100 books like Good Wives

Hall's biography of one of the most influential Puritans in colonial New England offers a rich reading experience. Mather had a finger in everything, and seeing New England through his eyes helps the reader make sense of the political and religious factions, doctrinal struggles, the relationship between lay people and ministers (always less conservative than their followers), and the sweetness and suffering inherent in family life.

How did the Virginia slaveholders somehow become the most celebrated spokesmen for “liberty” and “equality” in the Revolutionary Era even though they all owned hundreds of slaves? Morgan contends that to understand this paradox one has to go back to 17th-century colonial Virginia where American slavery and American freedom emerged together. Moreover, argues Morgan, those days not only had a profound effect on the American Revolution and the Early Republic, but on everything that has happened since.

Woodward's biographical approach, and his good fortune in finding a subject who left so much material to peruse, allows readers to come to know early New England in rich detail. Winthrop was a man of wide interests, including alchemy, religion, and medicine, and he used his knowledge to contribute to the physical well being of his neighbors (Native and colonist alike), to steer the Connecticut Colony through political challenges, and to participate in trans-Atlantic scientific exploration. A fascinating read.

In Facing East, Richter uses both historical research and imagination to shift the perspective on early America from the west-facing European view to the east-facing Native American one. The result is a deeply researched, well written, and surprisingly moving book exploring a series of Native lives (Pocahontas, King Philip, Kateri Tekakwitha), events (Christian Indian missions, King Philip's War, the French and Indian War), and subjects (Native American trade, religion, the expansion of the English Empire).

I’ve read many of this author’s works and enjoyed them all, but this one really dug in, grabbed on, and held tight.

I loved the fact that it covered generations instead of a short timeframe; it gave me more insight into the people and relationships. Transplanting a Low Country girl used to a simple life to the summer home of an upper-crust New Englander accustomed to only the finer things promises conflict, which we got in spades, starting with a mother-in-law who could barely hide her hostility.

This highly elevates the uncomfortable dynamics in extended families, and the challenges overcome—and those that aren’t—make the story incredibly satisfying.

This title caught my attention because we usually associate slavery with the American south. But the Puritans brought many indentured laborers from England to help build their settlements and operate their farms and businesses. When these white men worked their way to freedom, the settlers turned to indenturing Native Americans, and enslaving captives of warfare, selling some of them for goods and African slaves from the Caribbean. (I found a reference in this book that my ancestor, Dr. Mathew Fuller, participated in this trade during King Philip’s War.) Newell’s book, full of primary sources, gives excellent background on, and understanding of, the founding of New England’s culture, economy, and legal framework. Those alien ideas didn’t go so well for the original inhabitants as white settlers pushed westward. 

This novel, published in 2000 by the University Press of New England, has in my opinion never gained the readership it deserves. It’s a rich, funny, deeply humane captivity tale based on the true story of Nathan Blake, who was taken by Algonkian-speaking people from his home in Keene, New Hampshire, in 1746, and brought up to Canada, where he was held for three years as a slave. The novel weaves a defamiliarized but extremely plausible-feeling tapestry of early colonial America that complicates the stereotypes established by Cooper’s influential novel set in the same period, and Hebert’s main character, Caucus-Meteor—an elderly, multilingual Indian and the last survivor of his band—is by my lights one of the great characters in literature.

A ground-breaking work, which demonstrates how the theoretical witch was embodied by real women, and how a seemingly bizarre fantasy was plausible in among the shapes and rhythms of daily life. This influential study is as much a social, economic and cultural history of seventeenth-century New England as it is strictly speaking a history of witchcraft – indeed, Karlsen demonstrates clearly that the latter cannot be assimilated with an appreciation of the former. Context is everything, and without it we just fall back on stereotypes and tired assumptions.

Witches and neighbours were two-sides of the same coin, the former a projection of the hostile emotions of the latter, and, as Karlsen explains, this fraught relationship was fundamentally gendered. To appreciate how some people were accused of witchcraft, we need first to explore relationships between people in the community, including relations between women. Honour, reputation, age, status and so on, were… show more.

American Passage’s portrayal of early New England as a fluid frontier where people, goods, and information traveled is excellent.

I like how Grandjean retells the English settlement of the region in terms of how people moved and communicated with one another. She forces readers to rethink our ideas of settler colonialism. In reality, English settlements were tiny islands in a vast sea of Indian lands.

I adored this book as a kid and decided to pick it up and re-read as an adult. I was not disappointed.

I loved it all over again and also gave myself a little pat on the back for having good book taste at a young age.

The witchcraft trial era of early colonial history in the US is so well crafted here with the accuracy of the historical details blended into the evocative setting.

Published in 1958 and a Newberry Medal winner in 1959, it is young adult but I think non-YA readers could easily enjoy it as a compelling variation of the genre.

Sad to admit that I had forgotten a lot of the plot and details. But happy to say, I have benefited from the reread now.