100 books like In a Strange Room

The ex-pat novel has become something of a South African genre, what with many young people searching for new opportunities overseas, in flight from the old repressive racist regime or, latterly, the corrupt, inefficient new regime. In his debut collection of short stories, The Alphabet of Birds, Naudé referred to "the diaspora of fearful, grim, white children from South Africa," and this novel is another variation on that theme. It’s easy to fall into stereotype and cliché, and part of Naudé’s achievement is to remake the familiar scenario into something wholly original, in an account of his main character’s search for the missing reel of a film made by a Jewish filmmaker in Hitler’s Germany.

The novel contains vivid accounts of life in a ‘squat’ in London, as well as the grim atmosphere of an East German film school under Russian occupation – contrasting with the hedonistic excess of… show more.

This is at heart a coming-of-age novel, unshrinkingly autobiographical in its depiction of what is clearly the author’s own family and background: the privileged upbringing on a prosperous farm in the centre of South Africa, the elite schools she and her beloved brother, Paul, attend, the tensions between her stern father and the rebellious brother. All recounted in a deadpan faux-naïve voice, which is often hilarious but also needle-sharp in its puncturing of the posturings and pretensions of upper-middle-class white South Africans. But at the centre of the largely satirical account is the tragic story of the decline and fall of the beautiful, talented, hyper-sensitive Paul and his early death from a drug overdose. A masterpiece of controlled perspective and flexible tone. 

Eben Venter, though born in the heart of the South African ‘platteland’ (the South African equivalent of ‘fly-over country’), has spent much of his adult life in Australia, and the novel poignantly straddles the two locales: the constricting conservatism of the protagonist’s farm background, and the bewildering freedoms and opportunities of a more cosmopolitan setting. Here that conflict is heartbreakingly acted out and in a grim sense resolved in the main character’s losing battle against AIDS, and his death-bed reconciliation with his hitherto unbending father. Venter gives us a harrowing account of what it is like to die of a disease that wastes your body, blinds you, and makes you mad before killing you. It is all the more remarkable that the experience is registered from the inside, as it were, in a subjective stream of consciousness. The poignancy of the novel is intensified for me by knowing that the… show more.

Taking stock of my selections, I realise that they are all to some degree autobiographical or semi-autobiographical. Just why I am attracted to this genre I don’t know: perhaps I am fascinated by the technical challenge of finding a narrative voice that is both personal and detached, of impersonalising emotions that could easily just be self-indulgent. Humour is often useful here, and Vladislavics’s novel is richly humorous, in its (lightly fictionalised) account of a culturally challenging boyhood in Pretoria, at the time the whitest and most conservative city in South Africa (interestingly, also the setting for Galgut’s The Promise). Young Joe, the stand-in for the author has, apart from an addiction to reading, a consuming interest in Muhammed Ali, and has kept a scrapbook of every newspaper item he could find relating to the great boxer. The bookworm-boxing addict is entirely engaging, as brought to life by a master… show more.

From the start, you know Norwood is not the brightest bulb in the lamp, but I fell in love with him as he sets out on a hilarious road trip to retrieve $75 he’s owed by an ex-army buddy.

Portis wrote another of my favorite books, True Grit. All his books combine great writing, humor, and quirky characters—a trifecta I strive for in my writing. 

Winner of the Spotlight First Novel Prize. The first thing to mention is that this is a debut novel. I tend to avoid them, the writing is usually sloppy, and it takes a few books for authors to learn the craft and get a feel for their style and voice. 

That is not the case with this book. The writing is excellent. This writing is up there at bestseller standard. I didn’t find a single typo or error in the book, not something I can say for most of the top names. I found half a dozen in the last King book I read. Browne is already at the top of his game. The story is sweet, the central character is an absolute tool, but you can’t help but love him, and you want the book to end well for him. He’s a character to root for.

I sometimes smile,… show more.

Discovering Joyce in my youth was a revelation. In this fictionalised autobiography, Joyce rejects Yeats’s Irish folk models, seeking to emancipate the individual from the nets of family, religion, and nationality.

Whereas the early Yeats romanticises the idea of blood sacrifice for Mother Ireland, Joyce has his hero, Stephen Dedalus, declare Ireland is the old sow that devours her own farrow. Stephen flees Dublin for Europe, choosing the vocation of the cosmopolitan artist who, from exile, will liberate his benighted nation.

Like Yeats, Joyce remains obsessed with Ireland and the tension between the national and the universal. 

Exit Here. was one of the first exhibits of teen literature I studied on my journey to publishing. Jason Myers portrays college-age Travis with the weight of traumatic experiences and the loft of the future spinning in his head. Readers are brought immediately into Travis’ headspace, wherein they feel all the trauma, excitement, and uncertainty Travis experiences. Because I wrote my Edgar finalist book from the male point of view, I reread Myers shortly before drafting. It’s a great example of human fallibility.

The Peculiarities offers a delightful and occasionally droll mix of alternate history, mystery, the arcane, and Victorian atmosphere. Liss, who writes killer historical fiction, has been spreading his tendrils into more fantastic fare of late and he’s got a real gift for it. The characters he develops over the course of this fantastical tale are so endearing that I took my time down the homestretch of this book because I didn’t want it to come to an end; I wanted to keep hanging out with them…even the notorious—and in Liss’s hands, occasionally rakish—Aleister Crowley. 

I was so overwhelmed by the perfection of this American masterwork that I sought out the founder of The Thomas Wolfe Society, the greatest Thomas Wolfe collector who ever lived and who will ever live, and became his very close friend.

This is a huge book, with the music of pitch-perfect prosody from beginning to end, and yet it's only part of a much greater whole—every one of Wolfe's books connect together in some way, forming a massive cadency of music in words. If you examine them, there's only two main branches (Eugene Gant as the protagonist in one, and Monk Webber as the protagonist in the other). But it's really all one big expanding fable. This volume has, in my opinion, the richest writing, from the opening proem to the tiny diamond-sharp moving-picture painting of the final line.