Here are 100 books that Colony fans have personally recommended if you like
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I’m passionate about the theme of mystery/romance novels because they lend so much to the human condition and hit a soft spot, as I’ve liked them since I was a child. When a story is relatable—such as a genuine real-life situation having the potential to become one’s own, that’s where the intrigue kicks in, and I’m knocked into another world as I feel their emotions so poignantly. It’s the perfect escape. Unlike science fiction where reality must be suspended, a classic mystery story—especially ones with a touch of romance—are the ones that really suck me in and won’t let go until the last page is turned.
A story of someone going missing is always something that affects me viscerally. I was drawn into the intrigue of a woman who is apparently happily married one minute, and then blood stains are found on the floor of the couple’s kitchen the next.
I loved this book because it was a who-dun-it with great descriptive scenes. It was well-written and left me hungry for it when I was forced to put it down to do my chores. A taut, gripping saga about real-life people in real settings is always something I find fascinating.
THE ADDICTIVE No.1 BESTSELLER AND INTERNATIONAL PHENOMENON OVER 20 MILLION COPIES SOLD WORLDWIDE THE BOOK THAT DEFINES PSYCHOLOGICAL THRILLER
Who are you? What have we done to each other?
These are the questions Nick Dunne finds himself asking on the morning of his fifth wedding anniversary, when his wife Amy suddenly disappears. The police suspect Nick. Amy's friends reveal that she was afraid of him, that she kept secrets from him. He swears it isn't true. A police examination of his computer shows strange searches. He says they weren't made by him. And then there are the persistent calls on…
Misery loves company, right? While I never wish ill on someone, I find comfort in knowing I’m not the only one going through a loss, slight, or rejection. Family dysfunction novels remind me that the petty problems I get caught up in are nothing compared to what they could be. Sure, fiction frequently elevates these troubles from drama to melodrama, but I still experience relief—even though it may only be in the smallest way—focusing on someone else’s struggles. Sometimes I even find a solution to my own paltry issues. Who wouldn’t want that? And what writer wouldn’t want to help readers in that way?
I read this book in high school and it messed. Me. Up. So much so that I remember it in vivid detail to this day and credit it with my desire to write dysfunctional family fiction.
I’d be hard-pressed in real life (thank God) to find a family suffering from issues ranging from incestuous relationships through moral superiority and unforgiving rigidity up to greed and murder… all of which feels like the tip of the iceberg.
Reading the tale of a family who has gone so far off the rails will, if nothing else, make you appreciate the mundane problems your own family has. And isn’t that why we read this genre?
The haunting young adult gothic romance classic that launched Virginia Andrews' incredible best-selling career.
Up in the attic, four secrets are hidden. Four blonde, beautiful, innocent little secrets, struggling to stay alive...
Chris, Cathy, Cory and Carrie have perfect lives - until a tragic accident changes everything. Now they must wait, hidden from view in their grandparents' attic, as their mother tries to figure out what to do next. But as days turn into weeks and weeks into months, the siblings endure unspeakable horrors and face the terrifying realisation that they might not be let out of the attic after…
Misery loves company, right? While I never wish ill on someone, I find comfort in knowing I’m not the only one going through a loss, slight, or rejection. Family dysfunction novels remind me that the petty problems I get caught up in are nothing compared to what they could be. Sure, fiction frequently elevates these troubles from drama to melodrama, but I still experience relief—even though it may only be in the smallest way—focusing on someone else’s struggles. Sometimes I even find a solution to my own paltry issues. Who wouldn’t want that? And what writer wouldn’t want to help readers in that way?
The sickness or death of a child is a particularly sharp arrow to the average person’s heart.
But I think anyone who’s suffered the loss of a child, seen their child’s life in jeopardy, or is close to someone who’s been through one of those situations is even more sensitive to the topic. My heart and soul were battered from word one, but I had to read this book.
How far would a parent go to save her child? This story explored the question from many angles in a poignant way and left me in tears. I dare people to read it and not ask themselves the same questions.
Sara and Brian Fitzgerald's life with their young son and their two-year-old daughter, Kate, is forever altered when they learn that Kate has leukemia. The parents' only hope is to conceive another child, specifically intended to save Kate's life. For some, such genetic engineering would raise both moral and ethical questions; for the Fitzgeralds, Sara in particular, there is no choice but to do whatever it takes to keep Kate alive. And what it takes is Anna. Kate (Sofia Vassilieva) and Anna (Abigail Breslin) share a bond closer than most sisters: though Kate is older, she relies on her little…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Misery loves company, right? While I never wish ill on someone, I find comfort in knowing I’m not the only one going through a loss, slight, or rejection. Family dysfunction novels remind me that the petty problems I get caught up in are nothing compared to what they could be. Sure, fiction frequently elevates these troubles from drama to melodrama, but I still experience relief—even though it may only be in the smallest way—focusing on someone else’s struggles. Sometimes I even find a solution to my own paltry issues. Who wouldn’t want that? And what writer wouldn’t want to help readers in that way?
I love to explore all aspects of family drama and strife, but sometimes I prefer something with more light and hope rather than darkness and despair.
I thought this one would fit the bill. In many ways, it did. But that doesn’t mean there was a lack of tears and angst. Who wouldn’t want three wishes? And what would we do if we had them? This story explores that and more.
Moreover, it left an indelible stain on my heart while also proving all is not over after a loss. It’s an odd mix of sad and joyful… bittersweet, but elevated to another level.
When a surprise October blizzard hits Panama, Vermont, blanketing the sleepy little town with several feet of snow, it creates a scene so tranquil no one suspects the tragedy to come, least of all Bree Miller. Slipping and sliding as she walks home from the diner where she works, she barely has time to notice the runaway truck skidding toward her until it is too late. Sbe awakens in the hospital, remembering little of the accident or the hours thereafter, except for a very bright light, a beatific smile, and a mystical nonvoice granting her three wishes. Tom Gates is…
One of the things I love most about fiction is the way it allows you to “be” different people—to experience, think, feel, and behave from inside a particular temperament, worldview, or experience. My very favorite is adding the complexity of multiple perspectives to that magic trick so that you get to live inside two or more people who may be at complete odds with each other. Reading good fiction is an exercise in empathy, and reading good fiction from multiple viewpoints is empathy supercharged. I’ve loved that immersion since I was a little kid who believed there was nothing better than a novel.
Intergenerational conflict! Irreconcilable clashes of values! Decades of history, miscommunication, misunderstanding, secrets, resentments, shifting allegiances, expectations and their failure to be met!
These are my literary catnip, and they’re all here in this book, brought to life through four complex women: a grandmother, a daughter, a granddaughter, and a daughter-in-law, converging in a beach house one fraught summer. I especially love the way these women's lives illustrate the changes to what is possible and permissible for women between generations.
NEW YORK TIMES BESTSELLER • The celebrated author of Commencement and The Engagements introduces four unforgettable women and the abiding, often irrational love that keeps them coming back, every summer, to Maine and to each other.
"Rich and exhilarating ... You don't want the novel to end."—The New York Times Book Review
For the Kellehers, Maine is a place where children run in packs, showers are taken outdoors, and old Irish songs are sung around a piano. As three generations of Kelleher women arrive at the family's beach house, each brings her own hopes and fears. Maggie is thirty-two and…
I’ve always been drawn to family stories, from King Lear to Anna Karenina. The ties that bind us to family—however strained or frayed those ties might be—contain within their fibers the entire spectrum of human emotion. For a writer, this is fertile territory. I could contemplate endlessly the rivalry that exists between a pair of siblings, or the expectations a child has for their parent. Family dynamics are often kept private, which makes encountering them on the page even more thrilling. To be let in on the life of another, granted permission to bear witness to their secrets and innermost longings, is the rare gift that literature brings us.
Meet the Oppenheimer triplets, the stars of this book, whose loathing for one another borders on the Shakespearean. As a reader, I was instantly drawn in by Korelitz’s shrewd writing—and held there by her wondrous talents as a plot-maker. Indeed, this novel twists and turns in thrilling ways that kept my eyes glued to the page.
*A New York Times Notable Book of 2022* *A Washington Post Notable Work of Fiction* *An NPR Best Book of the Year*
From the New York Times bestselling author of The Plot, Jean Hanff Korelitz’s The Latecomer is a layered and immersive literary novel about three siblings, desperate to escape one another, and the upending of their family by the late arrival of a fourth.
The Latecomer follows the story of the wealthy, New York City-based Oppenheimer family, from the first meeting of parents Salo and Johanna, under tragic circumstances, to their triplets born during the early days of IVF.…
James Malloy is a ferry captain--or used to be, until he was unceremoniously fired and replaced by a "girl" named Courtney Farris. Now, instead of piloting Brenton Island’s daily lifeline to the glitzy docks of Newport, Rhode Island, James spends his days beached, bitter, and bored.
Jenny Hale Pulsipher is a professor of history at Brigham Young University and the author of numerous articles and two award-winning books, Subjects unto theSame King: Indians, English, and the Contest of Authority in Early New England and Swindler Sachem: The American Indian Who Sold His Birthright, Dropped Out of Harvard, and Conned the King of England.
Ulrich, winner of the Pulitzer Prize forA Midwife's Tale, first wrote this ground-breaking study of women in early New England. With her characteristically elegant prose and inspired organization, she details the varied roles women played in family, community, and religious life. An illuminating work, and a page-turner.
This enthralling work of scholarship strips away abstractions to reveal the hidden--and not always stoic--face of the "goodwives" of colonial America. In these pages we encounter the awesome burdens--and the considerable power--of a New England housewife's domestic life and witness her occasional forays into the world of men. We see her borrowing from her neighbors, loving her husband, raising--and, all too often, mourning--her children, and even attaining fame as a heroine of frontier conflicts or notoriety as a murderess. Painstakingly researched, lively with scandal and homely detail, Good Wives is history at its best.
Parenting books bore me. I don’t like reading instruction manuals, and don’t have time to weigh others’ opinions about how to raise my kids. But when I read books about motherhood forged in self-reflection and told with literary elegance, I become a more self-reflective parent and have the eyes to see beauty in my ordinary maternal experiences. Books like this are few and far between. It’s hard for mothers to make art; when our resources are spread thin in parenthood, why do work that may not pay? How to find time for creative rumination? But here’s a list of books written by mothers who persisted in their creative work to show us motherhood in all of its mundanity, mania, and magic.
Here’s an art book I adore, filled with paintings by Maira Kalman that depict just what the title suggests: Women holding things.
Women hold so much—our children, our aging loved ones, watering cans and zucchini, schedules and lists, grief and gladness. I love how this collection of images cumulatively illustrates the weight that women bear, the joy and burden of it all. Interspersed throughout are brief, poignant reflections that frame the visual concept.
From the critically acclaimed artist, designer, and author of the bestsellers The Principles of Uncertainty and My Favorite Things comes a wondrous collection of words and paintings that is a moving meditation on the beauty and complexity of women's lives and roles, revealed in the things they hold.
"What do women hold? The home and the family. And the children and the food. The friendships. The work. The work of the world. And the work of being human. The memories. And the troubles. And the sorrows and the triumphs. And the love."
Writing science fiction was the natural result of a lifetime of reading it for pleasure and studying whenever I could as part of my English Lit course at University. When I started writing, it was really important to me as a woman (especially a gay woman) to write female characters that weren’t just strong and likable; I wanted them to be interesting, unpalatable, and tough. Above all, not easy to dismiss. All of the women in the books I’ve listed fulfill at least some of these categories, which is the core of why these novels hold such a special place in my heart.
Someone once told me if you want to read science fiction, you should start at the very beginning and gave me a copy of this book. Written in 1666, I’m not going to pretend this is an easy read but I would recommend it if only because it inspired so many of my favorite contemporary science fiction authors (including China Mieville and Alan Moore).
A woman stranded in a strange and hostile world becomes a military empress, the OG sci-fi action woman.
I admit this book originally felt like doing my homework, but by the time I finished, I immediately went on a literary criticism deep dive, finding every article and essay I could about this text and its (remarkable) author. I came out feeling like an evangelist, and now I bore people at parties talking about it.
Flamboyant, theatrical and ambitious, Margaret Cavendish was one of the seventeenth century's most striking figures: a woman who ventured into the male spheres of politics, science, philosophy and literature. The Blazing World is a highly original work: part Utopian fiction, part feminist text, it tells of a lady shipwrecked on the Blazing World where she is made Empress and uses her power to ensure that it is free of war, religious division and unfair sexual discrimination. This volume also includes The Contract, a romance in which love and law work harmoniously together, and Assaulted and Pursued Chastity, which explores the…
Return to Hope Creek is a second-chance rural romance set in Australia.
Stella Simpson's career and engagement are over. She returns to the rural community of Hope Creek to heal, unaware her high school and college sweetheart, Mitchell Scott, has also moved back to town to do some healing of…
I have lived in Alaska for forty years, working both as a construction worker and a college professor. I love Alaska, but not always the way it is depicted, particularly on reality TV. I hope the characters I create and the stories I tell will bring a more balanced view of everyday Alaskans, who are, after all, Americans too. The Hunger of Crows shows small-town Alaska through the eyes of four characters: two lifelong Alaskans, and two “from Outside” as we say here. Hopefully, it will provide a balanced view of this great place.
This spectacular collection of award-winning short stories set in Anchorage is probably my favorite book of the past two years. Newton is the only one of these five authors whom I’ve never met, so I can say with complete neutrality that these stories make up the most memorable depiction of urban Alaskan life anywhere: doctors with expensive float planes and more expensive mistresses, a disturbed suburban clairvoyant, even one historical flashback to the mudhole the city was founded upon in 1915. Hilarious at times, but also a reminder to me that Alaska has always attracted a certain type of misfit politely referred to as “adventurous,” but often seen as simply “nuts.” Myself included.
*A MOST ANTICIPATED book by Vogue, Literary Hub, The Millions, Good Housekeeping, and Oprah Daily*
From a prizewinning author comes an “electric...stunning” (Publishers Weekly, starred review) debut story collection about women navigating the wilds of male-dominated Alaskan society.
Set in Newman’s home state of Alaska, Nobody Gets Out Alive is an exhilarating collection about women struggling to survive not just grizzly bears and charging moose, but the raw legacy of their marriages and families.
Alongside stories set in today’s Last Frontier—rife with suburban sprawl, global warming, and opioid addiction—Newman delves into remote wilderness of…
