Fans pick 20 books like Don't Sleep, There Are Snakes

All my life I’ve loved looking closely at the natural world to see as much as possible: Why is that leaf broken? Was a chipmunk digging here? Is that a different kind of mushroom? But no matter how closely I looked, I was unaware of the overwhelming complexities and sophistication of the fungal world.

Sheldrake shows the interconnections, not metaphysical ones but actual physical and chemical connections, between fungi, plants, and even living, moving animals. If that chapter about ants doesn’t change how you see the world, I don’t know what will. Fungi own the world, and we are just lucky to live in it.

This is a book about language and how we have lost so many words that clarify our understanding of the natural world. For my book Swamplands, I borrowed from MacFarlane’s glossary of words describing peat. Yarpha, for example, is an Orkney word for peat that is full of fibers and roots, Water-sick is a Cumbrian word for peatlands that are saturated with water. The book reminds us that we need to be more explicit in describing nature in all of its manifestations. It is also addictive. You can start from the middle and read to the beginning or to the end, It never fails

One of the most important parts of the environment for human organisms is the linguistic information that we share back and forth with each other. The language(s) you share with the people around you cannot help but become a fundamental aspect of who you are. While the majority of the world is multilingual (i.e., able to talk about the same thing in different ways), many in North America struggle with developing fluency in a language other than English because English has become so overwhelmingly dominant. Julie Sedivy is in the curious (but not uncommon) situation of being “a linguistic orphan, a person without a mother tongue.” She learned only Czech for the first few years of her life but then was whisked away to Canada where she quickly learned English and rapidly forgot her native language. In Memory Speaks, Julie Sedivy draws the parallels between an individual losing a… show more.

Lovers of language will be entranced by this slim volume. The book contains 26 short pieces, each centered around a Dutch word beginning with a different letter of the alphabet and its English translation. Each segment is a poetic meditation on some aspect of the author’s transition from her first home in the Netherlands to her second home in Canada, and with it, her transition from the Dutch language to English. 

The author explores themes such as how English speakers perceive her mother tongue as alien, the profound emotional connection she feels for Dutch, which she describes as “my pulse music, my bone resonator, my umbilical ligature,” and the paradox of her identification with a mother tongue whose speakers do not always welcome her complicated ethnic identity. 

This is not a book to read quickly. It’s a book to be savored, ideally in the small, intense doses provided by each… show more.

I love that Basso can take me so far inside someone's mind that I can begin to understand not just what they think and feel but how and why they think and feel it.

This book contains the very systems and processes that we use to make knowledge and meaning, and I love learning about a way of knowing and making meaning that is very different from mine—entirely logical, purposeful, valid, and different from mine. 

O’Brien performed some sort of alchemy in turning a previously dry and underpopulated section of the historical fiction genre into literary gold, at once gripping and supremely well-written. One follows the adventures of a Royal Navy Commander and his Irish doctor friend–a man with a secret life–through the war at sea in the Napoleonic era, and I found the balance between naval exploits–Jack Aubrey being a swashbuckler of renown–and period history made for fascinating counter-points.

Over and above that, I loved the way O’Brien built an ensemble cast and proceeded to draw the reader into their lives, making the death of any one of them a personal loss. I know that I benefitted from learning this writing trick and used it myself in my Empire series, and I know at least one other Roman author who did much the same. Wonderful stories that kept me coming back, and this is… show more.

Reading this book was an act of both admiration and agony, admiration for the courage of the author to look where no one else was looking, to take huge physical risks, and to prevail, and agony because I longed every moment to have the ability to myself ascend the world’s tallest trees and meet the life that lives, separated forever from the ground, at their very tops.

Everything about this book is poetry of the best kind because it’s also true.

I love a story that tells it straight, right from when the person was a know-nothing beginner and was trying and failing, and trying and failing…and oh, the failures that Paulsen somehow survived! The drive and obsession that kept him going all the way to the big one, the Iditarod, shows me the beauty of what an individual can do, even all alone, unwitnessed and unhelped, in the middle of the freezing winter night, with a pack of dogs that doesn’t even care about him a little bit yet.

In reading this book, I feel I have witnessed how a person starts from nothing and then becomes an expert at something. In this case, it’s more than 10,000 hours, Anders Ericsson.

I love novels that really spark the imagination and transport you into another world, and this is one of the best I’ve read. The characters are so intricately crafted you feel like you could be them as you’re reading, even though the setting is quite literally thousands of miles away from where you’ll likely be reading it. You truly walk the line between pure wonder and mortal danger in this novel, and you’ll never forget it. 

Little Tigers tells the story of a mom tiger and her cubs searching for a new safe place to live. It’s a simple story about animals and survival, but it serves as a metaphor for humans too; when the place where we live isn’t safe anymore, don’t we seek refuge in a new home too? This book is perfect in every way, and Jo’s charcoal illustrations are just magical.