100 books like In a Strange Room

The ex-pat novel has become something of a South African genre, what with many young people searching for new opportunities overseas, in flight from the old repressive racist regime or, latterly, the corrupt, inefficient new regime. In his debut collection of short stories, The Alphabet of Birds, Naudé referred to "the diaspora of fearful, grim, white children from South Africa," and this novel is another variation on that theme. It’s easy to fall into stereotype and cliché, and part of Naudé’s achievement is to remake the familiar scenario into something wholly original, in an account of his main character’s search for the missing reel of a film made by a Jewish filmmaker in Hitler’s Germany.

The novel contains vivid accounts of life in a ‘squat’ in London, as well as the grim atmosphere of an East German film school under Russian occupation – contrasting with the hedonistic excess of… show more.

This is at heart a coming-of-age novel, unshrinkingly autobiographical in its depiction of what is clearly the author’s own family and background: the privileged upbringing on a prosperous farm in the centre of South Africa, the elite schools she and her beloved brother, Paul, attend, the tensions between her stern father and the rebellious brother. All recounted in a deadpan faux-naïve voice, which is often hilarious but also needle-sharp in its puncturing of the posturings and pretensions of upper-middle-class white South Africans. But at the centre of the largely satirical account is the tragic story of the decline and fall of the beautiful, talented, hyper-sensitive Paul and his early death from a drug overdose. A masterpiece of controlled perspective and flexible tone. 

Eben Venter, though born in the heart of the South African ‘platteland’ (the South African equivalent of ‘fly-over country’), has spent much of his adult life in Australia, and the novel poignantly straddles the two locales: the constricting conservatism of the protagonist’s farm background, and the bewildering freedoms and opportunities of a more cosmopolitan setting. Here that conflict is heartbreakingly acted out and in a grim sense resolved in the main character’s losing battle against AIDS, and his death-bed reconciliation with his hitherto unbending father. Venter gives us a harrowing account of what it is like to die of a disease that wastes your body, blinds you, and makes you mad before killing you. It is all the more remarkable that the experience is registered from the inside, as it were, in a subjective stream of consciousness. The poignancy of the novel is intensified for me by knowing that the… show more.

Taking stock of my selections, I realise that they are all to some degree autobiographical or semi-autobiographical. Just why I am attracted to this genre I don’t know: perhaps I am fascinated by the technical challenge of finding a narrative voice that is both personal and detached, of impersonalising emotions that could easily just be self-indulgent. Humour is often useful here, and Vladislavics’s novel is richly humorous, in its (lightly fictionalised) account of a culturally challenging boyhood in Pretoria, at the time the whitest and most conservative city in South Africa (interestingly, also the setting for Galgut’s The Promise). Young Joe, the stand-in for the author has, apart from an addiction to reading, a consuming interest in Muhammed Ali, and has kept a scrapbook of every newspaper item he could find relating to the great boxer. The bookworm-boxing addict is entirely engaging, as brought to life by a master… show more.

From the start, you know Norwood is not the brightest bulb in the lamp, but I fell in love with him as he sets out on a hilarious road trip to retrieve $75 he’s owed by an ex-army buddy.

Portis wrote another of my favorite books, True Grit. All his books combine great writing, humor, and quirky characters—a trifecta I strive for in my writing. 

Winner of the Spotlight First Novel Prize. The first thing to mention is that this is a debut novel. I tend to avoid them, the writing is usually sloppy, and it takes a few books for authors to learn the craft and get a feel for their style and voice. 

That is not the case with this book. The writing is excellent. This writing is up there at bestseller standard. I didn’t find a single typo or error in the book, not something I can say for most of the top names. I found half a dozen in the last King book I read. Browne is already at the top of his game. The story is sweet, the central character is an absolute tool, but you can’t help but love him, and you want the book to end well for him. He’s a character to root for.

I sometimes smile,… show more.

This was Poe’s only novel, and I don’t know why more people don’t read it. Yes, it has problems with race and some political issues… most novels of its time do… but it also contains the scary elements for which Poe is best known (extreme claustrophobia à la live burial, storytellers with questionable sanity) as well as cannibalism and other terrors collected very efficiently in the guise of a seafaring adventure tale.

I love its almost unwavering intensity and grimness, how it dares to create a world where nearly everything is horrible. What I love most is probably its mind-boggling ending, which I see as an open door for much cosmic horror to come.

This book is probably the most out-of-place of the five novels on this list. Where the others make their high-concept elements obvious early, the author chooses a different route in this one.

Like so many of his novels, Bret Easton Ellis opens his story with shallow and vapid characters behaving in absurd ways and uttering dialogue so outrageous I wondered if the entire enterprise was a joke. But despite the hilarious parody of substance-free celebrity and the inane repetition of idiotic phrases like “baby,” this story ultimately has more to say than, ahem, less than zero. It’s a takedown of capitalism and a bankrupt culture, so biting it would make Philip K Dick proud.

The second half of the novel, in fact, reads like PKD himself.

I disagreed with almost every action by every character in this book. I’d find myself saying to them: “Don’t do that!” But they did do that. And it kept me reading nonstop.

It’s a strange feeling, to watch characters spin out of control, yet be unable to look away. It's also the mark of terrific storytelling, and writing that I greatly admire.

I loved this book because it wrestles with accepting and loving your family, your culture, and, ultimately, yourself. It’s the story of Gogol Ganguli and two generations of the Ganguli family. I could relate to Gogol’s struggles as someone who constantly feels in-between.

Throughout the book, Gogol straddles names, families, and cultures in his journey to find himself. As a child of immigrants myself, I was moved by how Gogol’s parents became more “American” while also deeply missing their family and home country on the other side of the world. Full of intimate character interiority, this book brims with insightful observations about the immigrant experience.