100 books like Daughter of Regals & Other Tales

I read this when I was in my early teens and I do feel that LeGuin created a remarkably immersive fantasy world – and at a time when far fewer writers had done so.

We follow Sparrowhawk, the young mage, who leaves his home and family behind to train as a wizard. Earthsea itself is a vast, bleak, mysterious archipelago. LeGuin conjures the setting with such authenticity and detail that it has always stayed with me. This is the first part of a landmark series.   

I find the combination of mystery and fantasy in the Harry Dresden books irresistible, and Storm Front is certainly no exception. A typical detective has to watch out for the as-yet-undiscovered killer. Harry has to watch out for the killer—as well as the White Council, the organization of wizards that is profoundly suspicious of him and more than ready to execute him if he takes one step out of line. And then there are various supernatural creatures who want either to kill humans or to use them for their own purposes.

Butcher’s imaginative humor is second to none. I have to laugh every time I think about Bob, the skull animated by an air spirit, or Toot-Toot, the wyldfae who serves Harry in exchange for pizza. Butcher seamlessly blends such touches of original humor with pulse-pounding excitement.

At a whopping 1,152 pages, Stephen King’s The Stand was just too much to capture in a single movie.

That’s why, in 1994, CBS adapted it across four, ninety-minute episodes of a limited run “mini-series” (a fancy way of saying “a really long movie”). In all fairness, it had a great cast and was better than it had any right to be, and was far more enjoyable than CBS’s 2020 attempt at a do-over.

But even with a total six-hour runtime, it couldn’t capture all the story, heart, and nuance that made the book so incredible. It’s a feat to read, one I did to pass the time when bored in school, and one I will surely do again in the future.

My wife first turned me on to the Anita Blake: Vampire Hunter series, for which I am forever grateful.  Smart, passionate and endlessly resourceful, Anita is one of my favorite characters in modern fantasy fiction. 

I like to think of her as being, if not the spiritual sister to the protagonist of my own novel, at least her great-auntie. A necromancer working in St. Louis, Anita regularly deals with the resurrected dead and the undead, as part of both her professional and (increasingly complicated) personal life. 

The slam-bang pacing of this first book in the series makes it hard to put down, as Anita gets drawn deeper into a web of lies and murder involving the local vampire community, but manages to come out on top.         

The Volsung saga is a heroic Old Norse tale about the origins and decline of the royal clan of the Volsungs and the fantastic deeds of Sigurd the dragon-slayer. Snorri Sturluson, an Icelandic poet and historian, recorded the story around 1220, but the material dates to events that took place centuries before. The saga is full of beings and happenings that would have been considered demonic in Christianized Europe, such as giants, werewolves, sorcery, magic wolf skins, and the consumption of dragons' blood to learn the language of birds. However, within the mythic Norse world, these things were otherworldly and magical, but not necessarily malevolent. The saga was a source for J. R. R. Tolkien’s Lord of the Rings—right down to the dwarfs, a cursed magical ring, and a treasure-guarding dragon—and an inspiration for Richard Wagner's epic music drama, the Ring Cycle. Also, the story of the… show more.

Bach the church mouse and Wagner the megalomaniac had more in common than people imagine.

They both favored dense, contrapuntal textures with central themes and motifs, and both had an irrepressible personal energy, albeit manifested differently. This book digests the philosophical aspects of music in unpretentious language that saves you from having to read Schopenhauer (phew!).

It makes you more interested in both philosophy and music by showing how to two are connected in Wagner.

Oh, this series was a struggle for me. Such a wonderful concept, with such an unlikeable main character. But I loved the idea of saving a fantasy world, while dying in this one. I can’t just mention one, but instead mention the first omnibus, (including Lord Foul’s Bane, The Illearth War, and The Power That Preserves). The beginning of the 1980s didn’t allow for tremendously long books, though that did come by the end of the decade, this story was an epic fantasy broken down to three easily (relatively speaking) digestible books. And it showed how something mundane from our world could wield great power in another.

The only “non-stuffy” art book I know!

Up close and personal acquaintance with the late irreverent, prolific, and totally charming painter, who also sculpted and worked in wood and silver. No art-speak, just an amazing character, extolled by a master of pictures in words. Wealth of reproductions.

You’ll want to buy a painting once you’ve read the book.

This book I love purely for the photographs of archeological treasures and historical paintings. It’s in the format often referred to as a “coffee table book.” However, even though you may be tempted to page through it only to look at its impressive graphics and illustrations, the content is very much researched and informative. I especially like the sections on magical creatures and how Norse mythology has influenced our modern world and more current fiction.

Dark and violent, this twelfth-century tale of love and revenge is a compelling vision of medieval values, combining many of the tropes of later pseudo-medieval sagas – treasure, gory battles, a cloak of invisibility, sexual deception and a dragon – with the spiritual angst that the later tales miss. From Siegfried’s brief encounter with a scaly beast to the fire-and-blood blitzkrieg of the climax – a ferocious battle in the hall of Attila the Hun – the story is told with breathless passion. Whether it glamourises war, or warns against its cost, is a matter of enduring debate. The tale has certainly had its share of cranky fans, from the silent movie filmmaker Fritz Lang to Heinrich Himmler, a testament to its provocative power.

Which version to read? The Penguin edition, translated by A.T. Hatto and published in 1965, offers a very readable prose version that captures the tale’s fiery… show more.