63 books like I Am Pilgrim

I was immediately drawn to the suspense of this book. The novel begins at the Berlin Wall, where British intelligence agent Alec Leamas helplessly watches as East German guards murder his colleague.

As I followed the elaborate British plan to get revenge on an East German official, I had the nagging feeling that I was missing something. When I finally got to the end, I realized that I had been duped—much like many of the characters in the novel. 

I learned so much from reading this book by the bureau's pioneering profiler.

Books by profilers and local police who solve major murders often focus on the author's career. No one cares. Douglas's books focus on the crimes and the perpetrators.

He has interviewed Ted Bundy, David Berkowitz, Lynette Fromme, John Wayne Gacy, Edmund Kemper, Sirhan Sirhan, Richard Speck, Sara Jane Moore, and Charles Manson. He explains what makes them tick.

I admit I’m old enough that memories of the post-Vietnam War era had begun to fade (mercifully?) until this book brought them back into sharp focus.

Vientiane, Laos, in 1976, after the Communist takeover, is so vividly portrayed–from the scent of the “Crow Shit blossoms” on the banks of the Mekhong to the inertia of the socialistic hierarchy, to the chicken counter spies turning their neighbors in for their capitalistic extravagances. And I found the 72-year-old Laotian coroner protagonist so endearing!

His cynical outlook and visitations from the dead make him a singularly sage and unconventional hero who can roll with the wildly absurd changes of the new regime. 

I’m fascinated by the in-depth character development and details in this book. The film is a classic, but I think the book is even better. Many people think of Hannibal Lecter as the obvious villain of Silence of the Lambs, forgetting that Clarice and the FBI were seeking his guidance to find “Buffalo Bill,” a fictional serial killer attacking women.

Buffalo Bill is an amalgamation of real serial killers, including Ted Bundy, Ed Gein, and Gary Heidnik. By cherry-picking the methods and traits of real killers, I think Harris created a truly terrifying villain. I find the characters, and especially the villain, to be rooted in reality, making them stick in your mind long after the last page.

The first time I talked to my New York agent, I told her my three favorite novels were The Spy Who Came in From the Cold, the Eye of the Needle, and, of course, the Day of the Jackal. She caught her breath. “I’ve just written an article,” she said, “saying those were the three best thrillers ever.” 

Here’s a secret. Old City Hall is not the first book I’ve written. I spent ten years writing a thriller inspired by Jackal. Set in 1988, an assassin is on her way to Toronto to kill the G-7 world leaders meeting there. The manuscript never sold. Then, last year, I pulled out my “book-in-a-drawer” and updated it as a prequel. Now it’s my new novel. I’ve moved in my writing from legal thrillers to historical dramas (my last novel is based on a Nazi massacre in Italy in 1944) and… show more.

This book taught me how to write a thriller. I’ll admit I’m obsessive. I’ve not only read this book—and watched the movie—many times, but I read everything I could find about how Follet wrote this novel, his method of writing, etc. 

As I do in my novels, he breaks some of the so-called rules. His “bad guys” are real and engaging characters. He paces his novels, intertwining characters and storylines. He builds tension. And he mixes real history and real locations with his fictional characters in a way that brings them to life. 

Most of all, as do I, he loves plot, conflict, and storytelling. 

Silva’s novels about Gabriel Allon—a reluctant Israeli secret agent posing as an Italian art restorer—are my current favorite read and a serious contender for the best spy thrillers by a contemporary writer.

Each of the novels in the series works as a separate episode; in this case, Allon is lured into action to track down a Palestinian assassin.

But Allon is brought to life by recurring themes across the series, including the fact that his traumatized wife is permanently assigned to a psychiatric hospital by the car bomb that killed their son.

Silva’s meticulous writing and ingenious mixing of historical fact and fiction will appeal to literary readers. 

I felt my net worth increase 25% just from reading this book, for Ian Fleming lavishes his world of French casinos and international crime in such opulence that you can feel the velvet smoking jacket slip over your shoulders with each turn of the page.

The debut of super-spy extraordinaire James Bond is so far removed from the celluloid pandemonium we all know and love that one would be forgiven for thinking MI6 veteran and fellow writer John le Carré was the real man behind the typewriter.

Fleming’s Bond is a cold, calculating career agent but also a human being, one with genuine weaknesses and failings that spoil the otherwise glamorous countenance of his operation but which also make the victories that much sweeter. Nobody does it better!

Elroy wrote many other books before he took on this epic noir crime novel (one in a quartet). He made his bones in writing, and it's evident in his skill level, story, and prose. Elroy excels in this novel (and the other three) in voice. And voice is the Big Kahuna in writing, it’s the everything in writing and Elroy has it in spades.

Another great addition to the above is the length (because you don’t want this book to ever end) and that it’s a historical novel that absolutely captures the time period and adds the historical nuance to all the characters.

Reading a novel by Alan Furst is like seeing Casablanca for the first time, if it were written by Hemingway. There’s that same evocative atmosphere of people smoking cigarettes, having affairs, making sophisticated remarks, while looming over them is the war. Furst mines a narrow niche. All of his books are set in Europe either during World War Two or in the Thirties, with the war threatening. The protagonist here is Colonel Mercier, military attaché at the French embassy in Warsaw. Mercier must navigate the salons and alleyways of Warsaw against all manner of spies and German agents. The book is also an exploration of love in a desperate time through Mercier’s affair with the beautiful Anna, a Polish lawyer. It’s very good. Furst is always good.