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I am fortunate not to have witnessed any major riots myself; the worst I’ve endured was a 1993 street fight in Moscow between parading Communists and the police, with bricks on one side and clubs and water cannon on the other. But even a relatively gentle protest march that draws a police response can be an astonishing spectacle, transforming a familiar, modern city into a medieval battlefield of massed crowds confronting armored men on horseback. And I am fascinated by the place of crowd actions in democratic societies. The right to assemble is embedded in our constitution, but there’s a fine line between public expression and mob rule.
Whatever rhetoric leaders deploy, they depend on others—usually teenagers and young men—who will fight for the joy of it. “Violence is one of the most intensely lived experiences,” writes Buford. “For those capable of giving themselves over to it, is one of the most intense pleasures.” He reaches this conclusion after years of observing the largely apolitical English football hooligans who follow their favorite teams around Europe, plundering and brawling as they go. The crime is brutal and pointless, but, Buford explains, the thugs thrill to the mayhem, the naughtiness, and the sound of broken glass.
The author of this book has spent most of his spare time "among the thugs", the hooligans whose violence scars the face of English football. He has written a work of investigative journalism and a meditation on the violence that lies just beneath the surface of English life.
I am fortunate not to have witnessed any major riots myself; the worst I’ve endured was a 1993 street fight in Moscow between parading Communists and the police, with bricks on one side and clubs and water cannon on the other. But even a relatively gentle protest march that draws a police response can be an astonishing spectacle, transforming a familiar, modern city into a medieval battlefield of massed crowds confronting armored men on horseback. And I am fascinated by the place of crowd actions in democratic societies. The right to assemble is embedded in our constitution, but there’s a fine line between public expression and mob rule.
Unscrupulous leaders often stir up mob violence in service to their own ambitions, taking offense at slights that they could choose to shrug off. George charges such groups as the Bharatiya Janata Party in India, the Front Pembela Islam in Indonesia, and ACT! for America in the United States with pursuing power, money, and attention by shrieking that a blasphemous cartoon, a multicultural textbook, or a new house of worship threatens the dominant religion. “Explosions of righteous indignation and incitement are more than the hysteria of mad mullahs and enraged mobs,” argues George. He reminds us to look past the young men throwing rocks and find the movement leaders who stand to gain.
How right-wing political entrepreneurs around the world use religious offense—both given and taken—to mobilize supporters and marginalize opponents.
In the United States, elements of the religious right fuel fears of an existential Islamic threat, spreading anti-Muslim rhetoric into mainstream politics. In Indonesia, Muslim absolutists urge suppression of churches and minority sects, fostering a climate of rising intolerance. In India, Narendra Modi's radical supporters instigate communal riots and academic censorship in pursuit of their Hindu nationalist vision. Outbreaks of religious intolerance are usually assumed to be visceral and spontaneous. But in Hate Spin, Cherian George shows that they often involve sophisticated…
When I first enrolled in college, I expected to be a science major who was also interested in history, but I ended up becoming a history major who was also interested in science. I earned my Ph.D. in history from George Washington University in Washington, DC, after earning my B.A. from Temple University in Philadelphia, PA. My Ph.D. dissertation on the U.S. Army Chemical Warfare Service during WWI and the 1920s became the basis for my book Behind the Gas Mask.
Anna Feigenbaum’s book describes the origins of tear gas as a weapon of war and its transition to a crowd control tool. Tear Gas tells a story about the relationships between militaries, arms manufacturers, and police forces that has critical public policy and societal implications today. The continued use of tear gas to counter-protest movements and mass demonstrations around the globe remains a challenge for advocates of arms control, social justice, and human rights.
One hundred years ago, French troops fired tear gas grenades into German trenches. Designed to force people out from behind barricades and trenches, tear gas causes burning of the eyes and skin, tearing, and gagging. Chemical weapons are now banned from war zones. But today, tear gas has become the most commonly used form of "less-lethal" police force. In 2011, the year that protests exploded from the Arab Spring to Occupy Wall Street, tear gas sales tripled. Most tear gas is produced in the United States, and many images of protestors in Tahrir Square showed tear gas canisters with "Made…
I am fortunate not to have witnessed any major riots myself; the worst I’ve endured was a 1993 street fight in Moscow between parading Communists and the police, with bricks on one side and clubs and water cannon on the other. But even a relatively gentle protest march that draws a police response can be an astonishing spectacle, transforming a familiar, modern city into a medieval battlefield of massed crowds confronting armored men on horseback. And I am fascinated by the place of crowd actions in democratic societies. The right to assemble is embedded in our constitution, but there’s a fine line between public expression and mob rule.
In May 1970, Kent, Ohio, witnessed four days of violence, from a rampage downtown that left fifty-six store windows smashed, to the shooting of thirteen Kent State University students by the Ohio National Guard. To tell this story, cartoonist Backderf blends his craft with the historian’s. And it works: The same visual conventions that render the deeds of superheroes also effectively portray historic violence. Relying on oral histories, official investigations, and photographs as sources, Backderf depicts punches and kicks, the grins of victors and the grimaces of the vanquished, and the accompanying sounds: Pop! Crak! Bang! Crash! While contemptuous of the Guard’s senior leadership, he nonetheless takes care to present multiple points of view.
From bestselling author Derf Backderf comes the untold story of the Kent State shootings-timed for the 50th anniversary
On May 4, 1970, the Ohio National Guard gunned down unarmed college students protesting the Vietnam War at Kent State University. In a deadly barrage of 67 shots, 4 students were killed and 9 shot and wounded. It was the day America turned guns on its own children-a shocking event burned into our national memory. A few days prior, 10-year-old Derf Backderf saw those same Guardsmen patrolling his nearby hometown, sent in by the governor to crush a trucker strike. Using the…
History is learned in the worst way by most, through textbooks. Textbooks are written heavy on dates, timelines, and synopsizing events for multiple-choice, maybe a few, essay questions in schools. Whose facts are they? To paraphrase Frederick Douglass, what does the Fourth of July mean when you’re black? History is taught in these fact silos. But that’s not how it happens. History happens in layers that build under pressure, erupt, and shift like rock sediment evolving over time. I chose these five nonfiction books because they unapologetically show the fault lines and pressures that make American history. These books also uncover the hidden gems created by those societal pressures.
You wouldn’t think anyone could unearth something new about New York City. But that’s what Carla Peterson did with this book. I first came across it while researching my own work. By focusing on her own family history, Peterson flipped the wagon on the perception that NYC’s African American population was mostly enslaved laborers.
Reading this, I discovered an elite class of black entrepreneurs who worked tirelessly to end slavery in the state and gain the civil rights all other New Yorkers enjoyed. Thoroughly researched, the book reads with the ebbs and flows of a novel. Anyone writing future screenplays, novels, or streaming series about old New York must face Peterson’s stereotype-busting work.
A groundbreaking history of elite black New Yorkers in the nineteenth century, seen through the lens of the author's ancestors
Part detective tale, part social and cultural narrative, Black Gotham is Carla Peterson's riveting account of her quest to reconstruct the lives of her nineteenth-century ancestors. As she shares their stories and those of their friends, neighbors, and business associates, she illuminates the greater history of African-American elites in New York City.
Black Gotham challenges many of the accepted "truths" about African-American history, including the assumption that the phrase "nineteenth-century black Americans" means enslaved people, that "New York state before…
Creatively formulating, cultivating, and producing high-quality fiction “masterpieces” is what I was destined to do. The art of writing is a “gift & passion” that runs rapidly through my veins. Propelled through an obitual love of reading adventurous tales and storytelling as a young child my writing voyage has expanded to writing poetry, monologues, and screen writing. Combining all imaginative inspired gifts and talents refined by a burning passion to communicate prolific narrations like no other author can. Inspirational, impactful authors that paved the way for me to be here are Maya Angelou, Roald Dahl, Theodor Seuss Geisel, Levar Burton, and Nikki Giovanni.
I particularly enjoyed reading this book for its exuberating passion for standing up for one’s beliefs within the crusader expedition of battle.
Its formation is that of a clever and well-preformed narrative. Marvel Comics introduces a vicious and corrupt government that attempts to entrap these superheroes into a reprehensible system of Tyranny. Iron Man, Captain America, Spider-Man, and The Fantastic Four, among others, align with their patriot allegiances to engage in this bloody war to the end.
The plot was intense. Overall, this narrative was fun and exciting to read leaving you on the edge of your seat until the end.
SPIDER-MAN * IRON MAN CAPTAIN AMERICA * THE FANTASTIC FOUR
THE EPIC STORY THAT BLOWS THE MARVEL UNIVERSE APART!
Iron Man and Captain America: two core members of the Avengers, the world's greatest super hero team. When a tragic battle blows a hole in the city of Stamford, killing hundreds of people, the U.S. government demands that all super heroes unmask and register their powers. To Tony Stark-Iron Man-it's a regrettable but necessary step. To Captain America, it's an unbearable assault on civil liberties.
SO BEGINS THE CIVIL WAR.
BASED ON THE SMASH-HIT GRAPHIC NOVEL THAT HAS SOLD MORE THAN…
Long before I earned a degree in psychology, I was fascinated by human relationships and motivations. Since reading novels is an excellent way to delve into the minds of a variety of people, the library became my second home. I well remember my first binge-read—Nancy Drew. I devoured the entire series sitting under a catalpa tree in my grandfather’s backyard. So it’s probably not surprising that I’m now the author of 60+ novels in the romantic suspense and contemporary romance genres—none of which include sex, swear words, or gratuitous violence. Because as suspense superstar Mary Higgins Clark once said, you don’t need any of those to tell a compelling story.
A powerful, riveting, and unputdownable tale of three women from different eras (Civil War to present) that frames the issue of race relations within the context of family relationships, making the subject immensely relatable and deeply touching. Bartels spins this masterful tale with a deft touch and a caring heart to create a stunning debut. Because the characters were so vivid and the emotions so real, this book opened my eyes in new ways to an issue that remains a hot button in today’s society.
A 2020 Michigan Notable Book 2020 WFWA Star Award Winner 2019 Christy Award finalist
***
"In this powerful first novel . . . Bartels successfully weaves American history into a deeply moving story of heartbreak, long-held secrets, and the bonds of family."--Publishers Weekly, Starred Review
"A forbidden interracial marriage, an escaped slave, an expectant mother waiting for her Union soldier to return--all of these stories are deftly told by Bartels, as she explores the hard realities of racism and its many faces during various eras of American history. . . .Compelling characters make this winning debut also appealing for fans…
I developed a strong interest in current events, especially politics, in high school. What the government does, or does not do, struck me as a vital piece of the puzzle in trying to explain why things are the way they are. That soon led, however, to seeing how the past continues to influence the present. No decade is more important than the 1960s for understanding our current political climate.
On May 8, 1970, just days after the killing of four college students at Kent State University, construction workers in New York City violently attacked a group that had gathered to protest the Vietnam War.
Kuhn offers a riveting account of the events (dubbed the “Hardhat Riot” by some and “Workers’ Woodstock” by others), but he also situates them into a broader story of how the war and other developments of the 1960s exacerbated divisions within the Democratic Party between white, heavily unionized blue-collar workers in the urban North and an emerging class of college-educated professionals.
Nixon successfully courted many of the blue-collar workers on the way to his landslide victory in 1972. Kuhn is no apologist for the workers, but he also avoids facile stereotypes about the white working class, some of which persist to this day.
In May 1970, four days after Kent State, construction workers chased students through downtown Manhattan, beating scores of protestors bloody. As hardhats clashed with hippies, it soon became clear that something larger was happening; Democrats were at war with themselves. In The Hardhat Riot, David Paul Kuhn tells the fateful story-how chaotic it was, when it began, when the white working class first turned against liberalism, when Richard Nixon seized the breach, and America was forever changed. It was unthinkable one generation before: FDR's "forgotten man" siding with the party of Big Business and, ultimately, paving the way for presidencies…
As a practicing clinical psychologist, teacher of psychotherapy theory and technique, and author (Barbarians at the PTA, Madmen on the Couch, Money Talks) who writes about the psychopathology of daily life for various online and print publications, I am a participant in/observer of mom culture. I love a juicy mother-child story.
One of my favorite novels is Herman Wouk’s Marjorie Morningstar, a coming of age story of Marjorie and Mrs Morgenster, a/k/a the original helicopter mom.
This Pulitzer Prize-winning author was male but managed to get into the head of both teenage girl and indomitable mother–and the results are funny and poignant. There’s all kinds of bonus detail about 1930s-1940s NYC: college, dating, and theater scenes.
As someone who is fascinated by mom culture, I like to recommend mother-daughter stories that illustrate how parenting styles and family relationships have changed over time. While it all started with Marmee, Louisa May Alcott (Jo’s) idealized supermom, I have a fondness for the ambivalently modern struggles between Mrs. Morgenstern and Marjorie, the female leads in Herman Wouk’s classic novel, Marjorie Morningstar.
This is a coming of age story that has it all: beautiful and ambitious heroine, handsome love interest, colorful best friend, and the…
"I read it and I thought, 'Oh, God, this is me.'" - Scarlet Johansson
Now hailed as a "proto-feminist classic" (Vulture), Pulitzer Prize winner Herman Wouk's powerful coming-of-age novel about an ambitious young woman pursuing her artistic dreams in New York City has been a perennial favourite since it was first a bestseller in the 1950s.
Sixteen-year-old Marjorie Morgenstern lives a quiet life in New York City. Her mother hopes for a glittering marriage to a good man, but Marjorie has other ideas.
When she falls desperately in love with Noel Airman, a musician as reckless as he is talented,…
I have always been drawn to community, meaning how people get together, live, love, and support each other. That love drew me into caring about cities, in all their various forms, because cities are places for people to gather and build lives together. This can be in an Italian hilltown from the 1000 AD, a 15th-century neighborhood in Barcelona, an elegant street on the Upper East Side of New York City, or a subdivision near a highway interchange in Phoenix. Once I started caring about cities, I started asking why these places are the way they are, and this produced my book.
I can still remember so much from this book. A great stat Hawes included was that in the year 1870, 90 percent of upper-class New Yorkers lived in townhouses or other types of single-family homes. By 1930, 90 percent lived in apartment buildings or “French flats,” as they were sometimes called. Basically, almost alone among American cities, New York chose to emulate Paris in its model of urbanism rather than London.
New York developers built and sold “French flats” that were large and ostentatious, like the Ansonia and the Dakota, which are still there today. These iconic apartment buildings were built along the streetcar and subway lines. Hawes was a writer for The New Yorker, so this is very readable.
Recounts New York City's transformation from a provincial, Victorian town to a bustling city, focusing on the architectural emergence of the apartment building after the Civil War and its influence.
