71 books like Headwaters

When I first read this book, I couldn’t stop marveling over how much I didn’t know about this beautiful, complicated state that I call home—and how much I learned in just 200 pages. Now, I return every time I want to reinforce my understanding of why there are so many abandoned stone walls in the mountains, why there are no billboards, and what happened to the Peregrine falcons.

The authors are teachers and know how to keep it interesting, even when discussing tedious subjects like tectonic plates, highway commissioners, and population statistics. Noting that Vermont as we know it has only been around for about 225 years, they begin with a chapter about the continent’s formation more than a billion years ago and the centuries under an ice sheet before bringing us up to date with the mountains and rivers we know and love.

This context, along with the details… show more.

I’ve often wondered about the lives of the migrant farmworkers who come to Vermont, most often from Mexico, Guatemala, and Jamaica, but whom I only ever see in the grocery store checkout line or waiting at the service desk for cash transfers.

While it’s easy to idealize the rolling hills dotted with Holsteins, perfect for postcards and Ben & Jerry’s ice cream cartons, dairy is big business in Vermont, and, like everywhere in the US, many of our farmworkers are immigrants without legal protection. Language and cultural barriers, and their very real fears of deportation, keep these workers’ lives hidden. This book, which brings together nineteen stories of personal witness, told by immigrant workers and illustrated, graphic-novel-style, by local comics artists, goes a long way to change that. While there are some common themes—the dangers of crossing the desert, longing for home, working endless shifts in all weather—the stories are… show more.

I’ve been reading Castle Freeman’s stories and novels for many years, and I always go back for more of his small-town settings, his sheriffs and loggers, and the lingering sense of menace he brings to every situation. But most of all, I go back for the dialogue, which is particularly funny, absurd, and even sometimes wise in this short, propulsive novel.

There’s something of Beckett in how these characters’ talk goes nowhere and everywhere at once. In the closed-down mill of the Dead River Chair Company, a handful of retired or otherwise unemployed men provide commentary and insight on the fast-developing plot, in which a young woman comes to them for information about a man who’s been stalking her and eluding the law.

They set her up with a couple of seemingly hapless locals, who together track him down in an abandoned logging camp in the dark woods. Freeman grew… show more.

I dream of one day walking the entire Long Trail, biking the back roads, and paddling a canoe across Lake Champlain, but in the meantime, Leath Tonino has done all that and more. He brings a friendly curiosity, scrounged-up equipment, and a high tolerance, or even yearning, for discomfort and solitude as he explores “the wilderness of home.”

And because he’s also always reading books—the title comes from Aristotle, and his literary heroes are many—his perspective is a little more philosophical than you might expect from a collection of reports about often-challenging outdoor adventures. Mainly written for the magazines that helped fund his modest expeditions, these short pieces explore defunct logging camps, slippery waterfalls, ice-kayaking societies, cormorant colonies, and the little-seen railroad tracks of Vermont.

In the title selection, the native Vermonter traverses the state in seven different ways: biking, walking, swimming, skiing, hitchhiking, flying, and paddling. For Tonino, it’s… show more.

Many YA novels set in a theatrical environment are heavily romance-focused. This book is the best I’ve found in that category. The hero, recent high school graduate Cass, has a super-strong voice that made me laugh out loud. She’s snarky, off-color, bold, and impatient. The theater plotline weaves throughout the story as Cass and cohorts perform The Taming of the Shrew at a summer theater. She steals ideas from Shakespeare’s play to torment her costar and nemesis, Drew. 

Theater Quotient: High. Much of the plot revolves around rehearsals and elements of the play trickle into real life.

A childless couple adopts a chimpanzee named Looee, and you already know from reading that sentence that it will lead to trouble and heartbreak. After a few pages, I didn’t care. In McAdam’s skilled hands, the inevitable sadness doesn’t matter, because the delicately handled point of view perfectly captures a doomed creature trapped between two opposing identities. In contrast, we also meet Podo, an alpha chimp at a research facility seeking to test the intelligence of primates. Podo is fully ape, but he is turning into something more. Their paths soon join, taking them deeper into a gray area between human and animal that I had never seen rendered on the page so vividly before. 

I love to explore all aspects of family drama and strife, but sometimes I prefer something with more light and hope rather than darkness and despair.

I thought this one would fit the bill. In many ways, it did. But that doesn’t mean there was a lack of tears and angst. Who wouldn’t want three wishes? And what would we do if we had them? This story explores that and more.

Moreover, it left an indelible stain on my heart while also proving all is not over after a loss. It’s an odd mix of sad and joyful… bittersweet, but elevated to another level. 

I can’t get enough of quirky, indefatigable teen sleuth Stevie Bell. She’s determined to solve a decades-old cold case, but must also navigate social awkwardness, anxiety, and people who literally want her dead.

I enjoyed how this book flip-flopped between the present-day narrative and the past. My friend and I got to see Maureen Johnson give a talk at a nearby bookstore, and we loved it; she’s basically a stand-up comedian. 

This lovely story is one of loss, tragedy, hope, family, and new beginnings that come in the most unexpected ways.

Seventy-five-year-old Sarah has a good life. She’s been married to Charles, a man she adores, for fifty years. She assumes they will live out the rest of their lives together in the tranquil setting of their Vermont country home. But when Charles unexpectedly passes away, Sarah’s beautiful life is shattered.

With her children grown and raising families of their own, she finds herself alone in her big house, no one to nurture, no place to put her love. Until a collection of displaced characters begin to find shelter in her home. Working through her grief, Sarah discovers interests she never took the time to explore, and in pouring into others, soon finds her own cup overflowing. 

This story provides perspective on what things are important, and what are not. So… show more.

Few things put me off more in a novel than a protagonist I can’t relate to. With this book, though, it’s precisely the nuance of the unreliability of Charity—the female main character—that conquered me. Her bossy yet loving attitude toward her husband, children, and friends worked like a magnet. I was fascinated by her continuous shifts to and fro the ideal woman and the nightmare of a wife.

In this novel, I admired Stegner’s ability to give depth to his characters—Charity, in particular. Under different circumstances (a different story or writing style), her slap-me-across-the-face attitude might have made me throw the book across the room. Instead, it firmly sits on my bookshelf, ready to be read again in the coming future.