Fans pick 100 books like Three Wishes

A story of someone going missing is always something that affects me viscerally. I was drawn into the intrigue of a woman who is apparently happily married one minute, and then blood stains are found on the floor of the couple’s kitchen the next.

I loved this book because it was a who-dun-it with great descriptive scenes. It was well-written and left me hungry for it when I was forced to put it down to do my chores. A taut, gripping saga about real-life people in real settings is always something I find fascinating.

I read this book in high school and it messed. Me. Up. So much so that I remember it in vivid detail to this day and credit it with my desire to write dysfunctional family fiction.

I’d be hard-pressed in real life (thank God) to find a family suffering from issues ranging from incestuous relationships through moral superiority and unforgiving rigidity up to greed and murder… all of which feels like the tip of the iceberg.

Reading the tale of a family who has gone so far off the rails will, if nothing else, make you appreciate the mundane problems your own family has. And isn’t that why we read this genre?

The sickness or death of a child is a particularly sharp arrow to the average person’s heart.

But I think anyone who’s suffered the loss of a child, seen their child’s life in jeopardy, or is close to someone who’s been through one of those situations is even more sensitive to the topic. My heart and soul were battered from word one, but I had to read this book.

How far would a parent go to save her child? This story explored the question from many angles in a poignant way and left me in tears. I dare people to read it and not ask themselves the same questions.

I’ve read many of this author’s works and enjoyed them all, but this one really dug in, grabbed on, and held tight.

I loved the fact that it covered generations instead of a short timeframe; it gave me more insight into the people and relationships. Transplanting a Low Country girl used to a simple life to the summer home of an upper-crust New Englander accustomed to only the finer things promises conflict, which we got in spades, starting with a mother-in-law who could barely hide her hostility.

This highly elevates the uncomfortable dynamics in extended families, and the challenges overcome—and those that aren’t—make the story incredibly satisfying.

I'm a sucker for angsty romance stories between two first loves who get a second chance, so this book hit all my GO buttons. Our main character is an ex-con and recovered addict who's trying to get back on his feet by working on the Shipley's farm. He never forgot the woman he fell for before his world crumbled to pieces, a girl who was his friend first and his first love. But that same woman is at the center of the tragedy that put him on his path to addiction and a fateful car accident that sent him to prison.

Watching these two reconnect, first as friends and allies, then later, when their chemistry leaps off the pages, and they learn to trust again, was insanely powerful. I rooted for these two with my whole heart. I mourned these characters when the story ended, but the burn was 100%… show more.

Equally, pick a sapphic romance trope, and Georgia Beers will likely have written one of my favourites.

She has a wonderful balance of cosy with enough tension and angst to keep you flying through the pages. She has written many, and I so admire that she’s still producing her best work. Her recent Camp Lost and Found is one of my favourites yet.

For second chances, I’ve gone with Flavor of the Month. This one has so many wonderful ingredients. Small-town setting, food focus, chemistry, angst. A romance to snuggle up with.

This book was short-listed for the Mary Higgins Clark Award and named the Dogwise Book of the Year. It features ex-soldier Mercy Carr and retired military K-9 Elvis, who were both traumatized when Mercy’s fiancé—also Elvis’s handler—was killed on their last deployment.

Paula Munier is another author with a deep connection to the natural world. She is studying for a naturalist certificate in her home state of Vermont, and the books are full of great details.

There’s a valid argument to be made that Shadowland is perhaps more of a horror novel than fantasy, but it’s never really out-and-out scary.

It’s certainly more magical than bloody, concerning two friends in the 1950s who spend a hallucinatory summer at an uncle’s place in the Vermont woods. And man do things get weird.

After a long, lovely prelude at a boarding school, Tom and Del have to navigate their failing friendship and the strange happenings in the woods, but most of all they have to look out for Del’s uncle Cole, an old-school magician who, it turns out, is far from an avuncular old guardian.

Full of fairy tales and fables and wonderful digressions (with Straub, the digressions are often the point), Shadowland feels timeless in a way Stephen King never does. It might be the best book I’ve ever read.

Many YA novels set in a theatrical environment are heavily romance-focused. This book is the best I’ve found in that category. The hero, recent high school graduate Cass, has a super-strong voice that made me laugh out loud. She’s snarky, off-color, bold, and impatient. The theater plotline weaves throughout the story as Cass and cohorts perform The Taming of the Shrew at a summer theater. She steals ideas from Shakespeare’s play to torment her costar and nemesis, Drew. 

Theater Quotient: High. Much of the plot revolves around rehearsals and elements of the play trickle into real life.

Various poetry collections have become important to me throughout my life, but if I had to choose a favorite poet and favorite book right now, it would be Voigt and Headwaters. Something new reveals itself each time I read this collection, and it is a particular thrill that so many aspects of a place I know show up in poems of such fierce beauty—the groundhogs and winter snows, the larch and birch and owls.

Voigt moves from one line to the next with such smooth velocity—not slowed down by a single piece of punctuation—that the tumbling forth of images, moods, memories, questions, and quips can create a whiplash effect of the most pleasing kind. A poem that begins with heavy frost and hibernation moves through insomnia, deception, and the pleasure of smoking, and by the end, I find myself marveling, how did we get here?

There’s really no point… show more.