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I am a bit of a contradiction in that I am a Christian pastor but also a horror aficionado. I love all things sci-fi and horror. My fascination with these genres stems from childhood, when I stumbled upon Star Wars, the old Addams Family cartoons, and even Scooby Doo. As I matured, my love of reading grew, and I soon consumed literature like a Dyson, especially sci-fi and horror. I often joke about how the odd combo of my two biggest writing influences, Stephen King (I’ve read his entire bibliography) and C.S. Lewis, perfectly sums up my character, and I think that’s what makes me perfect for this recommendation.
One of the most disturbing and terrifying books of all time. I was shocked to find out that the author of this book was a Christian, and that is what led me to read this novel. I had heard about how horrific the film was and, despite my penchant for horror, I avoided both the movie and the book, considering them both demonic.
When I finally read the novel, I realized that this insane story reveals a truth regarding faith: to accept God and the reality of who He is, we must also acknowledge and accept the reality of demons and darkness, and vice versa.
Father Damien Karras: 'Where is Regan?' Regan MacNeil: 'In here. With us.'
The terror begins unobtrusively. Noises in the attic. In the child's room, an odd smell, the displacement of furniture, an icy chill. At first, easy explanations are offered. Then frightening changes begin to appear in eleven-year-old Regan. Medical tests fail to shed any light on her symptoms, but it is as if a different personality has invaded her body.
Father Damien Karras, a Jesuit priest, is called in. Is it possible that a demonic presence has possessed the child? Exorcism seems to be the only answer...
At about age fifteen, I fell in love with nineteenth-century Gothic horror. I read all the classics in just a few months: Frankenstein, Dracula, The Hunchback of Notre Dame, Edgar Allen Poe… And then I ran out. Most twentieth-century horror lacked the understanding that evil’s true target is not the body but the soul. Horror fiction, more than any other genre, is the laboratory of the soul, the place where we can experiment with good and evil to follow the consequences of each to their fullest and therefore truest conclusions. And since I ran out of such books to read—I wrote one.
Brother Wolfrepresents one of the rarest of rare combinations: great horror, great humor, and a coherent Catholic metaphysics that underlies the fantasy. The daughter of a dull, disillusioned academic finds adventure in the company of a mysterious young woman who reads minds, a Breton nun, a Dominican vampire slayer, and an English gentleman-warrior who are in hot pursuit of a feral Franciscan werewolf. Murderous gypsies and demon goddesses dog their heels. With a cast of characters like that, how could any horror-lover resist? Eleanor Bourg Nicholson is truly one-of-a-kind, showcasing an encyclopedic knowledge of literature, mythology, and Catholic doctrine alongside her inimitable prose and rollicking sense of fun. You can’t go wrong with her books.
For Athene Howard, the only child of renowned cultural anthropologist Charles Howard, life is an unexciting, disillusioned academic project. When she encounters a clairvoyant Dominican postulant, a stern nun, and a recusant English nobleman embarked on a quest for a feral Franciscan werewolf, the strange new world of enchantment and horror intoxicates and delights her—even as it brings to light her father’s complex past and his long-dormant relationship with the Church of Rome. Can Athene and her newfound compatriots battle against the ruthless forces of darkness that howl for the overthrow of civilization and the devouring of so many wounded…
At about age fifteen, I fell in love with nineteenth-century Gothic horror. I read all the classics in just a few months: Frankenstein, Dracula, The Hunchback of Notre Dame, Edgar Allen Poe… And then I ran out. Most twentieth-century horror lacked the understanding that evil’s true target is not the body but the soul. Horror fiction, more than any other genre, is the laboratory of the soul, the place where we can experiment with good and evil to follow the consequences of each to their fullest and therefore truest conclusions. And since I ran out of such books to read—I wrote one.
After Bram Stoker and Vlad the Impaler, the real person most closely associated with vampires has to be Bela Lugosi—so why not write a horror novel with him as the villain? This book underscores the important role that unsettling and dramatic occurrences can play in shaking us out of our own accustomed vices, as well as the difficulty we often face when trying to discern the difference between the works of evil and the truly mundane. After all, Bela Lugosi is nothing more than a tired, sad old man still pining for his glory days on the silver screen—isn’t he?
Hollywood, 1956. Journalist and war widow Evangeline Kilhooley is assigned to write a ";star profile" of the fading actor Bela Lugosi, made famous by his role as Count Dracula. During a series of interviews, Lugosi draws Evi into his curious Eastern European background, gradually revealing the link between Old World shadows and the twilight realm of modern horror films.
Along the way, Evi meets another English expatriate, Hugo Radelle, a movie buff who offers to help with her research. As their relationship deepens, Evi begins to suspect that he knows more about her and her soldier husband than he is…
At about age fifteen, I fell in love with nineteenth-century Gothic horror. I read all the classics in just a few months: Frankenstein, Dracula, The Hunchback of Notre Dame, Edgar Allen Poe… And then I ran out. Most twentieth-century horror lacked the understanding that evil’s true target is not the body but the soul. Horror fiction, more than any other genre, is the laboratory of the soul, the place where we can experiment with good and evil to follow the consequences of each to their fullest and therefore truest conclusions. And since I ran out of such books to read—I wrote one.
Tim Powers is an acknowledged modern master of the preternatural, but many readers probably don’t know he’s also a practicing Catholic. In Hide Me Among the Graves, his passion for the Romantic poets brings poor Christina Rossetti, her family, and others both historical and fictional under the sway of her vampire-uncle John Polidori, author of The Vampyre. Powers’s wild imagination casts the Thames River as Purgatory, songbirds as soul-catchers, and vampires as the ancient Biblical Nephilim. It’s a kitchen sink approach to fantasy that will keep readers guessing until the end.
From Last Call to On Stranger Tides to Declare to Three Days to Never, any book by the inimitable Tim Powers is a wonder. With Hide Me Among the Graves, it’s possible that the uniquely ingenious Powers has surpassed even himself. A breathtaking historical thriller in which art and the supernatural collide, Hide Me Among the Graves transports readers back to mid-19th century London and features a reformed ex-prostitute, a veterinarian, and the vampire ghost of Lord Byron’s onetime physician, uncle to poet Christina Rossetti and her brother, the painter Dante Gabriel Rossetti. A novel that, like all his others,…
My tagline is “sci-fi with heart and humor,” and that’s the core of who I am. Making others smile is my reason for being—whether that’s through the books I write, the silly things I say, or the crazy things I do. I’ve written twenty-eight books so far, and the purpose of every one of them is to make you giggle. I’ve written funny sci-fi, cheerful space opera, and a series of terrestrial romantic comedies set in a kitschy, over-the-top small town.
Some might claim this book is more urban fantasy than science fiction, but the characters are aliens who fly spaceships and travel through portals, and to me, that means science fiction. And although they are vampires and werewolves, they’re still aliens.
Dina Demille runs a bed and breakfast that serves a very special clientele—aliens visiting the protected planet Earth. Dina is an amazing protagonist. She’s smart enough to pull off daring schemes but human enough to make me love her. I also love the supporting characters who constantly distract her from her goals in often hilarious ways. And, of course, my favorite part is the happy ending.
***Notice: This is a special Collectors Edition, trade-paperback volume, which includes Black and White original illustrations. It is a short novel, of approximately 60,000 words in length/227 pages***
On the outside, Dina Demille is the epitome of normal. She runs a quaint Victorian Bed and Breakfast in a small Texas town, owns a Shih Tzu named Beast, and is a perfect neighbor, whose biggest problem should be what to serve her guests for breakfast. But Dina is...different: Her broom is a deadly weapon; her Inn is magic and thinks for itself. Meant to be a lodging for otherworldly visitors, the…
As a fantasy author, I have always been drawn to magic and alternative universes as a way of exploring the issues that seem unsolvable here on earth. We are so entrenched in our own ways of seeing the world that it can be hard to imagine looking at things from a different perspective, but twisting these ideas sideways and adding a dash of magic can remind us that everything exists in shades of grey. Teenagers are learning to think abstractly and explore their own relationships with ethics, and I have vivid memories of being drawn to moral ambiguity at that age.
A Series of Unfortunate Events begins by pitting the Baudelaires against the evil Count Olaf and his henchmen, escaping time and time again from his villainous schemes. But as the series progresses, good and evil begin to blur. The Baudelaires are forced to do things they would have previously considered evil (lighting fires, lying), while they learn that V.F.D. is not the noble organization they had once thought.
Towards the end of the series, the moral ambiguity grows starker than ever, and in The Penultimate Peril, the Baudelaires find themselves facilitating an evil scheme in the process of trying to disguise themselves. Though aimed at younger readers, these books are very cleverly written, with plenty of hidden meanings that I’ve enjoyed rediscovering as an adult!
There is nothing to be found in Lemony Snicket's 'A Series of Unfortunate Events' but misery and despair. You still have time to choose another international best-selling series to read. But if you insist on discovering the unpleasant adventures of the Baudelaire orphans, then proceed with caution...
Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky.
In The Penultimate Peril, the siblings face a harpoon gun, a rooftop sunbathing salon, two mysterious initials, three unidentified triplets, a notorious villain, and an unsavoury curry...
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
This was one of the first horror novels I read, so it has almost a mystical hold on me. I returned to it quite a few times through the years turning my paperback edition into a dogeared mess.
It was the first time I read a story where the real world of politics and cruelty were tied to the immortal, the unliving, the monsters of our imagination. The mix of horror and the supernatural works in this book as well as anything I've read.
And the scene under the keep, the tunnels that kept me awake as a youngster, and I still look at it as a masterclass on how to build fear and suspense.
The Keep is the first book in the Adversary Cycle from bestselling author F. Paul Wilson and the basis for the 1983 cult classic horror film written and directed by Michael Mann.
"Something is murdering my men."
Thus reads the message received from a Nazi commander stationed in a small castle high in the remote Transylvanian Alps. Invisible and silent, the enemy selects one victim per night, leaving the bloodless and mutilated corpses behind to terrify its future victims.
When an elite SS extermination squad is dispatched to solve the problem, the men find something that's both powerful and terrifying.…
Traveling through Ireland, everyone notices the low stone walls separating fields, but occasionally much larger stones rising from the green like giant cogs on a wheel—mystical standing stone circles. One in particular—Beltany in Co. Donegal—became the inspiration for my Circle of Nine series, which is a mix of Celtic mythology, pagan ritual, and magic set within alternating historical and modern storylines. It’s no wonder that the books I most like to read are also the same kind I write. There’s nothing better than picking up a new book and immersing myself in these worlds with their rich magical systems, historical details, suspenseful plots, and often a good dose of romance.
The Sweep series was one of the first witch series I ever read, and I promise you that it is still so, so good. Plus, there are 15 books to provide hours of entertainment. The story is very Wicca-based with well-described details of rituals and rites that will immerse you in each scene. I was immediately drawn to the main character, Morgan, and her struggles as she learns of her powers. The characters engage in familiar teenage drama, but everything is heightened by the magic they’re immersed in. Suspenseful, fast-paced, and just a little bit dangerous.
Morgan and her best friend, Bree, are introduced to Wicca when a gorgeous senior named Cal invites them to join his new coven. Morgan falls for Cal immediately? and discovers that she has strong,inexplicable powers.
I have written nine crime novels, mostly psychological thrillers, but some blend procedural and PI elements and two are gangland stories. I went to the BRIT school in the 90’s and studied Drama and English Literature at University. I always think that my Performing Arts background gave me a great tool kit for ‘getting into character’ which is useful for writing. I also have an MA in journalism but I definitely prefer fiction to fact. I love the immediacy of first person prose and I am a sucker for an unreliable narrator.
This is a book told from the point of view of Mother Rob and her daughter Callie.
It deals with topics of child psychopathy and innate evil and is beautifully written. I’m a huge fan of Catriona Ward’s and was torn between this book or The Last House On Needless Street but I really enjoyed the exploration of motherhood and childhood here and found myself rooting for the characters long after I turned the last page.
Like all of Ward’s books, Sundial has strong horror vibes and the world we are drawn into is full of lush descriptions but it is the characters that really stand out to me. This book also has some really good twists.
“DO NOT MISS THIS BOOK. Authentically terrifying.” —Stephen King
Sharp as a snakebite, Sundial is a gripping novel about the secrets we bury from the ones we love most, from Catriona Ward, the author of The Last House on Needless Street.
You can't escape what's in your blood...
Rob has spent her life running from Sundial, the family’s ranch deep in the Mojave Desert, and her childhood memories.
But she’s worried about her daughter, Callie, who collects animal bones and whispers to imaginary friends. It reminds her of a darkness that runs in her family, and Rob knows it’s time…
Tolkien and Lewis got their hooks into me when I was a teen and this led me to spend many hours playing RPGs, devouring fantasy novels by the armful. Unfortunately, many books were disdainful of faith (particularly of the medieval European variety) but the respectful ones inspired me. Years later, I decided to write my own novels and add a science-based perspective from 20+ years as an engineer. The result is a series of 5 epic fantasy novels. I have plans for more, branching out into sci-fi, romance, children’s books, and historical fiction. My recommendations showcase a few of the writers who inspired me and still provide a model for my work.
The second book of the original Shannara series follows a young man tasked with escorting a young woman to her destiny to forestall a demonic invasion. But a menacing evil stalks them: a seemingly invincible demon assassin. Can he unlock the magic secrets of the mystical Elfstones before he and his companions are destroyed and the world with them? Like many of Brooks’ novels, this one features superb world-building, white-knuckled tension, jaw-dropping action, and a bittersweet romance in a single package. The magic and environment of the book captured me in seconds and I wished Shannara was real. I re-read it from time to time and it is one of my all-time favorites.
Ancient, ultimate evil threatened the Elves and the Races of Man. For the Ellcrys, the tree of long-lost Elven magic, was dying, loosing the spell of Forbidding that locked the hordes of Demons away from Earth. Already the fearsome Reaper was free. Only one source had the power to stop it: the Elfstones of Shannara. And the valiant companions must ride again in an impossible quest to find them.
