100 books like The Extraordinary Life and Comedy of Ricky Gervais

Since my high school days, I’ve considered Winston Churchill the most intriguing figure in world history. He told someone who admired his paintings, “Genius has many outlets.” In his case, he was not only a talented artist but also a politician, statesman, author, and orator. While doing research for my last book, I came across references to Churchill’s visits to the White House to meet with Franklin Roosevelt and Dwight Eisenhower. No one had ever closely investigated these sojourns at critical times of WW II and the Cold War. A book was born.

Through the 88 years of my life, I have experienced more diverse situations than most people even dream about, from being the youngest dentist in Canada at age 21 being the first Canadian to invent, patent, obtain international approval, and market several of the most successful dental implant systems in the world for humans and small animals, attempt to sail around the world, be the oldest rugby player in the world at age 85, and meet and befriend a myriad of weird and wonderful people by practicing the mantra of saying "YES." I am not ashamed to pass on my lessons from these experiences.

I’ve always been curious and passionate about how people overcame significant suffering in their lives. True stories of how people emerged stronger from traumatic events not only became an inspiration in my personal life but also my professional life as a therapist, where I became an agent of change. The ‘secret’ of these storytellers and their transformation became my focus. I only hope you find these stories as enjoyable as I did and also a challenge and an inspiration that makes a difference in your own life.

Through the 88 years of my life, I have experienced more diverse situations than most people even dream about, from being the youngest dentist in Canada at age 21 being the first Canadian to invent, patent, obtain international approval, and market several of the most successful dental implant systems in the world for humans and small animals, attempt to sail around the world, be the oldest rugby player in the world at age 85, and meet and befriend a myriad of weird and wonderful people by practicing the mantra of saying "YES." I am not ashamed to pass on my lessons from these experiences.

While doing a college humor column I was hoping to be the next Art Buchwald, but instead ended up first as a lawyer, then a film critic and college professor. When I finally got around to writing fiction, the blending of science fiction and comedy was a natural fit (with occasional forays into horror and fantasy). I’ve done four novels and a couple of dozen published stories to date and when readers tell me they’ve enjoyed them I answer, “If it made you laugh, I did my job.” When I came up with the mashup title of “Father of the Bride of Frankenstein” I said, “I have to write this.”

Like most people, I read lots of different kinds of books, but I am often drawn to novels with unusual themes, structure, or all those things. As a comedy writer, I have always loved surreal writing – the Goon Shows on the radio, or the plays of NF Simpson – and this applies to my taste in literature as well. The unreal, the slightly detuned, anything that suggests this world is not entirely what it seems, or if it is what it seems, then it is an idiot.

Growing up in a rural area influenced by both Protestantism and Catholicism, I found that the daily habits of devoutly religious people were often contradictory to the basic practices of their religion. I also discovered that people were every day forced to adjust their beliefs and behaviors depending on which microcosm within the culture they were in at a given moment participating. People unable to play by these ever-shifting cultural rules would quickly lose respect. This scared the hell out of me, as I was never good at adjusting to different social situations on the fly, but I also found it interesting, and it therefore became the primary theme of my book. 

I confess I was a serious little boy and used to be an excessively serious writer. Stoning the Devil, which is about desperate Gulf Arab women, was longlisted for major prizes and hailed by the feminist press. Poignant, even heart-breaking, but hardly a barrel full of laughs—though even then I couldn’t resist some black humour. But when I became a professor of Creative Writing at an American university, I found I’d fallen into a world madder than Wonderland, and realised that the best way to tackle woke insanity was through humour—as the great comedians are doing. Nearly all the best British fiction is humorous, so I started letting out my own zany side.

I am a professor of American literary history. Still, as an undergraduate, I studied with a charismatic, postmodern French-American fiction writer, Raymond Federman, who, in a theatrical accent, called me by my last name, “Pel-tone.” Atop the Kurt Vonnegut I’d read in high school that gave me my taste for crazy, socially-conscious novels that I have tried myself also to write, I imbibed the books Federman sent my way: Gabriel Garcia Marquez, Italo Calvino, Samuel Beckett. In years since, I’ve championed innovative novels through my own small press, Starcherone Books. I am an artist whose greatest passion is discovering writing that makes me see in new ways.

When I voyaged into the ancient world in the readings of my youth, it led me to realize that the gay-straight divide in modern perceptions of sexuality and relationships is an artifice. It was constructed by the conceit of the ascetic religions that the only legitimate purpose of sex is the production of children within a sanctified marital relationship. In Antiquity, the divide followed a more natural course between the groups who were the sexually active partners (mainly adult men) and those who were sexually passive (mainly women, youths, and eunuchs). My hope is to disperse some of the confusion that the obscuration of this historical reality has caused.