100 books like The Spies of Warsaw

A gem of a book and another one that I read again and again. It’s not just the wonderful writing and the moody atmosphere; I love the way that le Carré explores the moral ambiguity in spying during this early part of the Cold War.

I read an interview in which le Carré talked about the pleasure of secrecy and enjoying the feeling that you know something that others don’t. I get that "I’ve got a secret" idea and I’ve used that thought in my own work. Le Carré was also a spy.

I could probably have picked any novel by Patricia Highsmith, but this one checks several boxes for me personally. I love novels that explore the minds of anti-heroes and aren’t afraid of going into their deepest, darkest thoughts. Of course, there are others who do this particularly well. Jim Thompson is outstanding for his portrayal of actual psychopaths who are unlikely protagonists.

Highsmith walks a fine line between creeping me out completely and tapping into my most disturbing fears without losing my compassion altogether. As an author myself, I know how hard that is to achieve, and Highsmith remains a masterclass in writing the psychological thriller. 

Fatherland was the first book I read by Robert Harris and from then on, I’ve read all his books except his latest publication.

The novel is an alternative history narrative, the plot a murder mystery set in Nazi Germany in the 1950s. Yes, you read that right. What if Hitler won World War 2? The allies have negotiated a treaty with Hitler and the world is a very different place.

The main character, Xavier March, a detective of the Kriminalpolizei, investigates the death of an old man and as he delves into the murder, he discovers a conspiracy that involves the Gestapo.

I’ve recommended this book to friends and colleagues and all have enjoyed the story. While the setting is more contemporary than the other four titles, this is definitely worth reading.

I chose this for authenticity. Newsday's review said it was "chillingly real" and "the reader himself seems to be traveling with 'the Jackal.'"

That’s because Forsyth, as a foreign correspondent working in Europe and Africa, knew assassins, mercenaries, and arms dealers, which allowed him to craft fantastic but believable characters, settings, and situations. Forsyth opens the novel with the depiction of a real assassination attempt, employs historical figures, locations, and details, then seamlessly weaves his fictional plot into this authentic world.

Forsyth reveals lives most of us can only imagine, and he shows that wall-to-wall suspense does not require wall-to-wall action, but is built on plausible intrigue, sustained tension, and excellent writing.

I have read this novel twice and will undoubtedly read it again. It’s captivating because of the suspenseful plot and the perfect story structure, which is my favorite part of writing books.

The reality of the WWII challenges that the main players must face is gripping. It’s a reminder of how courage springs forth when fear is so overwhelming that there is no other choice but to be brave and do things you never believed you could do.

That is true for the Nazi spy who usually killed anyone who got in his way and for the woman who risked her life to, indeed, get in his way. Why he became a spy and why she tried to stop him are superbly revealed.

I struggled to put this book on a crime novel list, but this is one of my favorite books of all time. At its heart, it’s a spy novel. It makes the list because the main character hunts bad agents–the internal affairs of the CIA.

The book opens with a murder crime scene in New York. If you haven’t heard about this book, it’s a true phenomenon. Many times, during book signings, I’ve been asked by readers if I knew of this book and how much they absolutely loved it. More importantly, though, they wanted me to tell them when the sequel was coming out. This book came out in 2014, and the sequel came out this year, ten years later. It garners 95k reviews on Amazon, which alone tells you all you need to know.

Published in 2001, The Constant Gardener is my favorite le Carre Novel. A British diplomat in Nairobi, Justin Quayle, is informed his activist wife, Tess has been killed in a remote part of Kenya along with a doctor friend. As Quayle investigates her life (in a similar way to Eric Ambler unfolds Dimitrios’s life), he uncovers her work exposing large pharmaceutical companies’ unethical experiments in the poorest regions of Africa. This leads to her brutal death and cover-up at a diplomatic and political level. It is an exceptional book that makes you rethink how medicine and the industry behind it operates. After the collapse of the USSR, le Carre seemed to struggle with his work, The Constant Gardener though, kick-started another two decades of great writing from him.

Eric Ambler was the first author to write with realism and authenticity about the world of spies. His work often features ordinary people who are not criminals or professional spies, but who suddenly find themselves caught up in that murky world. In this novel, while in Turkey, mystery writer Charles Latimer meets Colonel Haki, who shows him the body of a notorious criminal, Dimitrios, in the Istanbul morgue. Intrigued and sensing a story, Latimer investigates Dimitrios’ career, which will turn out to be a lot more intriguing and dangerous than anything he bargained for. Ambler’s thrillers keep you on the edge and this one, which includes a ride on the Orient Express, will have you furiously turning the pages. Dimitrios set the standard for every spy thriller that followed. 

In 1971, in response to a protest by women students at the Harvard Divinity School against the masculine universal, the chair of Harvard’s linguistics department, Calvert Watkins, wrote a letter to Crimson, cosigned by other colleagues. Explaining the concept of ‘markedness,’ he contended there was “really no cause for anxiety or pronoun-envy on the part of those seeking such changes.” Anna Livia’s book─originally her PhD thesis at Berkeley, uses the controversial phrase as the departure point for an enlightening analysis of a wide range of English and French texts problematizing the traditional linguistic gender system. The study reveals that rather than stemming from undue envy, gendered language is justifiably at the core of feminist battles. How can we express ourselves fully if our identities are not adequately represented in discourse?

This book is about the city of New Orleans, and how it came to be, as an outpost of 3 empires in turn (the French, the Spanish, and the nascent United States). Its cultural mix gave it a rich identity, but also practical issues - whose legal system would be followed? What language should be used? This legacy created a particular urban environment, and Dawdy’s work brings out the most fascinating stories in how this city came to be.