascinated by absurdist comedy and ideas for as long as I can remember. At sixteen, I wrote my first book, Mr A, which followed a man who would turn into a superhero after taking LSD and his talking dog. As an adult, I continue to revel in these types of stories. I brought this passion to my chart-topping debut non-fiction book, where I interviewed several people who believe McDonald’s has interdimensional properties. Now, I hold no bars in fiction writing, having authored a ‘genius of a book’ that follows a talking pencil.
When I first watched the Rosencrantz and Guildenstern Are Dead film starring Gary Oldman and Tim Roth, I was enamoured by the rhythm and dialogue. Reading the play, however, is even more brilliant. It’s fast-paced, confusing, and hilarious. In fact, it played a huge hand in inspiring my latest book. I would never have grasped the English language so tightly had it not been for this book.
Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm’s-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare’s play. In Tom Stoppard’s best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end.
Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz…
I have been fascinated with travel and adventure stories since I read The Magic Faraway Tree by Enid Blyton. I finished a whole Walter Scott book; with a dictionary balanced on one knee because Jeanie Deans decides to walk from Edinburgh to London. Romance? Bah! Humbug! I’d rather journey into The Heart of Darkness, follow the hobbits to Mount Doom, or ride a sandworm with Paul Atreides. Show me a lone traveler thrown into the middle of an unfamiliar, confusing culture and you have my full attention. Naturally, when I started typing out my first manuscript, it just had to be a fantasy adventure about an Iban headhunter.
This is one of those books that I had to put down a couple of times previously because the protagonist’s flaw hit too close to home. Jim is so ashamed of his past cowardice that each time his identity is found out, he will travel farther away from the spreading Western colonies. A Western marauder eventually invades the Malay and Bugis community where he lives, and Jim has to bear the consequence of speaking up for the man in good faith. After so many years, this book is still one of my top favorites because Jim finally stops running and faces his fear. He ultimately becomes the hero that he has always wanted to be.
'To the white men in the waterside business and to the captain of ships he was just Jim - nothing more. He had, of course, another name, but he was anxious that it should not be pronounced.'
Lord Jim tells the story of a young, idealistic Englishman - 'as unflinching as a hero in a book' - who is disgraced by a single act of cowardice while serving as an officer on the Patna, a merchant-ship sailing from an Eastern port. His life is blighted: an isolated scandal assumes horrifying proportions. An older man, Marlow, befriends Jim, and helps to…
I’ve written fiction for 60 years, scratching the adventure itch for exotic places, high seas, or converging oddities. I have wandered and taken note. The authors I love have influenced my worldview and my writing. I am a reef conservation activist with five volumes of reef photos and political narratives covering reefs worldwide. And I am an Executive Producer of The Dark Hobby, an award-winning feature film exposing the aquarium trade for its devastating impact on reefs worldwide. I live in Maui with my wife Anita, Cookie the dog, Yoyo, Tootsie, Rocky, Buck, Inez and Coco the cats, and Elizabeth the chicken.
All of the Singer Brothers are excellent tales of village life and struggles. Isaac Bashevis Singer could spin a yarn with no seams showing, drawing readers in to personal and social straits. Scum, Meshugah, Shosha, and the rest capture the strife and insanity of the times. Isaac Singer often called his brother I.J. a better writer. Better shmetter; I.J. wrote beautiful tales of folksy subjects, easing as well to the verge. The Brothers Carnovsky will linger for years.
Presents a new, recently discovered, posthumously published novel by the Nobel Prize-winning author of The Certificate and The King of the Fields. 20,000 first printing.
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