Here are 20 books that Guns of the Dawn fans have personally recommended if you like
Guns of the Dawn.
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When we authors name our characters, we gift them with meaning—a single word that somehow encompasses everything they will experience on the page. The name of my heroine, Akmaral, hails from Kazakhstan and means “white deer.” It resounds with the sound of hooves on the ancient Central Asian steppes and the deep connection to the natural world of the nomadic people who once lived there. Names bear unconscious expectations—hopes for strength and wisdom, dreams of triumph, beauty, and love. I hope that someday, hearing “Akmaral” will bring to mind vast, windswept steppes and a strong woman on horseback, head held high, contemplating her journey from warrior to leader.
It doesn’t hurt to be a goddess—even a minor goddess—that is, unless you are condemned to live alone on an enchanted island for eternity. I love the magic and herbology woven into Circe's character. (I love anything that has to do with harnessing nature’s powerful, innate wisdom.)
Circe’s suffering at the hands of gods and men is as intense as if she were a human woman. Yet she is immortal. Is there no end to it? Thankfully, even a goddess can grow.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens…
I grew up a child of the movies, open to watching anything at least once and countlessly rewatching the movies I loved. When not in front of a television, I was instead in front of a book, playing the words of the page out in my imagination. Now I write thrillers of multiple varieties (action, techno, paranormal, etc.), still visualizing words as movies playing out in my mind. Over the years, I’ve seen the quality of novel adaptations grow (e.g., Harry Potter, The Martian, etc.), and yet these staples of my youth have always stuck with me as lost opportunities to deliver a superior work to the general movie-watching audience.
At a whopping 1,152 pages, Stephen King’s The Stand was just too much to capture in a single movie.
That’s why, in 1994, CBS adapted it across four, ninety-minute episodes of a limited run “mini-series” (a fancy way of saying “a really long movie”). In all fairness, it had a great cast and was better than it had any right to be, and was far more enjoyable than CBS’s 2020 attempt at a do-over.
But even with a total six-hour runtime, it couldn’t capture all the story, heart, and nuance that made the book so incredible. It’s a feat to read, one I did to pass the time when bored in school, and one I will surely do again in the future.
Stephen King's apocalyptic vision of a world blasted by virus and tangled in an elemental struggle between good and evil remains as riveting and eerily plausible as when it was first published.
Soon to be a television series.
'THE STAND is a masterpiece' (Guardian). Set in a virus-decimated US, King's thrilling American fantasy epic, is a Classic.
First come the days of the virus. Then come the dreams.
Dark dreams that warn of the coming of the dark man. The apostate of death, his worn-down boot heels tramping the night roads. The warlord of the charnel house and Prince of…
As an uncanny child myself, I always gravitated toward reading about the strange—whether in historical accounts or fiction—and as a passably normal adult, I often write from the perspective of “the other.” I never intentionally mix science fiction and paranormal elements into my work…they just happen to be my characters’ truths! So much of what we humans know about our world is filtered through our collective reality, and I love following the connecting threads and plucking at the flaws.
A dystopian zombie-type tale, this novel focuses on a hyper-intelligent child who is starved for affection—and non-vegetarian protein.
Melanie struggles to control her biological impulses, to be more than what the adults fear and to be seen as human instead of an abomination, because she’s capable of love. Yet, it’s her immense capacity for clear, rational thought that makes her oh-so uncanny.
I’ve read the book—and watched the film—multiple times. If you don’t mind some gore, this story is much more than just a zombie sci-fi.
'ORIGINAL, THRILLING AND POWERFUL' - Guardian 'HAUNTING, HEARTHBREAKING' - Vogue The phenomenal million-copy bestseller that is also a BAFTA Award-nominated movie
NOT EVERY GIFT IS A BLESSING
Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant Parks keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don't like her. She jokes that she won't bite. But they don't laugh.
Melanie is a very special girl.
Emotionally charged and gripping from beginning to end, THE GIRL WITH ALL THE GIFTS is the…
Caroline Hardaker is an author, poet, and librettist who writes dark and twisty tales about anything speculative, from folklore to the future. She’s a sporadic puppet-maker and house plant collector, and lives in the northeast of England with her husband, son, and giant cat. Caroline’s debut poetry collection, Bone Ovation, was published by Valley Press in 2017, and her first full-length collection,Little Quakes Every Day, was published by Valley Press in November 2020. Caroline’s debut novel, Composite Creatures, was published by Angry Robot in April 2021.
While this book isn’t necessarily a horror, this slow, poetic, and tragic story about a young girl born in the wrong time hits me right in the heart. Corrag is a wild young girl from the mountains of Scotland who has been imprisoned as a witch. It’s 1692, and in a cold, filthy cell, she awaits her fate of death by burning—until she is visited by a young Irishman, hungry to question her. Corrag’s story flows from the beautiful poetic descriptions of wild Scottish life to the brutal Massacre of Glencoe in a style that’s absolutely unforgettable.
The new novel from Susan Fletcher, author of the bestselling 'Eve Green' and 'Oystercatchers'.
1692. Corrag, a wild young girl from the mountains of Scotland, has been imprisoned as a witch. Terrified, in a cold, filthy cell, she awaits her fate of death by burning - until she is visited by Charles Leslie, a young Irishman, hungry to question her. For Corrag knows more than it seems: she was witness to the bloody and brutal Massacre of Glencoe.
But to reveal what she knows, Corrag demands a chance to tell her true story. It is a tale of passion and…
Kristyn Harman is an award-winning researcher who successfully completed doctoral research investigating the circumstances in which at least ninety Australian Aboriginal men were transported as convicts within the Australian colonies following their involvement in Australia’s frontier wars. She has published extensively on historical topics, and currently lectures in History at the University of Tasmania in Hobart, Australia. Having lived in both countries, Kristyn is fascinated by the different understandings that New Zealanders and Australians have of their nation’s respective pasts. She is particularly intrigued, if not perturbed, by the way in which most New Zealanders acknowledge their nation’s frontier wars, while many Australians choose to deny the wars fought on their country’s soil.
While many New Zealanders realize that frontier wars were fought following the country’s annexation by England in 1840, very few are aware of a series of bitterly contested battles that took place over the half-century prior to New Zealand becoming a crown colony. This book is significant as Ron Crosby reveals how, after Europeans began to visit the north of New Zealand, Māori traded with the newcomers. They grew food, and replenished supplies for whalers, timber getters, and even for missionaries in exchange for European trade goods that included muskets. Armed with muskets, Māori iwi (tribes) from the far north of New Zealand became well placed to go to war against other iwi with whom they had issues to resolve. Fueled by European technology, the resulting series of battles, referred to as the ‘musket wars’, saw more than 20,000 Māori killed prior to 1840. Many more were enslaved or became…
First published by Reed in 1999, with an introduction by Michael King, The Musket Wars established Ron Crosby’s reputation as a daring, original chronicler of New Zealand history. This best-selling history provides the first comprehensive account of the wars that ravaged the country in the early 1800s, when iwi with newly acquired muskets unleashed terrible utu (revenge) on foes, helped by other introductions like potatoes that fuelled long-range taua (war parties). Ron Crosby weaves the strands of this conflict into an immensely readable narrative, guiding the reader through its complexities with lists of protagonists, a chronology, indexes and above all,…
Research Professor of Psychology at Bryn Mawr College. Since the 9/11 attacks I have tried to understand how normal individuals, people like you and me, can move to terrorism in particular and political violence more generally. I retired from teaching in 2015 to have more time to write. I’ve written about genocide (Why Not Kill Them All? The Logic and Prevention of Mass Political Murder), about self-sacrifice (The Marvel of Martyrdom: The Power of Self Sacrifice in a Selfish World), and about terrorism (Friction: How Conflict Radicalizes Them and Us).
Keegan popularized a new kind of military history, history focused on the experience of those “at the sharp end” of battle. Generals may as individuals have the most influence on the course of battle, but Keegan argues that, taken together, the men doing the fighting have more influence than the generals. He describes the experiences of men in three famous battles, and shows how tactics evolved but the demands of facing death remained all too familiar. I love this book for using history to find the psychology of men in combat.
John Keegan's groundbreaking portrayal of the common soldier in the heat of battle -- a masterpiece that explores the physical and mental aspects of warfare
The Face of Battle is military history from the battlefield: a look at the direct experience of individuals at the "point of maximum danger." Without the myth-making elements of rhetoric and xenophobia, and breaking away from the stylized format of battle descriptions, John Keegan has written what is probably the definitive model for military historians. And in his scrupulous reassessment of three battles representative of three different time periods, he manages to convey what the…
Kim Brown Seely was born and raised in Southern California and graduated from Stanford University. A Lowell Thomas Journalist of the Year, she has worked in publishing on both coasts, including as senior editor at Travel + Leisure magazine, contributing editor at National Geographic Adventure, and travel editor at Microsoft and Amazon. Her memoir Uncharted: A Couple’s Epic Empty-Nest Adventure Sailing from One Life to Another was named one of the best books about retirement by the Wall Street Journal and is also a Nautilus Award Winner. She has traveled to more than thirty countries for Virtuoso magazine, where she's a contributing writer and has won more than a dozen writing awards for her work.
I first read Passage to Juneau: A Sea and Its Meanings when I was the travel books editor at Amazon and took it home to review.
British-born Raban’s solo sailing journey from Seattle to Juneau, Alaska, is a riveting take on navigating the Inside Passage (the intricate waterway between Puget Sound and Alaska), weaving together history, science, literature, and intimate descriptions of his life at sea.
While Raban can be a prickly narrator, Passage to Juneau is extraordinary narrative nonfiction and was the initial inspiration for my own book and many seasons now spent boating (and reading) afloat.
With the same rigorous observation (natural and social), invigorating stylishness, and encyclopedic learning that he brought to his National Book Award-winning Bad Land, Jonathan Raban conducts readers along the Inside Passage from Seattle to Juneau. The physical distance is 1,000 miles of difficult-and often treacherous-water, which Raban navigates solo in a 35-foot sailboat.
But Passage to Juneau also traverses a gulf of centuries and cultures: the immeasurable divide between the Northwest's Indians and its first European explorers-- between its embattled fishermen and loggers and its pampered new class. Along the way, Raban offers captivating discourses on art, philosophy, and navigation…
Storytelling is my passion. I have loved writing in the science fiction and fantasy genres since I learned to read as a kid. I’ve won multiple awards, have an optioned screenplay, and am actively working on several paid script projects. I love to swap stories with other writers and dive into new worlds.
While hungry for really any fantasy book, I got into the Dragonrealm series just after it had gone out of print, so I had a lot of fun and rushes of victory scouring all the secondhand bookstores to find any book I could, even out of order. It’s a little dated and cheesy now, considering that the main character’s name is Bedlam, but if you can find a copy, it’s a fun trip down memory lane.
When Darkhorse receives word that the son of the great warlock, Cabe Bedlam, has been lured into captivity in the land of Zuu, the magical steed determines to rescue his young friend and stop his enemies' sorcery. Original.
I've been writing Spooky Middle Grade for a number of years, and before that, I wrote horror for Hollywood. Living in Sleepy Hollow, spooky is in my blood, and if I didn't write creepy stories, they'd kick me out. I'm also a professional storyteller and have scared the bejeebus out of kids and adults in places like Sleepy Hollow Cemetery, Rockefeller State Park Preserve, and Washington Irving's Sunnyside. Halloween is my favorite time of year. It more or less becomes a month-long village-wide celebration in October. Being inundated with all this crazy rubs off on you, and I have been well-steeped.
I like a little humor with my spookiness and this book has humor to spare. Just the idea of a horde of demonic stuffed animals brings a smile to my face. Rosen does a fantastic job creating a fully-fleshed out world and filling it with interesting and engaging characters. But seriously, it's the bunnies that make this shine. Even now, just writing about them brings a smile to my face.
Twelve-year-old Devin Dexter has a problem. Well, actually, many of them. His cousin, Tommy, sees conspiracies behind every corner. And Tommy thinks Devin's new neighbor, Herb, is a warlock . . . but nobody believes him. Even Devin's skeptical. But soon strange things start happening. Things like the hot new Christmas toy, the Cuddle Bunny, coming to life.
That would be great, because, after all, who doesn't love a cute bunny? But these aren't the kind of bunnies you can cuddle with. These bunnies are dangerous. Devin and Tommy set out to prove Herb is a warlock and to stop…
I define myself as a hopeless romantic and look for books that put me in the feels. When one does, it tends to last with me forever, if not a very long time. I read a range of books, and for me, a love story just makes my heart full like nothing else. I don’t care if it’s fantasy romance, contemporary romance, historical romance, etc. As you can see, I’m versed in genre romance all the way to the classics. Give me all the love stories.
This book is a joy from start to finish! The writing is quippy, lighthearted, and witty.
I loved this story so much for it’s perfect exploration of the sunshine grump trope. Penny and Willem are a delight! I also really enjoyed the way Clare weaved in magic into a mundane world. It was easy to understand and was also incredibly believable.
Enemies-to-lovers has never been more enchanting in this witchy romantic comedy from the New York Times bestselling author of Go Hex Yourself.
Penny Roundtree wants nothing more than to be a familiar to a witch. She’s been a member of the Society of Familiars ever since she was old enough to join the Fam. There’s just a small problem—no one’s hiring. Witches and warlocks are so long-lived that there are far more familiars available than witches to train them. So when an unorthodox arrangement to apprentice under the table to a forbidden warlock…
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warlocks,
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