95 books like The Secret Life

Virginia Woolf knew – she insisted – that a life spent maintaining a house, throwing dinner parties, and taking children on sailing expeditions was not necessarily, not categorically, a trivial life.

Even a modest, domestic life is still, for the person living it, an epic journey, however ordinary it might appear to the outside observer. Woolf refused to dismiss lives that most male writers ignore or even denigrate.

And you can get lost in her magnificent sentences; no one puts words together as beautifully as Virginia Woolf.

I’m just gonna say up front: some of you will hate this novel, so I’ll describe it as clearly as I can.

The narrator is a famous blogger who rose to international fame over a one-sentence post, after which she surrenders to a life lived online, described in poetic, incandescent, at times infuriatingly overwritten prose. That’s Part 1, which ends with a thudding fall to earth: a text from Mom saying Come home. Part Two is a switcheroo in both style and content, and that’s all I can tell you without wrecking the novel’s unexpected turn. 

I know what this sounds like—impenetrable show-offing, and at times it is—but it’s like nothing I’ve ever read and I can’t stop thinking about it. Don’t say I didn’t warn you.

In contrast to John Berger’s Marxist aesthetic, Barthes’s approach to visual experience and photographic images draws upon the tradition of semiotics and, to a degree, postmodern theories of text and intertextuality. Barthes leads his reader into the codes and conventions of the image. How images signify is thus made a central topic that provokes self-reflection and reflexive challenges to conventional image analysis. Where Berger’s work is expository and analytic, Barthes's book is exploratory and novelistic (Barthes would have his reader approach the work as a kind of intertextual fiction). As the title of the work suggests, this is Barthes at his most personal and reflective. His fascination remains with the photographic image which is presented as one of the defining aesthetic objects of modernity. But the act of photography is now itself complex, mediated, and open to a range of concrete experiential impulses.

Here the viewer of the photograph is… show more.

I go to Ben Lerner’s writing for the shimmering atmospheres of his fictional universes. 10:04 is set in contemporary New York City and follows the narrator-writer through his urban routines. But between his health scares, relationship worries, and professional commitments, the novel thrums with a strange, uneasy beat as the narrator questions the fabric of modern life in a large city. He feels the sublime abundance of the commodities that surround him, whose very abundance is precarious. The book meditates on the fragility of the global supply chains that bring cans of ground coffee onto supermarket shelves and into our baskets. There is also a superstorm approaching, which threatens the city’s power. Lerner is wonderful on twenty-first-century, first-world malaise.

This is a darker, more realistic take on former child stars.

I don’t normally enjoy non-linear timelines, but the way the story jumped back and forth, from the heyday of the TV show, where the characters played in a fictional teen pop band to present day, where they are trying to pretend they’ve moved on from the scandalous ending, was compelling.

The central mystery of what went wrong and why kept me hooked while the details of the behind-the-scenes conflicts and pressures fascinated me. As someone who grew up in LA, close to the orbit of these kind of wildly popular teen shows, I appreciated the stark look at what these productions do to their young stars and the sometimes creepy attention underage girls get.

I also appreciated that it didn’t get so dark I couldn’t finish it.

The author of this novel is, like me, a doctor-writer. I imagine we share the same motivation to tell stories. As a psychiatrist, Joanna Cannon’s writing portrays her compassion and deep understanding of the human condition. In this novel, the mundane existence of eighty-four-year-old Florence in her care home is upset by the arrival of a man she is convinced she recognizes from her past, a man who supposedly died years before. Only her lifelong friend, the eponymous Elsie believes her. My favorite author Somerset Maugham (also a doctor) attributed his success as a writer to his powers of observation rather than his imagination. What makes this novel so compelling in my eyes are the astute observations and the easily overlooked details that hold the clues to solving the mystery.

Set in a Mesoamerican-inspired world, The Lost Dreamer is seeped in Latin culture and tradition.

Everything about this novel reaches deep into my soul and makes me feel more connected to my land and my ancestors. The magic system feels more organic and earth-bound, closer to shamanism than depictions of magic in more modern fantasy novels and I loved it.

The novel follows two courageous and strong Latin women with gifts - a Dream Walker and a Seer. Individually we see them learn to fight for themselves, and for the land and lives they love. The queerness in this novel is intrinsic to the world and story, characters able to be themselves without question or oppression. (At least, not oppression due to their sexuality - which I appreciated!)

The modern-day Jaya, grieving after a third miscarriage and trouble in her marriage, goes to India to learn more about her grandmother, Amisha, who lived under the British occupation in the 1930s. Amisha’s servant and confidant, Ravi, tells Jaya about Amisha’s life so that Jaya comes to understand its relevance to her.

I was especially touched to see how learning about her ancestors' lives helps to heal Jaya in the present.

This book starts with a prank gone wrong, when Rafa and his friend steal the school slushy machine and get busted. As punishment, Rafa is sent to Ranch Espanto in New Mexico for the summer.

Rafa makes a friend in Jennie, but his work at the ranch keeps being sabotaged… He has to solve the (supernatural) mystery of the ranch, and in the end the book has a cool plot twist to satisfy mystery readers like myself. Aside from the strong plot, this book also covers tougher topics affecting these kids, giving it depth and heart.

I loved the New Mexico feel of the book, and appreciated how there was a mystery as well as supernatural (and magical realism) elements. The Ghosts of Rancho Espanto is the perfect book for kids who like a blend of genres, not simply another ghost story.

BOX 88 is a thoroughly modern-day spy story set in two timeframes. Lachlan (‘Lockie’) Kite, the protagonist, is poles apart from Lawton’s Joe Wilderness. An apparently chance meeting at the funeral of an old school friend leads him to be abducted. Flashback 30 years, and we see how he was recruited to a secret cell of intelligence operatives (Box 88) when barely out of his upper-class boarding school. He is trained and asked to undergo a mission while spending the summer at the house of a school friend in France. While there, he falls heavily in love, and somehow manages to carry out his mission—albeit with devastating consequences. This portrayal of an intelligent young man growing up feels real and is beautifully handled. The start of a great series.