Here are 100 books that The Glimpse fans have personally recommended if you like
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We all have obsessions in life and one of mine has been my mother and the great love and enmity that ricocheted between us for fifty-seven years. Throughout the decades, my mother went from protector to controller to betrayer to ogre to human to an elderly woman in my care. The love and hate, distance and intimacy, estrangement, and reconciliation that we experienced made me a lifelong student of the mother-daughter bond. I‘ve written about my mother for more than 30 years, and love reading mother-daughter stories, not saccharine sweet ones, but complex multi-layered dramas where there’s no villain and no hero—just two humans struggling to love and understand each other.
I read Wild Game in a weekend—and that’s unusual for me, but I just couldn’t put the book down. Brodeur brought me into a world of treachery, lies, and mother-daughter entanglement that I found absolutely compelling. The mother in this book, Malabar, is a larger-than-life character whose willingness to sacrifice her daughter’s well-being for her own ends was horrifying and believable. I rooted for the daughter all the way through this beautifully crafted book, but it was the mother I found unforgettable.
A NATIONAL BESTSELLER. A daughter’s tale of living in the thrall of her magnetic, complicated mother, and the chilling consequences of her complicity.
NAMED A BEST FALL BOOK BY People * Refinery29 * Entertainment Weekly * BuzzFeed * NPR’s On Point * Town & Country * Real Simple * New York Post * Palm Beach Post * Toronto Star * Orange Country Register * Bustle * Bookish * BookPage * Kirkus* BBC Culture* Debutiful
On a hot July night on Cape Cod when Adrienne was fourteen, her mother, Malabar, woke her at midnight with five simple words that would set…
Women’s fiction is about relationships and issues that women deal with daily. I wish I could write thrillers or fantasy—those are so much fun to read, but I’m most fascinated by people and the life-changing choices they make. Being the daughter of immigrants has made me obsessed with two things, one is identity and the second is success. My books touch on the discovery of self and how that leads to success. And if we're honest, our relationships with our parents have a massive effect on who we become and our beliefs. I’ve explored parent/child relationships in all my novels, but most intimately in Let Us Begin which is based on my father’s life.
American Daughter caught my interest because of the title. I was writing a novel based on my father’s search for the American Dream, and we had a contentious relationship. I always felt like the American Daughter of an Argentine dad.
American Daughter, however, didn’t really have anything to do with being American aside from showing the realities or another side of the American Dream, the pain, the struggle, and the brokenness of American families.
I ended up relating to this book much more than I expected. The author’s mother was mentally unstable, selfish, and unable to actually mother. My father, and the character of my novel, was also all three of those things.
I felt a connection with the author because I understood how difficult it must have been for her to ultimately forgive her mother and see her as a damaged human being who did the best she could.…
The sharp and surprising true story of a woman who finally sets out to understand her past, and the mother she had one day hoped to forget. Full of unexpected twists and unbelievable revelations, American Daughter is an immersive memoir that will have you on the edge of your seat to the very last page.
For years, Stephanie Plymale, successful CEO and interior designer, kept her past a fiercely guarded secret. Only her husband knew that her childhood was fraught with every imaginable hardship: neglect, hunger, poverty, homelessness, truancy, foster homes, a harrowing lack of medical care, and worse. Stephanie,…
We all have obsessions in life and one of mine has been my mother and the great love and enmity that ricocheted between us for fifty-seven years. Throughout the decades, my mother went from protector to controller to betrayer to ogre to human to an elderly woman in my care. The love and hate, distance and intimacy, estrangement, and reconciliation that we experienced made me a lifelong student of the mother-daughter bond. I‘ve written about my mother for more than 30 years, and love reading mother-daughter stories, not saccharine sweet ones, but complex multi-layered dramas where there’s no villain and no hero—just two humans struggling to love and understand each other.
There are so many things I loved about Motherland, it’s hard to know where to begin. For starters, Elissa Altman is a brilliant writer and a great storyteller. Her portrayal of her dramatic, narcissistic mother created a flawed, human, larger-than-life character I will never forget. Elissa moves us through time effortlessly, at one moment vividly portraying herself as a child and in the next, seamlessly bringing in the voice of wisdom—her adult voice now—as we watch her struggle to make peace with the past. I deeply resonated with the love and hate, attachment and resentment that ricocheted between this unforgettable mother-daughter pair. I love books that grab me and don’t let me go. Motherland definitely had me hooked all the way from beginning to end. I hated leaving Altman’s world behind. I didn’t want the book to end.
“I’m reading this book right now and loving it!”—Cheryl Strayed, #1 New York Times bestselling author of Wild
How can a mother and daughter who love (but don’t always like) each other coexist without driving each other crazy?
“Vibrating with emotion, this deeply honest account strikes a chord.”—People “A wry and moving meditation on aging and the different kinds of love between women.”—O: The Oprah Magazine
After surviving a traumatic childhood in nineteen-seventies New York and young adulthood living in the shadow of her flamboyant mother, Rita, a makeup-addicted former television singer, Elissa Altman has managed to build a very…
My family is a marvelously mixed bunch: lesbian, gay, and straight relatives; Jewish and Latin relatives; relatives along a spectrum of economic situations, abilities, and political views. The policy work that I do connects me with social justice advocates from across NYC’s multiple ethnic, racial, religious, and LGBTQ communities. The wildly disparate voices that surround me illuminate both the power of communal ties and the dangers of narrow identity labeling. A central quest behind my work, my reading, and my writing has thus always been to balance and respect everything at once: the cultural structures that sustain us; the individual quirks that challenge and complicate those structures; and the universalities that cross all cultural borders.
Alison Bechdel (best known for Fun Home, a graphic memoir about her bisexual teacher-cum-funeral-parlor-owner father) also wrote this graphic memoir about her actor-writer-teacher mother. It largely takes place in the 1990s, when being boldly “out” was just becoming possible—and Bechdel joyfully and graphically reveals herself as such to her readers. With her mother, however… maybe not so much. When told that Alison is publishing a book of lesbian cartoons, the mother asks: “Isn’t that rather a narrow scope?” before landing the zinger: “You’re not going to use your own name, are you?” Still, the book’s power derives from showing that sexual identity is only a small part of what divides, enrages, and ultimately re-connects this vivid mother-daughter duo. There’s also fierce creative competitiveness. Deeply shared sorrow. And love.
An expansive, moving and captivating graphic memoir from the author of Fun Home.
Alison Bechdel's Fun Home was a literary phenomenon. While Fun Home explored Bechdel's relationship with her father, a closeted homosexual, this memoir is about her mother - a voracious reader, a music lover, a passionate amateur actor. Also a woman, unhappily married to a gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood... and who stopped touching or kissing her daughter goodnight, for ever, when she was seven.
Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf.
Weddings are stressful for even the most functional of families. I should know—it took me nearly two years to plan my own! The process of manufacturing the big day, and attending to all the trappings of the wedding industrial complex, really brings out our best and our worst. In my most recent novel, I found that a big, splashy wedding provided such a fun and fascinating way to explore the tensions and enduring love within families, friends, and couples. If done right, plots involving weddings can smash tired “bridezilla” and “monster-in-law” tropes. As we enter the summer wedding season, I hope this list of books keeps you laughing and loving!
I read this novel while I was in my twenties—during a time I called The Age of Everyone Getting Married.
It absolutely captures that whirlwind of bridal showers, bachelorette parties, and wedding registries, but also the love, jealousy, and heartbreak of being young and just figuring life out in New York City. Close writes beautifully about real women doing the best they can with their bad choices.
Ever feel like everyone but you has their life under control?
Isabella, Mary and Lauren feel like everyone they know has a plan, a good job, and a nice boyfriend.
Isabella, on the other hand, thinks she might hate her own boyfriend, Mary is working so hard she's hoping to get hit by a car just so she can have some time off work and Lauren is dating a man who can't spell her first name.
All three of them have been friends since college, and now - more than ever - they need each other, as they struggle through…
In college, I studied Literature with a capital L: those timeless classics the professors worship and revere. Then a woman in a used book store in Seattle handed me a copy of Jim Thompson's Pop. 1280 and said, "Read this." I was hooked. The pulp fiction of the 1950s is visceral and raw. Like Greek tragedy, it examines the darker drives of human nature--greed, lust, loneliness, anger--and their consequences. Pulp writers were paid by the word to crank out lurid thrills. But like Shakespeare writing for the groundlings, some of them just couldn't help going above and beyond. Their work remains in print because it hits on universal truths that still resonate today.
When news editor Earl Janoth murders his mistress, there's only one witness who can tie him to the crime scene. Janoth doesn't know who the witness is, but he knows everywhere the man went in the 24 hours before the murder, because the murder victim told him before he killed her.
Janoth is determined to find and silence him. He assigns reporter George Stroud to track the man down, not knowing that Stroud himself is the man he's looking for. Stroud is forced to assemble a team to hunt himself, knowing that when he's found, he'll be killed.
This is the best-plotted book I've ever read, both in concept and execution. Little details sprinkled through early chapters of the book keep coming back to have major significance as the noose tightens around Stroud.
George Stroud, executive editor at Crimeways magazine, is involved with the wrong woman - his boss's. When Janoth, the boss, kills her in an argument, he tries to pin the crime on a man seen outside her home just before the murder. He assigns his best investigative reporter - Stroud - to find the man. Trouble is, the man was Stroud himself ...An audacious and ironic novel of terror and high tension.
I’m a sucker for unlikeable. A charged word that’s sometimes used about protagonists but mostly only about female protagonists. When they don’t fit a template. When they are imperfect. When they push back. When they are too emotional or too distant or too interior or too driven or too obsessed or too mean or too nice or too smart or not smart enough. The protagonists in these novels are flawed—period. But flawed is complex and perfect is simple and simple is boring and no one wants to read a boring novel.
Joan abandons her life and moves across the country on a quest to find a stranger from her past, convinced it will help her find peace.
In a savagely honest style, Animalrecounts Joan’s affairs, family history, a traumatic incident from her youth, and a gaping emptiness within herself that she’s desperate to understand. “If someone asked me to describe myself in a single word, depravedis the one I would use.”
Depraved, sure. Maybe. But it’s impossible to be angry at her because she’s so candid about what she’s doing and why. The prose itself is fresh and stark and haunting.
From Lisa Taddeo, author of the #1 New York Times bestseller and global phenomenon Three Women, comes an “intoxicating” (Entertainment Weekly), “fearless” (Los Angeles Times), and “explosive” (People) novel about “what happens when women are pushed beyond the brink, and what comes after the reckoning” (Esquire).
Joan has spent a lifetime enduring the cruelties of men. But when one of them commits a shocking act of violence in front of her, she flees New York City in search of Alice, the only person alive who can help her make sense of her past. In the sweltering hills above Los Angeles,…
I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
Adler’s book depicts a woman’s life through a series of moments, incidents, bits of speech that come at the journalist narrator. The short passages perfectly capture the neurotic energy, humor, and horror of New York City. When I first read it, I was blown away. It showed there is great latitude in ways to approach writing. The short, choppy format is the closest a book has come to mirror my experience as a writer who seeks to find meaning and/or humor in everyday life. It’s a jagged mosaic of a book when put together is a delightful treasure.
When Speedboat burst on the scene in the late ’70s it was like nothing readers had encountered before. It seemed to disregard the rules of the novel, but it wore its unconventionality with ease. Reading it was a pleasure of a new, unexpected kind. Above all, there was its voice, ambivalent, curious, wry, the voice of Jen Fain, a journalist negotiating the fraught landscape of contemporary urban America. Party guests, taxi drivers, brownstone dwellers, professors, journalists, presidents, and debutantes fill these dispatches from the world as Jen finds it.
A touchstone over the years for writers as different as David…
Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers, and they were drinkers. Edna St Vincent Millay, Djuna Barnes, Isadora Duncan, and Ma Rainey–knew how to have fun.
I love the way the author deftly describes each woman—women who lived in an era that still defined women as second-class citizens. Each was unique in her own way—bold, brassy, and making no compromise with gender and sexual norms of the day.
This book is an entertaining and informative guide to the music, martinis, and sometimes mayhem of these daring, brazen, and historical heroines!
They were smart. Sassy. Daring. Exotic. Eclectic. Sexy. And influential. One could call them the first divas--and they ran absolutely wild. They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers and they were drinkers. They eschewed the social conventions expected of them--to be wives and mothers--and decided to live on their own terms. In the process, they became the voices of a new, fierce feminine spirit.There's Mina Loy, a modernist poet and much-photographed beauty who traveled in pivotal international art circles; blues divas Bessie Smith and Ethel Waters; Edna St. Vincent Millay, the lyric poet…
There is no place that I find more truth from women than in the books we write, especially memoirs. Starting with my mother, and continuing through my education at Harvard and Wharton, and workplaces including Johnson & Johnson and The Washington Post, women have always fascinated me. Women’s roles are changing rapidly, but not rapidly enough in many ways. From discovering our beauty and sexuality as adolescents to becoming mothers, to navigating the corporate or entrepreneurial climb, to aging while female…it’s all much richer and far more manageable when we tell the truth to each other rather than hiding behind a mask of perfectionism, false chumminess, or cattiness.
Cathi Hanauer and I were editors together at Seventeen Magazine in New York City in our 20s. She tried, unsuccessfully, to convince me not to leave the magazine to marry an abusive man. I obviously regretted not listening to her – but I did get great material to write my memoir. I read The Bitch in the House one snowy Christmas Day lying in front of the fireplace as my three young children played with their presents around me. I recognized myself in the essays about the experience of being female in America, and the book inspired me to corral 26 moms in my own essay collection. I’m forever grateful to Cathi for assembling a group of badass truthtellers with great stories to tell.
Virginia Woolf introduced us to the “Angel in the House”, now prepare to meet... The Bitch In the House.
This e-book includes an exclusive excerpt from The Bitch is Back: Older, Wiser, and Getting Happier, a second collection of essays from nine of the contributors featured in The Bitch in the House and from sixteen captivating new voices.
Women today have more choices than at any time in history, yet many smart, ambitious, contemporary women are finding themselves angry, dissatisfied, stressed out. Why are they dissatisfied? And what do they really want? These questions form the premise of this passionate,…
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