Here are 100 books that Rumours of Rain fans have personally recommended if you like
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I am the author of six espionage books, 5 featuring allied spy, Eva Molenaar operating at the highest levels of Hitler’s Reich. The 6thThe Road of a Thousand Tigers, is my homage to le Carre and Ian Fleming. I have loved the spy genre since I first read The Riddle of the Sands by Erskine Childers and grew up seeing every Bond movie since The Man with the Golden Gun at the cinema.
Published in 2001, The Constant Gardener is my favorite le Carre Novel. A British diplomat in Nairobi, Justin Quayle, is informed his activist wife, Tess has been killed in a remote part of Kenya along with a doctor friend. As Quayle investigates her life (in a similar way to Eric Ambler unfolds Dimitrios’s life), he uncovers her work exposing large pharmaceutical companies’ unethical experiments in the poorest regions of Africa. This leads to her brutal death and cover-up at a diplomatic and political level. It is an exceptional book that makes you rethink how medicine and the industry behind it operates. After the collapse of the USSR, le Carre seemed to struggle with his work, The Constant Gardener though, kick-started another two decades of great writing from him.
'The book breathes life, anger and excitement' Observer
Tessa Quayle, a brilliant and beautiful young social activist, has been found brutally murdered by Lake Turkana in Nairobi. The rumours are that she was faithless, careless, but her husband Justin, a reserved, garden-loving British diplomat, refuses to believe them. As he sets out to discover what really happened to Tessa, he unearths a conspiracy more disturbing, and more deadly, than he could ever have imagined.
A blistering expose of global corruption, The Constant Gardener is also the moving portrayal of a man searching for justice for the woman he has barely…
Looking for an adventure in the mid-90s I found myself in East Africa helping wind up a failed African bank, locked out of a t-shirt manufacturing plant, chasing down missing bulldozers (which turned up creating Rwandan refugee camps), taking over a toilet paper manufacturer which couldn’t manage to perforate the paper, and running a match factory on the slopes of Kilimanjaro before selling it to a Nigerian chief who turned up in his private jet. Meanwhile feeling like an alien who really didn’t understand what was really going on around me, and uncomfortable with much of the hard-drinking and arrogant expat culture, drove me to start to write as a way of making sense of what I was seeing and feeling.
As an exposé of the upper-class Happy Valley set in the late 30s/early 40s white Kenya this sets the tone for subsequent settler behaviour. An investigation into a real-life unsolved mystery, the murder of Josslyn Hay, 22nd Earl of Erroll, it features an outlandish cast of characters and lifestyles of astonishing decadence and privilege and reads like a thriller.
Just before 3am on January 24th, 1941, when Britain was preoccupied with surviving the Blitz, the body of Josslyn Hay, Earl of Erroll, was discovered lying on the floor of his Buick, at a road intersection some miles outside Nairobi, with a bullet in his head.
A leading figure in Kenya's colonial community, the Earl had recently been appointed Military Secretary, but he was primarily a seducer of other men's wives. Sir Henry Delves Broughton, whose wife was Erroll's current conquest, had an obvious motive for the murder, but no one was ever convicted and the question of who killed…
Looking for an adventure in the mid-90s I found myself in East Africa helping wind up a failed African bank, locked out of a t-shirt manufacturing plant, chasing down missing bulldozers (which turned up creating Rwandan refugee camps), taking over a toilet paper manufacturer which couldn’t manage to perforate the paper, and running a match factory on the slopes of Kilimanjaro before selling it to a Nigerian chief who turned up in his private jet. Meanwhile feeling like an alien who really didn’t understand what was really going on around me, and uncomfortable with much of the hard-drinking and arrogant expat culture, drove me to start to write as a way of making sense of what I was seeing and feeling.
A revealing portrait of 80s/90s Africa from a journalist who had covered many of the continent’s trouble spots for major British newspapers. Through his journeys you get to meet a wide range of players from fighters in the bush to aid executives and politicians in executive suites. A fascinating mix of travel writing and political analysis (and yes with some fishing thrown in).
For ten years Andrew Buckoke wrote articles about Africa for many of the major newspapers including "The Guardian", "The Times" and "The Observer". He brings his experience and knowledge of the African continent to bear in a book which attempts to open up this often romanticized and little understood land to the general reader. "Fishing in Africa" concentrates interest on the people of the continent rather than the animals, while looking at the ways in which these peoples are governed. The author follows the antics of governments, rebels, aid agencies and fellow journalists and while persuing his interest in fishing,…
Science is still assumed to be a ‘male’ subject in which women are a minority. I should know—I was one of those women when I worked as an astrophysicist. But there have always been women in science and their stories are fascinating, whether told in nonfiction or in fiction. Fiction is ideally placed to convey the emotions behind the scientific processes and the way in which human interactions and relationships influence what happens in the lab.
I adored this fascinating tale of scientists studying chimpanzees in Africa, intertwined with the story of a failing marriage between one of those scientists, Hope Clearwater, and her mathematician husband back in England.
Reading this book, I was engrossed in the interplay between the people and the chimps, the evocations of African and English landscapes, and the subtle way in which the struggle for power within the chimps’ territory is echoed by human conflict in the same country.
If this all sounds rather complicated, William Boyd is one of the best storytellers around, so I was effortlessly carried along by the gorgeous sentences.
Utterly engaging. A novel of ideas, of big themes.William Boyd is a champion storyteller. - New York Times Book Review William Boyd's classic Brazzaville Beach has been called as a bold seamless blend of philosophy and suspense [that] nevertheless remains accessible to general readers on a level of pure entertainment.(Boston Globe). Released to coincide with Boyd's latest novel, Ordinary Thunderstorms, Brazzaville Beach tells the story of a British primate-researcher who relocates to war-torn Africa in the wake of her husband's tragic descent into mental illness. Intense, exhilarating, and engrossing, Brazzaville Beach is rich in action and thought, and William Boyd,…
I grew up during the apartheid era of racial segregation and oppression. A Blade of Grass was written with a sense of exile and regret, but also with love. It is not overtly about South Africa and apartheid. It asks a fundamental question: Where is home, and how shall we live there?
I was born in South Africa almost 300 years to the day after the first white Europeans arrived to establish a permanent home at the tip of the continent.
This book begins with that arrival and follows the history of the author’s family through eight generations.
It is a history of individuals, related by bloodlines, but diverse in ambitions and actions, and seeks to trace and explicate how some of those first settlers and their descendants became the Afrikaners of the 20th century.
While my own antecedents are less well documented, I like to believe that they are not dissimilar to de Villiers’s, and were touched by the same major events in the history of the Afrikaners.
This is a history of the Afrikaner as seen through the history of one family, the de Villiers, who first moved to South Africa in the 1600s. The book traces the history of the family and the Afrikaner, showing how the Afrikaner acted at the turning points in their history and revealing how that has made them what they are today. It also charts the development of the hallmarks of apartheid, including the pass system and tribe mentality. Journalist Marq de Villiers includes memorable scenes from the family's history culled from the diaries and papers.
I’m a historian of Southern Africa who is fascinated by questions of visibility and invisibility. I love probing beneath the surface of the past. For example, why is thisperson famous and renowned, butthatperson isn’t? To me, recognition and reputation are interesting to scrutinize as social categories in their own right, rather than as factual statements. I’ve written two books focusing on the history of religious expression in Southern Africa, and my most recent book is a biography of the forgotten South African writer and politician Regina Gelana Twala.
I find the notion of the “unknown” writer quite problematic.
Most of the time, at least somebody has, in fact, heard of the writer. So by whom is this writer unknown, and for what reasons has their reputation been erased?
The South African writer Miriam Tlali – the first South African woman writer to publish a book in English - is a case in point.
Tlali’s novel Muriel at Metropolitan(about an office worker in apartheid Johannesburg) was banned when it was published in 1975 for its critical portrayal of white South Africans.
Tlali was subsequently ignored by her literary (almost entirely male) peers, dismissed as offering “reportage” rather than “art”. Yet since 2017, Tlali’s work has been celebrated.
The question of whether a writer is “known” or “unknown” is complex with many layers to consider, including the prejudices of racism and sexism.
Banned when it was first published in South Africa in 1979, "Muriel at Metropolitan" is set in a bustling furniture and electronics store catering for poor whites and blacks and describes the daily experiences of Muriel, the accounts typist. Her relationship with her colleagues and her feelings about the stream of customers who come into the shop are depicted and illustrate life on the fringes of white society. Miriam Tlali draws on her own experience of working in Johannesburg to write this novel. She lives in Soweto and is now a professional writer. She has published a collection of short…
We all need to understand more about how the world ticks, who is in control, and why they act as they do. And we need to salute those of courage who refuse to go along with the flow in a craven or unthinking way. I was an MP for 18 years and a government minister at the Department for Transport with a portfolio that included rail, bus, active travel, and then at the Home Office as Crime Prevention minister. After leaving Parliament, I became managing director of The Big Lemon, an environmentally friendly bus and coach company in Brighton. I now act as an advisor to the Campaign for Better Transport, am a regular columnist and broadcaster, and undertake consultancy and lecturing work.
This is a heart-warming true story of the courage of one woman you have probably never heard of but you need to. A woman of great courage and integrity who took on the South African apartheid regime and for a while as a liberal was the only opposition member (and I think the only woman) in the racist all-white parliament. Some are naturally courageous, some have courage thrust upon them. Nelson Mandela and the ANC took on the racist regime from outside, Helen Suzman almost single-handedly took it on from within parliament. A real hero.
'The task of all who believe in multiracialism in this country is to survive. Quite inevitably time is on our side...' Helen Suzman was the voice of South Africa's conscience during the darkest days of apartheid. She stood alone in parliament, confronted by a legion of highly chauvinist male politicians. Armed with the relentless determination and biting wit for which she became renowned, Suzman battled the racist regime and earned her reputation as a legendary anti-apartheid campaigner. Despite constant antagonism and the threat of violence, she forced into the global spotlight the injustices of the country's minority rule. Access to…
For fifty years I have studied and taught the history of Africa, which makes me about the luckiest guy around. My focus has been on Southern Africa, and especially Zambia, Zimbabwe, and South Africa. Aside from the fantastic physical beauty, the region attracts because of the comparability of its history and experience with that of the United States at many points: for instance, a colonial past, systems of slavery, and fraught [to say the least] racial dynamics. I have enjoyed 23 journeys or lengthier sojourns in Southern Africa, and have taught at five universities, including North Carolina State, Duke, and the University of Zimbabwe as a Fulbright Lecturer.
Move Your Shadow is a masterpiece of reportage. Lelyveld, a former executive editor of the New York Times, spent considerable periods in apartheid South Africa in both the 1960s and the 1980s. The sixties was the period of “baaskap”—“bosshood” apartheid, when the perverse racist cruelties of the system were imposed with a sledgehammer. I would call the eighties the era of “facelift” apartheid—why, the word was hardly used by the regime anymore.
To paraphrase Gramsci, the old world was dying, a new one struggled to be born. Monsters abounded. Nobody captured the period better than Lelyveld. The chapter on Philip Kgosana, the idealist who led Cape Town demonstrations in 1960—at age 19—was betrayed by the state, and wound up in exile in Sri Lanka—is worth the price of the book.
Drawing on his tours in South Africa as a correspondent for the "New York Times," the author details the absurdities, rationalizations, inequities, and cruelties of apartheid, showing what it means to suffer and survive under the restrictions of racial separation
I am the author of several works of historical fiction. My writing explores the untold stories of past generations and the impact of their actions and choices on those who follow. All across the country, the landscape is dotted with abandoned farmsteads and buildings whose walls are filled with stories of heartache and happiness. As each generation struggles with the unequal distribution of wealth, opportunities, and privileges within a society, they pave the way for succeeding generations. These are the stories I tell and the ones I love to read.
As an indie author myself, I am committed to supporting other independent authors and Mark Fine is one of the best. Fine has created an epic love story set against the backdrop of South Africa’s apartheid in the 1970s. When a beautiful white model falls in love with a black man, they become prey in a deadly manhunt that stretches from the golden city of Johannesburg to the dangerous wilds of the African bushveld. The author’s compelling characters and vivid descriptions shine a light on the effects of tribalism and social injustice during a dark period in this nation’s history. This story will keep you riveted until the last page is turned.
When affairs of State battle affairs of the heart, ordinary people become heroes! The critically acclaimed novel set in 1976 apartheid South Africa. It tells of the courage of love across the color divide – especially in the face of an unyielding racist police state, and the extreme lengths a man and a woman must go to remain together. When Stanwell Marunda, a proud descendant of the Zulu, meets the beautiful Elsa, the daughter of a white farmer, he is certain his bad luck has just begun. She has just rescued him, bloodied and hurt, from a car wreck.
Like the character of Wala Kitu in Dr No, I consider myself an expert on nothing. Heroes have to be flawed, right? And you don’t always have to like and admire them. They don’t have to be perfect. With perfect hair and teeth. Because I’m not. And I need someone to identify with. Someone to walk the roads I might or might not walk. A list of Nick Hornby, Michael K, Miles Jupp, Billy Liar, and Wala Kitu shouldn’t belong together. But they do. Right here. It’s absurd, right? The connection of different roads? Different stories? Different hurdles to jump? Different act of heroism I say.
It's not an easy read, but I read this one and Cormac McCarthy’s The Road back-to-back. These are two books about lost souls walking away from something, not knowing where they’re going.
Michael K is another character who invokes more sympathy/pity than admiration. Sometimes, I didn’t overly care about Michael K’s suffering, feeling he’d brought it on himself. Mostly, though, I wanted him to find his simple peace.
JM Coetzee is such a good writer. His sparse but full sentences always deliver something.
From author of Waiting for the Barbarians and Nobel Prize winner J.M. Coetzee.
J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.
In a South Africa turned by war, Michael K. sets out to take his ailing mother back to her rural home. On the way there she dies, leaving him alone in an anarchic world of brutal roving armies. Imprisoned, Michael is unable to bear confinement and escapes, determined to live with dignity. This life affirming novel goes to the center of human experience-the need for an…
