Here are 100 books that Bosman at His Best fans have personally recommended if you like
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I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.
The Life and Times of Michael Kis a beautifully written allegory about the troubled apartheid era in South Africa. The author, Nobel Laureate JM Coetzee, was one of my lecturers at the University of Cape Town and this is my favorite book of his. It provides superb descriptions of the arid South African landscape and how a solitary figure ekes out an existence: alone, off-grid, reclusive… waiting for the tide of history to turn. The novel is set in the heart of the Karoo, a semi-desert region that I love to visit to get away from the city and its strife.
From author of Waiting for the Barbarians and Nobel Prize winner J.M. Coetzee.
J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.
In a South Africa turned by war, Michael K. sets out to take his ailing mother back to her rural home. On the way there she dies, leaving him alone in an anarchic world of brutal roving armies. Imprisoned, Michael is unable to bear confinement and escapes, determined to live with dignity. This life affirming novel goes to the center of human experience-the need for an…
I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.
This South African classic, written in the 19th century, is set on an isolated farm in the Eastern Cape. It masterfully portrays the hardy existence and rugged mountain landscape of the region, but is also a sophisticated (and surprisingly modern) take on issues such as conservation, ecology, racism, and gender equality. Schreiner has a deep love for the fauna and flora of the region, which shines through in her writing.
Lyndall, Schreiner's articulate young feminist, marks the entry of the controversial New Woman into nineteenth-century fiction. Raised as an orphan amid a makeshift family, she witnesses an intolerable world of colonial exploitation. Desiring a formal education, she leaves the isolated farm for boarding school in her early teens, only to return four years later from an unhappy relationship. Unable to meet the demands of her mysterious lover, Lyndall retires to a house in Bloemfontein, where, delirious with exhaustion, she is unknowingly tended by an English farmer disguised as her female nurse. This is the devoted Gregory Rose, Schreiner's daring embodiment…
I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.
The Heart of Redness is set in a rural Xhosa village on the Wild Coast of South Africa—a pristine environment threatened by a casino and hotel development. I used to visit this area on holidays as a child and was captivated by the rural way of life, tribal huts, unspoiled beaches, and dreamy lagoons. Mda is a master at capturing the beauty and romance of that coast through his evocative prose. The novel also presents a sober warning about the fragility of these environments and how easily they can be destroyed by unscrupulous development.
A startling novel by the leading writer of the new South Africa
In The Heart of Redness -- shortlisted for the prestigious Commonwealth Writers Prize -- Zakes Mda sets a story of South African village life against a notorious episode from the country's past. The result is a novel of great scope and deep human feeling, of passion and reconciliation.
As the novel opens Camugu, who left for America during apartheid, has returned to Johannesburg. Disillusioned by the problems of the new democracy, he follows his "famous lust" to Qolorha on the remote Eastern Cape. There in the nineteenth century…
I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.
This novel is set in the beautiful, moody rainforests of South Africa’s Garden Route and captures the period of gold rush, ivory hunting, and logging at the end of the 19th century. The hero, Saul Barnard, is increasingly disturbed by the destruction of the ancient forest by miners, hunters, and woodcutters, and develops a relationship with one of the region’s reclusive elephants. It’s a novel that not only celebrates this wild corner of South Africa, but is an implicit cry for its conservation. I have spent time camping and hiking in those forests and have developed a love for their leafy embrace.
Born and bred into the tawny magnificence of Africa, Saul would fight to save the vanishing world of his inheritance. Home of the wild elephants and the fiercely independent families of woodcutters, the Knysna forest is under threat from the exploitative greed of the timber merchants, and the ruthless plundering of the ivory hunters. Saul Barnard is a man with a self imposed mission to halt the wanton destruction. For years he has protected the forest from intruders, finding a strange mystical kinship with the spirit of Old Foot, the indomitable and majestic elephant. Then when the word goes round…
I grew up during the apartheid era of racial segregation and oppression. A Blade of Grass was written with a sense of exile and regret, but also with love. It is not overtly about South Africa and apartheid. It asks a fundamental question: Where is home, and how shall we live there?
I read this novel in university in a course taught brilliantly by the scholar WH New. It was the first time I understood the complexity of layers in great literature. Ostensibly about a businessman who buys a farm, it encompasses race relations, power in all its guises, sexuality, relationships to nature, and how character influences personal destiny. Written with outrage and compassion.
I kept The Conservationist in mind when I wrote my own book as an example of what a novel could be, but more than that, it taught me how to think about the world in a new way.
Mehring is rich. He has all the privileges and possessions that South Africa has to offer, but his possessions refuse to remain objects. His wife, son, and mistress leave him; his foreman and workers become increasingly indifferent to his stewardship; even the land rises up, as drought, then flood, destroy his farm.
While my childhood in a coastal community in South Africa contributed to my deep appreciation and love for nature, I was born and grew up as a person of colour in the apartheid era when barricades divided humans, the land, and the sea. I developed a profound understanding, rooted in my lived experience, of the interlinkages between justice, equity, and sustainability. I've remained actively involved and interested in developing and profiling transformative and inclusive approaches to sustainability from community to the international level. I've maintained this focus on the nexus between climate, nature, and inequality throughout my career, where I've led transformative and inclusive approaches to nature and climate policy and practice for 20+ years.
A great journey through how and why corporate South Africa is responding to the green transition.
It features case studies of leading national and multi-national corporations charting the sometimes bumpy road to integrating sustainability in business models.
From retail, energy, finance, insurance, and banking sectors businesses share the highs and lows of going green.
This book addresses hot issues pertaining to the manner in which corporate South Africa has engaged the emerging green global economy. Firstly, the book profiles the green and low carbon economy landscape in South Africa and interfaces it with global trends. This way, the book aligns very well in terms of the Rio+20 outcomes on 'The Future We Want' that fully embraces the green global economy in the context of sustainable development and poverty eradication. The rest of the chapters in the book profile breakthroughs from selected companies. The book also comes as the second in a series that is…
While my childhood in a coastal community in South Africa contributed to my deep appreciation and love for nature, I was born and grew up as a person of colour in the apartheid era when barricades divided humans, the land, and the sea. I developed a profound understanding, rooted in my lived experience, of the interlinkages between justice, equity, and sustainability. I've remained actively involved and interested in developing and profiling transformative and inclusive approaches to sustainability from community to the international level. I've maintained this focus on the nexus between climate, nature, and inequality throughout my career, where I've led transformative and inclusive approaches to nature and climate policy and practice for 20+ years.
This book has been timely as policymakers in the carbon-intensive economy of South Africa is in the throes of a developing framework and plan for implementing a just transition to a low carbon economy.
It brings some of the best thinkers and doers in science, policy and academia to unpack the key shifts – social, economic, and technological and builds on thinking in earlier works on transitions.
Deliberations on the just transition in South Africa have intensified and will continue to do so for the next few years and decades. Climate change, widening socio-economic inequality, the precarious future of work and emergent approaches to financing arrangements have brought new urgency to the issues. It therefore remains critical to interrogate how South Africa can ensure a just transition to a low carbon economy.
This book underlines the fact that the low carbon transition in South Africa has to grapple with complex historical, social, economic, cultural and political factors. The main message is that the transition to a low-carbon…
As an African author, I find that my books end up on the ‘African fiction’ shelf in the bookstore, which can be a disadvantage if my novel is, say, about Henry James or the Trojan War, both of which I've written novels about. As a lecturer in English literature, I've become acquainted with a vast and varied array of literature. So, whereas of course there are many wonderful African novels that deal with specifically African themes, I think the label African novel can be constricting and commercially disadvantageous. Many African novelists see themselves as part of a larger community, and their novels reflect that perspective, even though they are nominally set in Africa.
The ex-pat novel has become something of a South African genre, what with many young people searching for new opportunities overseas, in flight from the old repressive racist regime or, latterly, the corrupt, inefficient new regime. In his debut collection of short stories, The Alphabet of Birds, Naudé referred to "the diaspora of fearful, grim, white children from South Africa," and this novel is another variation on that theme. It’s easy to fall into stereotype and cliché, and part of Naudé’s achievement is to remake the familiar scenario into something wholly original, in an account of his main character’s search for the missing reel of a film made by a Jewish filmmaker in Hitler’s Germany.
The novel contains vivid accounts of life in a ‘squat’ in London, as well as the grim atmosphere of an East German film school under Russian occupation – contrasting with the hedonistic excess of…
Shortlisted for The Sunday Times Literary Awards (South Africa)
Twenty-two-year-old Etienne is studying film in London, having fled conscription in his native South Africa. It is 1986, the time of Thatcher, anti-apartheid campaigns and Aids, but also of postmodern art, post-punk rock, and the Royal Vauxhall Tavern. Adrift in a city cast in shadow, he falls in love with a German artist while living in derelict artists' communes.
When Etienne finds the first of three reels of a German film from the 1930s, he begins searching for the missing reels, a project that…
As an African speculative fiction writer who had long hoped to see the development of African speculative fiction being embraced by the larger SFF community, it was a joy to see all these anthologies showcasing the works of Africans and platforming them for a larger audience to see. And it's been a joy as well to contribute to this growth both as an award-winning writer and editor of African speculative short fiction.
AfroSF is the first ever anthology of Science Fiction by African writers only open to submissions of original fiction works from Africa and abroad. It was one of the pioneering anthologies of African science fiction and published a number of household names in African speculative fiction in both this and its subsequent volumes.
AfroSF is the first ever anthology of Science Fiction by African writers only that was open to submissions from across Africa and abroad. It is comprised of original (previously unpublished) works only, from stellar established and upcoming African writers: Nnedi Okorafor, Sarah Lotz, Tendai Huchu, Cristy Zinn, Ashley Jacobs, Nick Wood, Tade Thompson, S.A. Partridge, Chinelo Onwualu, Uko Bendi Udo, Dave de Burgh, Biram Mboob, Sally-Ann Murray, Mandisi Nkomo, Liam Kruger, Chiagozie Fred Nwonwu, Joan De La Haye, Mia Arderne, Rafeeat Aliyu, Martin Stokes, Clifton Gachagua, and Efe Okogu.
I’m an engineer, writer, and editor. And I love short stories. I love writing them and reading them too. I’ve written for major science fiction and fantasy magazines, and my stories have even been nominated for the Hugo, Nebula, and Locus awards. But when short stories are put together in a single author collection, they can truly come alive, revealing running themes and ideas explored through the imagination of the author. My own collections Incomplete Solutions and Convergence Problems do just this – exploring potential futures for Africa. I previously shared five of the best single-author collections of African speculative fiction and now, here are five more.
The late Nick Wood, a science fiction writer, clinical psychologist, former journalist, humanitarian, and anti-apartheid activist born in Zambia and raised in South Africa, was always learning.
This is reflected in all his writing, including most of the stories in his collection. Largely science fiction stories in a variety of settings: from post-apocalyptic worlds, settled moons, and climate-changed earths, these stories are highly focused on the social and environmental aspects of humanity even in the most science fictional scenarios.
These stories, intersectional, emotionally resonant, exciting, thoughtful, and varied. Learning Monkey and Crocodile is a wonderful way to sample some of South Africa’s interesting science fiction corpus from a voice that has now left us, but which will not be forgotten.
“Nick Wood’s short stories are powerful, impassioned visions of worlds and worldviews remade by way of redemptive engagement with the spirits of the earth and the earth of the spirit. Joining ancestral wisdom and transformative technologies, combining searing self-scrutiny with joyous awareness of the Other, Learning Monkey and Crocodile is a book for Africa and for all of us.”
Nick Gevers
Nick’s stories have delighted readers across the world and have appeared in publications such as Interzone, Albedo One, Omenana, among others. His debut novel Azanian Bridges was shortlisted for the BSFA award. Embark on a journey where science meets…
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