Here are 100 books that The Fall of the House of Usher fans have personally recommended if you like
The Fall of the House of Usher.
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As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
While I am a tremendous fan of Daphne DuMaurier’s uncanny short stories, in particular, The Birds and Don’t Look Now, I reserve my greatest love and admiration for her modern Gothic masterpiece Rebecca.
While Alfred Hitchcock’s film version is justifiably a classic, it cannot capture the richness of DuMaurier’s prose nor the powerful first-person perspective of the narrator, the unnamed newlywed of a wealthy widower who finds herself cursed to always be in the shadow of his first wife, the eponymous Rebecca. It also can’t quite evoke the oppressive atmosphere of Manderley, silent and secretive, ancient and beautiful, the gilded cage of a mansion ruled over by a domineering housekeeper, the unforgettable Mrs. Danvers.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
Of the many ghost stories in my collection, this must be my favorite and the one I recommend most to both newcomers and veterans of Gothic literature. (With nary a ghost in sight!) Once again, none of the adaptations can fully capture the dark magic at the novel’s heart.
Building on the emotional and psychological elements first touched on in Henry James’s, The Turn of the Screw, Jackson reinvented the haunted house genre and gave us an instant classic to which all other such tales must inevitably be compared. Cherished by horror writers and readers everywhere, this book captivates from its celebrated first paragraph to its very last line. Hill House, not sane, is waiting for you.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
I have always loved novels and stories in which houses have a strong presence, beginning with Nathanial Hawthorne’s House of the Seven Gables, Edgar Allan Poe’s The Fall of the Houses of Usher, and Charlotte Bronte’s Jane Eyre. In tales like these, the family home — whether a birthright or an accidental place of abode — not only provides a shivery, Gothic atmosphere but also stands as a metaphor for the sicknesses that can sometimes fester in families -- paranoia, isolation, emotional incest. Belle Reve, Blanche, and Stella's decaying and sold-off ancestral home, hovers over “A Streetcar Named Desire.” My favorite house-themed books begin with two works by the incomparable Shirley Jackson.
I read all of Blackwood’s novels and stories when researching my first biography, on the life of Caroline Blackwood. This is the one that stayed with me, Blackwood’s semi-autobiographical novella of Dunmartin Manor, housing three generations of Websters and Dunmartins. From the cold cruelty of the narrator’s great grandmother, to the fairy-like madness of her grandmother, and the tragedy of her fun-loving but suicidal Aunt Lavinia, all seem like extensions of the mansion—a decaying, grand old house, freezing in the winter, sweltering in the summer, and given to flooding. Like the house itself, the characters are trapped by the weight of their own Anglo-Irish, aristocratic history. No conflagration here, except for the cremation of Great Granny Webster.
A “shocking, brilliant, and wickedly funny” novel that offers a behind-the-scenes look at the lives of eccentric aristocrats (Jonathan Raban, author of Bad Land)
Great Granny Webster is Caroline Blackwood’s masterpiece. Heiress to the Guinness fortune, Blackwood was celebrated as a great beauty and dazzling raconteur long before she made her name as a strikingly original writer. This macabre, mordantly funny, partly auto-biographical novel reveals the gothic craziness behind the scenes in the great houses of the aristocracy, as witnessed through the unsparing eyes of an orphaned teenage girl. Great Granny Webster herself is a fabulous monster, the chilliest of…
Growing up in a rural area influenced by both Protestantism and Catholicism, I found that the daily habits of devoutly religious people were often contradictory to the basic practices of their religion. I also discovered that people were every day forced to adjust their beliefs and behaviors depending on which microcosm within the culture they were in at a given moment participating. People unable to play by these ever-shifting cultural rules would quickly lose respect. This scared the hell out of me, as I was never good at adjusting to different social situations on the fly, but I also found it interesting, and it therefore became the primary theme of my book.
I’m not sure anyone has written with such clarity about the everyday horror of social/cultural alienation better than Shirley Jackson.
I loved reading about the main character, Merricat, and her trips into town to purchase groceries and other common household goods. The pariah-like way she is received by the allegedly typical townsfolk is a theme I—admittedly to a much lesser degree—wanted to include in my own writing.
Living in the Blackwood family home with only her sister, Constance, and her Uncle Julian for company, Merricat just wants to preserve their delicate way of life. But ever since Constance was acquitted of murdering the rest of the family, the world isn't leaving the Blackwoods alone. And when Cousin Charles arrives, armed with overtures of friendship and a desperate need to get into the safe, Merricat must do everything in her power to protect the remaining family.
I’ve been fascinated with the future ever since I watched 2001 Space Odyssey. An amazing spaceship that could help us explore other planets! Then all that weird stuff about an A.I. gone crazy and apes banging sticks around monoliths. What the…? That curiosity smashed into a major concern at the age of fifteen on a canoe trip where I was trying to work out how to live and work closely with other humans - and failing. It turns out humans are crazy creatures. We love being together, and doing amazing things together, but that can be really hard. So leadership and the future fused into a lifelong passionate pursuit.
This is a smart and broad analysis of global economies and cultures being affected by the collision of emerging technologies.
What’s amazing about this book is its scope, its wry humour, and its balanced approach to solutions.
They showcase very well current global challenges: the pyramid of inequality, climate change chaos, tech trillionnaires taking over where governments leave huge holes, and the failure of capitalism to deliver on its promised golden land.
It’s not just throwing rocks and wringing hands. The authors provide a pathway through that will mitigate the worst of these threats.
These include taxing robots and A.I. to provide a Universal Basic Income for the technologically displaced. It was the first time I have truly understood how UBI might actually work and be funded properly.
From a leadership point of view, some important shifts need to happen, and technology will pressure some of these to occur.
What is the impact of COVID-19 on world economies? If the cost of providing universal health care is lower than the cost of building a political movement to prevent it, would politicians still view it as socialism? In a world where algorithms and robots take the jobs of immigrants and citizens alike, are border controls an effective response? If unemployment skyrockets due to automation, would conservative governments rather battle long-term social unrest, or could they agree on something like universal basic income? When renewable energy sources are a fraction of the cost of coal generated electricity, should lobbyists be able…
I’m mostly known for my zombie/post-apocalypse novels and being a prepper. So why did I choose the revenge topic and what qualifies me as an expert? Zombies and apocalypse storytelling were never my first love. My first has always been reading stories of revenge both true-life and fictional. This helped inspire and drive me as a writer in my early days in this genre. The stories by the authors I have listed here not only influenced me in my writing style but also fueled me to write my own revenge story anthology. But mostly, I have a very twisted mind!
Poe was the first writer I read as a kid, and “The Cask of Amontillado,” to me is the penultimate story of jealousy and revenge that is as suspenseful as it is horrifying. Plus, there are two other tales of revenge and painstaking cruelty within this anthology: “Hop-Frog” and “The Fall of the House of Usher”.
This is classic revenge writing from the Gothic master, no offense Guy de Maupassant.
A chronological collection of all of Poe's poems and stories includes tales of adventure, farce, science fiction, black humor, and romance, as well as horror
I never expected to write a zombie story, let alone a novella series. I don’t usually do scary. I avoid horror movies and choose books with pretty covers. I think that’s why my books, like those on this list, walk the line of horror without plunging all the way in. There’s a delight in being spooked, but not if it leads you to recurring nightmares. I want books that will set my heart racing, but don’t plant a lingering fear. The books on this list will raise the hair on your arms, but won’t keep you up at night…unless, of course, it’s because you can’t put them down.
What Moves the Dead has all of the gothic atmosphere without any of the jump scares.
Kingfisher retells Poe’s The Fall of the House of Usher with a few fresh twists. There is a family curse, a mysterious fatal illness, and plenty of bumps in the night. The result is a story that might give you goosebumps, but no nightmares.
From the Nebula and Hugo award-winning author of The Twisted Ones, comes What Moves the Dead, a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher."
When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania.
What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her…
I am a Professor of English at the University of Sussex. I have worked on a wide range of subjects over the years, mainly about the English Renaissance. I have a long-standing interest in travel and colonial writing, the ways in which the English interacted with other peoples and other places, which started with my interest in Ireland where I studied and which was the subject of my early books. I have broadened my perspective as I have read more on the Americas, Africa, Europe, and Asia, over the years and am committed to uncovering the truth of the uncomfortable, challenging, and fascinating history of the early British Empire.
A brilliant and incisive reading of European-Caribbean relations from the first encounters on Christopher Columbus’s voyages.
Peter Hulme shows how central the Caribbean was to English and European thinking about the world and how the region defined English approaches to the rest of the world in the first age of the British Empire.
Europe encountered America in 1492, a meeting of cultures graphically described in the log-book kept by Christopher Columbus. His stories of peaceful savages and cruel "cannibals" have formed the matrix for all subsequent descriptions of that native Caribbean society. The encounter itself has obsesssed colonialist writing. It reappears in the early 17th century in the story of John Smith and Pocahontas, and on the Jacobean stage in the figures of Prospero and Caliban. In the 18th century, over two hundred years after the European discovery of the Caribbean, the idea of a pristine encounter still permeated European literature through Robinson…
Throughout my career as a historian I’ve been interested in the expansion of the Iberian world and its consequences for societies and cultures in Spain as well as Spanish America, especially Mexico. I knew that the Caribbean, the first site of European activity in the Americas, played an important role in that story, yet paradoxically it didn’t seem to receive much attention from historians, at least in the U.S. When I finally decided to focus my research on the period immediately following Columbus’s first voyages, I entered into a complex and dynamic world of danger, ambition, exploitation, and novelty. I hope to open that world to others in my book.
This lively and accessible book contextualizes Columbus’s complex life and career within the multiple ‘worlds’– Genoa, Portugal, Spain, the Caribbean – that he inhabited and the intellectual and political developments that shaped him. Columbus was controversial in his own lifetime and remains so to the present day. Neither justifying nor condemning him for his role in bringing Europeans to the Americas, these two experienced historians lay to rest the myths and misinformation that have distorted our understanding of this larger-than-life historical figure. This book is always my starting point when I need to know something about Columbus.
When Columbus was born in the mid-fifteenth century, Europe was largely isolated from the rest of the Old World - Africa and Asia - and ignorant of the existence of the world of the Western Hemisphere. The voyages of Christopher Columbus opened a period of European exploration and empire building that breached the boundaries of those isolated worlds and changed the course of human history. This book describes the life and times of Christopher Columbus on the 500th aniversary of his first voyage across the Atlantic Ocean in 1492. Since ancient times, Europeans had dreamed of discovering new routes to…
I am the author of theByzantine Trilogy (in 4 parts). These books depict the difficult beginning, decadent apogee, and sad end of the Byzantine empire. I think it is important to make historical fiction vivid, to immerse the reader in a distant time and place, with all its sights, smells, sounds, and tastes, as experienced by someone who was really there. I am also interested in what people believed, and why. For that reason, my historical novels are all first-person narratives, stories told by the people who lived through them. Here are some of the fictional memoirs that inspired me to start writing.
A surreal picaresque, apparently narrated by the ghost of Columbus, who knows exactly how posterity has treated him and sets out to tell the ‘true’ story of his life and adventures. Written in a lively, vernacular style, full of jokes, arguments, boasts, anachronisms, score-settling, and shifts of tone and genre, it is a thoroughly enjoyable read.
This book tests the limits of the memoir, and shows that historical novels can be great fun, and don’t always have to respect their sources.
In this novel, Christopher Columbus tells the story of his life and recalls the first fateful love of his youth, thoughts on his Portuguese wife, his Spanish mistress, and Queen Isabella, and his discovery of the New World
