Here are 100 books that Cows Can't Jump fans have personally recommended if you like
Cows Can't Jump.
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I’ve been writing for a long time and reading even longer. I enjoy intelligent books that are well written—not overwritten or over punctuated—and as we all do both of those, I mean that it’s been well edited. And I understand the struggle which is why four of my five choices are from indie authors like myself.
I loved this book. This is the tenth book I’ve read this month and I haven’t had a bad one yet, so either I’m really good at picking, or the standard of writing out there is improving all the time. I would give this book 9.5 out of 10. I couldn’t wait to get my day finished so that I could settle and read in the evenings. Can’t praise this highly enough.
The plot was riveting, the pace built well, the characterisation is up there, and his description is powerful and draws you right into the visuals and meaning of the story. What really captured me with this book was the child’s voice. It was so damned subtly done. If anything, the boy is written in an understated way—but before it ever got sinister, you just knew with that creepy little kid’s voice that it was going to. The ‘out…
I’ve been writing for a long time and reading even longer. I enjoy intelligent books that are well written—not overwritten or over punctuated—and as we all do both of those, I mean that it’s been well edited. And I understand the struggle which is why four of my five choices are from indie authors like myself.
I loved this book. If I had to describe this novel in one word it would be intelligent.
Set in Celtic Ireland in the Iron Age, the language is rich and expressive and Merrigan takes you into his world until you feel you belong there.
You are drawn into a time where everything is governed by the gods. The story takes you through the training of the young warriors and druids. With the ongoing conflict over land, and with the people’s lives steeped in superstitious beliefs, we come to care that the outcome falls well with our tribe.
Fionn is born into a simple rural tribe. His life is sweet as he grows to double figures playing with his sisters in the fields. At the age of ten, he is called to serve, and the boys of fighting age are gathered from across the land, taken from their families, and…
Ireland, 279 BC. A nation at war. For two boys, it will be gruelling. For Ireland . . . it will be bloody.
When the first raiding skirmishes of a foreign army are crushed and Ireland mourns her dead, one king knows their newfound peace is destined to fail. As Overking of Ailigh, Keeper of the North, he calls for the boys of his Celtic tribes to train as formidable warriors under his command.
For Aed, it begins as a fantastical quest. For Ronan, it helps him escape a cruel chieftain. Together, they must train and grow in strength and…
I’ve been writing for a long time and reading even longer. I enjoy intelligent books that are well written—not overwritten or over punctuated—and as we all do both of those, I mean that it’s been well edited. And I understand the struggle which is why four of my five choices are from indie authors like myself.
This book was recommended to me by a friend and didn't appeal to me at all. However, it’s incredible. Two genres I don't usually read are sci-fi and special ops. This takes the two and binds them together in a plait of intrigue, underground government departments, humour, and special operations. By the end of the first chapter, it had me. I was blown away by this book.
I loved the characters and the way they gelled. It is intelligent and well researched. The author's knowledge of weaponry and how Special Ops teams work is extraordinary. Johnson makes the extrasensory elements of the book believable. It pulls you into the characters' lives and makes you care about the outcome. It's witty which, lightens the tension at appropriate times and encourages you to like the characters by adding another layer to the action. One of the best books I have ever…
An illegal mind-restructuring drug threatens chaos. A black ops team searches for the source. Lock Harford is only one of two ‘Shifters’ – capable of moving through a different dimension using the power of thought and invaluable to military and intelligence organisations – at least until Starbirth appears on the streets of America and Britain.As distribution spreads across the world the results of a Starbirth pandemic are feared as criminal and insane Shifters wreak havoc. Lock and a small unit of covert operatives are given the task of finding the source of Starbirth and shutting it down, but their efforts…
I’ve been writing for a long time and reading even longer. I enjoy intelligent books that are well written—not overwritten or over punctuated—and as we all do both of those, I mean that it’s been well edited. And I understand the struggle which is why four of my five choices are from indie authors like myself.
This is an intelligent vampire story. Some of the phraseology is just beautiful. Ms. O'Malley takes period, setting, costume, culture, etiquette, and language into consideration, and the book's tone-setting is just stunning.
This vampire genre lends itself to forgetting about the myth being seeped in folklore and history. It's morphed into a general excuse for writing—and I use the term in its loosest form—some of the worst sex scenes ever to come from sticky keyboards. Okay, some of them probably have some well-written sex—I've just never read one. I am delighted to report that this isn't that book. There isn't a ripped bodice in sight. It is, however, a touching love story, sensitively written. The male and female leads are likable and easy to connect with.
I loved several things about this book. We are introduced to many different species of merna. I enjoyed reading about their various traits…
Scottish merchant-for-hire Christian Sinclair longs for solid ground after traveling the Atlantic in the late 1660s under King Charles II’s banner. When he returns to London six months late, his homecoming plans did not include being captured, finding his family dead, or hearing their estate burned to the ground.
Nephtyri, the last of two full-blooded vampires, dreams of Christian’s plight and offers to avenge his murdered family. In exchange, she reveals his parents’ hidden ties to the secretive Hunters’ Guild—slayers and slavers intent on destroying her people.
As an African author, I find that my books end up on the ‘African fiction’ shelf in the bookstore, which can be a disadvantage if my novel is, say, about Henry James or the Trojan War, both of which I've written novels about. As a lecturer in English literature, I've become acquainted with a vast and varied array of literature. So, whereas of course there are many wonderful African novels that deal with specifically African themes, I think the label African novel can be constricting and commercially disadvantageous. Many African novelists see themselves as part of a larger community, and their novels reflect that perspective, even though they are nominally set in Africa.
Damon Galgut recently won the Booker Prize for his riveting, satirical The Promise, but, much as I admire that novel, Galgut’s earlier (also Booker-nominated) semi-autobiographical novel, In a Strange Room, remains my favourite. It comprises three long short stories, all centred on a character called Damon, alerting us to the autobiographical element of the stories. And yet Galgut resists the total identification of autobiography, partly by his device of switching disconcertingly between first and third-person narration (sometimes ‘Damon,’ sometimes ‘I’), and present and past tenses. But the novel is more than technical trickery: the shifting perspectives allow us different angles on the complex relationships depicted in the different sections, rather as a cubist painting affords us a multifarious perspective on its subject. And like other books on this list, this one features a protagonist who travels: something of a trope in South African writing.
SHORTLISTED FOR THE 2010 MAN BOOKER PRIZE SHORTLISTED FOR THE 2010 ROYAL SOCIETY OF LITERATURE ONDAATJE PRIZE
A young man takes three journeys, through Greece, India and Africa. He travels lightly, simply. To those who travel with him and those whom he meets on the way - including a handsome, enigmatic stranger, a group of careless backpackers and a woman on the edge - he is the Follower, the Lover and the Guardian. Yet, despite the man's best intentions, each journey ends in disaster. Together, these three journeys will change his whole life.
Growing up, I hardly ever saw books written by people who looked like me, about people who looked like me. When I did, the Asians were often side characters, typecast as nerds (and not in a good way). I didn’t get to see Asians being “cool” kids, and I definitely didn’t see them as love interests. When I went to a performing arts boarding school, it was the first time I wasn’t the only Asian student in my class, and it was life-changing. I think if I had had these books when I was a kid, it would’ve been easier to be confident about who I was.
I loved this book because it wrestles with accepting and loving your family, your culture, and, ultimately, yourself. It’s the story of Gogol Ganguli and two generations of the Ganguli family. I could relate to Gogol’s struggles as someone who constantly feels in-between.
Throughout the book, Gogol straddles names, families, and cultures in his journey to find himself. As a child of immigrants myself, I was moved by how Gogol’s parents became more “American” while also deeply missing their family and home country on the other side of the world. Full of intimate character interiority, this book brims with insightful observations about the immigrant experience.
'The Namesake' is the story of a boy brought up Indian in America.
'When her grandmother learned of Ashima's pregnancy, she was particularly thrilled at the prospect of naming the family's first sahib. And so Ashima and Ashoke have agreed to put off the decision of what to name the baby until a letter comes...'
For now, the label on his hospital cot reads simply BABY BOY GANGULI. But as time passes and still no letter arrives from India, American bureaucracy takes over and demands that 'baby boy Ganguli' be given a name. In a panic, his father decides to…
I’ve always looked at the world with a sense of wonder. As a child, I was drawn to the magical and the fantastical, but a budding fascination with the scientific method eventually led me to discover the beauty and wonder of the natural world. I assumed science fiction would scratch that itch, but too many genre novels left me feeling empty, like they were missing something essential—what it feels like to be human. Novels that combine a wonder of the world with an intimate concern for character hit just the right spot for me. Maybe they will for you as well.
This book is probably the most out-of-place of the five novels on this list. Where the others make their high-concept elements obvious early, the author chooses a different route in this one.
Like so many of his novels, Bret Easton Ellis opens his story with shallow and vapid characters behaving in absurd ways and uttering dialogue so outrageous I wondered if the entire enterprise was a joke. But despite the hilarious parody of substance-free celebrity and the inane repetition of idiotic phrases like “baby,” this story ultimately has more to say than, ahem, less than zero. It’s a takedown of capitalism and a bankrupt culture, so biting it would make Philip K Dick proud.
The second half of the novel, in fact, reads like PKD himself.
The New York Times bestselling author of American Psycho and Less Than Zero delivers a gripping and brilliant dissection of our celebrity obsessed culture. • “Arguably the novel of the 1990’s…Should establish Ellis as the most ambitious and fearless writer of his generation…a must read.” —The Seattle Times
Set in 90s Manhattan, Victor Ward, a model with perfect abs and all the right friends, is seen and photographed everywhere, even in places he hasn't been and with people he doesn't know. He's living with one beautiful model and having an affair with another on the eve of opening the trendiest…
History and literature have been my two passions in life, and I’ve been lucky enough to have had a career in both. I’m fascinated in particular by history ‘from below,’ the stories of those disenfranchised – by gender, race, class – from the historical record. My non-fiction books, focusing on oral histories of women, and the Caribbean, reflect this. Untold histories continue in my fiction. My novels are set in WWII, telling parts of its history rarely encountered in the official record – of women trafficked and abused, of survival and misogyny, of the long shadow of war trauma on the soldiers who fought and the society that silenced them.
I think Sebastian Barry is one of the greatest contemporary novelists whose prose unfailingly sings, pirouettes, and enriches. I would recommend all his novels, which take various members of the Dunne or McNulty families over time and place. This particular novel is set in the First World War and follows Willie Dunne as he leaves Dublin to fight for the British, only to find himself caught on the wrong side at the Easter uprising and having to face his own countrymen. It is a brilliant depiction of a young Irish tommy out of his depth in a brutal war, fighting on the side of a country for whom he has mixed loyalties, of the ambivalence and tension of the Irish war of independence, and those caught in its cross hairs.
Praised as a "master storyteller" (The Wall Street Journal) and hailed for his "flawless use of language" (Boston Herald), Irish author and playwright Sebastian Barry has created a powerful new novel about divided loyalties and the realities of war.
Sebastian Barry's latest novel, Days Without End, is now available.
In 1914, Willie Dunne, barely eighteen years old, leaves behind Dublin, his family, and the girl he plans to marry in order to enlist in the Allied forces and face the Germans on the Western Front. Once there, he encounters a horror of violence and gore he could not have imagined…
I’m a nerd who fights. Started my professional life as a programmer, then switched to telling stories in advertising and entertainment. But my passion for technology and martial arts have always played a role in my life. Influenced by my father’s stories about judo, I studied a lot of styles of fighting, including kung fu, karate, Brazilian Jiu Jitsu, and also dabbled with boxing, Muay Thai, capoeira, taichi, bagua, Silat, and judo. Along that journey, one of my favorite ways to learn was by watching my female training partners, and how they had to develop a much more nuanced and sophisticated technique. An experience that would later inspire the birth of The Girl from Wudang.
A little confession: fighting awakens a beast inside of me.
Sometimes when I’m in a crowded place, I walk by someone, usually a bigger person, and wonder: “Can I take him down?” Other times, especially in situations of conflict and mostly in the business world, I catch myself looking at my opposition and think “I can totally crush you if I want.”
I’m not sure Palahniuk has ever traded punches with another human being. But one thing he got right: learning to fight, especially at a place that makes you spar at every session, often creates this maddening sense of power, that can be dangerous, but is a little fun too.
Chuck Palahniuk showed himself to be his generation's most visionary satirist in this, his first book. Fight Club's estranged narrator leaves his lackluster job when he comes under the thrall of Tyler Durden, an enigmatic young man who holds secret after-hours boxing matches in the basements of bars. There, two men fight "as long as they have to." This is a gloriously original work that exposes the darkness at the core of our modern world.
I made the mistake of reading Dracula as an eight-year-old (thanks, Mom and Dad, for paying attention to what I brought home from school book fairs). Beyond disrupting my sleep pattern, there were two significant consequences to this decision: 1) I became enthralled with the intersection of historical detail, mystery, and magic, an enchantment that continues to this day; and 2) I ultimately majored in English literature, with a concentration in Victorian literature. To my professors’ chagrin, I put that education to use in concocting my own historically-based magical mysteries (sorry, Dr. Steinitz). But hey—I’ve always got good recommendations in this milieu.
The Peculiarities offers a delightful and occasionally droll mix of alternate history, mystery, the arcane, and Victorian atmosphere. Liss, who writes killer historical fiction, has been spreading his tendrils into more fantastic fare of late and he’s got a real gift for it. The characters he develops over the course of this fantastical tale are so endearing that I took my time down the homestretch of this book because I didn’t want it to come to an end; I wanted to keep hanging out with them…even the notorious—and in Liss’s hands, occasionally rakish—Aleister Crowley.
From popular historical fiction author David Liss (A Conspiracy of Paper) comes the tale of a clueless young man embroiled in a deadly supernatural mystery in Victorian London. Rooted in strange conspiracies and secret societies, this absurdist comedic romp combines strange bedfellows with murderous creatures, resulting in an unexpectedly delightful consequences.
Thomas’s problems are more serious than those of a typical young Victorian gentleman. His elder brother may be sabotaging the family’s bank. His childhood friend has died under…
