Here are 99 books that The Rust Maidens fans have personally recommended if you like
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An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
I adore reading atmospheric adventures of mystery, supernatural, and ghostly powers; this book has these values in abundance. Noemi’s alluring character is smart, savvy, and admirably vulnerable. Loved her. At High House in the Mexican countryside, Noemi discovers ghostly entities repeatedly forming blisters across the walls. How mysterious and threatening; I was fascinated.
The best part of the novel for me was the emotional intelligence of the characters because their behavior is both suspiciously rational and heart-stopping clever. Gripping as all heck. This family was obsessed with a relentless desire to rule and control their destiny at all costs via Otherworld powers. Absolutely compelling. I was breathless along with Noemi at every step as she was drawn into the dangers and treacherous family secrets that threatened to kill her.
The award-winning author of Gods of Jade and Shadow (one of the 100 best fantasy novels of all time, TIME magazine) returns with a mesmerising feminist Gothic fantasy, in which a glamorous young socialite discovers the haunting secrets of a beautiful old mansion in 1950s Mexico.
He is trying to poison me. You must come for me, Noemi. You have to save me.
When glamorous socialite Noemi Taboada receives a frantic letter from her newlywed cousin begging to be rescued from a mysterious doom, it's clear something is desperately amiss. Catalina has always had a flair for the dramatic, but…
As a child, I was a maladaptive daydreamer. I could often be found crafting elaborate fantasies in my head featuring fully-fledged worlds and characters that I would actively interact with and speak to as if they were real. I was a strange child, and I kept that strangeness with me when I went into fiction. Since then, I’ve always wanted to encapsulate the feeling of giving a movie-like experience in book form. I want the people who read my work to feel like they’re experiencing something real.
Reading this book felt like drinking a pitch-black winter night. That’s the best way I can describe it. Somehow, Valente managed to masterfully bottle the frigid sensation of a bleak midwinter and transport it to the page.
I’ve always loved this book for how mythic and grandiose it feels even in the short amount of pages it has. This is something that I feel would come alive in an animated adaptation where you can really capture the eerie and surrealist imagery used.
A handsome young man arrives in St Petersburg at the house of Marya Morevna. He is Koschei, the Tsar of Life, and he is Marya's fate. For years she follows him in love and in war, and bears the scars. But eventually Marya returns to her birthplace - only to discover a starveling city, haunted by death. Deathless is a fierce story of life and death, love and power, old memories, deep myth and dark magic, set against the history of Russia in the twentieth century. It is, quite simply, unforgettable.
I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.
I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."
It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child,"and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I've often lived around the fringes of nature, from late-night cross-country road trips through forested backwoods, to living off-grid in New Mexico's high desert. As much as I've lived in the shadow of mountains and extreme environments, I've never dared to venture up into them – and I'm endlessly fascinated by the people who do. What is it that drives people toward extreme sports and outdoor challenges, even understanding the risks? Why do people risk life and limb to venture into places where man isn't meant to be? It's a question I don't think I'll ever stop finding fascinating.
A meticulously researched retelling of the Donner Party tragedy, Katsu's book is a slow-spooled tragedy and creeping horror of intense claustrophobia and distrust.
And that's before the supernatural elements take hold! This book is meaty, with a lot to chew on and a ton of character drama packed into its relatively brief word count, but you'll leave it thinking quite differently about the forces that shaped our American frontier...
"Deeply, deeply disturbing, hard to put down, not recommended reading after dark." - Stephen King
After having travelled west for weeks, the party of pioneers comes to a crossroads. It is time for their leader, George Donner, to make a choice. They face two diverging paths which lead to the same destination. One is well-documented - the other untested, but rumoured to be shorter.
Donner's decision will shape the lives of everyone travelling with him. The searing heat of the desert gives way to biting winds and a bitter cold that freezes the cattle where they stand. Driven to the…
I'm a near-lifelong fan of horror in all its forms. I read the works of Bram Stoker, Edgar Allan Poe, and Shirley Jackson as a child, and for most of my writing career, I’ve been trying to recreate the feelings those early works gave me the first time I read them. My short fiction has appeared in several publications, and my debut horror novel Tidepoolcame out in 2021. Even though one of the best-known horror novels of all time, Frankenstein, was written by Mary Shelley, the horror world still sometimes treats female authors like afterthoughts. I hope my list will help readers discover more imaginative books written by women.
I’m a sucker for an addictive, epic horror novel, and Tananarive Due delivers with this book. Angela Toussaint inherits her late grandmother Marie’s old house (the “good house” of the title) and returns to her hometown of Sacajawea, WA. At first, she seems content there even if a few of the townspeople have a way of reminding her she’s the only Black woman in town. But after a tragedy shatters Angela’s life and horrific deaths become a regular occurrence in the town, it becomes clear her Gramma Marie passed down far more than the house. Due’s prose is so vivid that at times I felt like I was inside Angela’s head, or walking around the Good House myself. This is the perfect scary book to lose yourself in on a rainy fall day.
The Good House is the critically acclaimed story of supernatural suspense, as a woman searches for the inherited power that can save her hometown from evil forces.
The home that belonged to Angela Toussaint's late grandmother is so beloved that the townspeople in Sacajawea, Washington call it the Good House. But that all changes one summer when an unexpected tragedy takes place behind its closed doors, and the Toussaint's family history-and future-is dramatically transformed.
Angela has not returned to the Good House since her son, Corey, died there two years ago. But now, Angela is finally ready to return to…
I'm a near-lifelong fan of horror in all its forms. I read the works of Bram Stoker, Edgar Allan Poe, and Shirley Jackson as a child, and for most of my writing career, I’ve been trying to recreate the feelings those early works gave me the first time I read them. My short fiction has appeared in several publications, and my debut horror novel Tidepoolcame out in 2021. Even though one of the best-known horror novels of all time, Frankenstein, was written by Mary Shelley, the horror world still sometimes treats female authors like afterthoughts. I hope my list will help readers discover more imaginative books written by women.
Cherie Priest is a very versatile writer, and this horror novel is one of her best. I’ve lent copies of Family Plotto people and never gotten them back. Dahlia, whose father owns a salvage company, takes a team of coworkers to an old mansion to strip all the valuable stuff they can find before it’s torn down. But there are far more things in—and around—the house than they know, and those things have a way of making themselves known during the nights the crew spends at the mansion. Dahlia is a wonderful, tough, no-nonsense main character, and parts of the novel gave me the “Alone in the house late at night” creeps.
Chuck Dutton built Music City Salvage with patience and expertise, stripping historic properties and reselling their bones. Inventory is running low, so he's thrilled when Augusta Withrow appears in his office offering salvage rights to her entire property. This could be a gold mine, so he assigns his daughter Dahlia to personally oversee the project. The crew finds a handful of surprises right away. Firstly, the place is in unexpectedly good shape. And then there's the cemetery, about thirty fallen and overgrown graves dating to the early 1900s, Augusta insists that the cemetery isjust a fake, a Halloween prank, so…
Ava Winston likes her life of routine in Lexington, Kentucky. Then a tornado blows it away. Ava is safe in the basement, but when she emerges, only one corner of her home stands. Rather than crumbling under the loss, she feels a load lifted. Maybe something beyond the familiar is…
I’ve loved reading short horror stories ever since I got my elementary school-aged hands on a copy of Scary Stories to Tell in the Dark. In high school, I discovered my love of poetry, and I’ve never stopped trying to find a new favorite horror book. I love being able to sit down with a cup of tea on a rainy autumn afternoon and read a whole book in one go. I’m co-chair of the Horror Writers Association’s Seattle Chapter and find myself adding new horror books to my TBR pile every week. I hope you enjoy these books as much as I did!
I absolutely loved this creative take on the whole final girl slasher trope! I really enjoy a strong female character in horror where they’re “just like us.” Reading these poems where the females can be outspoken and confident but also quiet or slutty was powerful.
I enjoyed how they’re inspired or based on different movies. When I finished the book, I had a whole list of movies I needed to watch or re-watch. This collection was on my mind for days after.
"There is nothing else in this world / like realizing / you’re going to live / and not being sure / you can."
From Claire C. Holland, a timely collection of poetry that follows the final girl of slasher cinema - the girl who survives until the end - on a journey of retribution and reclamation. From the white picket fences of 1970s Haddonfield to the apocalyptic end of the world, Holland confronts the role of women in relation to subjects including feminism, sexuality, violence, and healing in the world of Trump and the MeToo…
I’ve been fascinated fairy tales, folklore, and horror since I was a child, drawn to these strange stories in which wondrous and terrifying things happen. In many of these tales, the women often lack a sense of agency or control over their lives and work for a better life within the limitations of their situation. The act of retelling these stories provides space to explore this lack of power and how these women might find clever or unusual ways to reclaim it. In particular, I’m interested in the ways characters might make use of the danger or darkness around them to carve their own path in the world.
In her stunning poetry collection, Brute, Emily Skaja navigates the dark corridors of trauma at the end of an abusive relationship. Exploring the intersections of both love and violence, these poems have a mythic quality to them, with the narrator seemingly struggling to survive the brutality of a fairy tale world longing to gobble her up. At the same time, the fantastical elements of these poems are balanced by the present moment, with cell phones, social media, and other current technologies evoking a kind of modern magic that holds sway over our lives. The poems in this collection take the reader on a journey from sorrow to rage, guilt, hope, self-discovery, and reinvention.
Selected by Joy Harjo as the winner of the Walt Whitman Award of the Academy of American Poets
Emily Skaja’s debut collection is a fiery, hypnotic book that confronts the dark questions and menacing silences around gender, sexuality, and violence. Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability,…
I began my writing career over forty years ago, pausing in boxcars, under streetlamps, and in hobo jungles to record the beats and rhythms of the road as I caught freight trains and vagabonded around the Pacific Northwest and Canada. In the years since, whether hiking the Camion de Santiago, traversing the length of Hadrian’s Wall, or backpacking in the high Sierra, I’ve been privileged to indulge my wanderlust all around the world, and to share those adventures with others.
All of us who survived our own version of an Unruly Youth will find much to admire, and much that resonates, in this riveting account of one young man’s quest for identity, and for answers to his fundamental questions about life. He journeys along a “pipeline to freedom" on a bed of steel, ties, and gravel, never sure where his path will carry him from day-to-day. Travelogue From an Unruly Youth carries us into a hidden and unconventional world, weaving a romantic tale of roadside mystery and the universe-altering power of love.
Traveling the North American continent via freight train brought freedom, passion, romance, adventure, and danger -- a heady concoction for someone in his early 20s. The writer journeyed along a "pipeline to freedom" on a bed of steel, ties, and gravel, never sure where his path would carry him from day to day. Yet part of the cost to those nomadic highs was leaving behind a woman who cared dearly for him, and that severing continued to reach him even as he blasted magically across the map on a unique geographic and spiritual quest. After long months and thousands of…
This book is set in Montauk, under looming threat from a warming climate and overdevelopment. Now outsider Clancy, a thirty-six-year-old claims adjuster scarred by his orphan childhood, has inherited an unexpected legacy: the power to decide the fate of Montauk’s last parcel of undeveloped land. Everyone in town has a…
I am a history professor at the University of Rhode Island who specialized in the labor and environmental history of the United States. I have dedicated my life to writing histories that people can read for inspiration in the fight for justice. We cannot change the present and future if we do not understand the systems of oppression that have created how we live today. I hope to continue contributing to shattering myths, providing hope, and charting paths for change through my writing.
Once you’ve read Zinn, you are going to want to know more about the workers’ struggle. Among recent books, you can’t do better than Ahmed White’s book on this iconic struggle of the 1930s, when the steel companies massacred strikers and even the Roosevelt administration did nothing about it. Powerful story and very well-written.
In May 1937, seventy thousand workers walked off their jobs at four large steel companies known collectively as "Little Steel." The strikers sought to make the companies retreat from decades of antiunion repression, abide by the newly enacted federal labor law, and recognize their union. For two months a grinding struggle unfolded, punctuated by bloody clashes in which police, company agents, and National Guardsmen ruthlessly beat and shot unionists. At least sixteen died and hundreds more were injured before the strike ended in failure. The violence and brutality of the Little Steel Strike became legendary. In many ways it was…
