Here are 100 books that Go With Me fans have personally recommended if you like
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I got caught up in the ideal of Vermont when I was a child and my family camped in the state parks. We loved the mountains, lakes, and brilliant green—and look, no litter, no billboards! Camping led to college here, where I studied literature, fell in love with Woolf and Wordsworth, and then began a life of writing and publishing. When a job opportunity presented itself, my husband and I decided to give up New York and give it a try. Twenty years later, Vermont is not only where my novel is set, but it’s where my life is set, and yet its character is one I’ll never fully fathom.
When I first read this book, I couldn’t stop marveling over how much I didn’t know about this beautiful, complicated state that I call home—and how much I learned in just 200 pages. Now, I return every time I want to reinforce my understanding of why there are so many abandoned stone walls in the mountains, why there are no billboards, and what happened to the Peregrine falcons.
The authors are teachers and know how to keep it interesting, even when discussing tedious subjects like tectonic plates, highway commissioners, and population statistics. Noting that Vermont as we know it has only been around for about 225 years, they begin with a chapter about the continent’s formation more than a billion years ago and the centuries under an ice sheet before bringing us up to date with the mountains and rivers we know and love.
In this second edition of their classic text, Klyza and Trombulak use the lens of interconnectedness to examine the geological, ecological, and cultural forces that came together to produce contemporary Vermont. They assess the changing landscape and its inhabitants from its pre-human evolution up to the present, with special focus on forests, open terrestrial habitats, and the aquatic environment. This edition features a new chapter covering from 1995 to 2013 and a thoroughly revised chapter on the futures of Vermont, which include discussions of Tropical Storm Irene, climate change, eco-regional planning, and the resurgence of interest in local food and…
I got caught up in the ideal of Vermont when I was a child and my family camped in the state parks. We loved the mountains, lakes, and brilliant green—and look, no litter, no billboards! Camping led to college here, where I studied literature, fell in love with Woolf and Wordsworth, and then began a life of writing and publishing. When a job opportunity presented itself, my husband and I decided to give up New York and give it a try. Twenty years later, Vermont is not only where my novel is set, but it’s where my life is set, and yet its character is one I’ll never fully fathom.
I’ve often wondered about the lives of the migrant farmworkers who come to Vermont, most often from Mexico, Guatemala, and Jamaica, but whom I only ever see in the grocery store checkout line or waiting at the service desk for cash transfers.
While it’s easy to idealize the rolling hills dotted with Holsteins, perfect for postcards and Ben & Jerry’s ice cream cartons, dairy is big business in Vermont, and, like everywhere in the US, many of our farmworkers are immigrants without legal protection. Language and cultural barriers, and their very real fears of deportation, keep these workers’ lives hidden. This book, which brings together nineteen stories of personal witness, told by immigrant workers and illustrated, graphic-novel-style, by local comics artists, goes a long way to change that. While there are some common themes—the dangers of crossing the desert, longing for home, working endless shifts in all weather—the stories are…
This non-fiction comics anthology presents stories of survival and healing told by Latin American migrant farmworkers in Vermont, and drawn by New England cartoonists as part of the El Viaje Más Caro Project-a health care outreach effort of the Open Door Clinic and UVM Extension Bridges to Health aimed at addressing the overlooked mental health needs of these vulnerable immigrants. Originally distributed to farm workers as individual Spanish language comic books, this collected edition brings the lives and voices-as well as the challenges and hardships-of these workers to an English-language audience, granting insight into the experiences and lives of the…
I got caught up in the ideal of Vermont when I was a child and my family camped in the state parks. We loved the mountains, lakes, and brilliant green—and look, no litter, no billboards! Camping led to college here, where I studied literature, fell in love with Woolf and Wordsworth, and then began a life of writing and publishing. When a job opportunity presented itself, my husband and I decided to give up New York and give it a try. Twenty years later, Vermont is not only where my novel is set, but it’s where my life is set, and yet its character is one I’ll never fully fathom.
I dream of one day walking the entire Long Trail, biking the back roads, and paddling a canoe across Lake Champlain, but in the meantime, Leath Tonino has done all that and more. He brings a friendly curiosity, scrounged-up equipment, and a high tolerance, or even yearning, for discomfort and solitude as he explores “the wilderness of home.”
And because he’s also always reading books—the title comes from Aristotle, and his literary heroes are many—his perspective is a little more philosophical than you might expect from a collection of reports about often-challenging outdoor adventures. Mainly written for the magazines that helped fund his modest expeditions, these short pieces explore defunct logging camps, slippery waterfalls, ice-kayaking societies, cormorant colonies, and the little-seen railroad tracks of Vermont.
In the title selection, the native Vermonter traverses the state in seven different ways: biking, walking, swimming, skiing, hitchhiking, flying, and paddling. For Tonino, it’s…
The phrase "an animal a thousand miles miles long," attributed to Aristotle, refers to a sprawling body that cannot be seen in its entirety from a single angle, a thing too vast and complicated to be knowable as a whole.
For Leath Tonino, the animal a thousand miles long is the landscape of his native Vermont. Tonino grew up along the shores of Lake Champlain, situated between Vermont's Green Mountains and New York's Adirondacks. His career as a nature and travel writer has taken him across the country, but he always turns his eye back on his home state. "All…
I got caught up in the ideal of Vermont when I was a child and my family camped in the state parks. We loved the mountains, lakes, and brilliant green—and look, no litter, no billboards! Camping led to college here, where I studied literature, fell in love with Woolf and Wordsworth, and then began a life of writing and publishing. When a job opportunity presented itself, my husband and I decided to give up New York and give it a try. Twenty years later, Vermont is not only where my novel is set, but it’s where my life is set, and yet its character is one I’ll never fully fathom.
Various poetry collections have become important to me throughout my life, but if I had to choose a favorite poet and favorite book right now, it would be Voigt and Headwaters. Something new reveals itself each time I read this collection, and it is a particular thrill that so many aspects of a place I know show up in poems of such fierce beauty—the groundhogs and winter snows, the larch and birch and owls.
Voigt moves from one line to the next with such smooth velocity—not slowed down by a single piece of punctuation—that the tumbling forth of images, moods, memories, questions, and quips can create a whiplash effect of the most pleasing kind. A poem that begins with heavy frost and hibernation moves through insomnia, deception, and the pleasure of smoking, and by the end, I find myself marveling, how did we get here?
Rash yet tender, chastened yet lush, Headwaters is a book of opposites, a book of wild abandon by one of the most formally exacting poets of our time. Animals populate its pages-owl, groundhog, fox, each with its own inimitable survival skills-and the poet who so meticulously observes their behaviors has accumulated a lifetime's worth of skills herself: she too has survived. The power of these extraordinary poems lies in their recognition that all our experience is ultimately useless-that human beings are at every moment beginners, facing the earth as if for the first time. "Don't you think I'm doing better,"…
Only in my recent life as a reader did I realize that my favorite novels often follow a precise pattern: either the author or the main character is a woman. Or both. So, why this sort of bias from a male reader? I found a plausible answer in my belief that female protagonists, more than male ones, serve as the ideal lever for compelling plot twists—the deae ex machina of contemporary storytelling. No wonder the protagonist of the first novel I wrote is a woman. No wonder she’s gifted (or, rather, cursed) with supernatural powers. As for my choice of topic, could it possibly have turned out differently?
Few things put me off more in a novel than a protagonist I can’t relate to. With this book, though, it’s precisely the nuance of the unreliability of Charity—the female main character—that conquered me. Her bossy yet loving attitude toward her husband, children, and friends worked like a magnet. I was fascinated by her continuous shifts to and fro the ideal woman and the nightmare of a wife.
In this novel, I admired Stegner’s ability to give depth to his characters—Charity, in particular. Under different circumstances (a different story or writing style), her slap-me-across-the-face attitude might have made me throw the book across the room. Instead, it firmly sits on my bookshelf, ready to be read again in the coming future.
A novel of the friendships and woes of two couples, which tells the story of their lives in lyrical, evocative prose by one of the finest American writers of the late 20th century.
When two young couples meet for the first time during the Great Depression, they quickly find they have much in common: Charity Lang and Sally Morgan are both pregnant, while their husbands Sid and Larry both have jobs in the English department at the University of Wisconsin. Immediately a lifelong friendship is born, which becomes increasingly complex as they share decades of love, loyalty, vulnerability and conflict.…
I am a winegrower, farmer, writer, photographer, and pop-upeuse. I fell in love with food and wine while living and working in Italy, then returned stateside to create an homage to the people and place that embraced us and taught us so much. That endeavor--the restaurant osteria pane e salute opened with my chef husband Caleb Barber—was where I curated the wine program and became passionate about wines farmed artfully. I began working as a winegrower in 2007, a personal landscape experiment that led me down the rabbit hole of growing and making wine from hybrid varieties focused on regenerative viticulture and low intervention winemaking.
Pioneer Species is a book of poems by friend and farmer-poet Ross Thurber. A small vineyard I work with in southern Vermont, my own agricultural essay and investigation on a sense of place different than my own, is part of Ross’s Lilac Ridge Farm. Like Mary Oliver, Ross is intensely bound to the natural and cultivated world of his farm in which he lives and his poems capture a language that brings forward the light, the shadow, the fog, the till, the butterfly, the flower, the cow. I am constantly inspired by his poems to be out in my own fields and to contemplate and communicate my own place in them. A delicious collection about a deeply personal and lyrical view of farm life.
This collection of poems from Vermont farmer Ross Thurber is divided into four sections: "Green Popplewood," "Sunburnt Juniper," "Stag Horn Sumac," and "Snow Melt, Black Brook." Each section represents a seasonal form of succession that is both literal and abstract. Ultimately the poems in this manuscript have been winnowed to represent a narrative that echoes the idea that, like a lyric poem, stability is only a moment in time―one to be cherished.
Dogs make great supporting characters, adding drama or humor or pathos, and revealing so much about the humans in the story. I discovered this in writing my first novel: The narrator’s dog keeps her grounded when things go wrong and makes it possible for her to keep going through difficult times. For the reader, he provides levity and depth without turning it into a book about a dog. I had a great model – I used my own dog Boris, even appropriating his name. I think of the fictional Boris as real-life Boris’s best self.
This is a feel-good book with just enough punch to keep it from being cute.
It comes with a building project, some hurricane-induced drama, a bit of romance, and two dogs.
Cooper and Bubba are the canines who wind themselves around the main characters, as most dogs do in real life. Cooper is everyone’s friend, and he orchestrates introductions.
But he’s also a bolter who gets lost just as flooding begins and evacuation becomes unavoidable.
Catherine Drake’s books are always a respite between heavier reading, and this one is one of the best.
A young, determined woman figures out life and love while staying true to herself in this whip-smart and genuinely witty debut.
Twenty-eight-year-old Hannah Spencer wants nothing more than to change everything about her life. After ten years of living in cities, Nathan Wild has just moved back home to Vermont and doesn't want to change anything about his.
Recently laid off from her depressing job in Boston and ready for a challenge, Hannah heads to Vermont for the summer to take care of her sister's kids and do some serious soul searching. There, against the stunning landscape of the Green…
I lost my mother unexpectedly when I was a young mother myself. Oh, how I missed the gentle wisdom that had guided me my whole life! As I journeyed through the various stages of life, there was so much I wanted to ask her. She would be in her eighties now, but in my mind, she is and will always be fifty-seven. Gone now, but I still feel the influence of her kindness, wisdom, and compassion in my life and decisions. I’m drawn to stories about families and the far-reaching influence a mother has on her daughters’ lives. Though I mostly write romance, many of my novels contain older women who've had such an influence.
This lovely story is one of loss, tragedy, hope, family, and new beginnings that come in the most unexpected ways.
Seventy-five-year-old Sarah has a good life. She’s been married to Charles, a man she adores, for fifty years. She assumes they will live out the rest of their lives together in the tranquil setting of their Vermont country home. But when Charles unexpectedly passes away, Sarah’s beautiful life is shattered.
With her children grown and raising families of their own, she finds herself alone in her big house, no one to nurture, no place to put her love. Until a collection of displaced characters begin to find shelter in her home. Working through her grief, Sarah discovers interests she never took the time to explore, and in pouring into others, soon finds her own cup overflowing.
This story provides perspective on what things are important, and what are not. So…
Sarah Lucas imagined the rest of her days would be spent living peacefully in her rural Vermont home in the steadfast company of her husband. But now, with Charles's sudden passing, seventy-five-year-old Sarah is left inconsolably alone.
As grief settles in, Sarah's mind lingers on her past: her imperfect but devoted fifty-year marriage to Charles; the years they spent raising their three very different children; and her childhood during the Great Depression, when her parents opened their home to countless relatives and neighbors. So, when a variety of wayward souls come seeking shelter in Sarah's own big, empty home, her…
I’ve loved learning about history since childhood, as attested by my bookshelves full of American Girl series, Laura Ingalls Wilder, and The Royal Diaries (Cleopatra was my favorite). After writing my first book about reenactors pretending to be French explorers, I worked as a history writer for Smithsonian Magazine. I especially love the philosophical and political questions of how we still interact with the past and how history is presented. I hope you’ll enjoy thinking about that and learning some history from these books!
This is the only fiction on a list otherwise full of nonfiction, but it more than deserves a place on this list. There are so many things to love about this book—its audacious opening line, the lush writing, the twisted relationships—but what I think history lovers might appreciate most is how deeply entwined the characters get with the history of Antiquities.
After all, the main group of characters in this dark academia only come together because they’re all studying Greek and Latin. In fact, the plot hinges on their obsession with Antiquity—but I won’t get too much more into that. I just recommend picking the book up and going along for the ride.
'Everything, somehow, fit together; some sly and benevolent Providence was revealing itself by degrees and I felt myself trembling on the brink of a fabulous discovery, as though any morning it was all going to come together---my future, my past, the whole of my life---and I was going to sit up in bed like a thunderbolt and say oh! oh! oh!'
Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries.…
I grew up on a steady diet of Nancy Drew and Encyclopedia Brown. Then, in a plot twist that surprised exactly no one, I became an English teacher, a librarian (did you know you can recommend books for a LIVING???), and an author. I love books where the sleuth must not only solve the case at hand, but also wrestle with some sort of ongoing personal problem–bonus points if they can simultaneously pull the curtain back on societal issues and make me feel like I’m getting to experience life in a place where I don’t actually live (I’m looking at you, London and L.A.).
I can’t get enough of quirky, indefatigable teen sleuth Stevie Bell. She’s determined to solve a decades-old cold case, but must also navigate social awkwardness, anxiety, and people who literally want her dead.
I enjoyed how this book flip-flopped between the present-day narrative and the past. My friend and I got to see Maureen Johnson give a talk at a nearby bookstore, and we loved it; she’s basically a stand-up comedian.
From New York Times bestselling author Maureen Johnson comes the start of a new series about a sharp and funny young detective named Stevie Bell who begins school at an elite, yet peculiar, boarding school and finds herself entangled in a murder mystery; perfect for fans of 13 LITTLE BLUE ENVELOPES.
New York Times bestselling author Maureen Johnson weaves a delicate tale of murder and mystery in the first book of a striking new series, perfect for fans of Agatha Christie and E. Lockhart.
Ellingham Academy is a famous private school in Vermont for the brightest thinkers, inventors, and artists.…
