I am fortunate not to have witnessed any major riots myself; the worst I’ve endured was a 1993 street fight in Moscow between parading Communists and the police, with bricks on one side and clubs and water cannon on the other. But even a relatively gentle protest march that draws a police response can be an astonishing spectacle, transforming a familiar, modern city into a medieval battlefield of massed crowds confronting armored men on horseback. And I am fascinated by the place of crowd actions in democratic societies. The right to assemble is embedded in our constitution, but there’s a fine line between public expression and mob rule.
I wrote...
The Fires of Philadelphia: Citizen-Soldiers, Nativists, and the 1844 Riots Over the Soul of a Nation
A gripping and masterful account of the moment one of America's founding cities turned on itself, giving the nation a preview of the Civil War to come.
America is in a state of deep unrest, grappling with xenophobia, racial, and ethnic tension on a national scale that feels singular to our time. But it also echoes the earliest anti-immigrant sentiments of the country. In 1844, Philadelphia was set aflame by a group of Protestant ideologues—avowed nativists—who were seeking social and political power rallied by charisma and fear of the immigrant menace.
The four days of deadly fighting that shook New York City in July 1863 are best known as the Civil War Draft Riots, but they combined multiple, overlapping grievances. While some men rioted in outrage that poor men must fight while rich men could buy an exemption, others seized the chance to lynch African Americans, settle old political scores, loot shops, or smash the grain elevators and street-sweeping machines they blamed for their unemployment. Schecter connects the intimate, block-by-block events of a riot with the largest debates facing the nation, helping to explain the ultimate disappointment of Reconstruction.
This lively best-selling story - now in its third edition - will appeal to youngsters diagnosed with ADD or ADHD. Otto is a high-octane young car whose motor is always running in overdrive. He also has trouble paying attention in school, is easily distracted, and acts without thinking. Otto and his parents visit a special mechanic, who prescribes medication to slow down Otto's racing motor and who shows him many ways to be more focused and organized and better able to get along with others. Reflecting a multiple-treatment approach to ADHD, Otto's experience includes counseling and other non-medical supports in…
Unscrupulous leaders often stir up mob violence in service to their own ambitions, taking offense at slights that they could choose to shrug off. George charges such groups as the Bharatiya Janata Party in India, the Front Pembela Islam in Indonesia, and ACT! for America in the United States with pursuing power, money, and attention by shrieking that a blasphemous cartoon, a multicultural textbook, or a new house of worship threatens the dominant religion. “Explosions of righteous indignation and incitement are more than the hysteria of mad mullahs and enraged mobs,” argues George. He reminds us to look past the young men throwing rocks and find the movement leaders who stand to gain.
How right-wing political entrepreneurs around the world use religious offense—both given and taken—to mobilize supporters and marginalize opponents.
In the United States, elements of the religious right fuel fears of an existential Islamic threat, spreading anti-Muslim rhetoric into mainstream politics. In Indonesia, Muslim absolutists urge suppression of churches and minority sects, fostering a climate of rising intolerance. In India, Narendra Modi's radical supporters instigate communal riots and academic censorship in pursuit of their Hindu nationalist vision. Outbreaks of religious intolerance are usually assumed to be visceral and spontaneous. But in Hate Spin, Cherian George shows that they often involve sophisticated…
Whatever rhetoric leaders deploy, they depend on others—usually teenagers and young men—who will fight for the joy of it. “Violence is one of the most intensely lived experiences,” writes Buford. “For those capable of giving themselves over to it, is one of the most intense pleasures.” He reaches this conclusion after years of observing the largely apolitical English football hooligans who follow their favorite teams around Europe, plundering and brawling as they go. The crime is brutal and pointless, but, Buford explains, the thugs thrill to the mayhem, the naughtiness, and the sound of broken glass.
The author of this book has spent most of his spare time "among the thugs", the hooligans whose violence scars the face of English football. He has written a work of investigative journalism and a meditation on the violence that lies just beneath the surface of English life.
Democratic governments want to control riots, but they are generally reluctant to use firearms against crowds that include nonviolent protestors and wholly passive bystanders. When chemists developed gas weapons during World War I, army officers argued that irritants—colloquially known as tear gas—could solve the dilemma: forcing crowds to disperse without inflicting permanent injury. But as Feigenbaum shows, tear gas was never as simple, effective, or harmless as its promoters claimed. And no technological fix can reconcile the rights to security and protest.
One hundred years ago, French troops fired tear gas grenades into German trenches. Designed to force people out from behind barricades and trenches, tear gas causes burning of the eyes and skin, tearing, and gagging. Chemical weapons are now banned from war zones. But today, tear gas has become the most commonly used form of "less-lethal" police force. In 2011, the year that protests exploded from the Arab Spring to Occupy Wall Street, tear gas sales tripled. Most tear gas is produced in the United States, and many images of protestors in Tahrir Square showed tear gas canisters with "Made…
In May 1970, Kent, Ohio, witnessed four days of violence, from a rampage downtown that left fifty-six store windows smashed, to the shooting of thirteen Kent State University students by the Ohio National Guard. To tell this story, cartoonist Backderf blends his craft with the historian’s. And it works: The same visual conventions that render the deeds of superheroes also effectively portray historic violence. Relying on oral histories, official investigations, and photographs as sources, Backderf depicts punches and kicks, the grins of victors and the grimaces of the vanquished, and the accompanying sounds: Pop! Crak! Bang! Crash! While contemptuous of the Guard’s senior leadership, he nonetheless takes care to present multiple points of view.
From bestselling author Derf Backderf comes the untold story of the Kent State shootings-timed for the 50th anniversary
On May 4, 1970, the Ohio National Guard gunned down unarmed college students protesting the Vietnam War at Kent State University. In a deadly barrage of 67 shots, 4 students were killed and 9 shot and wounded. It was the day America turned guns on its own children-a shocking event burned into our national memory. A few days prior, 10-year-old Derf Backderf saw those same Guardsmen patrolling his nearby hometown, sent in by the governor to crush a trucker strike. Using the…
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
Now that he is in his eighties, she contemplates her obligation to an absentee father. The Truth About Unringing Phones is an exploration of responsibility and culpability told in experimental and fragmented essays.
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket. Now that he is in his eighties, she contemplates her obligation to an absentee father.
The Truth About Unringing Phones: Essays on Yearning is an exploration of responsibility and culpability told in experimental and fragmented essays.
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