Here are 100 books that The Books of Blood Volume 3 fans have personally recommended if you like
The Books of Blood Volume 3.
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I’m mostly known for my zombie/post-apocalypse novels and being a prepper. So why did I choose the revenge topic and what qualifies me as an expert? Zombies and apocalypse storytelling were never my first love. My first has always been reading stories of revenge both true-life and fictional. This helped inspire and drive me as a writer in my early days in this genre. The stories by the authors I have listed here not only influenced me in my writing style but also fueled me to write my own revenge story anthology. But mostly, I have a very twisted mind!
As a reader of Mary Shelley’s Frankenstein, I believed when the Creature drifted away on an ice raft and was never to be seen again, the Creature did not die. I even thought about writing a sequel myself. Well, Dean Koontz beat me to it in 2004 with the first novel of his Frankenstein trilogy.
This is a modern update and sequel to Shelly’s book that uses elements of not only horror but also fantasy and science fiction. The novel is set in present-day New Orleans and follows the activities of Victor Frankenstein, now going by the name of Victor Helios, who is using modern technology to create more creatures. Unbeknownst to Victor, his original Creature is still alive and looking for revenge.
Dean Koontz is the King of Exposition and in-depth storytelling. If you like an imaginative, updated take on a classic horror tale with detailed plots and…
From the celebrated imagination of Dean Koontz comes a powerful reworking of one of the classic stories of all time. If you think you know the legend, you know only half the truth. Here is the mystery, the myth, the terror, and the magic of . . .
Every city has its secrets. But none as terrible as this. He is Deucalion, a tattooed man of mysterious origin, a sleight-of-reality artist who has traveled the centuries with a secret worse than death. He arrives in New Orleans as a serial killer stalks the streets, a killer who carefully selects his…
It’s taken me a while to feel comfortable calling myself an expert on workplace bullying. I mean, just because you experience something doesn’t necessarily make you an expert, right? What I am, though, is passionate about the subject of workplace bullying within the larger context of organizational health and workplace culture. I’m passionate about it because I experienced a workplace whose culture devolved into hostility, toxicity, and workplace bullying. I'm one of the 80 million US workers who have been affected by workplace bullying. That’s the size of two Californias or one Germany. And, it means one in two workers are contending with something that is known as “the Undiscussable.” So, let’s discuss it.
Leave it to the master of horror, Stephen King, to dream up the ultimate comeuppance story.
High school student Carrie is bullied relentlessly by her peers, both at school and outside its walls. Her mother’s treatment of her at home doesn’t help. But one day Carrie realizes she has supernatural powers that dwarf the “powers” her classmates think they wield over her.
I don’t condone what happens on prom night, of course, but anyone who’s ever been bullied will agree that the fantasy of turning the tables on your tormentor(s) can be…very satisfying.
Stephen King's legendary debut, about a teenage outcast and the revenge she enacts on her classmates, is a Classic. CARRIE is the novel which set him on the road to the Number One bestselling author King is today.
Carrie White is no ordinary girl.
Carrie White has the gift of telekinesis.
To be invited to Prom Night by Tommy Ross is a dream come true for Carrie - the first step towards social acceptance by her high school colleagues.
But events will take a decidedly macabre turn on that horrifying and endless night as she is forced to exercise her…
Horror spoke to me early. In fifth grade a teacher submitted my story which landed in an anthology of Maine authors alongside Stephen King. King being a local made writing real. Whether movies or books I could not consume enough of the horror genre. My local bookstore had me (a customer) curate their horror section given my knowledge and depth of reading in the field. Anthologies excited me most with so many authors packed into one volume. I detoured into producing/writing in Hollywood for years in the non-horror field. But now I author books in the genre that means the most to me. I also edit the Little Coffee Shop of Horrors Anthology series.
Solid anthology but the cream of the crop standout is bar none, "Dog"by Joe R. Lansdale. A tale about a man on a bike being chased by a dog is like Cujo on steroids. Highly intense and fast-paced, the story never lets up from the first page. It never slows down and the poor character’s bike trip just gets worse and worse. This one will keep you on the edge of your seat and thinking about it long after.
To be able to fill an anthology with original horror tales by some of the greatest names in terror fiction is a dream come true. Bram Stoker Award-winning editors Jeff Gelb and Del Howison are living that dream... or is it nightmare? Following the first award-winning book of the series, the editors have gathered the finest horror authors from around the country, including bestselling authors James Sallis, Joe R. Lansdale, Max Brooks, Steve Niles, and Caitlin R. Kiernan.
18 original tales of carefully crafted macabre will keep you up at night. Plus there is an introduction by the late great…
Horror spoke to me early. In fifth grade a teacher submitted my story which landed in an anthology of Maine authors alongside Stephen King. King being a local made writing real. Whether movies or books I could not consume enough of the horror genre. My local bookstore had me (a customer) curate their horror section given my knowledge and depth of reading in the field. Anthologies excited me most with so many authors packed into one volume. I detoured into producing/writing in Hollywood for years in the non-horror field. But now I author books in the genre that means the most to me. I also edit the Little Coffee Shop of Horrors Anthology series.
I recommend this book above other Stephen King anthologies for one specific story. "Mile 81". I grew up around Mr. King and he even came and read from one of his books in our high school auditorium. We all know him and there are a million to pick. But I chose this for both readers and authors. The story is about a car that is not what it seems. (Yes, a car.) The reason I believe even writers should study it, is how well it takes a concept and sticks with it and makes it real. The story is fun, gross, and tense, but also a masterclass in storytelling.
A generous collection of thrilling stories - some brand new, some published in magazines, all entirely brilliant and assembled in one book for the first time - with a wonderful bonus: in addition to his introduction to the whole collection, King gives readers a fascinating introduction to each story with autobiographical comments on their origins and motivation...
The No. 1 bestselling writer has dazzled readers with his genius as a writer of novellas and short story fiction since his first collection NIGHT SHIFT was published. He describes the nature of the form in his introduction to the book: 'There's something…
Horror spoke to me early. In fifth grade a teacher submitted my story which landed in an anthology of Maine authors alongside Stephen King. King being a local made writing real. Whether movies or books I could not consume enough of the horror genre. My local bookstore had me (a customer) curate their horror section given my knowledge and depth of reading in the field. Anthologies excited me most with so many authors packed into one volume. I detoured into producing/writing in Hollywood for years in the non-horror field. But now I author books in the genre that means the most to me. I also edit the Little Coffee Shop of Horrors Anthology series.
This little gem of an anthology is shorter than most I read but boy is it packed with superstars in horror. But the story that stands out here is "The Playhouse" by Bentley Little. I could have included his own collections here, and you should consider reading them, but this unique tale really stands out in a solid anthology, so I wanted to recommend this. Bentley Little has always been one of my influences even though I came across him later in my horror journey. His no-nonsense storytelling drags readers in quick and takes them along for the ride. In this a realtor discovers a playhouse on a property she is to show, and everything goes wrong from there. While a horror tale, it also deals with vestiges of youth and the passage of time. A truly remarkable tale.
Mick Garris, J. Kenner, Kealan Patrick Burke, Del James, and Bentley Little pry open a sarcophagus of horror and dread in Dark Screams: Volume Five, from Brian James Freeman and Richard Chizmar of the esteemed Cemetery Dance Publications.
EVERYTHING YOU’VE ALWAYS WANTED by Mick Garris It was supposed to be the night of his life: a celebration of his one hit slasher flick. But the price of admission is higher than this has-been filmmaker ever could have imagined.
THE ONE AND ONLY by J. Kenner When he was seven, Will Underwood’s nanny told him she had the Sight. Years later,…
Horror spoke to me early. In fifth grade a teacher submitted my story which landed in an anthology of Maine authors alongside Stephen King. King being a local made writing real. Whether movies or books I could not consume enough of the horror genre. My local bookstore had me (a customer) curate their horror section given my knowledge and depth of reading in the field. Anthologies excited me most with so many authors packed into one volume. I detoured into producing/writing in Hollywood for years in the non-horror field. But now I author books in the genre that means the most to me. I also edit the Little Coffee Shop of Horrors Anthology series.
Like the title suggests, this anthology is for those on the outside. It is a weird blend of strange works from well-known authors in the industry. I tend to like anthologies such as this because it creates work somewhat out of the norm for the writers. The standout story here is from Tanith Lee. I do not recommend it purely for the story as I do not consider it the best of this bunch. What did strike me was the prose. From her first words the reader knows they are in the hands of a master. It is simply impossible to stop reading once one starts because of the incredible descriptions and tone of the story. It is technically an excerpt from one of her novels but it does wow with the beauty of the words on the page. If someone believes horror cannot be literary they have not read…
Some of today's leading masters of speculative fiction, dark fantasy, and horror contribute a collection of original tales of the macabre in an anthology that features works by Neil Gaiman, Poppy Z. Brite, Yvonne Navarro, Tanith Lee, John Shirley, Brian Hodge, and Kathe Koja, among others. Original.
I’m mostly known for my zombie/post-apocalypse novels and being a prepper. So why did I choose the revenge topic and what qualifies me as an expert? Zombies and apocalypse storytelling were never my first love. My first has always been reading stories of revenge both true-life and fictional. This helped inspire and drive me as a writer in my early days in this genre. The stories by the authors I have listed here not only influenced me in my writing style but also fueled me to write my own revenge story anthology. But mostly, I have a very twisted mind!
The two most influential writers of the 19th Century, who perfected the art of writing revenge stories were French-born Guy de Maupassant and American Edgar Allan Poe. Maupassant is the quintessential go-to Gothic storyteller for revenge and considered the greatest master of the short story in world literature. This collection has all his classic tales like “La Vendetta,” a tale about a grieving mother’s need for revenge, and my favorite, “The Hand,” about an avenging appendage. Plus, many more tales.
These early works by Guy de Maupassant were originally published in the 1880's. As a collection of short stories, this represents Maupassant's tales of revenge, and includes 'A Vendetta', 'Father Milon', 'Mother Sauvage', 'The Corsican Bandit', 'The Hand', and 'The Lancer's Wife'. Guy de Maupassant was born in 1850 at the Château de Miromesnil, near Dieppe, France. He came from a prosperous family, but when Maupassant was eleven, his mother risked social disgrace by trying to secure a legal separation from her husband. After the split, Maupassant lived with his mother till he was thirteen, and inherited her love of…
I’m mostly known for my zombie/post-apocalypse novels and being a prepper. So why did I choose the revenge topic and what qualifies me as an expert? Zombies and apocalypse storytelling were never my first love. My first has always been reading stories of revenge both true-life and fictional. This helped inspire and drive me as a writer in my early days in this genre. The stories by the authors I have listed here not only influenced me in my writing style but also fueled me to write my own revenge story anthology. But mostly, I have a very twisted mind!
Poe was the first writer I read as a kid, and “The Cask of Amontillado,” to me is the penultimate story of jealousy and revenge that is as suspenseful as it is horrifying. Plus, there are two other tales of revenge and painstaking cruelty within this anthology: “Hop-Frog” and “The Fall of the House of Usher”.
This is classic revenge writing from the Gothic master, no offense Guy de Maupassant.
A chronological collection of all of Poe's poems and stories includes tales of adventure, farce, science fiction, black humor, and romance, as well as horror
My PhD work focused on horror fiction and film, and I spent ten years teaching about horror (I even included two of my recommended books in courses). The academic stuff is more a symptom than a cause of my passion for the scary. I’ve been a horror freak forever, becoming interested in vampires by age four, reading Stephen King and writing stories to frighten classmates by age nine, and putting a poster of Freddy Krueger on my wall at age ten. Extremes of fiction take me away from extremes of real life, which are much harder to handle.
This book originally consisted of six short collections of novellas and stories, but they’ve since been gathered into a two-volume set, so I’m hoping I can count them as one. They go together, and I think they’re nearly all excellent.
When I was a kid, these stories helped build a bridge for me, from the likes of Stephen King (whom I still adore) to new imaginative worlds of horror that include all kinds of transgressive imagery.
I love how Barker combines the fantastic with the visceral, blurs lines between the monstrous and the human, and makes desire dark, dirty, and wonderful. I also love these stories for all they taught me and helping usher in modern extreme/hardcore horror.
Rediscover the true meaning of fear in this collection of horror stories from Clive Barker, New York Times bestselling author and creator of the Hellraiser series.
Everybody is a book of blood; wherever we're opened, we're red.
In this tour de force collection of brilliantly disturbing tales, Clive Barker combines the extraordinary with the ordinary, bringing to life our darkest nightmares with stories that both seduce and devour. As beautiful as they are terrible, the pages of this volume are stained with unsettling imagery, macabre humor, and visceral dread. Here then are the…
I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.
The Wild Boys is at once dystopian and utopian, featuring a band of boys who’ve gone rogue and have perfected strange and poetically beautiful sex rites which allow them to ritually and meditatively conjure or reproduce more wild boy offspring. At once science fiction and fantastical in its imaginative scope, it is also, like all Burroughs’s work, a profound exploration of social control, the excesses and assumptions inherent in state and religious terror, and the sexual and erotic oppression and misunderstanding that is the real enemy of freedom. Fearless and experimental, Burroughs inspires me to be bold, blunt, and not afraid to disturb or offend in exploring the poetic and erotic relationships between all manner of ideas.
In this funny, nightmarish masterpiece of imaginative excess, grotesque characters engage in acts of violent one-upmanship, boundless riches mangle a corner of Africa into a Bacchanalian utopia, and technology, flesh and violence fuse with and undo each other. A fragmentary, freewheeling novel, it sees wild boys engage in vigorous, ritualistic sex and drug taking, as well as pranksterish guerrilla warfare and open combat with a confused and outmatched army. The Wild Boys shows why Burroughs is a writer unlike any other, able to make captivating the explicit and horrific.
