Here are 100 books that Fear Nothing fans have personally recommended if you like
Fear Nothing.
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When I read, I’m not just seeing the words on a page; I’m escaping into the world crafted by the author. Since I was a child, I’ve always been a lover of fantasy – it was an escape for me to slip between the pages and be a part of the world inside them. Especially if they were beautiful and filled with hidden danger. I wanted to have my heart pound out of my chest, to have the thrill of magic, wonder, and fear. Now, I try to write those types of worlds; because of the books which inspired me. I only hope you love them as much as I do.
This is possibly one of the least well-known Stephen King books out there, and it is most definitely underrated.
It’s the tale of Jack Sawyer, a twelve-year-old boy who must cross the country to findThe Talisman; a magical artifact that has the power to save his mother’s life from the terminal cancer that is ravaging her body.
But, Morgan Sloat is also chasing the Talisman, in the hopes that he can rule both our world, and the idyllic (and terrifying) Territories, where Jack is the born-again prince.
An all-encompassing portal, two-world fantasy adventure, this is a book that shaped my reading tastes from the age of 13, when I first read it. And it’s one I go back to, time and time again.
Twelve-year-old Jack Sawyer braves the mysterious dangers of the Territories, a surreal parallel world, in his quest--across the United States-for the Talisman, the only hope for his dying mother and for his own survival.
I’m a writer who writes across genres, but everything has a dark edge. As a reader, I want to be able to relate, engage, and connect in some way to the characters and story, but as I come from an abusive childhood, that means they can’t be light and fluffy; there has to be something off-kilter and warped because that reflects how my life has been. In my own writing, I try to do the same and create something that is emotive and real while still allowing the reader to escape. I originate from Surrey, in the south of England, but I have lived in theNetherlands since 2002.
This book was like a comeback for James Herbert as a horror author.
I’d always been an avid reader of his, but at some point, his writing seemed to lose its way; the endings didn’t quite deliver anymore, and his style chopped and changed. But this book had everything that worked for me as a reader: dark, gruesome horror with a paranormal twist.
The concept of astral projection and the ‘what if’’ should your body be murdered while you were away; I loved the exploration of this through the character's eyes – and what he found when he hunted down his murderer. It’s chilling and horrific, yet also in some ways heartbreaking, not only for the main character but for the murderer too. I was gripped all the way through.
Jim True knows. He has returned from an out-of-body experience to find he has been brutally murdered and his body mutilated. No one can see him, no one can hear him, no one, except his killer, knows he still exists. Freed from his body, True embarks on a quest to find his killer and discover why and how he has managed to survive.
As he closes in on his murderer, True discovers that even the very people he loved and trusted have betrayed him. He meets his killer, a strange and sinister figure…
I grew up addicted to portal stories, where fantastical lands full of magic and adventure are accessible from our mundane world if you just know where to look. Stories like The Neverending Story, Labyrinth, Alice in Wonderland, and The Chronicles of Narnia. My first novel, The Between, is a portal story like those but written more for adults–at least, for adults who are still young at heart. If you, too, like to daydream about slipping from your work cubicle into someplace strange and weird–and perhaps a little dangerous–here are books I think you might love.
That antique rug on the floor over there. What if a secret world is hidden within its countless knots and dyed threads? What if a fraying corner lets lose a creature trapped within? What if you step on it just so… and slip into a hidden world?
I read Weaveworld back in high school, shortly after it came out. It was my first Clive Barker novel and first adult, Alice in Wonderland-style, hidden world novel. I picked it up on a whim, and that whim changed the course of my life in many ways. I began writing in my spare time, inspired by Barker’s brilliant twists of words and by his surreal and haunting worlds.
Originally published in 1988. Set in contemporary England, two friends discover a secret magical world and are drawn into a battle between good and evil. From the author of EVERVILLE.
I’m a writer who writes across genres, but everything has a dark edge. As a reader, I want to be able to relate, engage, and connect in some way to the characters and story, but as I come from an abusive childhood, that means they can’t be light and fluffy; there has to be something off-kilter and warped because that reflects how my life has been. In my own writing, I try to do the same and create something that is emotive and real while still allowing the reader to escape. I originate from Surrey, in the south of England, but I have lived in theNetherlands since 2002.
As an indie author, I’m always interested in what other fellow authors are writing, so when I befriended Mark Cassell, I wanted to read his work. The Shadow Fabric made me a fan of his writing, and now I read everything he publishes.
With this book, Mark has established what he calls the Shadow Fabric Mythos, which means he’s written more novellas and short stories along the same theme: an ethereal darkness that takes over people, sucking the life out of them and giving a whole new meaning to the term ‘getting stitched’.
Again we have paranormal darkness, which I enjoy as a reader. And with Mark’s writing, he gives a chilly and yet urgent feel to it. You know what is coming, but you can’t look away. My kind of horror.
Leo remembers little of his past. Desperate for a new life, he snatches up the first job to come along. On his second day, he witnesses a murder, and the Shadow Fabric – a malevolent force that controls the darkness – takes the body and vanishes with it.
Determined to get answers, Leo has no idea where to turn. Revelations come in the most unlikely places, and secrets of witchcraft and ancient artefacts unfold. In particular, a device used in the 17th century to extract evil from witches proves key to his discoveries. With these truths long hidden from humankind,…
I write character-driven thrillers, including my latest novel: Rough Justice. How did I come to write psychological character-driven thrillers? It began years ago when I went to Hollywood in 1977. This was the New Hollywood (1967 -1980), and I worked with writers whose work grabbed viewers viscerally, not with explosions but with multi-dimensional characters that would draw you into a deeply moving story. I spent countless hours working out the stories and shaping the people in them. Working closely with these great screenwriters was a rare opportunity to learn how to create complicated characters and to see how these complex people enriched storytelling.
This is an unsettling, deeply disturbing book. I put it on my list because I worked with Bob Lifton (Robert Jay Lifton) in a tutorial for 2 years at Yale. He was a student of unthinkable disasters, atrocities (Hiroshima, Thought Reform and the psychology of Totalism, Nazi Doctors to name a few). For over two years, we met together regularly to discuss and try to understand what was happening in contemporary American culture, and how it was changing during the late 1960s, particularly among young people. We talked about political unrest, the Vietnam war and the Bobby Seale Black Panther trial in New Haven, the student strike and the May Day, 1970 rally, including memorable appearances by the Chicago Seven, thousands of Panther supporters, and observed by the 82nd Airborne Division. He, and his book, helped me sort out how unthinkable things could happen, and he helped me come…
In his most powerful and important book, renowned psychiatrist Robert Jay Lifton presents a brilliant analysis of the crucial role that German doctors played in the Nazi genocide. Now updated with a new preface, The Nazi Doctors remains the definitive work on the Nazi medical atrocities, a chilling expose of the banality of evil at its epitome, and a sobering reminder of the darkest side of human nature.
I’ve been a sci-fi/fantasy fan ever since my dad introduced me to the original Star Trek (in reruns) and The Lord of the Rings in my youth. I’ve always loved thinking about possibilities—large and small—so my work tends to think big when I write. I also write poetry, which allows me to talk about more than just the everyday or at least to find the excitement within the mundane in life. These works talk about those same “possibilities”—for better or worse, and in reading, I walk in awareness of what could be.
This book scratches my genre itch and is also “literary” at the same time. Cronin’s superb world-building is so subtle that you don’t realize that the book’s world and ours are separate until you are half-way through the book and see that there were clues all along the way.
Amy Harper Bellafonte is six years old and her mother thinks she's the most important person in the whole world. She is. Anthony Carter doesn't think he could ever be in a worse place than Death Row. He's wrong. FBI agent Brad Wolgast thinks something beyond imagination is coming. It is. THE PASSAGE. Deep in the jungles of eastern Colombia, Professor Jonas Lear has finally found what he's been searching for - and wishes to God he hadn't. In Memphis, Tennessee, a six-year-old girl called Amy is left at the convent of the Sisters of Mercy and wonders why her…
In my 25 years of writing short stories, novels, and plays, I have explored my Mexican and Chicano roots in a variety of genres, from literary fiction to horror to magical realism to science fiction and everything in between. In the end, I do not discriminate when it comes to genre because a well-told story is key for me, regardless of the mode chosen by the author. My most recent novel, Chicano Frankenstein, is a case in point. In it, I blend genres: horror, science fiction, political satire, and a bit of romance. So, too, I love reading fiction that bravely challenges conventional storytelling.
I had already sold my novel when my publisher highly recommended that I read this book, which—like my own novel—is a modern retelling of Mary Shelley’s Frankenstein. I devoured it in two sittings.
Tsai’s story is a biracial, queer, gender-fluid retelling that modernizes and expands Shelley’s themes of alienation and the dangers of unchecked scientific experimentation.
While Tsai explores such weighty themes as gender identity, racism, and medical ethics, there is no skimping on the horror that will haunt your dreams.
Unwieldy Creatures, a biracial, queer, nonbinary retelling of Mary Shelley's classic novel Frankenstein, follows the story of three beings who all navigate life from the margins: Plum, a queer biracial Chinese intern at one of the world's top embryology labs, who runs away from home to openly be with her girlfriend only to be left on her own; Dr. Frank, a queer biracial Indonesian scientist, who compromises everything she claims to love in the name of science and ambition when she sets out to procreate without sperm or egg; and Dr. Frank's nonbinary…
As a physician, medicine is my job. But along the way, I wondered how medicine got to where it is now–like really wondered. I wondered to the point that I was reading the original treatises written by 18th-century physicians. I started publishing research on medical history and giving presentations at medical conferences. I’d like to think this helps me be a better doctor by broadening my perspective on the healthcare industry. But at the very least, I’ve found these books enjoyable and compelling. I hope you enjoy them, too!
Healthcare is delivered by people who are sometimes subject to biases or prejudices, and this book is a vivid and extraordinarily researched account of how horrible it is when these biases and prejudices go unchecked.
However, what really hit hard for me was that this book is only half about medical history. The last part of this book discusses research practices and biases that are in effect today.
As a physician, this book was imperative to better understand the historical and contemporary issues involving race and medicine.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • The first full history of Black America’s shocking mistreatment as unwilling and unwitting experimental subjects at the hands of the medical establishment. No one concerned with issues of public health and racial justice can afford not to read this masterful book.
"[Washington] has unearthed a shocking amount of information and shaped it into a riveting, carefully documented book." —New York Times
From the era of slavery to the present day, starting with the earliest encounters between Black Americans and Western medical researchers and the racist pseudoscience that resulted, Medical Apartheid details the ways…
I began working in prisons 50 years ago. I was just out of grad school and I accepted the challenge of starting a literacy program in the Philadelphia Prison System. The shock of cellblock life was eye-opening, but the most unexpected revelation was the sight of scores of inmates wrapped in bandages and medical tape. Unknown to the general public, the three city prisons had become a lucrative appendage of the University of Pennsylvania’s Medical School. As I would discover years later, thousands of imprisoned Philadelphians had been used in a cross-section of unethical and dangerous scientific studies running the gamut from simple hair dye and athlete’s foot trials to radioactive isotope, dioxin, and US Army chemical warfare studies. My account of the prison experiments, Acres of Skin, helped instill in me an abiding faith in well-researched journalism as an antidote to societal indiscretions and crimes.
Welsome investigates a particularly repugnant episode in medical history; doctors secretly injecting hospital patients with plutonium as part of the Manhattan Project. Designed to weigh the increased threat of cancer during the outset of the atomic era, the book navigates the governmental and scientific concerns of a new nuclear world, the prestigious players who argued for human experimentation, and the unwitting victims - all hospital patients - who’d be used as test material. In addition, Welsome also explores other Cold War examples of atomic abuse such as “radioactive cocktails” given to pregnant women and radioactive breakfast cereal given to five and six-year-old “morons” at state institutions.
In a Massachusetts school, seventy-three disabled children were spoon fed radioactive isotopes along with their morning oatmeal....In an upstate New York hospital, an eighteen-year-old woman, believing she was being treated for a pituitary disorder, was injected with plutonium by Manhattan Project doctors....At a Tennessee prenatal clinic, 829 pregnant women were served "vitamin cocktails"--in truth, drinks containing radioactive iron--as part of their prenatal treatmen....
In 1945, the seismic power of atomic energy was already well known to researchers, but the effects of radiation on human beings were not. Fearful that plutonium would cause a cancer epidemic among workers, Manhattan Project doctors…
I began working in prisons 50 years ago. I was just out of grad school and I accepted the challenge of starting a literacy program in the Philadelphia Prison System. The shock of cellblock life was eye-opening, but the most unexpected revelation was the sight of scores of inmates wrapped in bandages and medical tape. Unknown to the general public, the three city prisons had become a lucrative appendage of the University of Pennsylvania’s Medical School. As I would discover years later, thousands of imprisoned Philadelphians had been used in a cross-section of unethical and dangerous scientific studies running the gamut from simple hair dye and athlete’s foot trials to radioactive isotope, dioxin, and US Army chemical warfare studies. My account of the prison experiments, Acres of Skin, helped instill in me an abiding faith in well-researched journalism as an antidote to societal indiscretions and crimes.
Known only to true devotees of medical ethics and the history of human research, Jay Katz’s hefty volume (1,150 pages) is a comprehensive encyclopedia of humans used as research material. Information-packed chapters cover everything from Chester Southam’s use of senile hospital patients in cancer cell injection studies during the 1960s, and the legal fallout from such indiscretions, to the ethical obligations of researchers, and the evolution of informed consent as a pillar of ethical human research. Impressive in both detail and scope, this imposing piece of scholarship is a valuable resource for anyone looking to learn the many moral and legal issues inherent in experimenting on humans.
In recent years, increasing concern has been voiced about the nature and extent of human experimentation and its impact on the investigator, subject, science, and society. This casebook represents the first attempt to provide comprehensive materials for studying the human experimentation process. Through case studies from medicine, biology, psychology, sociology, and law―as well as evaluative materials from many other disciplines―Dr. Katz examines the problems raised by human experimentation from the vantage points of each of its major participants―investigator, subject, professions, and state. He analyzes what kinds of authority should be delegated to these participants in the formulation, administration, and review…
