Here are 100 books that The Firefly Letters fans have personally recommended if you like
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Technology advances, scenery changes, but the human heart remains the same. As a writer, I hope to honor lives unnoticed or forgotten and have found that writing in verse affords me the truest, most uncorrupted pathway into the human heart. Each of the verse novels I’ve written or recommended here is spun from the strongest threads of time, place, and character. My hope is that the spare words within each book will build bridges across time and culture, and that those of us willing to open our hearts and cross these bridges will help create a more tolerant and peaceful world.
Out of the Dust was the first verse novel I read. Set during the Dust Bowl of the thirties, I was drawn into the story from the first page. I loved Billy Jo, the main character, and was impressed by Karen Hesse’s ability to capture, in so few words, the dust, desolation, and difficulty of living in Oklahoma at that time.
Acclaimed author Karen Hesse's Newbery Medal-winning novel-in-verse explores the life of fourteen-year-old Billie Jo growing up in the dust bowls of Oklahoma.
Out of the Dust joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content!"Dust piles up like snow across the prairie. . . ."A terrible accident has transformed Billie Jo's life, scarring her inside and out. Her mother is gone. Her father can't talk about it. And the one thing that might make her feel better -- playing the piano -- is impossible with her wounded hands.To make matters worse, dust storms are…
Technology advances, scenery changes, but the human heart remains the same. As a writer, I hope to honor lives unnoticed or forgotten and have found that writing in verse affords me the truest, most uncorrupted pathway into the human heart. Each of the verse novels I’ve written or recommended here is spun from the strongest threads of time, place, and character. My hope is that the spare words within each book will build bridges across time and culture, and that those of us willing to open our hearts and cross these bridges will help create a more tolerant and peaceful world.
The Watch That Ends The Night tells the story of the Titanic through the voices of those who were there. I read this after I had written my own most recent book and was struck with how similarly Allan and I approached historical catastrophes. Both books are multi-voiced and contemplate the same issues of privilege and class distinctions. Like me, Allan chose to listen to nature and endow her with a voice of her own.
Audie Award, Distinguished Achievement in Production, 2012
Arrogance and innocence, hubris and hope - 24 haunting voices of the Titanic tragedy, as well as the iceberg itself, are evoked in a stunning tour de force.
More than 2,000 men, women, and children are on board. Here on the first-class promenade is millionaire John Jacob Astor, who hopes his return from Egypt with his pregnant teen bride will invite a minimum of media attention. And here, in the third-class common room, a beautiful Lebanese refugee, on her way to family in Florida, discovers first love. And there in the distance, shrouded…
Technology advances, scenery changes, but the human heart remains the same. As a writer, I hope to honor lives unnoticed or forgotten and have found that writing in verse affords me the truest, most uncorrupted pathway into the human heart. Each of the verse novels I’ve written or recommended here is spun from the strongest threads of time, place, and character. My hope is that the spare words within each book will build bridges across time and culture, and that those of us willing to open our hearts and cross these bridges will help create a more tolerant and peaceful world.
This is based on the true story of Sophie Scholl, who courageously rebelled against the restrictions and horrors of the Nazi regime. White Rose was a more recent read and it saddened me to think that we've learned so little from the lessons of the past. Though it is a story with a tragic ending, White Rose reminded me how important it is to speak out against injustice before injustice becomes the norm.
Disillusioned by the propaganda of Nazi Germany, Sophie Scholl, her brother, and his fellow soldiers formed the White Rose, a group that wrote and distributed anonymous letters criticizing the Nazi regime and calling for action from their fellow German citizens. The following year, Sophie and her brother were arrested for treason and interrogated for information about their collaborators. This debut novel recounts the lives of Sophie and her friends and highlights their brave stand against fascism in Nazi Germany.
Ever since my parents gave me a copy of Dorothy Aldis’ The Secret Place and Other Poems, I have enjoyed a lifelong love of poetry. Now, as a traditionally-published children’s author, I have had numerous books and poems published over the years, including books that began as poems, like Flashlight Night (Astra Young Readers, 2017) and Once Upon Another Time (Beaming Books, 2021). My poems can be found in various anthologies including The National Geographic Book of Nature Poetry (N.G. Children’s Books, 2015) and Construction People (Wordsong, 2020) as well as Highlights for Children magazine.
What is the most important thing to remember about stargazing? When to do it, who to do it with, what to look for? It’s none of those! This picture book’s spare, lyrical text offers many suggestions for enjoying stargazing – but there’s really only ONE thing you need to remember, which is saved for the end.
Magical illustrations show kids and animals enjoying the night sky, and back matter about constellations completes this bedtime story with its underlying message of being in the moment.
What is the most important thing to remember about stargazing? When to do it, who to do it with, what to look for? It's none of those! This picture book's spare, lyrical text offers many possible ways to do stargazing: with a friend, with family or alone; on a moonless night, or with a full moon, or even with some clouds; on the beach, lying in the grass or standing on a snowy hill. There is only one rule of stargazing, which is saved for the end, and that is just to do it! Magical illustrations show polar bears, whales…
Technology advances, scenery changes, but the human heart remains the same. As a writer, I hope to honor lives unnoticed or forgotten and have found that writing in verse affords me the truest, most uncorrupted pathway into the human heart. Each of the verse novels I’ve written or recommended here is spun from the strongest threads of time, place, and character. My hope is that the spare words within each book will build bridges across time and culture, and that those of us willing to open our hearts and cross these bridges will help create a more tolerant and peaceful world.
This book is set in 1969, before the onslaught of cell phones and social media, when all eyes gazed upward toward the moon. Apollo 11 was preparing for its launch to the heavens, and the main character, Mimi Oliver dreams of becoming an astronaut. But first, as the daughter of a Japanese mother and Black father, Mimi needs to discover her own identity here on earth. The Full Cicada Moon illustrates my core belief that books build bridges between time and culture— just as Mimi does.
Inside Out and Back Again meets One Crazy Summer and Brown Girl Dreaming in this novel-in-verse about fitting in and standing up for what’s right
It's 1969, and the Apollo 11 mission is getting ready to go to the moon. But for half-black, half-Japanese Mimi, moving to a predominantly white Vermont town is enough to make her feel alien. Suddenly, Mimi's appearance is all anyone notices. She struggles to fit in with her classmates, even as she fights for her right to stand out by entering science competitions and joining Shop Class instead of Home Ec. And even though teachers…
As the eldest daughter raised in an Evangelical home in rural Pennsylvania, I was immersed in normative, Anglo notions of gender and the family. I built on this embodied experience to cultivate expertise in discourse about the family and labor in early revolutionary Cuba. Perhaps surprisingly, the celebration of patriarchy, monogamy, and heterosexuality that bracketed my youth was also an important element of Cuban revolutionary discourse of the 1960s—albeit within a very different context. I received my PhD in Latin American and Caribbean History from the University of North Carolina, Chapel Hill and was an Andrew W. Mellon Postdoctoral Fellow at Dartmouth College. I am now an independent scholar.
Chase illuminates for readers the central role played by women in the Revolution, from the urban insurrection and political activism of the 1950s to mobilization for women’s rights in the early 1960s. This book rejects assertations made by leaders, such as Fidel Castro, that men initiated women into activism and that the Revolution rescued women from oppression. The book instead emphasizes how women organized to make public demands and even sometimes convinced reticent leadership to accede to their proposals. Most exciting to me is the final chapter on dueling efforts to fortify the family, as Chase demonstrates how revolutionary supporters and opponents each rested “their political authority in claims that they best protected the family” (p. 14).
A handful of celebrated photographs show armed, fatigues-clad female Cuban insurgents alongside their companeros in Cuba's remote mountains during the revolutionary struggle. However, the story of women's part in the struggle's success only now receives comprehensive consideration in Michelle Chase's history of women and gender politics in revolutionary Cuba. Restoring to history women's participation in the all-important urban insurrection, and resisting Fidel Castro's triumphant claim that women's emancipation was handed to them as a ""revolution within the revolution,"" Chase's work demonstrates that women's activism and leadership was critical at every stage of the revolutionary process.
My expertise and passion for the theme of children’s dreams for themselves and how they achieve them began with reading wonderful children’s picture books to my kids and grandkids when they were very young. After writing one young adult novel and four cozy mysteries for adults, I realize my true calling as a writer is to create books that little readers will not only love but return to again and again to reinforce their own dreams and sense of worth as well as awareness of others. Many picture books dwell on what elders dream for their children rather than what young ones wish for themselves.
I loved this children’s picture book because it involves a little girl with a big dream—to play drums in public—which was forbidden to girls in Cuba at the time.
Despite many obstacles, she practiced and practiced and finally reached her goal. I also love that this story was inspired by a Chinese-African-Cuban girl who broke Cuba’s tradition of the taboo on female drummers.
Girls cannot be drummers. Long ago on an island filled with music, no one questioned that rule—until the drum dream girl. In her city of drumbeats, she dreamed of pounding tall congas and tapping small bongós. She had to keep quiet. She had to practice in secret. But when at last her dream-bright music was heard, everyone sang and danced and decided that both girls and boys should be free to drum and dream.
Inspired by the childhood of Millo Castro Zaldarriaga, a Chinese-African-Cuban girl who broke Cuba's traditional taboo against female drummers, Drum Dream Girl tells an inspiring true…
Over fifty years ago I joined the Peace Corps in El Salvador. I married a Salvadoran woman, and our child was born during our two-year stay on a backcountry farm in Chile. My interest in Latin America has never faded—and in my latest novel, The World Against Her Skin, which is based on my mother’s life, I give hera pair of years in the Peace Corps. But it is Cuba that remains the most fascinating of all the countries south of our border, and of course I had to write about the giant turn it took in 1959, and the men and women who spurred that revolution.
A portrait of the privileged American families living in Cuba just before the Revolution. Their concerns are the United Fruit Company and the sugarcane that surrounds them in Oriente Province, but they are soon to be thrown into tumult by Fidel Castro and his rebel soldiers, who have been building their revolution in the Sierra Maestra. This is a subtle and beautifully-written reminder of how an entire world can be turned upside down, something few in that community saw coming. In these tumultuous days, it sometimes makes me wonder about my own community.
FROM THE MAN BOOKER PRIZE SHORTLISTED AUTHOR OF THE MARS ROOM
A NEW YORK TIMES BESTSELLER
FINALIST FOR THE NATIONAL BOOK AWARD IN FICTION
Fidel and Raul Castro are in the hills, descending only to burn sugarcane plantations and recruit rebels.
Rachel K is in Havana's Cabaret Tokio, entangled with a French agitator trying to escape his shameful past.
Everly and K.C. are growing up in the dying days of a crumbling US colony, about to discover the cruelty and violence that have created their childhood idyll.
Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.
This novel is both sexy and chilling. It is the journey of a young woman, about her lovers, the intimacy of friendship, and her alluring social life in Havana, Cuba. With each page you sip the intensity of youth and political drama on the island. After traveling to Cuba to protest the US embargo in the 1990s and living for so many years in Miami with friends in the Cuban diaspora, Cuban's transnational socio-cultural complex frames how I think about islands. I relish how Portela writes, she is the friend who coaxes you out, keeps you up all night, with the promises of thrill, excitement, and a bit of danger.
One Hundred Bottles, with its intersecting characters and unresolved whodunits, can be read as a murder mystery. But it's really a survivor's story. In a voice that blends gossip, storytelling, and literature, Z-the vivacious heroine of Portela's award-winning novel-relates her rum-soaked encounters with the lesbian underground, the characters carving up her home, and the terrifying-but-irresistible Moises. As entertaining as any detective drama, One Hundred Bottles is ultimately made real by very rough love, intense friendship, and something small that decides to live.
Over fifty years ago I joined the Peace Corps in El Salvador. I married a Salvadoran woman, and our child was born during our two-year stay on a backcountry farm in Chile. My interest in Latin America has never faded—and in my latest novel, The World Against Her Skin, which is based on my mother’s life, I give hera pair of years in the Peace Corps. But it is Cuba that remains the most fascinating of all the countries south of our border, and of course I had to write about the giant turn it took in 1959, and the men and women who spurred that revolution.
A novel that reads like a memoir. After a childhood in Miami, the narrator explores her links to her Cuban past—and what Cuban exile has not done the same? But here are intimate, stimulating scenes that tie us to the Revolution, and in particular to Che Guevara. As Menendez writes, “Every trip to Havana is a dance between wanting to believe in the good of people and protecting oneself from the desperation that poisons every interaction.”
In this “evocative first novel,” an elderly woman looks back on the world of revolutionary Cuba as she recalls her intimate, secret love affair with Ernesto “Che” Guevara (Publishers Weekly).
A young Cuban woman has been searching in vain for details of her birth mother. All she knows of her past is that her grandfather fled the turbulent Havana of the 1960s for Miami with her in tow, and that pinned to her sweater—possibly by her mother—were a few treasured lines of a Pablo Neruda poem. These facts remain her only tenuous links to her history, until a mysterious parcel…
Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.
José Martí was a poet and writer who became the leader of Cuba’s final independence movement from Spain. He died in battle in 1895 and is the island’s best-known hero – images and statues of him can be found in almost every town in Cuba. He spent much of his life in exile, including in the United States. He was a prolific journalist, and his essay ‘Nuestra América’ (Our America, 1881) is one of his most-cited works. His observations about the US and the rest of the Americas were astute, and his work continues to offer insights that are applicable to the present day.
“[Martí] added a social agenda to the historic program of national liberation and instantly converted a movement devoted to the establishment of a new nation into a force dedicated to shaping a new society. Martí transformed rebellion into revolution. . . . Like a master weaver, Martí pulled together all the separate threads of Cuban discontent—social, economic, political, racial, historical—and wove them into a radical movement of enormous force.”—Louis A. Pérez Jr, author of José Martí in the United States
“Oh Cuba! . . . the blood of Martí was not yours alone; it belonged to an entire race, to…
