Here are 81 books that Behind the Midnight Blinds fans have personally recommended if you like
Behind the Midnight Blinds.
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A few years ago, while researching my novel Incarnate, I sought out Arctic, Alaskan, and winter horror novels. These books explored the dangers of such places—brutal nature, isolation, depression, fear, and suicidal tendencies. Combined with the supernatural, Lovecraftian, and unexplainable, they created gripping stories.
I also read non-fiction essays, books, articles, and watched YouTube videos about these harsh environments. The authors captured the reality of isolation and danger perfectly. If you're curious about what it’s like to venture into these perilous, frozen landscapes—without risking frostbite—these novels are a thrilling way to experience it.
I grew up reading Stephen King, and one of the earlier titles I read by him, is Misery. When I think about isolation, danger, and being trapped in a cabin—this book comes to mind.
Of course, his number one fan, she has different ideas for the protagonist of this book, Paul Sheldon. She wants his novel/s to end differently, a different fate for the characters she has grown to love. And she’ll go to great lengths to get him to change his mind. After his car accident, she ties him to the bed and hobbles him—one of the most intense (and violent) scenes in the book. And who can ever forget her calling him a Dirty Birdie—that phrase will echo in my head forever.
Of course the movie is well done, too—a stellar performance by Kathy Bates. As the wind and ice howl outside the cabin, we are trapped…
I wasn’t a fan of reading when I was young. I was a lazy reader. Subjects and genres were always chosen for me during education, until I hunted for my own. I used to write a lot more than reading in early high school. I wrote a horror journal, submitted to my English teacher every week. He told me that my writing was good but advised me that reading the genre could help develop my ideas. Funny, a young teenager couldn’t work that out? So, off I went to the local bookstore and bought my first horror novel. I devoured it within a week. I've been a reader and writer of horror ever since.
A book I’d wanted to read for a long time, but it wasn’t until later in life I was able to get it. When I was just on the early stages of my writing career, my now longtime friend, Marty, said he had a spare copy of Cabal laying around and offered to send it to me. Marty was my writing mentor at the time as he’d been writing horror for many years previous, and his work is inspiring. So, knowing I was getting a book in the mail from my mentor, to whom I hadn’t met in person yet, was very exciting. The book itself was a tired secondhand copy (which I was told it was) yet this gave it more special meaning. Even the cover was a little torn and it was a pocket edition. So, I sat back with this little book, which I still have as…
A fabulous journey through the mind of the master of dark imaginative fiction, Clive Barker.
The nightmare had begun....
Boone knew that there was no place on this earth for him now; no happiness here, not even with Lori. He would let Hell claim him, let Death take him there.
But Death itself seemed to shrink from Boone. No wonder, if he had indeed been the monster who had shattered, violated and shredded so many others' lives.
And Decker had shown him the proof - the hellish photographs where the last victims were forever stilled, splayed in the last obscene…
I wasn’t a fan of reading when I was young. I was a lazy reader. Subjects and genres were always chosen for me during education, until I hunted for my own. I used to write a lot more than reading in early high school. I wrote a horror journal, submitted to my English teacher every week. He told me that my writing was good but advised me that reading the genre could help develop my ideas. Funny, a young teenager couldn’t work that out? So, off I went to the local bookstore and bought my first horror novel. I devoured it within a week. I've been a reader and writer of horror ever since.
My first horror read. It is dear to me. I picked it up off the shelf. It was neat and small in my hands, so not too overwhelming for someone who didn’t enjoy reading. However, I wanted to give the genre a try as I had been a hobby horror writer for a year or so beforehand. I liked the cover and blurb on the back, which was more of an excerpt, got me walking quickly to the counter to buy it so I could rush home to find out what was going to happen. This book opened the floodgates to the beauty of horror fiction. The excitement of the characters which had inspired my earlier experiments and still provides insights to this day. This is a wild ride, so grab on tight and let it take you as it had taken me.
Using ancient black magic, a dangerous, vindictive maniac is made all-powerful by his ability to become invisible. Raping and murdering his way around the States, he is biding his time before fulfilling his one desire—to get even with the high school belle who rejected him years before.
I wasn’t a fan of reading when I was young. I was a lazy reader. Subjects and genres were always chosen for me during education, until I hunted for my own. I used to write a lot more than reading in early high school. I wrote a horror journal, submitted to my English teacher every week. He told me that my writing was good but advised me that reading the genre could help develop my ideas. Funny, a young teenager couldn’t work that out? So, off I went to the local bookstore and bought my first horror novel. I devoured it within a week. I've been a reader and writer of horror ever since.
I went to the book launch in support of this author and had the pleasure of meeting him in person. I had not known much of his work previously but that has never stopped me from accepting an invitation to attend. I got the book home and made a start and was hooked by his elegant writing style. This is a book of short horror stories, each beautifully crafted, and inspirational as well as enjoyable. Collected works are a hard thing to get right, and Paulsen makes it look easy.
In this collection, readers will enjoy the very best of Steven Paulsen’s dark and weird tales. Included are stories such as a future where population forces families into terrible choices, the awakening of an eldritch horror in colonial British India, the steaming jungles of Vietnam alongside the spirits of the forest, and more.
I’m a children’s book author, illustrator, translator, and book reviewer. I’m the author of Tofu Takes Time, illustrated by Julie Jarema, and Long Goes To Dragon School, illustrated by Mae Besom. I was born and raised in Hefei, China, and moved to the US in my 20s. Being fascinated by the differences and similarities between cultures, I love to share stories that empower children to understand the world and our connections. Children’s picture books have the potential to pass on the joy from generation to generation. As an art lover, I also find it very entertaining and soothing to simply enjoy the artwork of picture books.
It’s a funny egg tale. Humphrey has long known the cautionary tale of his grandfather, Humpty Dumpty. Eggs are fragile and bought specifically to be cracked... but what if they don’t want to be cracked and have their own ambitions and goals for life, like becoming a great egg-splorer? Humphrey’s daring and determination to become a great explorer allows him to come up with creative solutions to his problem. His imagination knows no bounds and creates delightful spreads sure to appeal to readers. This rollicking story expands the famous tale of a fragile egg to a new story about bravery, creativity, and forging your own path.
A rollicking story that expands the famous tale of a fragile egg to a new story about bravery, creativity, and forging your own path.
Eggs are fragile and bought specifically to be cracked. . . but what if they don't want to be cracked and have their own ambitions and goals for life like becoming a great egg-splorer? Humphrey has long known the cautionary tale of his grandfather, Humpty Dumpty. Being an egg means he can easily slip and crack at any time . . . but what does that mean for his dreams of becoming an egg-splorer and going…
I’m fascinated by the intersection of mental health and horror specifically because of how the two seem (to me) to speak to one another. Both mental health and horror are confronted best by shining a light on them, by addressing them fully, personally. Horror makes intangible things tangible, I think, for the average person; and for those of us who struggle or have struggled with our mental health, it gives us the tools to detail the experience for others, to, hopefully, elicit understanding if not empathy.
Full disclosure: I was an early reader of this book and have offered it a blurb. But I wouldn’t have done so had it not significantly impacted me.
Aiello’s memoir, though not strictly horror, uses aspects of genre and pop culture—including aspects of horror—to detail their own history with mental illness and the surrounding difficulties and stigmas attached to it. They go to great and much-needed lengths to dissect how mental illness has been made out to be one of the great boogeymen of our lives via its myriad portrayals in culture (as a villain, a threat, a diabolical force, etc.) and detail the damage that’s been done as a result.
This is a powerful book in which I saw myself reflected all too often.
Revelatory memoir and cultural criticism that connects popular fantasy and our perceptions of mental illness to offer an empathetic path to compassionate care
Growing up, K.J. Aiello was fascinated by magical stories of dragons, wizards, and fantasy, where monsters were not what they seemed and anything was possible. These books and films were both a balm and an escape, a safe space where Aiello’s struggle with mental illness transformed from a burden into a strength that could win battles and vanquish villains.
A unique blend of memoir, research, and cultural criticism, The Monster and the Mirror charts Aiello’s life as…
I have always tried to find books that explain and explore my life stage. When I was a young mother of little babies, I read many books about early motherhood. When I was studying and travelling and working as a waitress, those topics were represented in my reading too. Now that I’m a woman writer in midlife, with growing children and an art practice, I’m keen to read books by and about women writers who evoke the joys and struggles of this period: aging, the tensions between freedom and responsibility, marriage and separation, ambition and desire.
This is the diary Australian writer Helen Garner kept during a difficult period of her life: the period when she was married to (and eventually separated from) her third husband.
The writing is exquisite, which is why I love this book. Garner records the intricacies and intimacies of the marriage in such exacting terms. Her observations about marriage and the world leave me breathless.
Bold, original and never one to shy away from the truth, Helen Garner's writing has shaped Australian literature. The author has kept a diary for almost all her life. But until now, those exercise books filled with her thoughts, observations, frustrations and joys have been locked away, out of bounds, in a laundry cupboard. Finally, Garner has opened her diaries and invited readers into the world behind her novels and works of non-fiction. Recorded with frankness, humor and steel-sharp wit, these accounts of her everyday life provide an intimate insight into the work of one of Australia’s greatest living writers.…
Jai and Marlies are a husband and wife team, originally from Cairns and now based in Noosa. Jai is a mortgage broker with over 18 years’ experience, and Marlies is a former property development lawyer with a passion for education and creative projects. They have two sons, Troy and Zac, a cavoodle, Ruby, and horses, Zoe and Twisty. Together they have built more than 10 properties, started, owned and operated several businesses, including a mortgage brokerage, retail shop and cafes, a franchise company, online shop, ready-made meal business, and property developments.
While this book is not aimed specifically at youth, it is a fantastic financial literacy resource for all ages.
It has clear and concise explanations and case studies to help readers fully understand the complex Australian financial system and how to best make it work for them. The author uses very relatable language, so it feels more like a conversation than a lecture.
I would recommend this book for people in their early to mid-20s and beyond.
I love stories and storytelling of all kinds – from YA to memoir to journalism to children's picture books. If there is a story worth telling I will pursue it, regardless of genre. I'm particularly fascinated by stories that are out of the mainstream, are hidden, or come from people and cultures at the intersections of place, race, and gender. See No Color, about a mixed Black girl adopted into a white family, was my first YA novel, and it was followed by Dream Country, which chronicles five generations of a Liberian and Liberian American family. I co-edited an anthology on BIPOC women's experiences with miscarriage and infant loss, What God Is Honored Here?
My love affair with Octavia Butler began early when I encountered her short story collection, Bloodchild, in college. I was so taken with the questions she was asking about the nature of being human, our seemingly innate need to form a hierarchy and dominate others, and possibilities for freedom and transformation. The best part was that she did it all through a sci-fi lens...one that she infused with a distinctly Black feminist perspective. I had never read anything like it. And now, we finally have a biography for young people (and really for everyone) about her life, her mind, and preoccupations as a young woman. Ibi Zoboi has deftly penned what she is calling a "biographical constellation" of a young Butler, written primarily in short poems, but also including micro-essays on the social context of her youth, and copies of some of her first writings. Anyone with an imagination…
From the New York Times bestselling author and National Book Award finalist, a biography in verse and prose of science fiction visionary Octavia Butler, author of Parable of the Sower and Kindred.
Acclaimed novelist Ibi Zoboi illuminates the young life of the visionary storyteller Octavia E. Butler in poems and prose. Born into the Space Race, the Red Scare, and the dawning Civil Rights Movement, Butler experienced an American childhood that shaped her into the groundbreaking science-fiction storyteller whose novels continue to challenge and delight readers fifteen years after her death.
When I was fourteen years old, my family moved from Texas to London for a year, and I started going to a little second-hand book shop around the corner. It was run by a long-haired Canadian, who always smoked a pipe. There were only three or four aisles, plus a cluttered backroom. You could pick up a 19th-century edition of the complete works of Shelley, with uncut pages, for two pounds. One volume led to another, in the same way that one friendship can lead to another, or introduce you to a new circle of people. Twenty-odd years later, I decided to write a novel about some of these writers.
How much would you be willing to give up for fame and greatness?
By 1895, Henry James had written a number of all-time classics, including Daisy Miller and The Portrait of a Lady, but had never achieved the kind of commercial or popular success he thought he deserved. So in his fifties, he started writing for the theater, hoping to break through.
The Master begins with the London opening of his play Guy Domville, which turns out to be a flop, and follows James as he comes to terms with this failure, and all the other sacrifices he has to make – in his personal and sexual life, too – in order to become the writer he wants to be.
Nineteenth-century writer Henry James is heartbroken when his first play performs poorly in contrast to Oscar Wilde's "The Importance of Being Earnest" and struggles with subsequent doubts about his sexual identity.
