I have always loved novels and stories in which houses have a strong presence, beginning with Nathanial Hawthorne’s House of the Seven Gables, Edgar Allan Poe’s The Fall of the Houses of Usher, and Charlotte Bronte’s Jane Eyre. In tales like these, the family home — whether a birthright or an accidental place of abode — not only provides a shivery, Gothic atmosphere but also stands as a metaphor for the sicknesses that can sometimes fester in families -- paranoia, isolation, emotional incest. Belle Reve, Blanche, and Stella's decaying and sold-off ancestral home, hovers over “A Streetcar Named Desire.” My favorite house-themed books begin with two works by the incomparable Shirley Jackson.
I wrote...
Blanche: The Life and Times of Tennessee Williams's Greatest Creation
Published in 1959, this is a chilling tale of a group of strangers who take part in a psychological study into psychic phenomena by agreeing to spend the summer in Hill House, reputed to be haunted. The story’s narrator is Eleanor Vance, a shy, fragile woman damaged by 11 years of nursing her sick mother through a fatal illness. Free at last, she’s eager to embrace life, but instead finds herself prey to the dark pull of the decaying old mansion, which finally claims her in the end.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
Shirley Jackson’s last book, a novella, is considered by many to be her masterpiece. I never forgot first reading it as a young teenager, riveted by the unreliable narrator, Mary Catherine Blackwood (“Merricat”), and her practice of weaving magic spells around the house to keep the remains of her family safe from the prying eyes and hostilities of the townsfolk. A murder mystery lies at the core—half of her family were poisoned by arsenic put into the sugar bowl—and only she, her Uncle Julian, and her sister Constance survived. The tale ends with a conflagration set by Merricat, nearly burning the house to the ground.
Living in the Blackwood family home with only her sister, Constance, and her Uncle Julian for company, Merricat just wants to preserve their delicate way of life. But ever since Constance was acquitted of murdering the rest of the family, the world isn't leaving the Blackwoods alone. And when Cousin Charles arrives, armed with overtures of friendship and a desperate need to get into the safe, Merricat must do everything in her power to protect the remaining family.
“Last night I dreamt I went to Manderley again,” famously begins du Maurier’s novel of a country estate that guards its secrets from the young, unnamed narrator who comes there as the innocent bride of mysterious Maxim de Winter. Out of her depth, she’s terrified by the imposing mansion, the specter of de Winter’s deceased first wife, and the creepy housekeeper, Mrs. Danvers, who urges her to commit suicide by jumping from a window. Gothic in tone, the unnamed heroine survives revelation after revelation, but the house itself—Manderley—is finally burned to the ground, leaving nothing but ruins.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I read all of Blackwood’s novels and stories when researching my first biography, on the life of Caroline Blackwood. This is the one that stayed with me, Blackwood’s semi-autobiographical novella of Dunmartin Manor, housing three generations of Websters and Dunmartins. From the cold cruelty of the narrator’s great grandmother, to the fairy-like madness of her grandmother, and the tragedy of her fun-loving but suicidal Aunt Lavinia, all seem like extensions of the mansion—a decaying, grand old house, freezing in the winter, sweltering in the summer, and given to flooding. Like the house itself, the characters are trapped by the weight of their own Anglo-Irish, aristocratic history. No conflagration here, except for the cremation of Great Granny Webster.
A “shocking, brilliant, and wickedly funny” novel that offers a behind-the-scenes look at the lives of eccentric aristocrats (Jonathan Raban, author of Bad Land)
Great Granny Webster is Caroline Blackwood’s masterpiece. Heiress to the Guinness fortune, Blackwood was celebrated as a great beauty and dazzling raconteur long before she made her name as a strikingly original writer. This macabre, mordantly funny, partly auto-biographical novel reveals the gothic craziness behind the scenes in the great houses of the aristocracy, as witnessed through the unsparing eyes of an orphaned teenage girl. Great Granny Webster herself is a fabulous monster, the chilliest of…
Another unnamed narrator visits Roderick Usher, an old friend, in yet another decaying mansion that houses an isolated, disturbed family—Roderick and his twin sister, Madeline. They are the last of the Ushers, but she has fallen into a cataleptic state—one of Poe’s treasured themes! The manse itself is surrounded by a lake, and a crack runs the length of the house. Roderick tells his friend that the house is alive and entwined with his and Madeline’s fate. Madeline dies and is entombed in the family vault, but Roderick fears that she’s not really dead. During a cataclysmic storm, Madeline has indeed clawed her way out of her tomb and she attacks her brother. The narrator flees into the night, looking back to see the house split in two and crumble into fragments, becoming the final tomb for Roderick and his sister. Dark!
The eerie tales of Edgar Allan Poe remain among the most brilliant and influential works in American literature. Some of the celebrated tales contained in this unique volume include: the world's finest two detective stories - "The Murders in the Rue Morgue" and "The Purloined Letter"; and three stories sure to make a reader's hair stand on end - "The Cask of Amontillado," "The Tell-Tlae Heart," and "The Masque of the Red Death."
* Includes a New Introduction by Stephen Marlowe, author of The Memoirs of Christopher Columbus and The Lighthouse at the End of the World * The Signet…
Ever since Jessica Tandy glided onto the stage in Tennessee Williams’s A Streetcar Named Desire at the Ethel Barrymore Theatre in 1947, Blanche DuBois has fascinated generations of audiences worldwide and secured a place in the history of literature, theater, and film.
Blanche bedazzled, amused, and broke the hearts of generations of audiences. Before the Covid pandemic, the stage classic was performed somewhere in the world every hour. It has been adapted into a ballet and an opera, and it was satirized in an episode of The Simpsons. The final twelve words Blanche utters at the play’s end—“I have always depended on the kindness of strangers”—have taken on a life of their own. Endlessly fascinating, this indelible figment of one of America’s greatest midcentury playwrights garners nearly universal interest—but why?
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one crossover. He’s been a Hittite warrior, a Silk Road mercenary, a reluctant rebel in the Peasant’s Revolt of 1381, and an information peddler in the cabarets of post-war Berlin. Stan doesn't die, and he doesn't know why. And now he's being investigated for a horrific crime.
As Stan tells his story, from his origins as an Anatolian sheep farmer to his custody in a Toronto police interview room, he brings a wry, anachronistic…
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one cross over. Stan has been a Hittite warrior, a Roman legionnaire, a mercenary for the caravans of the Silk Road and a Great War German grunt. He’s been a toymaker in a time of plague, a reluctant rebel in the Peasants' Revolt of 1381, and an information peddler in the cabarets of post-war Berlin. Stan doesn't die, and he doesn't know why. And now he's…