Here are 100 books that The Blue Hotel fans have personally recommended if you like
The Blue Hotel.
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20 years ago a software company I founded had been acquired and my life should have been good. Instead, it was a Herculean mess. I had just been fired by a billionaire whom I had accused of crimes, and now I was out of work and broke. It would still be four more years before Bernie Ebbers was sentenced to 25 years in federal prison (where he became blind and demented and died) for the world’s largest fraud. But when I was writing the first words of Paper Targets, the executives who had pulled me into their world of the “Lie” were freely strutting on the World Stage of Greed.
This book is Cormac McCarthy’s most accessible novel. It reads like a screenplay and hits all of the high spots with low blows and grit. It is political, involving drug deals gone wrong that involve Mexican cartels while also being absolutely lonely and isolated. This is noir in the bright desert daylight, mixed with some high-tech of modern criminals. Dark, terrible, and entertaining.
Llewelyn Moss, hunting antelope near the Rio Grande, instead finds men shot dead, a load of heroin, and more than $2 million in cash. Packing the money out, he knows, will change everything. But only after two more men are murdered does a victim's burning car lead Sheriff Bell to the carnage out in the desert, and he soon realizes that Moss and his young wife are in desperate need of protection. One party in the failed transaction hires an ex-Special Forces officer to defend his interests against a mesmerizing freelancer, while on either side are men accustomed to spectacular…
My family moved frequently and, as a result, I was raised in a number of different small towns in Montana, Nebraska, Kansas, Texas, and Massachusetts. I now live in a large city but the experience has never left me. There was always a certain amount of crime and corruption in the towns I grew up in, but I only had a child’s eye view of it. However, a child’s eye view is usually the most vivid. This experience and the books that I have listed above all had a direct influence on Blue Hotel.
Road to
Perdition takes place during the Great Depression. Like my book,
it concerns a man who betrays his Chicago Irish-American mob boss and is forced
to flee for his life (accompanied by his young son in this case), pursued by a
relentless killer sent by his former boss. Superficially, what appealed to me
was the Depression-era atmosphere that the author of Road to Perdition created.
On a deeper level, it appealed to me as a story of a man in a battle for the
soul of his son. The man, an enforcer for his gangland boss, considers his own
soul to be irredeemably lost because of the crimes he has committed, not only
survive but to thrive.
First there was Max Allan Collins' legendary graphic novel...then came the Academy Award winning movie and his bestselling screenplay novelization. Now Collins presents an epic new novel, combining and expanding upon all that came before, to create the ultimate version of his unforgettable story.;
Depression-era Chicago is awash in liquor and blood, ruled by guns, graft, and gangsters like John Looney. His most feared enforcer is Michael O'Sullivan, known as the "Angel of Death." But when O'Sullivan's twelve-year-old son witnesses a gangland murder committed by Looney's brutal son, O'Sullivan's entire family is marked for execution to cover up the crime.…
My family moved frequently and, as a result, I was raised in a number of different small towns in Montana, Nebraska, Kansas, Texas, and Massachusetts. I now live in a large city but the experience has never left me. There was always a certain amount of crime and corruption in the towns I grew up in, but I only had a child’s eye view of it. However, a child’s eye view is usually the most vivid. This experience and the books that I have listed above all had a direct influence on Blue Hotel.
This is a portrait of Nebraska (and
Nebraskans) where most of my own book takes place. It’s also the state
where I went to high school. I like Hansen’s spare and precise writing style
because it perfectly fits the time and place, as well as the characters
themselves who are presented stripped of the conceits and pretensions. For me,
it’s a style, though different from McCarthy’s, that creates the illusion of
actual direct experience as opposed to something I happen to be reading about. His
story “Wickedness” creates a powerful image of winter on the Great Plains and
its effect on people.
Stories of the heartland by the National Book Award finalist and author of The Assassination of Jesse James by the Coward Robert Ford.
“Nebraska captures a rowdy, changing America. Written with wit and brawny lyricism, in voices ranging from hip to tender, the stories gathered here are as diverse and expansive as the country they celebrate…References to America’s heartland abound throughout the book and serve as a central metaphor for what’s close to American hearts, what connects us: dreams, myths and possibilities as vast as the Great Plains. Wise and smart-alecky, creaking with legend and crackling with modernisms, these tales…
My family moved frequently and, as a result, I was raised in a number of different small towns in Montana, Nebraska, Kansas, Texas, and Massachusetts. I now live in a large city but the experience has never left me. There was always a certain amount of crime and corruption in the towns I grew up in, but I only had a child’s eye view of it. However, a child’s eye view is usually the most vivid. This experience and the books that I have listed above all had a direct influence on Blue Hotel.
I grew up in a small Montana town, so Watson’s
novel has a special meaning for me. It is a vivid portrayal of small-town life
on the Great Plains and takes place during the same time period as my own book. It tells of the corruption of a trusted official and its effect on
his family, his victims, and the town itself. Watson’s novel allowed me to feel and understand the deep emotions,
the pain, the anxiety, the love, and the disappointment that his characters were
feeling.
"From the summer of my twelfth year I carry a series of images more vivid and lasting than any others of my boyhood and indelible beyond all attempts the years make to erase or fade them " So begins David Hayden's story of what happened in Montana in 1948. The events of that cataclysmic summer permanently alter twelve-year-old David's understanding of his family: his father, a small-town sheriff; his remarkably strong mother; David's uncle Frank, a war hero and respected doctor; and the Haydens' Sioux housekeeper, Marie Little Soldier, whose revelations turn the family's life upside down as she relates…
As a kid, I loved how words on a page transported me. Later, I was astounded by how the words I wrote myself could help me solve problems, deepen my understanding, and expand my thinking. Over time, that writing offered clarity and built my confidence. And in my most challenging times, writing has saved me over and over again. Learning to observe like a writer or an artist continues to help me be more present in my life. Sharing expressive writing experiences with others, during a 35-year career as a writer and workshop facilitator, allowed me to witness how this creative engagement offers a respite while building resilience and joy in others too.
Susan Wooldridge’s Poemcrazy is a vibrant collage in which she shares her poetry-writing journey in rich detail. From evocative chapter titles, quotes by poets, and poems from a variety of lesser-known voices, each element plays a part in setting up and illustrating an approach or addressing the topic at hand. My favorite part of this book is the “Practice” opportunities Wooldridge crafts for us. Get out your pencil! This book, informed by Wooldridge’s expressive arts practice, is one in which we, the readers, are invited to play. You’ll be surprised and delighted by what Poemcrazywill inspire you to write.
Following the success of several recent inspirational and practical books for would-be writers, Poemcrazy is a perfect guide for everyone who ever wanted to write a poem but was afraid to try. Writing workshop leader Susan Wooldridge shows how to think, use one's senses, and practice exercises that will make poems more likely to happen.
A practising artist for more than 60 years, my main source of inspiration is people and the natural world. I work in a variety of media including painting, sculpture, and printmaking. Drawing is the foundation of my art and I always keep a sketchbook handy. As a left-hander in a right-handed world, drawing became my main means of expression from an early age, when I instinctively wrote back-to-front with my left hand but was made to use my right. In addition to my art practice, I have taught drawing and developed a teaching method based on 7 principles that are outlined in Draw Like da Vinci.
This is an exceptional book on Kollwitz’s drawings with outstanding reproductions of rarely seen works. I find Kollwitz’s humanity deeply moving. As an Expressionist, she champions the plight of the poor and oppressed, especially women and children. Working in the mediums of sculpture and drawing, Kollwitz is a master, or rather a mistress of the human form. A sculptor myself, I appreciate the depth of form in her figure drawing and her use of broad strokes to define planes.
I’m an art historian, author, and the former curator of modern and contemporary art at the North Carolina Museum of Art in Raleigh, North Carolina—so art is my thing! I’m the host of the independent podcast ArtCurious, which I started in 2016 and which was named one of the best podcasts by O, The Oprah Magazine and PC Magazine, among other outlets. I’m also the author of a book called ArtCurious, which was lauded in Publisher’s Weekly, BookPage, and Booklist. I’ve got advanced degrees in art history and love to share all my enthusiasm for art whenever I can (also: travel!).
This book is my top recommendation for any art newbie that comes to me asking for book ideas. Where should I start if I want to learn about art history? Start right here! The Annotated Mona Lisa is easy to read, and educational yet entertaining, and it'll help you discover everything from what cave paintings actually mean, to the difference between Expressionism and Abstract Expressionism (hint: it's right there in the name), and even how contemporary artists make work out of miscellaneous objects. Great for preteens on up.
An illustrated tutorial of prehistoric to contemporary world art, from cave paintings to video art installations to digital and Internet media in an easy-to-understand format.
This heavily illustrated crash course in art history is revised and updated from the second edition published in 2007, including a new chapter about recent artists and movements. Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to the Present takes art education out of the realm of dreary textbooks, demystifies jargon and theory, and makes the history of art movements…
We all have obsessions in life and one of mine has been my mother and the great love and enmity that ricocheted between us for fifty-seven years. Throughout the decades, my mother went from protector to controller to betrayer to ogre to human to an elderly woman in my care. The love and hate, distance and intimacy, estrangement, and reconciliation that we experienced made me a lifelong student of the mother-daughter bond. I‘ve written about my mother for more than 30 years, and love reading mother-daughter stories, not saccharine sweet ones, but complex multi-layered dramas where there’s no villain and no hero—just two humans struggling to love and understand each other.
I loved diving into this novel about mother-daughter artists and the devotion, love, and competition that binds them together. Personally, I have no skill or passion for painting or photography—the gifts granted the characters in this book—but as I immersed myself in Bensley’s world, I began seeing the world as visual artists do. That was an unexpected bonus to an already compelling intergenerational story. As I hungrily turned pages, eager to discover what would happen to the characters next, I loved learning about art, the sexism of the art world, and the compelling need to create regardless of external validation.
Liza Baker, a rising star in the burgeoning Abstract Expressionist era, finds herself sidelined when she gets pregnant, and decides to have the child. Yet, against conventional wisdom, she's convinced she can have a successful career and be a good mother to her daughter, Rouge.
She takes a job teaching at a college and comes up against the harsh realities of the male-dominated art world. Unable to build a successful career, she watches as her former lover, whose work resembles hers, skyrocket to fame. Liza develops a drinking problem and often brings home artist lovers she's met in the city.…
I have been fascinated by women who are artists and activists, such as Ivy Bottini, Käthe Kollwitz and Peggy Guggenheim. (All subjects of plays I wrote). They are convicted, unique, champions of justice, diversity and inclusion.
Ms. Kollwitz is one of the most famous expressionistic German artists and was the first female to teach in a university setting. She was a pacifist, champion of the poor, a politically-active socialist. Under the Nazi regime, her work was labeled “Degenerate.” After learning about Ms. Kollwitz, I wrote a play about her entitled Censored.
I'm a nature writer and poet who lives, writes, and tends his modest grapevines on a small farm in the highlands of northern Michigan. My study and my work delves into the mysterious connections between all living things. I've sailed the world's lakes and oceans and lived on the land from Alaska to California to the Caribbean. The natural world cannot just be described but must be experienced – all the writers on my list have taken this approach – as I've followed the lead of these great writers but in my own unique way. I would enjoy a day on a secluded river with each of them in search of the elusive brook trout.
Dalva (and the sequel The Road Home) is a literary fiction classic.
A story of generations and places with memorable characters. Poetic prose describes the landscape. Philosophy abounds. Make no mistake, Dalva and The Road Home are set in the wide open west – the plains and Sandhills of Nebraska. Harrison’s rebellious characters become one with their environment. The storylines are never lost even though Harrison often muses about the past and mixes his thoughts into the present without skipping a beat.
From her home on the California coast, Dalva hears the broad silence of the Nebraska prairie where she was born and longs for the son she gave up for adoption years before. Beautiful, fearless, tormented, at forty-five she has lived a life of lovers and adventures. Now, Dalva begins a journey that will take her back to the bosom of her family, to the half-Sioux lover of her youth and to a pioneering great-grandfather whose journals recount the bloody annihilation of the Plains Indians. On the way, she discovers a story that stretches from East to West, from the Civil…
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