Here are 100 books that The Unabridged Edgar Allan Poe fans have personally recommended if you like
The Unabridged Edgar Allan Poe.
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I’m mostly known for my zombie/post-apocalypse novels and being a prepper. So why did I choose the revenge topic and what qualifies me as an expert? Zombies and apocalypse storytelling were never my first love. My first has always been reading stories of revenge both true-life and fictional. This helped inspire and drive me as a writer in my early days in this genre. The stories by the authors I have listed here not only influenced me in my writing style but also fueled me to write my own revenge story anthology. But mostly, I have a very twisted mind!
As a reader of Mary Shelley’s Frankenstein, I believed when the Creature drifted away on an ice raft and was never to be seen again, the Creature did not die. I even thought about writing a sequel myself. Well, Dean Koontz beat me to it in 2004 with the first novel of his Frankenstein trilogy.
This is a modern update and sequel to Shelly’s book that uses elements of not only horror but also fantasy and science fiction. The novel is set in present-day New Orleans and follows the activities of Victor Frankenstein, now going by the name of Victor Helios, who is using modern technology to create more creatures. Unbeknownst to Victor, his original Creature is still alive and looking for revenge.
Dean Koontz is the King of Exposition and in-depth storytelling. If you like an imaginative, updated take on a classic horror tale with detailed plots and…
From the celebrated imagination of Dean Koontz comes a powerful reworking of one of the classic stories of all time. If you think you know the legend, you know only half the truth. Here is the mystery, the myth, the terror, and the magic of . . .
Every city has its secrets. But none as terrible as this. He is Deucalion, a tattooed man of mysterious origin, a sleight-of-reality artist who has traveled the centuries with a secret worse than death. He arrives in New Orleans as a serial killer stalks the streets, a killer who carefully selects his…
Only in my recent life as a reader did I realize that my favorite novels often follow a precise pattern: either the author or the main character is a woman. Or both. So, why this sort of bias from a male reader? I found a plausible answer in my belief that female protagonists, more than male ones, serve as the ideal lever for compelling plot twists—the deae ex machina of contemporary storytelling. No wonder the protagonist of the first novel I wrote is a woman. No wonder she’s gifted (or, rather, cursed) with supernatural powers. As for my choice of topic, could it possibly have turned out differently?
I’m one of those readers who sometimes read a book because they have to. I started this book with the idea that I couldn’t possibly miss Stephen King’s debut novel. On paper, it stood at the antipodes of my liking— a horror story, but also a mystery and a thriller, set in a high school and so drenched in blood you might fear staining your finger at each turning page. Yet, I was so absorbed by Carrie’s tormented personality that I forgot all the above and went all the way down to the end in a single breath.
This book confirmed one of my firmest tenets—if you come across a book that is not your genre and love it, it means that you indeed loved it. A lot.
Stephen King's legendary debut, about a teenage outcast and the revenge she enacts on her classmates, is a Classic. CARRIE is the novel which set him on the road to the Number One bestselling author King is today.
Carrie White is no ordinary girl.
Carrie White has the gift of telekinesis.
To be invited to Prom Night by Tommy Ross is a dream come true for Carrie - the first step towards social acceptance by her high school colleagues.
But events will take a decidedly macabre turn on that horrifying and endless night as she is forced to exercise her…
I’m mostly known for my zombie/post-apocalypse novels and being a prepper. So why did I choose the revenge topic and what qualifies me as an expert? Zombies and apocalypse storytelling were never my first love. My first has always been reading stories of revenge both true-life and fictional. This helped inspire and drive me as a writer in my early days in this genre. The stories by the authors I have listed here not only influenced me in my writing style but also fueled me to write my own revenge story anthology. But mostly, I have a very twisted mind!
There are a lot of great stories filled with graphic sex, gore, and violence, as Clive Barker does so well, in this anthology but for me the standout story is the one of revenge titled, "Confessions of a (Pornographer's) Shroud". It was written as a black comedy and Barker does it well.
Ronnie is a fervent Catholic who is falsely accused by the Mafia of being the ringleader of a pornography cartel. After killing two mobsters in retribution, he is brutally tortured and murdered by the mob. Except, Ronnie manifests as a vengeful spirit and animates the shroud covering his body in the morgue. He then takes revenge on the rest of his enemies, and in a gory climax, the spirit enters the mouth of the mob boss and turns him inside out. There is also a twist at the end of the story.
Five stories in the third volume of Clive Barker's "Books of Blood". The stories are titled "Sun of Celluloid", "Rawhead Rex", "Confessions of a Pornographer's Shroud", "Scapegoats" and "Human Remains".
I’m mostly known for my zombie/post-apocalypse novels and being a prepper. So why did I choose the revenge topic and what qualifies me as an expert? Zombies and apocalypse storytelling were never my first love. My first has always been reading stories of revenge both true-life and fictional. This helped inspire and drive me as a writer in my early days in this genre. The stories by the authors I have listed here not only influenced me in my writing style but also fueled me to write my own revenge story anthology. But mostly, I have a very twisted mind!
The two most influential writers of the 19th Century, who perfected the art of writing revenge stories were French-born Guy de Maupassant and American Edgar Allan Poe. Maupassant is the quintessential go-to Gothic storyteller for revenge and considered the greatest master of the short story in world literature. This collection has all his classic tales like “La Vendetta,” a tale about a grieving mother’s need for revenge, and my favorite, “The Hand,” about an avenging appendage. Plus, many more tales.
These early works by Guy de Maupassant were originally published in the 1880's. As a collection of short stories, this represents Maupassant's tales of revenge, and includes 'A Vendetta', 'Father Milon', 'Mother Sauvage', 'The Corsican Bandit', 'The Hand', and 'The Lancer's Wife'. Guy de Maupassant was born in 1850 at the Château de Miromesnil, near Dieppe, France. He came from a prosperous family, but when Maupassant was eleven, his mother risked social disgrace by trying to secure a legal separation from her husband. After the split, Maupassant lived with his mother till he was thirteen, and inherited her love of…
I grew up loving the works of Shakespeare and the Romantic poets. Now I write romantic fantasy with a lyrical, fairy-tale vibe. The Seasons Cycle is a spin-off series from my main Lake Traveler saga. My poetry includes Poems of Myth & Magick, andSongs of Love & Longing. I compose songs and background music for key scenes in my stories. My music has been described as GoT meets LoTR with a lyrical twist and a musical theatre vibe. You can check out my songs and instrumental pieces on my youtube channel and my music website.
This book is a beautifully illustrated work of art. I absolutely adore the well-chosen excerpts from some of the Bard's most famous plays, including his fantasy ones (The Tempest and Midsummer Night’s Dream). This book contains some of the most beautiful passages in the English language. If you love the language of Shakespeare, you will swoon over this book. I do every single time.
An engaging introduction to Shakespeare, this lyrically llustrated anthology has been carefully edited to be accessible both to older children and teenagers. More then 200 short gems of verse, arranged in thematic sections -- heroics and love, good and evil, fun and frolic, magic and mystery -- capture the rich, powerful language and imagery of Shakespeare without overwhelming the reader who is new to Elizabethan poetry. A beautiful book that the whole family can treasure. Includes index of plays and first lines.
I’m Julia Buckley, a passionate lifelong reader, English teacher, and mystery writer. I gravitated toward mystery as a child when my mom read all the greats of 20th Century Mystery and Romantic Suspense and then passed them on to me. When I became an English teacher, I had the privilege of teaching some of the great Gothic classics like Jane Eyre, Rebecca, and The Castle of Otranto. Teaching these great works and researching the way that all Gothic literature stemmed from Horace Walpole and Ann Radcliffe, I realized that MANY of the books I read are tinged with the Gothic.
Mary Stewart was the greatest of the Romantic Suspense writers of the 20th Century. I discovered her as a teenager, but I still re-read her books today. This book is an homage to Shakespeare’s The Tempest (including the title), and Stewart weaves in clever allusions throughout this suspense novel.
The first great thing is the setting: Corfu, a Greek island, is said by locals to be the magical island of Prospero, the magician. The young narrator goes to this island. She needs to get away from her failed acting career, and her sister is pregnant and needs care. But the island is full of mystery, and something is not right with the wealthy and eccentric neighbors, two of whom live in an old castle.
This book contains everything from my first recommendation. Spooky setting? Check. Great heroine? Check. Romance? Yes, indeedy. With passages I have re-read many times. Humor: Check.…
When Lucy comes to Corfu to visit her sister, she is elated to discover that the castello above their villa is being rented to Sir Julian Gale, one of the brightest lights in England's theatrical world. As a minor player in the London theatre herself, Lucy naturally wishes to meet him—that is, until her sister indicates, with uncharacteristic vagueness, that all is not well with Sir Julian and that his composer son discourages visitors, particularly strangers. Yet Lucy has already encountered Sir Julian's son on the morning of her arrival, in a tempestuous run-in that involved the attempted shooting of…
I’m primarily a music composer for film and TV, but I’ve also ventured into filmmaking, with one of my films being featured at an international film festival, so my journey in storytelling spans many years, and comedy has always been at its heart. Growing up, my father worked as a pit musician, which gave me exposure to the comedy acts of the time. Humor was a constant in our home, so when I started writing fiction, it felt only natural my writing would find a home in comedy.
This is an absolute classic of the comic novel genre, so popular that it found its way onto the big screen. This dark comedy plays out more like a farce as we follow the misadventures of Henry Wilt, an underappreciated and frustrated teacher. His life spirals out of control due to a series of absurd and ridiculous misunderstandings. The novel’s momentum is driven by these absurdities and gross misinterpretations, all skillfully woven together by the flawed actions of a cast of colorful characters, each caricatured to deliver maximum comedic impact.
Tom Sharpe imbues his characters—whether it's the incompetency of the police, Wilt’s oppressive wife, or Wilt himself—with wit and cynicism. His writing is a blend of slapstick, satire, and dark comedy, frequently veering into the absurd and ridiculous. Despite the over-the-top plot, the novel maintains a consistent pace and a dry, ironic tone. As a comic novelist myself, who values…
La más famosa novela de Tom Sharpe, en la que el autor no deja títere con cabeza. El protagonista, Henry Wilt, encadenado a un empleo demencial como profesor en un politécnico, acaba de ver postergado su ascenso una vez más. Mientras, las cosas no marchan mejor en casa, donde su maciza esposa, Eva, se entrega a imprevisibles arrebatos de entusiasmo por la meditación trascendental, el yoga o la última novedad recién olfateada. Wilt, que se siente impotente con respecto a su empleo, no vacila en entregarse a fantasías cada vez más asesinas y concretas acerca de su mujer, con la…
I am the author of the Black Viking and Hellbent Riffraff Thrillers and several volumes of dirty realism poetry. I am also the Founder and editor-in-chief of Bristol Noir, an indie publisher and ezine specialising in curiously dark fiction and crime noir. Since 2017 Bristol Noir has been publishing up-and-coming and best-selling authors from around the world. I’m a writer originally from Northumberland in Northern England. In the late 90s, I studied in Greater Manchester when the IRA bomb went off and during the infamous years of the Hacienda club. I now live in Bristol. I’ve devoted my writing to exploring my heritage and the environments I’ve been in.
Derek Raymond’s 4th book in his Factory Seriesis sublimely dark and poetic. It’s brit-grit with an industrial, dirty backdrop and hard feel. Some lines are funny in their harshness with a cliched bad PI turned up to max.
This is a British hard-boiled, hard-drinking, and damaged detective with all the atmosphere of a French noir clashing with Ted Lewis’ Get Carter.
I Was Dora Suarez is a prime example of brit-noir with a flawed protagonist chasing clues and signs in an equally damaged world. Despite the bleakness of the characters and situations it’s impossible not to be gripped and have your face thrust against the glass to see.
An axe-wielding psychopath carves young Dora Suarez into pieces and smashes the head of Suarez's friend, an elderly woman. On the same night, in the West End, a firearm blows the top off the head of Felix Roatta, part-owner of the seedy Parallel Club. The unnamed narrator, a sergeant in the Metropolitan Police's Unexplained Deaths division, develops a fixation on the young woman whose murder he investigates. And he discovers that Suarez's death is even more bizarre than suspected: the murderer ate bits of flesh from Suarez's corpse and ejaculated against her thigh. Autopsy results compound the puzzle: Suarez was…
When I decided to write about psychopathic killers, I studied real stories and facts about these people. I also read about 80 novels a year as well as writing crime thriller novels. I’ve won more than a few awards and keep studying my craft. Makes me feel young. I love stories with action that make you think and are a little different and unique. I want to make a reader cry and laugh, which is what I look for in a good novel. So, when I write about serial killers, I try to keep it real. I love it!
Keller is a nice guy; everyone likes him. His only fault is he kills people for money. He is, by definition, a serial killer, but for him, it’s all business. Yes, he kills people, but for him, no big deal, just making a living.
Most of the book is about everything else in his life, his apartment, his girlfriend, and going to an art show. His stamp collection, etc. It’s like a look behind the curtain. Fascinating!
I liked his cute conversations with his boss lady too. Funny.
Sequel to Block's previous work, Hit Man, a gripping insight into the life of a paid assassin who finds his way on to someone else's hit list.
Superficially, John Keller - the urban lonely guy of assassins - leads a normal life despite his profession. He has an office manager, the breezily efficient Dot, who organises his "jobs" and reassures his grumbling conscience. He is an obsessive stamp collector. In a blackly comic twist, he even gets called for jury service. Laid back, couldn't care less, morally distanced from his vocation, Keller is an intriguing character. A visit to an…
I am a joker at heart and was always the class clown. I currently write on my own humor website, A Man Eating Chicken. I started drawing comics in grade school and grew into writing comedic prose in high school. There was never a goal for any of this; it was all pre-internet, so I didn’t realize that humor could be published anywhere. As I got older, I was able to find some books that really spoke to my sensibilities. The books on this list really showed me the power and possibilities of humor and influenced my own writing.
The Big Book of Hell is the holy grail of dark humor, packaged perfectly in a comic format. Growing up as a sarcastic kid from Brooklyn, this was the first humor book I read that I felt was aimed directly at my sensibilities. It has a very unique “substance-over-style” aesthetic that is striking and somehow managed to become widely identifiable. It dances around subjects, poking fun at the absurdities of the world it was written in. It really showed me that you don’t need to be a conventionally great artist to publish comics and that there is a market for dark humor comics. The book, which reads almost like a variety show, opened my eyes to ways to play with structure of an individual comic and a whole book.
A bumper collection of the classic Life in Hell cartoon strips from the 80s and 90s which were the basis for The Simpsons. Painstakingly assembled and rigorously organized by that master of clutter, Matt Groening, this is not another mini-jumbo, hard-to-read, abreviated compendium in that seemingly endless series of discourses on hell bu a gargantuan historical extravaganza of ten years' worth of the ever-popular Life in Hell cartoon strip, which looks uncannily like The Simpsons if you keep your eyes closed and have a sufficiently fertile imagination. Includes: The birth of Bongo! Binky's arrival in Los Angeles! Akbar and Jeff's…
