Here are 100 books that Blake; Or, The Huts of America fans have personally recommended if you like
Blake; Or, The Huts of America.
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I’m a scholar of ancient history who was a locomotive engineer, a subway motorman, and union shop steward in New York City. I tried to be a good union man. It was my Monday through Saturday religion. The New York railroads—passenger, freight, yard service, docks—are a big paramilitary enterprise, a subterranean empire where on-the-job deaths are routine. When I became a scholar, Alexander the Great proved to be an appealing subject since he was a killer who kept his own casualties low. Many of the men I worked with were Black and talked about slavery time, so the Civil War turned out to be another appealing subject.
What about writers more like me? In this book, an Ohio small-town banker turned Union volunteer describes race relations not as Delaney thought they should be but as they were in Union armies commanded by officers who were often anti-Black as well as anti-slavery. It made me feel I was there.
Beatty was a sort of good Union man—no politics at the start of the war, but Radical (Republican) politics at the end of it.
When Southerners fired on Fort Sumter in April 1861, John Beatty left his bank job in Ohio to answer President Lincoln's call for soldiers. Within a short while he was commanding the Third Ohio Volunteer Infantry Regiment, as green to combat as his men. The diary he kept from June 1861 to January 1864 shows how well they did their fearful job without losing their humanity.
In October 1862 the Ohio regiment lost nearly forty percent of its five hundred men on the field at Perryville. After heavy fighting at Stone's River the following year, Beatty was promoted to brigadier…
I’m a scholar of ancient history who was a locomotive engineer, a subway motorman, and union shop steward in New York City. I tried to be a good union man. It was my Monday through Saturday religion. The New York railroads—passenger, freight, yard service, docks—are a big paramilitary enterprise, a subterranean empire where on-the-job deaths are routine. When I became a scholar, Alexander the Great proved to be an appealing subject since he was a killer who kept his own casualties low. Many of the men I worked with were Black and talked about slavery time, so the Civil War turned out to be another appealing subject.
For conditions after the War, this book describes parts of the South that had been the wealthiest (and most exploitative). Easton was a Quaker and, thus, a pacifist. I felt I was there and being forgiven for what I had done or failed to do. Again and again, Easton is in the room with Klansmen, Army officers, and Black and White and poor and rich public officials.
American civil violence is his salient theme. To give three later examples of this theme: Don’t argue with Trump—shoot him. Don’t argue with JFK—shoot him. And most of all, don’t argue with Lincoln, a bigger leader—shoot him and make a theatrical event of it.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
I’m a scholar of ancient history who was a locomotive engineer, a subway motorman, and union shop steward in New York City. I tried to be a good union man. It was my Monday through Saturday religion. The New York railroads—passenger, freight, yard service, docks—are a big paramilitary enterprise, a subterranean empire where on-the-job deaths are routine. When I became a scholar, Alexander the Great proved to be an appealing subject since he was a killer who kept his own casualties low. Many of the men I worked with were Black and talked about slavery time, so the Civil War turned out to be another appealing subject.
The English General Fuller may be said to have taken Alexander’s program and imagined applying it to World War II. Had Hitler cooperated with Stalin’s unhappy subjects, he might have won the war in Russia. The same reasoning applied to Hitler’s opponent, England.
Had England given freedom to India before the war started, the Japanese would have found Asia far harder to conquer. Churchill and Chamberlain agreed that India must remain part of the Empire. Alexander knew better. He made the top Indian kings his allies, not his subjects.
In a brief and meteoric life (356-323 BC) the greatest of all conquerors redirected the course of world history. Alexander the Great accomplished this feat with a small army-no more than 40,000 men-and a constellation of bold, revolutionary ideas about the conduct of war and the nature of government. In a style both clear and witty, Fuller imparts the many sides to Alexander's genius and the full extent of his empire, stretching from India to Egypt.
I’m a scholar of ancient history who was a locomotive engineer, a subway motorman, and union shop steward in New York City. I tried to be a good union man. It was my Monday through Saturday religion. The New York railroads—passenger, freight, yard service, docks—are a big paramilitary enterprise, a subterranean empire where on-the-job deaths are routine. When I became a scholar, Alexander the Great proved to be an appealing subject since he was a killer who kept his own casualties low. Many of the men I worked with were Black and talked about slavery time, so the Civil War turned out to be another appealing subject.
Mary Renault’s partly fictional biography of Alexander reminds us that the King had more trouble with his courtiers than with his subjects or enemies.
She tells the story of how they poisoned him. That tendency of ours—to shoot the religious messenger bringing strange news—to think that that the strange news is freakish or threatening—is one to remember.
The acclaimed biography of Alexander the Great by Mary Renault, the author of Fire from Heaven and The Persian Boy, two best-selling novels about Alexander.
I am deeply passionate about human resilience. From Louis Zamperini's unwavering spirit in the face of war and captivity to Santiago's quiet determination against nature's harsh realities to Michael Jordan's relentless drive to overcome setbacks, these narratives resonate with me on a profound level. I'm particularly drawn to how these stories explore not just physical resilience but emotional and psychological strength as well. They serve as a powerful reminder that true victory lies not in the outcome but in the unwavering spirit we bring to life's struggles.
This book is a profound meditation on human resilience that never fails to move me. I'm constantly in awe of Hemingway's ability to weave so much meaning into such a deceptively simple tale. The way Santiago's unwavering determination shines through, even in the face of seemingly insurmountable odds, resonates deeply with me.
I find myself returning to this book time and time again, drawing inspiration from the old man's quiet strength and dignity. The vivid portrayal of man's relationship with nature—both its beauty and its harsh realities—leaves me breathless. What I love most is how Hemingway captures the essence of the human spirit in Santiago's struggle, reminding me that true victory lies not in the outcome but in the perseverance of the journey.
This powerful and dignified story about a Cuban fisherman's struggle with a great fish has the universal appeal of a struggle between man and the elements, the hunter with the hunted. It earned Hemingway the Nobel prize and has been made into an acclaimed film. Age 13+
Ed Cotham, is the prize-winning author of numerous books and articles on Texas Civil War history. A frequent lecturer, with appearances on television and radio, Ed has probably given more tours of Texas Civil War battlefields than anyone. Ed has written the texts for many historic markers and has served as project historian for several important shipwrecks in Texas waters.
One of the most interesting stories involving Texas during the Civil War is the blockade runners that operated out of Galveston and other Texas ports. As other Confederate ports were captured by the Union, Texas gradually emerged as the last important route for Southern goods to be exported and weapons and other war materials to be imported. Andy Hall is the acknowledged expert on this subject and this book is essential for anyone wanting to explore this interesting and important subject. One of the best features of this book is that it includes many photographs, maps, and illustrations that are not available anywhere else.
In the last months of the American Civil War, the upper Texas coast became a hive of blockade running. Though Texas was often considered an isolated backwater in the conflict, the Union's pervasive and systematic seizure of Southern ports left Galveston as one of the only strongholds of foreign imports in the anemic supply chain to embattled Confederate forces. Long, fast steamships ran in and out of the city's port almost every week, bound to and from Cuba. Join author Andrew W. Hall as he explores the story of Texas's Civil War blockade runners--a story of daring, of desperation and,…
For almost thirty years, I have studied and tried to understand Latin America and the Caribbean. As a historian I have worked with manuscripts and newspapers and books, in archives and libraries and private collections, but I’ve learned my most important lessons elsewhere: on the baseball diamond in Holguín, Cuba, at pick-up cricket matches in Port-of-Spain, Trinidad, and in soccer stadiums in Rio de Janeiro, São Paulo, and Buenos Aires. These books help give us a sense of the power of such places, the power of sports to reveal the region, and as such they’re a great place to start to understand it.
Naturally, when we think of sports in Latin America we first think of the region’s great athletes, from Pelé to Roberto Clemente, from Lionel Messi to Albert Pujols. But baseball and soccer players do not make sports meaningful on their own; many others – owners, sponsors, politicians, fans – make them what they are. This is the essential insight that guides Thomas Carter’s anthropology of Cuban baseball. He acknowledges the important role of the Communist regime in shaping the game, but he shows convincingly that the game belongs to its fans, for it is their passion that makes baseball important to Cuba, and it is their arguments about the game which make it a site for the negotiation of what it means to be Cuban.
In parks and cafes, homes and stadium stands, Cubans talk baseball. Thomas F. Carter contends that when they are analyzing and debating plays, games, teams, and athletes, Cubans are exchanging ideas not just about baseball but also about Cuba and cubanidad, or what it means to be Cuban. The Quality of Home Runs is Carter's lively ethnographic exploration of the interconnections between baseball and Cuban identity. Suggesting that baseball is in many ways an apt metaphor for cubanidad, Carter points out aspects of the sport that resonate with Cuban social and political life: the perpetual tension between risk and security,…
Over fifty years ago I joined the Peace Corps in El Salvador. I married a Salvadoran woman, and our child was born during our two-year stay on a backcountry farm in Chile. My interest in Latin America has never faded—and in my latest novel, The World Against Her Skin, which is based on my mother’s life, I give hera pair of years in the Peace Corps. But it is Cuba that remains the most fascinating of all the countries south of our border, and of course I had to write about the giant turn it took in 1959, and the men and women who spurred that revolution.
A novel that reads like a memoir. After a childhood in Miami, the narrator explores her links to her Cuban past—and what Cuban exile has not done the same? But here are intimate, stimulating scenes that tie us to the Revolution, and in particular to Che Guevara. As Menendez writes, “Every trip to Havana is a dance between wanting to believe in the good of people and protecting oneself from the desperation that poisons every interaction.”
In this “evocative first novel,” an elderly woman looks back on the world of revolutionary Cuba as she recalls her intimate, secret love affair with Ernesto “Che” Guevara (Publishers Weekly).
A young Cuban woman has been searching in vain for details of her birth mother. All she knows of her past is that her grandfather fled the turbulent Havana of the 1960s for Miami with her in tow, and that pinned to her sweater—possibly by her mother—were a few treasured lines of a Pablo Neruda poem. These facts remain her only tenuous links to her history, until a mysterious parcel…
I’ve always been fascinated by the political aesthetics and political ferment of the 1960s. As someone born in the 1960s but not of the 1960’s generation, this has allowed for a certain “critical distance” in the ways I approach this period. I'm especially fascinated by the global circulation of cultural protest forms from the 1960s, what the historian Jeremy Suri called a “language of dissent.” The term Global Sixties is now used to explore this evident simultaneity of “like responses across disparate contexts,” such as finding jipis in Chile. In our book,The Walls of Santiago, we locate various examples of what we term the “afterlives” of Global Sixties protest signage.
Lincoln Cushing was born in pre-revolutionary Cuba to a State Department official with the U.S. Information Agency. I first met Lincoln at a conference on the Global Sixties and he later introduced me to his extensive poster and political graphics collection. This book, one of several by Cushing on political posters, documents Cuba’s extraordinary post-revolutionary poster art, which became renowned the world over in left-wing circles. Cushing has in-depth knowledge of the printing processes involved and was granted direct access to many of the most well-known graphic artists who stayed in Cuba to collaborate with the regime. If you’re looking for the best book discussing Cuba’s revolutionary poster art tradition, this is it.
What I appreciated most about this book is the clarity of the images and the close attention to historical detail that Cushing provides. He organizes the book thematically, focusing especially on the posters produced by OSPAAAL…
Draws on national archives to present 150 works commissioned by the Cuban government following the Cuban Revolution, in a volume that includes works designed to rally citizens to rebuild, promote massive sugar harvests, support literacy campaigns, and more. Original.
Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.
This novel is both sexy and chilling. It is the journey of a young woman, about her lovers, the intimacy of friendship, and her alluring social life in Havana, Cuba. With each page you sip the intensity of youth and political drama on the island. After traveling to Cuba to protest the US embargo in the 1990s and living for so many years in Miami with friends in the Cuban diaspora, Cuban's transnational socio-cultural complex frames how I think about islands. I relish how Portela writes, she is the friend who coaxes you out, keeps you up all night, with the promises of thrill, excitement, and a bit of danger.
One Hundred Bottles, with its intersecting characters and unresolved whodunits, can be read as a murder mystery. But it's really a survivor's story. In a voice that blends gossip, storytelling, and literature, Z-the vivacious heroine of Portela's award-winning novel-relates her rum-soaked encounters with the lesbian underground, the characters carving up her home, and the terrifying-but-irresistible Moises. As entertaining as any detective drama, One Hundred Bottles is ultimately made real by very rough love, intense friendship, and something small that decides to live.
