Fans pick 100 books like Animal

I was born and grew up in Seoul. My bestselling debut novel has been longlisted for the 2024 Women’s Prize for Fiction and the 2024 Wilbur Smith Adventure Writing Prize and shortlisted for the 2024 William Saroyan International Prize for Writing. My book is inspired by my great-aunt, one of the oldest women who had escaped alone from North Korea. It is available from Harper Perennial in the U.S. and Virago in the UK. The novel’s translations continue to meet readers worldwide, including in Italy, Romania, Greece, Denmark, Spain, Switzerland, and South Korea.

I’m a sucker for unlikeable. A charged word that’s sometimes used about protagonists but mostly only about female protagonists. When they don’t fit a template. When they are imperfect. When they push back. When they are too emotional or too distant or too interior or too driven or too obsessed or too mean or too nice or too smart or not smart enough. The protagonists in these novels are flawed—period. But flawed is complex and perfect is simple and simple is boring and no one wants to read a boring novel.

I’m a sucker for unlikeable. A charged word that’s sometimes used about protagonists but mostly only about female protagonists. When they don’t fit a template. When they are imperfect. When they push back. When they are too emotional or too distant or too interior or too driven or too obsessed or too mean or too nice or too smart or not smart enough. The protagonists in these novels are flawed—period. But flawed is complex and perfect is simple and simple is boring and no one wants to read a boring novel.

I’m a sucker for unlikeable. A charged word that’s sometimes used about protagonists but mostly only about female protagonists. When they don’t fit a template. When they are imperfect. When they push back. When they are too emotional or too distant or too interior or too driven or too obsessed or too mean or too nice or too smart or not smart enough. The protagonists in these novels are flawed—period. But flawed is complex and perfect is simple and simple is boring and no one wants to read a boring novel.

In 1995 I performed with the Women’s Circus (Australia) at the 4th International Conference and Forum on the Status of Women in Beijing. Our show was called Leaping the Wire and presented thirteen women’s stories from Amnesty International through physical narrative. My story was about a Brazilian woman who had been shot and killed for identifying the police who had rounded up her son and a group of his friends. The Brazilian women expressed their gratitude that I had told their story when they could not. I believe women’s stories are important to be told, to be shared, and I made a commitment to make our stories accessible, first through theatre, and now through my novels.

Judith Jones became an important mentor and mother figure to me in my twenties, in the wake of my parents’ deaths. Her personal wisdom and guidance, which I received both in knowing her personally and from the incredible archive she left behind, have been invaluable to me during a particularly tumultuous and transformative decade in my own life. I wrote The Editor as I was coming into my full adulthood, and the books on this list helped shape my thinking along the way at times when I felt stagnant or stuck or needed to rethink both how to write Judith’s life and why her story is so vital to tell.

My passion started as a personal quest in my twenties, struggling with my relationship with my own mother. When my daughter was born, I knew that I could not repeat the difficult dynamics between my mother and I. What started as a personal quest to understand the underlying dynamics between mothers and daughters quickly grew into a professional quest. Today, I have worked as a mother-daughter therapist with thousands of mothers and daughters of all ages and from different countries and cultures and have developed the Mother-Daughter Attachment® model that helps therapists and mothers and daughters uncover the hidden dynamics in their relationship and create a roadmap for change.

I am passionate about the subject of suicide because I have lived with suicidal thinking all of my life, have made multiple suicide attempts, have lost loved ones to suicide, and have so many new friends who are survivors of suicide attempts. I am a philosophy professor and writer who spends a lot of his time thinking about the meaning of life, and reading other philosophers, writers, and thinkers who have taught us about the meaning of life. I think the Buddha is especially smart and helpful on this question, as are the existentialist philosophers.

I'm a trained Economist and Harvard Trained Policy Expert. I was part of the Prime Minister's supporting delegation to the World Economic Forum, ASEAN and APEC Summits in Singapore. I'm the Founder of the Institute on Holistic Wealth and I am the host of the Holistic Wealth podcast. I wrote a viral article entitled "My Husband Died At Age 34. Here Are 40 Life Lessons I Learned From It". The article was viewed by more than 50 million people globally and led to the publication of my first book on Holistic Wealth, where I coined the term "Holistic Wealth". I have now written three books on Holistic Wealth that have been published globally.

I have always been fascinated by women’s power in the workplace. My mother was intensely focused on breaking ground as a working mother of four small children on Capitol Hill in the 1960s. She was the first woman to be granted part-time status in Senator Ted Kennedy’s office. She worked her way up to speechwriter for Joan and personal correspondent for the Senator. And she kept a fierce border between work and home. And we were intensely proud of her. At a time when our friends’ mothers were mostly homemakers, our Mom had a cool job and kept a cool head among the political and intellectual elite – most of whom were men.