Here are 100 books that Life & Times of Michael K fans have personally recommended if you like
Life & Times of Michael K.
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Like the character of Wala Kitu in Dr No, I consider myself an expert on nothing. Heroes have to be flawed, right? And you don’t always have to like and admire them. They don’t have to be perfect. With perfect hair and teeth. Because I’m not. And I need someone to identify with. Someone to walk the roads I might or might not walk. A list of Nick Hornby, Michael K, Miles Jupp, Billy Liar, and Wala Kitu shouldn’t belong together. But they do. Right here. It’s absurd, right? The connection of different roads? Different stories? Different hurdles to jump? Different act of heroism I say.
This is a book that has sparked a thousand imitations. If a writer isn’t honest, he’s not doing his job, and Nick Hornby is painfully honest here about his self-destructive, blokey obsessions with football and music. It’s a trailblazer of a book and a theme that resonates with a lot of men, me included.
Why would anyone seriously want to attend a family wedding when your team is playing in a cup final? How inconsiderate can a couple be to get married on the final day of the cup? To hold those thoughts–without a hint of irony–is viewed as an affliction and an absurdity by many. But of course, they don’t understand!
This book, chronicled from the perspective of a fanatical ten-year-old soccer fan, through disillusioned adolescence, to an adult "who should know better", examines the absurdities, idiosyncrasies and traumas of everyday life and football. While Chelsea were undoubtedly the football team at the heart of fashionable London in the late 1960s, it proved to be the quiet backstreets around Highbury and Finsbury Park which led a sombre schoolboy from Maidenhead into a 20-year obsession with football, and Arsenal FC in particular. Nick Hornby became hooked after seeing Arsenal beat Stoke City (1-0 from a penalty rebound) in 1968. 24 years later…
I am a writer with multiple cultures and heritage. I believe stories are magical, they touch our hearts and change the way we think and behave. Having lived in different continents around the world, my book list reflects stories with diversity of cultures and story settings around the world, and how the impact of these stories reverberated with me for a long time after reading them.
I studied this great work of literature in the 1960s in Secondary School in Mombasa and the injustice of humanity in this tragic story is still indelibly etched in my heart. The story is set in Ndotsheni, a poor, agricultural village in South Africa but with a strong sense of community and in the city of Johannesburg a corrupt, big city where it's every man for himself. It is about a Zulu pastor, Stephen Kumalo, who receives a letter that his sister in Johannesburg has fallen sick. Kumalo undertakes the difficult journey travelling from his village to the city in the hopes of aiding his sister and of finding his son, Absalom, who left to go to the city and never returned. What really moved me is the estranged relationship of two fathers and their sons that evoke anguish in the fathers. Upon reading this book the message that resonated…
I grew up during the apartheid era of racial segregation and oppression. A Blade of Grass was written with a sense of exile and regret, but also with love. It is not overtly about South Africa and apartheid. It asks a fundamental question: Where is home, and how shall we live there?
"The seed is mine. The ploughshares are mine. The span of oxen is mine. Only the land is theirs."
Not a novel, but a biography of an illiterate sharecropper, invisible to history except in this book, who lived for almost 100 years farming land that was always owned by others.
As a child, I passed many farm labourers without much thought about their lives, their history, their identities. This dense social history was a revelation and a corrective to my ignorance.
Kas Maine’s story is a potent reminder of the need for justice, kindness, and respect toward every human being.
A bold and innovative social history, The Seed is Mine concerns disenfranchised black people who did so much to shape the destiny of South Africa. After years of interviews with Kas Maine and his neighbours, employers, friends, and family - a rare triumph of collaborative courage and dedication - Charles van Onselen has recreated the entire life of a man who struggled to maintain his family in a world dedicated to enriching whites and impoverishing blacks, while South Africa was tearing them apart.
I grew up during the apartheid era of racial segregation and oppression. A Blade of Grass was written with a sense of exile and regret, but also with love. It is not overtly about South Africa and apartheid. It asks a fundamental question: Where is home, and how shall we live there?
I read this novel in university in a course taught brilliantly by the scholar WH New. It was the first time I understood the complexity of layers in great literature. Ostensibly about a businessman who buys a farm, it encompasses race relations, power in all its guises, sexuality, relationships to nature, and how character influences personal destiny. Written with outrage and compassion.
I kept The Conservationist in mind when I wrote my own book as an example of what a novel could be, but more than that, it taught me how to think about the world in a new way.
Mehring is rich. He has all the privileges and possessions that South Africa has to offer, but his possessions refuse to remain objects. His wife, son, and mistress leave him; his foreman and workers become increasingly indifferent to his stewardship; even the land rises up, as drought, then flood, destroy his farm.
I grew up during the apartheid era of racial segregation and oppression. A Blade of Grass was written with a sense of exile and regret, but also with love. It is not overtly about South Africa and apartheid. It asks a fundamental question: Where is home, and how shall we live there?
I was born in South Africa almost 300 years to the day after the first white Europeans arrived to establish a permanent home at the tip of the continent.
This book begins with that arrival and follows the history of the author’s family through eight generations.
It is a history of individuals, related by bloodlines, but diverse in ambitions and actions, and seeks to trace and explicate how some of those first settlers and their descendants became the Afrikaners of the 20th century.
While my own antecedents are less well documented, I like to believe that they are not dissimilar to de Villiers’s, and were touched by the same major events in the history of the Afrikaners.
This is a history of the Afrikaner as seen through the history of one family, the de Villiers, who first moved to South Africa in the 1600s. The book traces the history of the family and the Afrikaner, showing how the Afrikaner acted at the turning points in their history and revealing how that has made them what they are today. It also charts the development of the hallmarks of apartheid, including the pass system and tribe mentality. Journalist Marq de Villiers includes memorable scenes from the family's history culled from the diaries and papers.
I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.
This South African classic, written in the 19th century, is set on an isolated farm in the Eastern Cape. It masterfully portrays the hardy existence and rugged mountain landscape of the region, but is also a sophisticated (and surprisingly modern) take on issues such as conservation, ecology, racism, and gender equality. Schreiner has a deep love for the fauna and flora of the region, which shines through in her writing.
Lyndall, Schreiner's articulate young feminist, marks the entry of the controversial New Woman into nineteenth-century fiction. Raised as an orphan amid a makeshift family, she witnesses an intolerable world of colonial exploitation. Desiring a formal education, she leaves the isolated farm for boarding school in her early teens, only to return four years later from an unhappy relationship. Unable to meet the demands of her mysterious lover, Lyndall retires to a house in Bloemfontein, where, delirious with exhaustion, she is unknowingly tended by an English farmer disguised as her female nurse. This is the devoted Gregory Rose, Schreiner's daring embodiment…
I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.
Bosman is one of South Africa’s finest short story writers and these funny, gentle, poignant tales are set in the wild northern reaches of the country where farmers struggle to make ends meet. I am particularly drawn to the way Bosman captures the landscape of bushveld and Kalahari, of wild animals and a hardy pioneering way of life. It’s also a corner of South Africa that I love to go on safari to enjoy the Big Game experience, encountering elephants, rhinos, lions, and the like…
I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.
The Heart of Redness is set in a rural Xhosa village on the Wild Coast of South Africa—a pristine environment threatened by a casino and hotel development. I used to visit this area on holidays as a child and was captivated by the rural way of life, tribal huts, unspoiled beaches, and dreamy lagoons. Mda is a master at capturing the beauty and romance of that coast through his evocative prose. The novel also presents a sober warning about the fragility of these environments and how easily they can be destroyed by unscrupulous development.
A startling novel by the leading writer of the new South Africa
In The Heart of Redness -- shortlisted for the prestigious Commonwealth Writers Prize -- Zakes Mda sets a story of South African village life against a notorious episode from the country's past. The result is a novel of great scope and deep human feeling, of passion and reconciliation.
As the novel opens Camugu, who left for America during apartheid, has returned to Johannesburg. Disillusioned by the problems of the new democracy, he follows his "famous lust" to Qolorha on the remote Eastern Cape. There in the nineteenth century…
I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.
This novel is set in the beautiful, moody rainforests of South Africa’s Garden Route and captures the period of gold rush, ivory hunting, and logging at the end of the 19th century. The hero, Saul Barnard, is increasingly disturbed by the destruction of the ancient forest by miners, hunters, and woodcutters, and develops a relationship with one of the region’s reclusive elephants. It’s a novel that not only celebrates this wild corner of South Africa, but is an implicit cry for its conservation. I have spent time camping and hiking in those forests and have developed a love for their leafy embrace.
Born and bred into the tawny magnificence of Africa, Saul would fight to save the vanishing world of his inheritance. Home of the wild elephants and the fiercely independent families of woodcutters, the Knysna forest is under threat from the exploitative greed of the timber merchants, and the ruthless plundering of the ivory hunters. Saul Barnard is a man with a self imposed mission to halt the wanton destruction. For years he has protected the forest from intruders, finding a strange mystical kinship with the spirit of Old Foot, the indomitable and majestic elephant. Then when the word goes round…
Like the character of Wala Kitu in Dr No, I consider myself an expert on nothing. Heroes have to be flawed, right? And you don’t always have to like and admire them. They don’t have to be perfect. With perfect hair and teeth. Because I’m not. And I need someone to identify with. Someone to walk the roads I might or might not walk. A list of Nick Hornby, Michael K, Miles Jupp, Billy Liar, and Wala Kitu shouldn’t belong together. But they do. Right here. It’s absurd, right? The connection of different roads? Different stories? Different hurdles to jump? Different act of heroism I say.
When a prospective agent asked me who I most aspired to be like as a writer, I said Percival Everett. Her response was, ‘But you’re not black?’
To me, labeling Percival Everett as a ‘black writer’ does him a huge disservice because, above all else, he’s unpredictable, quirky, and seriously funny. I love this book because it’s weird and subverted, with a hero who’s a mathematical expert in nothing–confronted by a villain who wants to steal and control nothing. It’s fun and frothy, with tangents and trapdoors all over the place. Like most, I came to Percival Everett via The Trees and backtracked. I'm glad I found him, though.
A sly, madcap novel about supervillains and nothing, really, from an American novelist whose star keeps rising
The protagonist of Percival Everett’s puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means “nothing” in Tagalog, and Kitu is Swahili for “nothing.”) He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it. This makes him the perfect partner for the aspiring villain John Sill, who wants to break…
