Here are 100 books that The Natashas fans have personally recommended if you like
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I’m a British author who has always had a fascination with magical realism and novels that blend the serious with the strange. For that reason, though I write literary fiction for adults, I take so much of my inspiration from children’s literature. There’s something so simple about how kids’ books stitch the extraordinary into the every day without having to overexplain things. I now live not far from the forest that inspired A. A. Milne’s Hundred Acre Wood, and my latest novel is set in and inspired by this part of rural England–with all the mystery and magic that a trip into the woods entails.
Murakami is a magical realist genius, and this book is him at his mystifying, dream-like best. Expect otherworldly portals, sexually voracious ghosts, woodlands afflicted by mysterious fainting episodes, and, of course, an entire cast of talking cats.
What amazes me about Murakami’s writing is his ability to transfuse the mundane with the truly magical and to avoid all whimsy–even when writing about something as inherently whimsical as talking cats.
"A stunning work of art that bears no comparisons" the New York Observer wrote of Haruki Murakami's masterpiece, The Wind-up Bird Chronicle. In its playful stretching of the limits of the real world, his magnificent new novel, Kafka on the Shore is every bit as bewitching and ambitious. The narrative follows the fortunes of two remarkable characters. Kafka Tamura runs away from home at fifteen, under the shadow of his father's dark prophesy. The aging Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his highly simplified life suddenly overturned. Their parallel odysseys - as…
I'm the author of over 15 novels written for kids, teens, and adults across several genres. The thing all my books have in common is that they are sad and they are dark. My most recent novel is my most distilled, compressed delivery of deliciously dark sadness yet! Oddly, I'm rarely sad in real life. My daughter suggested that I write books to get the darkness out of my head and onto the page, which I think is very insightful (she is my kid, after all). I enjoy the beauty in the breakdown, I savor the sublime catharsis of tragedy, and I want to share that perspective with everyone.
I found this story collection by Machado to be not only dark and sad, but wickedly funny. How often does our laughter turn to tears, or vice versa? These things are not mutually exclusive, and Machado lives within that uncomfortably liminal space with obvious relish.
I also appreciate it's unabashed feminism. So much of the horror genre is seen through a male lens that leaves me feeling cold and left out. In Machado's writing, I feel not only seen but celebrated, and I will happily live within her ferociously accepting stories of darkness as many times as she offers them.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
I’m fascinated by long stories where things aren’t exactly as they seem. Most crime fiction is secrets and lies and their eventual uncovering but most ‘literary’ fiction is too. For what it’s worth, I was a book reviewer for all the posh UK papers for about 15 years, including crime fiction critic for The Observer for twelve (so I’ve read far more crime novels than is healthy for anyone!). I’m a voracious reader and writer and I love making things more complicated for myself (and the reader) by coming up with stuff that I’ve then somehow got to fit together.
This is post-modern crime fiction thematically linked and all with increasingly unreliable characters—because they’re each going insane.
In City of Glass private investigator, Daniel Quinn, goes mad sinking deeper into an investigation about identity. Who is telling his story and can they be relied on? Is it any of these characters who appear: ‘the author,’ ‘Paul Auster the writer,’ ‘Paul Auster the detective’? Whoosh.
I love this stuff but understand it’s an acquired taste!
Paul Auster's signature work, "The New York Trilogy," consists of three interlocking novels: "City of Glass," "Ghosts," and "The Locked Room" - haunting and mysterious tales that move at the breathless pace of a thriller."City of Glass" - As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might hace written"Ghosts"Blue, a student of Brown, has been hired to spy on Black. From a window of a rented house on Orange street, Blue stalks his subject, who is staring out…
I have long been an ardent admirer and student of works that transgress boundaries and extend the frontiers of literature. A blurring and subversion of genres, or fusion of forms and modalities, arouses my imagination and inspires me to see differently, to read differently, to travel to places within myself that otherwise might remain undiscovered and uncharted. To me, writing is an ongoing experiment, a series of progressions and adventures which ask me to stay open, supple, and curious. There is no set formula—each book demands its own form, and both as writer and reader, I most desire to be engaged in what is a solitary ritual of interaction.
While this book is a bio-memoir, I included it on my list as a correspondent homage to the cinematic shaman of twisted mysteries, David Lynch. For the past forty plus years, Lynch has dreamscaped a long day’s journey into night, taking audiences on a hallucinated tour through the underworld of their own splintered psyche. Lynch’s oeuvre, a steam-punk Frankenstein of interchangeable parts, speaks to the savvy and glee of a mad scientist at play, while his blending of the eternal with American pop has given us a surrealistic soap opera with an eye toward the numinous. Written in alternating chapters, between Lynch and McKenna, this book is a must-read for fans of Lynch, but beyond that, if you are a fan and lover of cinema, creative process, and following your bliss, Room to Dreamstrikes those chords with a down-to-earth immediacy. It is, in essence, one man’s multi-layered valentine…
NEW YORK TIMES BESTSELLER • An unprecedented look into the personal and creative life of the visionary auteur David Lynch, through his own words and those of his closest colleagues, friends, and family
“Insightful . . . an impressively industrious and comprehensive account of Lynch’s career.”—The New York Times Book Review
In this unique hybrid of biography and memoir, David Lynch opens up for the first time about a life lived in pursuit of his singular vision, and the many heartaches and struggles he’s faced to bring his unorthodox projects to fruition. Lynch’s lyrical, intimate, and unfiltered personal reflections riff…
I’m an Australian writer with a passion for literary fiction, especially novels centered on complex and multi-layered power dynamics. To me, relationships between women are particularly ripe for this kind of exploration – my own friendships with other women have been influential and formative, but not always easy! My interest in these darker and more complex dynamics of close friendship eventually led me to write my own novel on the topic. I’ve also published a range of essays, reviews, criticism, and creative nonfiction.
While many novels about female friendship focus on young women, The Weekend follows three women in their seventies, whose decades-long friendship has sustained them through illness, infidelity, divorce – and recently the death of their fourth close friend, Sylvie.
Drawn together over a weekend to clear out Sylvie’s house, the remaining women must grapple with their shared past and uncertain future. I loved this glimpse into the lives of older women – a reality not often portrayed in fiction – and admired Wood’s ability to make each of her three narrators flawed, relatable, and human.
If you like immersive character-driven novels, this book won’t disappoint.
People went on about death bringing friends together, but it wasn't true. The graveyard, the stony dirt - that's what it was like now . . . Despite the three women knowing each other better than their own siblings, Sylvie's death had opened up strange caverns of distance between them.
Four older women have a lifelong friendship of the best kind: loving, practical, frank and steadfast. But when Sylvie dies, the ground shifts dangerously for the remaining three. Can they survive together without her?
They are Jude, a once-famous restaurateur, Wendy, an acclaimed public…
Elizabeth Hamilton-Guarino is the founder of The Best Ever You Network and co-founder of Compliance4. Through these companies, she has helped individuals and organizations around the world be their best and achieve world-class excellence with gratitude-based behavior and belief systems. She is one of America's foremost personal and corporate development consultants specializing in mindset, change management, strategy, leadership, and taking action. Elizabeth is also the author of the award-winning personal development book PERCOLATE - Let Your Best Self Filter Through (Hay House) and multiple children’s books as a contributor and author. Elizabeth lives her daily life with life-threatening food allergies. Elizabeth and her husband live in Maine with their four sons and three rescued cats.
Dr. Ivan Misner is the father of modern networking. It stands to reason he knows a thing or two or three about change. When you are trying to make changes in your life or be successful, it is very important to surround yourself with the right people to foster your growth and success. This book shows you just how to do that. This is one of my favorite books to recommend to people when they feel stuck.
People may be out of your life, but they're still in your head. Learn how to control the ongoing psychological impact of all your relationships and achieve happiness, success, and fulfillment.
Who’s in Your Room? is a metaphor and a method for understanding how our relationships, past and present, impact our lives.
Imagine that you live your entire life in one room. Inside are all the people with whom you have ever had a relationship. The room is infinitely large, and anyone you let in will be in your room for the rest of your life. Neurologists report that as…
As a teenager, I “discovered” the poetry of Emily Dickinson and put her verse to music. Later, at Yale University I delved deeper into the power of rhythms, the beauty of images, the clarity of insights—how they combine to create a genuine poetic voice that reveals an interior world. Politics, of course, define our interactions in the exterior world, and great novels meld these two elements—poetry and politics—into a seamless union. I’ve been inspired to write novels about two poets—Emily Dickinson and John Keats—to bring the reader into the intense, poetic world of their blazing interiors and their unique outward politics.
Happinessis a gentle, insightful, poetic depiction of the politics of nature in London, England—specifically, the treatment of urban foxes in the midst of human activity. The layers of life (children, adults, foxes, falcons, street cleaners, psychiatrists, immigrants, landowners) interact here in ways deeply moving and insightful, reminding me of the central question in much of my writing: the boundaries between our private, poetic perceptions and the politics of survival.
'Forna's voice is relentlessly compelling, her ability to summon atmosphere extraordinary ... A thing of lasting beauty' OBSERVER
SHORTLISTED FOR THE RSL ONDAATJE PRIZE 2019
SHORTLISTED FOR THE JHALAK PRIZE 2019
A breathtaking novel from Orange Prize-shortlisted and Commonwealth Writers' Prize-winning author Aminatta Forna
Waterloo Bridge, London. Two strangers collide. Attila, a Ghanaian psychiatrist, and Jean, an American studying the habits of urban foxes. From this chance encounter in the midst of the rush of a great city, numerous moments of connections span out and interweave, bringing disparate lives together.
Attila has arrived in London with two tasks: to deliver…
I am a clinical psychologist with a Ph.D. from Harvard. My personal experience of burnout, when I was a psychologist on a medical team in a hospital setting, led me to specialize in burnout in my private therapy practice. I’ve been doing therapy with adults experiencing chronic stress and burnout for many years since. I’ve also interviewed thought leaders in mental health on my podcast, Psychologists Off the Clock. I understand the complexity of burnout and the reason “quick fixes,” like individual wellness interventions, are often not enough to help with burnout. To really solve the problem, we must “dig deeper” and find both personal and cultural solutions.
Learning to set boundaries – with work and with other people – was essential to helping me to recover from burnout, and this book is a practical how-to guide for how and why to set them.
In my own life, and in my work as a clinical psychologist, I have seen how chronic people-pleasing tendencies, and saying “yes” to everything, can lead to exhaustion and burnout. Having this book as a tool has helped me to be more intentional about saying no, and more assertive about standing up for my own needs.
As the author, Nedra Glover Tawwab, states in the book, “Burnout is overwhelming, and boundaries are the cure.” I couldn’t agree more!
End the struggle, speak up for what you need, and experience the freedom of being truly yourself.
Healthy boundaries. We all know we should have them in order to achieve work/life balance, cope with toxic people, and enjoy rewarding relationships with partners, friends, and family. But what do "healthy boundaries" really mean - and how can we successfully express our needs, say "no," and be assertive without offending others?
Licensed counselor, sought-after relationship expert, and one of the most influential therapists on Instagram Nedra Glover Tawwab demystifies this complex topic for today's world. In a…
Like the widows in The Widows’ Wine Club, I’m getting on. Unlike them, I’ve been a writer for forty years, often hunched over a keyboard, ignoring people. Amazingly, though, I managed to have a happy marriage and make some great friends. Phew! Because I’ve needed friends, especially since my husband died. Looking back, I’m interested to see that I didn’t instantly take to some of my closest buddies. Circumstances threw us together, and we got to know and like and love each other. I explore this in my book.
I took a while to warm to Mabel Beaumont. She’s grumpy and wasn’t a loving partner to her late husband, Arthur, a caring attentive man.
When he dies, she’s bereft and feels bound to carry out his last wish, written cryptically in his last list, "Find D." Mabel thinks she knows what it means. She must track down her former best friend Dot, who she hasn’t seen since she suddenly left more than sixty years ago. But how?
Fortunately, savvy helpers turn up, thoughtfully arranged by Arthur before he died, and they all become unlikely friends. Did Arthur know her better than she knew herself? Did he love her more than she loved herself or him? Well-drawn characters make this an intriguing, uplifting story. It’s never too late!
THE NUMBER ONE BESTSELLERThe list he left had just one item on it. Or, at least, it did at first...
Mabel Beaumont's husband Arthur loved lists. He'd leave them for her everywhere. 'Remember: eggs, butter, sugar'. 'I love you: today, tomorrow, always'.
But now Arthur is gone. He died: softly, gently, not making a fuss. But he's still left her a list. This one has just one item on it though: 'Find D'.
Mabel feels sure she knows what it means. She must track down her best friend Dot, who she hasn't seen since the fateful day she left more…
Meg Jay, PhD, is a Clinical Psychologist, and an Associate Professor of Human Development at the University of Virginia, who specializes in adult development and in twentysomethings in particular. She earned a doctorate in clinical psychology, and in gender studies, from the University of California, Berkeley. Her books have been translated into more than a dozen languages and her work has appeared in the New York Times, Wall Street Journal, Harvard Business Review and on NPR and BBC. Her TED talk “Why 30 Is Not the New 20” is among the most watched of all time.
An Ordinary Age is an antidote. It is for twentysomethings everywhere who are sick and tired of being sick and tired that the lives they wake up to everyday don't match the ones they see on Instagram. It is a book for real twentysomethings, that is, ones who deserve to know that their lives and their efforts aren't just good enough: They are well and truly good.
"A meticulous cartography of how outer forces shape young people’s inner lives." —Esquire, Best Books of 2021
In conversation with young adults and experts alike, journalist Rainesford Stauffer explores how the incessant pursuit of a “best life” has put extraordinary pressure on young adults today, across our personal and professional lives—and how ordinary, meaningful experiences may instead be the foundation of a fulfilled and contented life.
Young adulthood: the time of our lives when, theoretically, anything can happen, and the pressure is on to make sure everything does. Social media…
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