Fans pick 100 books like The Kill Artist

I had to include Alan Furst, the absolute master of historical fiction of the pre-WWII era. The first book of Furst’s Night Soldiers Series, this book introduced me to a new sort of spy thriller: instead of secret agents, these are ordinary people swept up in history.

I do love a makeover, but this is a life-and-death self-reinvention. When Khristo is targeted by the local fascist gang in 1934 Bulgaria, it’s time to run. When his first reinvention becomes dangerous, he reinvents himself again. And again. And finds love on the way. I was inspired at every turn by Khristo’s transformations without ever losing his core decency. The historical detail is so vivid I felt like I was right there with Khristo, whether he was in Moscow, Spain, or Paris. 

Connally is not a lawyer, but he does a great job of accurately portraying the nitty gritty of the practice of street law, where the clients are usually on the lower economic rung of society. Mikey Haller is a lawyer who practices law from the back seat of a Lincoln Town Car, and these are his typical clients. Haller is a likable, memorable character who can sometimes sail close to the wind but has a solid inner moral compass.

In this novel, the first in the series, Haller takes on the defense of a rich playboy type. While he is happy to have a good fee, and it looks like he may, for a change, have an innocent client, things get complicated quickly, and Haller finds himself facing an ethical dilemma. How he resolves the conflict between his professional duty and his individual moral compass is clever and entertaining. And… show more.

Shortly after it was first published, I picked this book up in the bookstore at Heathrow on my way home from a business trip. I spent the entire flight glued to it and laughing out loud.

This was Bryson’s first travel book and one that changed my perception of what travel writing could be. It is perceptive, irreverent, and focuses on the small, often quirky, details that make travel so interesting. I am now a huge fan of all of Bryson’s books, but this was the one that got me hooked.

The first time I talked to my New York agent, I told her my three favorite novels were The Spy Who Came in From the Cold, the Eye of the Needle, and, of course, the Day of the Jackal. She caught her breath. “I’ve just written an article,” she said, “saying those were the three best thrillers ever.” 

Here’s a secret. Old City Hall is not the first book I’ve written. I spent ten years writing a thriller inspired by Jackal. Set in 1988, an assassin is on her way to Toronto to kill the G-7 world leaders meeting there. The manuscript never sold. Then, last year, I pulled out my “book-in-a-drawer” and updated it as a prequel. Now it’s my new novel. I’ve moved in my writing from legal thrillers to historical dramas (my last novel is based on a Nazi massacre in Italy in 1944) and… show more.

This spot very nearly went to the great John le Carre, perhaps his brilliant The Little Drummer Girl.

Grady’s debut is not as complex or as dense as le Carre, but it holds a special place in my heart, partly because of its back story.

Grady was a young congressional staffer in my adopted hometown of Washington, DC when he dreamed up a covert CIA unit whose role is to monitor foreign intelligence operations by scouring books and magazines from around the world.

When the novel was adapted into the movie Three Days of the Condor, it was seen by KGB generals who—assuming it was based on truth—set up a similar unit of their own. Amazing but true.

Anyone who has witnessed the spy game up close knows that it is forever balanced on the edge of farce and often topples over into it. The world of espionage is filled with chancers, charlatans, and the desperate. Graham Greene beautifully captures this descent into farce in the character of Wormold, who invents agents and secret plans to keep his handlers happy and hopefully improve his life a little at the same time.

I love how Greene shows that intelligence is often unintelligent and that the motivations of those involved in the spy game are rarely simple, easily derailed, and often lead to danger and tragedy beyond what one could ever believe to be possible.

Read as a teenager, this book hooked me into mystery thrillers. It has everything from murder to political intrigue to a spy ring.

The book is a chase thriller with twists, turns, and surprises. Written in 1930, the work had the feel of a ‘boy's own’ adventure story with a man on the run hunting German spies and clues leading to the 39 steps and victory.

Great story!

This book taught me how to write a thriller. I’ll admit I’m obsessive. I’ve not only read this book—and watched the movie—many times, but I read everything I could find about how Follet wrote this novel, his method of writing, etc. 

As I do in my novels, he breaks some of the so-called rules. His “bad guys” are real and engaging characters. He paces his novels, intertwining characters and storylines. He builds tension. And he mixes real history and real locations with his fictional characters in a way that brings them to life. 

Most of all, as do I, he loves plot, conflict, and storytelling. 

I struggled to put this book on a crime novel list, but this is one of my favorite books of all time. At its heart, it’s a spy novel. It makes the list because the main character hunts bad agents–the internal affairs of the CIA.

The book opens with a murder crime scene in New York. If you haven’t heard about this book, it’s a true phenomenon. Many times, during book signings, I’ve been asked by readers if I knew of this book and how much they absolutely loved it. More importantly, though, they wanted me to tell them when the sequel was coming out. This book came out in 2014, and the sequel came out this year, ten years later. It garners 95k reviews on Amazon, which alone tells you all you need to know.

I felt my net worth increase 25% just from reading this book, for Ian Fleming lavishes his world of French casinos and international crime in such opulence that you can feel the velvet smoking jacket slip over your shoulders with each turn of the page.

The debut of super-spy extraordinaire James Bond is so far removed from the celluloid pandemonium we all know and love that one would be forgiven for thinking MI6 veteran and fellow writer John le Carré was the real man behind the typewriter.

Fleming’s Bond is a cold, calculating career agent but also a human being, one with genuine weaknesses and failings that spoil the otherwise glamorous countenance of his operation but which also make the victories that much sweeter. Nobody does it better!