100 books like The Constant Gardener

This is arguably the most important book by journalists in the modern era.

Not only did the reporting behind it lead to the impeachment and subsequent resignation of President Richard Nixon in the wake of Watergate, it inspired generations of other journalists to investigate political crimes and criminals and hold office-holders at all levels accountable. One could reasonably say that it helped to save American democracy.

I could probably have picked any novel by Patricia Highsmith, but this one checks several boxes for me personally. I love novels that explore the minds of anti-heroes and aren’t afraid of going into their deepest, darkest thoughts. Of course, there are others who do this particularly well. Jim Thompson is outstanding for his portrayal of actual psychopaths who are unlikely protagonists.

Highsmith walks a fine line between creeping me out completely and tapping into my most disturbing fears without losing my compassion altogether. As an author myself, I know how hard that is to achieve, and Highsmith remains a masterclass in writing the psychological thriller. 

Before the U.S. entered the war in Vietnam, Graham Greene forecast its disastrous consequences. His love triangle, set amid the escalating conflict, perfectly captures the naiveté of American interventionism overseas. I love the subtext of the tale, which is narrated by an embittered British journalist. Although it’s never spoken, we intuit that he is addicted to opium and living the life of a dissolute expatriate. Fowler watches in horror as a U.S. diplomat tries to steal both the woman and the country he has adopted. He claims impartiality and indifference until he cannot any longer.

Fatherland was the first book I read by Robert Harris and from then on, I’ve read all his books except his latest publication.

The novel is an alternative history narrative, the plot a murder mystery set in Nazi Germany in the 1950s. Yes, you read that right. What if Hitler won World War 2? The allies have negotiated a treaty with Hitler and the world is a very different place.

The main character, Xavier March, a detective of the Kriminalpolizei, investigates the death of an old man and as he delves into the murder, he discovers a conspiracy that involves the Gestapo.

I’ve recommended this book to friends and colleagues and all have enjoyed the story. While the setting is more contemporary than the other four titles, this is definitely worth reading.

This one was a game-changer for me, taking thinly-disguised characters and events from real life – an obvious Tony Blair-type, fleeing prosecution for war crimes in a clear nod to the Iraq War – Harris wisely ushers us into the world of high-stakes politics via the innocent and unnamed Ghost Writer, hired to write a disgraced Prime Minister’s memoirs.

It’s a brilliant and clever mechanism that makes the reader feel at home. And when murder appears, puts you squarely in the shoes of a terrified man on the run.

As a technical piece of thriller writing, it’s stunning stuff. Harris’s decision to base a fantastical conspiracy around real-life events and characters was inspiring – and it’s something I use in every book.

I chose this for authenticity. Newsday's review said it was "chillingly real" and "the reader himself seems to be traveling with 'the Jackal.'"

That’s because Forsyth, as a foreign correspondent working in Europe and Africa, knew assassins, mercenaries, and arms dealers, which allowed him to craft fantastic but believable characters, settings, and situations. Forsyth opens the novel with the depiction of a real assassination attempt, employs historical figures, locations, and details, then seamlessly weaves his fictional plot into this authentic world.

Forsyth reveals lives most of us can only imagine, and he shows that wall-to-wall suspense does not require wall-to-wall action, but is built on plausible intrigue, sustained tension, and excellent writing.

This spot very nearly went to the great John le Carre, perhaps his brilliant The Little Drummer Girl.

Grady’s debut is not as complex or as dense as le Carre, but it holds a special place in my heart, partly because of its back story.

Grady was a young congressional staffer in my adopted hometown of Washington, DC when he dreamed up a covert CIA unit whose role is to monitor foreign intelligence operations by scouring books and magazines from around the world.

When the novel was adapted into the movie Three Days of the Condor, it was seen by KGB generals who—assuming it was based on truth—set up a similar unit of their own. Amazing but true.

The book that triggered my deeper exploration into the world of political corruption, Dobb’s classic still stands shoulder to shoulder with HBO’s powerhouse TV reimagining of the source material, and ticks all the political thriller boxes—corruption, blackmail, and murderous intent at the highest levels of government. The masterfully crafted Francis Urquhart is one of the most intriguing fictional characters I’ve met, determined, manipulative, and utterly ruthless, and the twisty plot moves along at a cracking pace. Do people like Urquhart really exist? Undoubtedly, although the real versions are infinitely crueler and more corrupt. If you loved the TV show, as I did, the original book will not disappoint.  

Reading a novel by Alan Furst is like seeing Casablanca for the first time, if it were written by Hemingway. There’s that same evocative atmosphere of people smoking cigarettes, having affairs, making sophisticated remarks, while looming over them is the war. Furst mines a narrow niche. All of his books are set in Europe either during World War Two or in the Thirties, with the war threatening. The protagonist here is Colonel Mercier, military attaché at the French embassy in Warsaw. Mercier must navigate the salons and alleyways of Warsaw against all manner of spies and German agents. The book is also an exploration of love in a desperate time through Mercier’s affair with the beautiful Anna, a Polish lawyer. It’s very good. Furst is always good. 

As an exposé of the upper-class Happy Valley set in the late 30s/early 40s white Kenya this sets the tone for subsequent settler behaviour. An investigation into a real-life unsolved mystery, the murder of Josslyn Hay, 22nd Earl of Erroll, it features an outlandish cast of characters and lifestyles of astonishing decadence and privilege and reads like a thriller.