Looking for an adventure in the mid-90s I found myself in East Africa helping wind up a failed African bank, locked out of a t-shirt manufacturing plant, chasing down missing bulldozers (which turned up creating Rwandan refugee camps), taking over a toilet paper manufacturer which couldn’t manage to perforate the paper, and running a match factory on the slopes of Kilimanjaro before selling it to a Nigerian chief who turned up in his private jet. Meanwhile feeling like an alien who really didn’t understand what was really going on around me, and uncomfortable with much of the hard-drinking and arrogant expat culture, drove me to start to write as a way of making sense of what I was seeing and feeling.
Paul is a ‘blow in’, a fish out of water expat coming to the end of his contract dealing with bust African businesses when a last case comes in. It’s one that takes him back upcountry and leads him into a personal and political quagmire of corruption. As an outsider, Paul thinks he’s safe, even from the all-pervasive secret police. But when he finds himself holding a deadly secret as the country around him begins to implode, how safe is he? And what will he be prepared to do to protect those around him?
As an exposé of the upper-class Happy Valley set in the late 30s/early 40s white Kenya this sets the tone for subsequent settler behaviour. An investigation into a real-life unsolved mystery, the murder of Josslyn Hay, 22nd Earl of Erroll, it features an outlandish cast of characters and lifestyles of astonishing decadence and privilege and reads like a thriller.
Just before 3am on January 24th, 1941, when Britain was preoccupied with surviving the Blitz, the body of Josslyn Hay, Earl of Erroll, was discovered lying on the floor of his Buick, at a road intersection some miles outside Nairobi, with a bullet in his head.
A leading figure in Kenya's colonial community, the Earl had recently been appointed Military Secretary, but he was primarily a seducer of other men's wives. Sir Henry Delves Broughton, whose wife was Erroll's current conquest, had an obvious motive for the murder, but no one was ever convicted and the question of who killed…
Le Carré’s triumphant skewering of modern capitalist exploitation of Africa. Bringing his genius in exploring betrayal and the politics of what people choose to do and see or not see to get by every day to an exploration of modern exploitation. A passionately angry page-turner with a complex plot and deep humanity.
'The book breathes life, anger and excitement' Observer
Tessa Quayle, a brilliant and beautiful young social activist, has been found brutally murdered by Lake Turkana in Nairobi. The rumours are that she was faithless, careless, but her husband Justin, a reserved, garden-loving British diplomat, refuses to believe them. As he sets out to discover what really happened to Tessa, he unearths a conspiracy more disturbing, and more deadly, than he could ever have imagined.
A blistering expose of global corruption, The Constant Gardener is also the moving portrayal of a man searching for justice for the woman he has barely…
A revealing portrait of 80s/90s Africa from a journalist who had covered many of the continent’s trouble spots for major British newspapers. Through his journeys you get to meet a wide range of players from fighters in the bush to aid executives and politicians in executive suites. A fascinating mix of travel writing and political analysis (and yes with some fishing thrown in).
For ten years Andrew Buckoke wrote articles about Africa for many of the major newspapers including "The Guardian", "The Times" and "The Observer". He brings his experience and knowledge of the African continent to bear in a book which attempts to open up this often romanticized and little understood land to the general reader. "Fishing in Africa" concentrates interest on the people of the continent rather than the animals, while looking at the ways in which these peoples are governed. The author follows the antics of governments, rebels, aid agencies and fellow journalists and while persuing his interest in fishing,…
An engaging, funny, and poignant read. Its central character engaged in her study of chimpanzees reminded me of some of the PhD students I came across while in Africa. It captures the feel of expat life, separated from local culture, estranged from back home, and feeling like flotsam that the continent will soon shrug off.
Utterly engaging. A novel of ideas, of big themes.William Boyd is a champion storyteller. - New York Times Book Review William Boyd's classic Brazzaville Beach has been called as a bold seamless blend of philosophy and suspense [that] nevertheless remains accessible to general readers on a level of pure entertainment.(Boston Globe). Released to coincide with Boyd's latest novel, Ordinary Thunderstorms, Brazzaville Beach tells the story of a British primate-researcher who relocates to war-torn Africa in the wake of her husband's tragic descent into mental illness. Intense, exhilarating, and engrossing, Brazzaville Beach is rich in action and thought, and William Boyd,…
A true South African classic. Told from an Afrikaner point of view which is an unusual experience for me as someone with modern liberal sensibilities, this is a grown-up psychological and political thriller about loyalties, conflict, and betrayals set against the shadow of the Angola conflict and the beginning of the end of apartheid.
Winter in South Africa - a time of searing drought, angry stirrings in Soweto, and the shadow of the Angolan conflict cast across the scorched bush.
Martin Mynhardt, a wealthy Afrikaner, plans a weekend at his old family farm. But his visit coincides with a time of crisis in his personal life. In a few days, the security of a lifetime is destroyed and, with only the uncertain values of his past to guide him, Mynhardt is left to face the wreckage of his future.
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in the parish, Annie is tortured by her own dishonesty. But when “The Hands” visits her in her bed and when her sister finds herself facing a scandal, Annie discovers her parents will do almost anything to uphold their reputation and keep their secrets safe.
Questioning all she has believed and torn between her own gut instinct and years of Catholic guilt, Annie takes courageous risks to wrest salvation from the tragic sequence of events set in motion by her parents’ betrayal.
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