Here are 100 books that The Zebra Affaire fans have personally recommended if you like
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I’ve admired old buildings, hotels in particular, for many years. When immersed in a historic building, I find myself leaning in to discover what the walls might tell me if only I could listen closely enough. When I began writing The Hotel Hamilton series, I scoured the archives for historic hotels, learning how they came to be and how they've evolved through the years. One of the most fascinating aspects of hotel life for me is the juxtaposition of experiences felt by the guests versus those of the hotel staff. The upstairs/downstairs vibe of hotel life is ripe for creating tension within a novel, and that always intrigues me.
This deeply moving story took hold of my heart and didn’t let it go. Even years after having read this novel, I am still moved by the thought of it.
Struggle, war, injustice, and young love are carefully woven together in a gripping tale that speaks of truths and heartbreak we seldom examine. I can’t recommend Hotel on the Corner of Bitter and Sweet enough as it is as moving as it is important.
1986, The Panama Hotel The old Seattle landmark has been boarded up for decades, but now the new owner has made a startling discovery in the basement: personal belongings stored away by Japanese families sent to interment camps during the Second World War. Among the fascinated crowd gathering outside the hotel, stands Henry Lee, and, as the owner unfurls a distinctive parasol, he is flooded by memories of his childhood. He wonders if by some miracle, in amongst the boxes of dusty treasures, lies a link to the Okabe family, and the girl he lost his young heart to, so…
I grew up in Germany and have been living all over the globe since I was 18, including the US. I married a New Yorker 15 years ago. I am drawn to stories that combine both the German and American cultures — two worlds I feel at home in — and as reflected in my debut novel. The next one will take place between the US and East Germany - we had relatives on the other side of the Iron Curtain whom we visited frequently. I will never forget surprising my 17-year-old cousin sitting alone in the garden, crying… over a can of Coke that we had smuggled over the border to him.
Not a hidden gem, for sure — for me, Follett is always the usual suspect to revert to whenever I need to do historical research and find myself too lazy to read a non-fiction book about the period. I’ve read a lot of books about the Stasi, but nothing beats being reminded, through one individual’s account - even if fictional, still based on true events - of how ruthless the Stasi was. Imagine finding out that you’ve been spied on for years by the Stasi - and then to top this off, finding out that the one spying on you was no less than your own husband? Sounds like the German version of the film Sleeping with the Enemy with Julia Roberts playing the abused wife, right? This role in Follett’s novel is played by Rebecca Hofmann, who flees when the Wall goes up in 1961 — causing insurmountable troubles…
Ken Follett's extraordinary historical epic, the Century Trilogy, reaches its sweeping, passionate conclusion.
In Fall of Giants and Winter of the World, Ken Follett followed the fortunes of five international families-American, German, Russian, English, and Welsh-as they made their way through the twentieth century. Now they come to one of the most tumultuous eras of all: the 1960s through the 1980s, from civil rights, assassinations, mass political movements, and Vietnam to the Berlin Wall, the Cuban Missile Crisis, presidential impeachment, revolution-and rock and roll.
East German teacher Rebecca Hoffmann discovers she's been spied on by the Stasi for years and…
I’ve always liked narrative history and how we can take research and turn it into a story. More importantly, I love books that can recover the histories of marginalized people—people who don’t make it into the history textbooks. Historical true crime gives me access to realities we don’t often see. Court transcripts, detective reports, news accounts, and oral histories all combine to illuminate a world beyond the famous and known. I’m drawn to those books (and book projects) that ask the question: what can we know about the past if we look at it through the lens of a crime? Whose realities do we witness through such a lens?
Few writers can compare to Grann in his storytelling skills and his ability to bring historical lives to contemporary realities. I admire the way Grann turns his research into a compelling narrative, bringing me into the 1920s Southwest—a world that often is not part of our idea of the Roaring Twenties.
In focusing on the tragedies the Osage suffered, the book opens up a new understanding of the Roaring Twenties that has little to do with speakeasies and lavish parties. And this, for me, is the power of Grann’s book to expand our understanding of this iconic era through this long-ignored story of the Osage people. While I liked the movie version of the book, nothing compares to Grann’s compelling storytelling voice.
In the 1920s, the richest people per capita in the world were members of the Osage Indian nation in Oklahoma. After oil was discovered beneath their land, they rode in chauffeured automobiles, built mansions and sent their children to study in Europe.
Then, one by one, the Osage began to be killed off. As the death toll climbed, the FBI took up the case. But the bureau badly bungled the investigation. In desperation, its young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to unravel the mystery. Together with the Osage he and his undercover…
Two of my three novels have young women protagonists. I find young adulthood a fascinating time in women’s lives and I enjoy creating a character and putting her in a historical setting. The Second World War offers fertile ground for storytelling, and I grew up south of London after the war. My father’s unpublished memoir, in which he describes an event that he experienced in the war, inspired me to write about it, but I told the story through the eyes of the protagonist, Kate.
This well-written book taught me a great deal about WW2. I especially appreciated learning more about Mary Churchill, Winston’s youngest daughter, who was seventeen at the start of the war. The author obtained access to her diaries, and he quotes from them often, so I got a feel for the life of a young woman in society during wartime. Mary had a conscience and good insights and became a main character in this historical book.
#1 NEW YORK TIMES BESTSELLER • The author of The Devil in the White City and Dead Wake delivers an intimate chronicle of Winston Churchill and London during the Blitz—an inspiring portrait of courage and leadership in a time of unprecedented crisis
“One of [Erik Larson’s] best books yet . . . perfectly timed for the moment.”—Time • “A bravura performance by one of America’s greatest storytellers.”—NPR
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • Vogue • NPR • The Washington Post • Chicago Tribune • The Globe &…
I’m a historian of Southern Africa who is fascinated by questions of visibility and invisibility. I love probing beneath the surface of the past. For example, why is thisperson famous and renowned, butthatperson isn’t? To me, recognition and reputation are interesting to scrutinize as social categories in their own right, rather than as factual statements. I’ve written two books focusing on the history of religious expression in Southern Africa, and my most recent book is a biography of the forgotten South African writer and politician Regina Gelana Twala.
I find the notion of the “unknown” writer quite problematic.
Most of the time, at least somebody has, in fact, heard of the writer. So by whom is this writer unknown, and for what reasons has their reputation been erased?
The South African writer Miriam Tlali – the first South African woman writer to publish a book in English - is a case in point.
Tlali’s novel Muriel at Metropolitan(about an office worker in apartheid Johannesburg) was banned when it was published in 1975 for its critical portrayal of white South Africans.
Tlali was subsequently ignored by her literary (almost entirely male) peers, dismissed as offering “reportage” rather than “art”. Yet since 2017, Tlali’s work has been celebrated.
The question of whether a writer is “known” or “unknown” is complex with many layers to consider, including the prejudices of racism and sexism.
Banned when it was first published in South Africa in 1979, "Muriel at Metropolitan" is set in a bustling furniture and electronics store catering for poor whites and blacks and describes the daily experiences of Muriel, the accounts typist. Her relationship with her colleagues and her feelings about the stream of customers who come into the shop are depicted and illustrate life on the fringes of white society. Miriam Tlali draws on her own experience of working in Johannesburg to write this novel. She lives in Soweto and is now a professional writer. She has published a collection of short…
When I was a kid I would cut out graph paper to design my ideal house. When I was in college, I walked into a class called American Material Life and had my eureka moment: “This is how I want to learn about people in the past!” I realized. I’ve been doing that ever since, first as a museum curator and now as a history professor. Houses, furnishings, and the way people interact with the built environment can reveal the complexity, diversity, and beauty of human lives.
OK this book is not about the United States but Rebecca Ginsburg’s incredibly nuanced investigation of the domestic landscape in apartheid South Africa should be required reading for anyone thinking about embodied experience and architecture. Houses built in the twentieth century for White families in suburban Johannesburg featured small rectangular rooms in the back yard for Black domestic workers. Using interviews, site visits, and compassionate storytelling, Ginsburg pieces together the daily rhythms for women who woke up outside, “came in the dark,” and learned the “tempo of kitchen life,” to borrow two of her provocative chapter titles. When people possessing such drastically different levels of social power share spaces built to remind them of their status at almost every turn, the visceral capacity of architecture becomes painfully clear.
Despite their peaceful, bucolic appearance, the tree-lined streets of South African suburbia were no refuge from the racial tensions and indignities of apartheid's most repressive years. In At Home with Apartheid, Rebecca Ginsburg provides an intimate examination of the cultural landscapes of Johannesburg's middle- and upper-middle-class neighborhoods during the height of apartheid (c. 1960-1975) and incorporates recent scholarship on gender, the home, and family.
More subtly but no less significantly than factory floors, squatter camps, prisons, and courtrooms, the homes of white South Africans were sites of important contests between white privilege and black aspiration. Subtle negotiations within the domestic…
I am a writer with multiple cultures and heritage. I believe stories are magical, they touch our hearts and change the way we think and behave. Having lived in different continents around the world, my book list reflects stories with diversity of cultures and story settings around the world, and how the impact of these stories reverberated with me for a long time after reading them.
I studied this great work of literature in the 1960s in Secondary School in Mombasa and the injustice of humanity in this tragic story is still indelibly etched in my heart. The story is set in Ndotsheni, a poor, agricultural village in South Africa but with a strong sense of community and in the city of Johannesburg a corrupt, big city where it's every man for himself. It is about a Zulu pastor, Stephen Kumalo, who receives a letter that his sister in Johannesburg has fallen sick. Kumalo undertakes the difficult journey travelling from his village to the city in the hopes of aiding his sister and of finding his son, Absalom, who left to go to the city and never returned. What really moved me is the estranged relationship of two fathers and their sons that evoke anguish in the fathers. Upon reading this book the message that resonated…
Gail Nattrass was born in Northern Rhodesia. She was educated at Mufulira High School and the universities of Natal, Rhodesia, Nyasaland, and UNISA. She relocated to South Africa with her husband in 1967, and subsequently lectured in the history department at the School of Education, University of the Witwatersrand for 20 years. She has written materials for students and presented papers on various aspects of South African and international history at four universities in South Africa. She is also the author of The Rooiberg Story, the co-editor with S B Spies of Jan Smuts: Memoirs of the Boer War, and a contributor to They Shaped Our Century and Leaders of the Anglo-Boer War 1899-1902.
This book by South Africa’s most eminent historian, Charles van Onselen, tells the story of the night trains which brought poverty-stricken Mozambican men from Rossania Garcia on the Mozambique border to work as migrant labourers on the gold mines in Johannesburg between 1902 and 1955.
The men travelled in appalling conditions and were preyed on by petty criminals, con men, and corrupt officials. The night trains were a transport system run in partnership between the mining houses and the railways and designed to maximise profit at the expense of the health, well-being, and even the lives of the men it conveyed.
At the end of their time in the mines, the trains sent the men back to Mozambique, often ill and broken and even insane after their experiences in the mines and in the trains. The story reflects South Africa’s evolving system of segregation and apartheid and the brutal logic…
This seminal book reveals how black labour was exploited in twentieth-century South Africa, the human costs of which are still largely hidden from history. It was the people of southern Mozambique, bent double beneath the historical loads of forced labour and slavery, then sold off en masse as contracted labourers, who paid the highest price for South African gold. An iniquitous intercolonial agreement for the exploitation of ultra-cheap black labour was only made possible through nightly use of the steam locomotive on the transnational railway linking Johannesburg and Lourenco Marques. These night trains left deep scars in the urban and…
My mother’s family is descended from both Afrikaner and English South Africans, and the inherent tension between those two groups has always fascinated me. From Olive Schreiner’s The Story of an African Farm to Andre Brink’s Devil’s Valley, books that examine the reclusive, defensive, and toughened attitudes of white settlers make for the kind of discomforting reading that I find immensely compelling.
A brilliant, challenging collection of the writings of the great anti-apartheid activist, who stressed the importance of freeing minds as well as bodies. "Inspirational" is an overused word, but it absolutely fits a work this wise, heartfelt, and urgent.
Biko's friendship with the journalist Donald Woods—immortalised in the film Cry, Freedom—is a testament to the power of the pen, and "I Write What I Like" is Biko at his finest, in his own words.
On 12th September 1977, Steve Biko was murdered in his prison cell. He was only 31, but his vision and charisma - captured in this collection of his work - had already transformed the agenda of South African politics. This book covers the basic philosophy of black consciousness, Bantustans, African culture, the institutional church and Western involvement in apartheid.
For most of my life I have been fascinated by Africa, but I could never figure out a good reason to go there. Then one day in 2010 while delivering a book talk in North Carolina, a gentleman approached me afterward saying that he’d read a brief item in a missionary newsletter that morning and he thought it might make “a good story” for me. Six months later, I was on a flight to Uganda and that “good story” was born as a magazine piece before evolving into a book and finally in 2016 into a Disney movie. I have since traveled to Africa many times and it is a magical place, my home away from home.
Phiona once told me that she grew up in Katwe believing that everyone in the world lived in the same desperate circumstances that she did and that if you’re born in Katwe, you are expected to die there. Mathabane was similarly anchored to his poverty-ravaged township of Alexandra outside of Johannesburg. “Kaffir” is an ugly ethnic slur common during Apartheid-era South Africa, a term that the author battled to overcome every day while surviving an environment plagued by gang violence. Mathabane’s salvation was his education (and, similar to Phiona, success in an unlikely sport), which eventually led him to attend college in the U.S., just like Beah, Kamkwamba, and Mutesi.
The classic story of life in Apartheid South Africa.
Mark Mathabane was weaned on devastating poverty and schooled in the cruel streets of South Africa's most desperate ghetto, where bloody gang wars and midnight police raids were his rites of passage. Like every other child born in the hopelessness of apartheid, he learned to measure his life in days, not years. Yet Mark Mathabane, armed only with the courage of his family and a hard-won education, raised himself up from the squalor and humiliation to win a scholarship to an American university.
This extraordinary memoir of life under apartheid is…
